Full text of "Romano-British mosaic pavements; a history of their discovery, and a record and interpretation of their designs"

See other formats

POMANO-BRITISH

MOSAIC PAVEMENTS.

T'HOMAS MORGAN. KS.A.

/rM<

ROMANO-BJUTISH
MOSAIC PAVEMENTS.

" Ex hac Britauniffi facilitate victoria; plurimos quibus illse pvoviuciie reduudabaiit
aecepit artifices." — Eumenes, Paneyyr. Constantii, c. 21.

" Cum loiigi Libyam taudem post fuoera belli
Ante suas moestam cogeret ire rotas ;
Advexit reduces seciim Victoria Musas."

Claudian, I)e II Ooiis. Fl. stilkhoHifi, 17-10.

KOMANO-BEITISH

MOSAIC PAVEMENTS:

HISTOEY OF THEIR DISCOVEEY AND A RECOED AND
INTERPRETATION OF THEIR DESIGNS.

WITH PLATES, PLAIN AND COLOURED, OF THE MOST
IMPORTANT MOSAICS.

THOMAS MORGAN, F.S.A.,

TICH-PBKSIDEST AXD HONOKART TREASURER OF THB BRITISH AHCH.BOIOGICAI. ASSOCIATION,

UEMBER OF THE KENT, MIDDLESEX, AND SURREY AHCH^OLOGICAL SOCIETIES,

AND OF THE ROYAL HISTORICAL SOCIETY.

LONDON:
WHITIN(f c^' CO., SARDINIA STREET, W.C.

1886.

GETTY CENTER
LIBRARY

Avn.4

TO THE EIGHT HON.

THE EAKL GRAXVILLE, KG., Pkesident,

LORD WARDEN OF THE CINQUE PORTS, ETC., ETC., ETC.,

TO THE VICE-PRESIDENTS,

TO THE MEMBERS OF THE COUNCIL,

AND

TO THE HONORARY SECRETARIES,

WALTER DE GRAY BIRCH, ESQ., F.S.A., E. P. LOFTUS BROCK, ESQ., F.S.A..
GEO. R. WEIGHT, ESQ., F.S.A.,

AND THE WHOLE BODY OF ASSOCIATES OF

THE BRITISH ARCHAEOLOGICAL ASSOCIATION,

THIS WORK IS, BY PERMISSION, RESPECTFULLY A.VD GRATEFULLY DEDICATED

THE AUTHOR.

Hill'Side House,

Palace Rmd, Strcatham Hill, S.W.

|>n ^ &iC jW-SJA

^ny^

CONTENTS.

INTKODUCTOKY (JHAPTEK.

De^sigu of the present Work — On the Progress of Civilisation along the
Lines of lloniau Roads — On some of the Chief Authorities quuted —
Origin of Tesselated Floors and Hypocausts beneath them — Excellence
of British Artists in Roman Times attested by Contemporary Authority
— Obligation of the Autlior to the Friends who have assisted him in
his Work ...... xiii

CHAFJ'l'K I.

Greek Modes of 'I hought in Britain jjrominent under the Lower Empire —
Ancient Religious Theogonies influenced by the Harmony of the Solar
System— Epicurean Philosophy prevalent in the Roman World — Orphic
and Bacchic Myths— Onomacritus, Pythagoras, and Metou — Coins
found in or near the Villas in Britain —Palace of Gordian III at Rome
and Prpeneste — Abstract of the Reigns represented by Coins from
Gordian III to Arcadius and Ilonorius . . . . ]

CHAPTER 11.

JJiunyaiaca of Noiuius — Argument of the Poem — Europa carried off from
Phoenicia — The Mimalloues and Thyrsus of Bacchus — Cadmus and
Harmony — Education and first Exploits of Bacchus — Re-establishment
of the Spheres after the AVar with the Giants — The Progeny of Cad-
mus— Staphylus and Botrys ; their Palace in Assyria — Prizes for
Dancing — Lycurgus, Son of Mars; his Axe with double head —
Deriades, the Indian King — Bassarides and Msenades — Morrheus and
Chalcomedia — Bacchus defeats Lycurgus and Deriades — Agave and
Pentheus — Athens at last converted . . . .11

CUAPTEK 111.

Dewigu of the Mosaics at Morton, near Brading, Isle of Wight — liarmonia
— The Tliree Seasons of the Day, GaUlcuiiuin, Conticuum, and Diliicu-
liim — Orpheus and tlie Animals at Morton — Seasons of the Year —
Agave witii the head of Pentiieus— Juno and Lycurgus — Ceres and
Triptolemus — Staphylus and Bacchante — Tlie Realms of ISleptunc and
Thetis— Juiiiter and (iaiiymede — The Borders and Frames, with their
Meanings . . . . . . ,25

VI 11 CONTENTS.

CHAPTER IV.

Emblems of the Elements — Anaxagoras and his Perception of the Neces-
sity for a Divine Rnler of the Universe — The Atomic Theory of the
Homfeoiaeria — His Successors and Predecessors and their Theories —
Pythagoras and Meton — Astronomer figured on the Mosaics at
Morton, Isle of Wight — Ptolemy — Claudian's Poem on the Load-
stone— Union of Astronomy and Philosophy — Astrology — Instruments,
Constellations, and Zodiacal Signs — Improved Observations of the
Seasons — Seasons of the Day, Week, Month, and Year depicted on
Mosaics . . . . . . .39

CHAPTER V.

Transitional Times — Policy of Theodosius — Absorption of the Gothic
Nations — Destruction of Roman Villas — Continuation of Roman Arts
and their Mosaic Patterns by Sculptors and Scribes — Wall Painting
and Sectilia for Walls — Floral Decorations and their Influence on early
Church Architecture and Glass Windows . . .61

CHAPTER VI.

Gloucestershire Mosaics — Situation of the Villas — Woodchester and
Cirencester described in Lysons' great Work — Catalogue and Descrip-
tion of these and other Mosaics — The Localities where found — Coins
— Authorities — Herefordshire : Mosaics at and near Kenchester re-
ferred to by our early Writers on Antiquities . . .67

CHAPTER VII.

Mosaics in Somersetshire, IMonmouthshire, Wiltshire, and Shropshire
— Situations of the Villas and Remains described by various Authors —
Particular Descriptions of the Mosaics with the Coins found near them,
and the Authorities quoted . . . . .88

CHAPTER VIII.

Mosaics in Oxfordshire, Leicestershire, Nottinghamshire, and North-
amptonshire— The Villas and their Situations described by various
Authors — Details given of the different Mosaics and of Coins found
near them — Authorities quoted .... 108

CHAPTER IX.

jMosaics in Lincolnshire and Yorkshire — Roman Remains at Bartou-on-
Humber described, as well as those at Aldborough, and some account
of the situation of these and of other localities where Mosaics have
been found — The " Corb ridge Lanx" and its Interpretation — Particular
Description of the Mosaics and Coins found near them, and reference to
the Authorities . . . . ... V21

CONTENTS. IX

CHAPTElt X.

Mosaics in Berkshire, Essex, auJ Kent — Reference to the Situations of
various Roman Villas in those Counties where Remains have been
found— ^The Mosaics separately described and the Coins dug up near
them — Authorities quoted ..... li;)

CHAPTKR XI.

Mosaics in Middlesex — Oi^iuions as to the Walls, Boundaries, and Extent
of Roman London, and in reference to Public Baths there — Some
account of the Roman Thermae at Bath and Rome . 155

CHAPTER XII.

Middlesex — Mosaics in London, particularised and described — Coins found

near them, and Authorities quoted . . . .176

CHAPTER XIII.

Mosaics in Sussex, Surrey, and Dorset — Comments upon the Situations and
Characteristics of the Remains of Villas in these Counties — Particular
Descriptions of the various Mosaics found in them — Coins taken up in
the Vicinity — Authorities quoted . . . .199

CHAPTER XIV.

Mosaics in Hampshire and Isle of Wight — Accounts of the Situation
of the various Roman Villas where Mosaics have been found —
Particular Descriptions of the latter — Coins found near — Authorities
quoted ....... 217

CHAPTER XV.

Mosaics in Hampshire and Isle of Wight (continued) — Descriptions of the
Mosaics and Coins found near them — Some Passages in History quoted
in illustration ...... 225

CHAPTER XVI.

On Roman Mosaics in the British Museum, found in England, Asia Minor,
and Northern Africa— And Authorities quoted in illustration of
them .241

CHAPTER XVII.

Summary of the Foreign Examples in the British Museum, and their sub-
division into Classes ...... 265

CONTENTS.

CHAPTER XVIII.

Comparison of the Subjects of Romano-British and Foreign Roman Mosaics
generally, with Extracts from the Orphic Hymns and the Golden Poems
of Pythagoras, together with some Opinions of eminent modern
Archaeologists on the subjects treated of. — On the Materials employed
by the Romans in Tesselated Work .... 278

CHAPTER XIX.

Descriptions of Thirty Coins, selected from the British Museum Collection
— Amplification of the Descriptions, to illustrate the Period travelled
over in this Work, with reference to the Mosaics — Remarks upon
the Value of certain Coins, and on the importance of Numismatic
Science . . . . . . .290

APPENDIX.

Notes on the Itinerary of Antoninus and the Text of such portion thereof
as concerns Roman Britain — Table of the Mosaics referred to in this
Work, distinguishing the Plain and Geometrical from the Figured
Designs ....... 306

Index . . . . . . .319

ILLUSTRATIONS.

Modern Mosaic .

Interlaced Work on Early Crosses

Woodch ester Pavement

Plan of Roman Villa at Chadworth

Pavement at Wellow

Plan of Villa at North Leigh, Oxfordshire .

Mosaic at Horkstow

Pavement at Lincoln .

,, at Canterbury
Pavement discovered in Leadenhall Street, 1803
Bignor, Plan of

Rape of Ganymede

Reception Room

Head of Winter

Dining Room

Fragments
Pavement at Itchen Abbas, near Winchester

>j )) >)

Brading, Plan of

„ Room No. 3 on plan

„ Room No. 12 on plan
Hunting Scene (British Museum)

Fish falling from Basket and Basket of Fruit (Brit. Mus.)
Amphitrite and Tritons (British Museum)
Meleager (British Museum)
Atalanta (British Museum)
Dionysus (British Museum)
Head of Glaucus (British Museum)
Fishermen in Boat (British Museum)
Roman Imperial Coins and Medals (British Museum)

Front

Ispiece

face

p. 60

100

116

136

138

154

180

200

203

>»

204

»>

204

205

5»

206

221

225

234

247

■)

248

))

249

257

262

267

275

Plate I

290

„ 11

292

„ 111

294

„ IV

>»

296

INTRODUCTOKY CHAPTER.

Design of the Present Work — On the Progress of Civilisation along the
Lines of Roman Roads — On some of the Chief Authorities quoted —
Origin of Tesselated Floors and Hypocausts beneath them — Excel-
lence of British Artists in Roman Times attested by Contemporary
Authority — Obligation of the Author to the Friends who have assisted
him in his Work.

THE design of the present work is to bring together
descriptions of Romano-British tesselated pavements
which lie scattered through the writings of a great number of
separate authors ; to add thereto what has come under my
own observation of the pavements themselves ; and to
present authentic copies, in plain and coloured engravings,
of as many as may he found practicable or are within
reach. Some are of simple geometrical designs ; others of
more elaborate composition, formed of lines, borders, and
floral decorations ; but the most interesting, of course, ai'e
those on which are depicted scenes of life or allegorical
figures, and allusions to the numerous fahellce which made
up the atmosphere of the life and religion of the ancients,
and threw over them a charm in their every-day aftairs,
Avhether at the dinner- table or in the bath, at the games
of the circus or in the hunting-field, and even amidst the
business and turmoil of the forum and the comitia.

If, in desciiljing fjie jiavements of Englaiul, county hy

XIV INTRODUCTORY CHAPTER.

county, I am led sometimes, from the nature of tlie subject,
into the depths of heathen mythology, let me neither
elevate the gods and goddesses to the dignity of demons
or sorcerers, nor yet treat them as the meaningless fabrica-
tions of the poet, the sculptor, or the painter. Chronolo-
gically, they have an interest as conveying to us the intel-
lectual life of the time when they moved in the religious
creed which gave a tone to the literature and intellect
of the world ; but I will limit my observations upon them
to so much as is necessary for verifying my explanations
of the mosaics and their pictured allegories.

By " nothing extenuating", yet " setting down nought
in malice", if no other good is to be derived from such
studies, at least they will inspire us with a feeling of
thankfulness that we live in a more advanced age of the
world than when these mosaics were laid down, and under
a different dispensation of Divine Providence.

The aggregation of facts during the present century
by the many antiquarian societies in this country and
on the Continent has elevated archaeology into a science,
by multiplying in an extraordinary degree contemporary
evidence of history, and hence a more critical system of
studying it has been created. Our societies have done
well in acting according to one of the laws adopted by
the Institute of Archaeological Correspondence, esta-
blished in Kome in 1828 — a society which laid down
the rule that their work was to " define archaeological
facts, not to give academical treatises". Over fifty volumes
of their Annalli Mo^nmienti, filled with coloured engrav-
ings of sculptures and other antiquities, attest the assiduity
of those who conduct the proceedings.

INTRODUCTORY CHAPTER. XV

The Society of Antiquaries of London, the British
Archaeological Association, the Royal Archaeological Insti-
tute, and the numerous county archaeological societies,^
have done much to extend the knowledge handed down
by previous antiquaries of the progress of Roman civilisa-
tion in Britain from the date of the invasion of Claudius.
This will be found to correspond very much with the first
lines of occupation, which may be followed by mapping
down the roads constructed by the Romans for military
purposes, and specially particularised, with the mileage
between each station, in the Itinerary of Antoninus — a
roadster for the guidance of the military in the second
century of our era.

Though the remains described in this work principally
date from a period not earlier than the Gordians, it is pro-
posed, nevertheless, to give, in an Appendix at the end
of the volume, the text of the Itinerary of Antoninus,
because this is an authentic document of the period when
it was written, and is a good prelude to the advancing
civilisation of the next and following centuries, about
which this work will treat. The map which accompanies
it is by no means intended to be a sure guide to the
identification of every place, but rather to give a general
view of the direction of the roads by which the scheme
of the Roman engineer for connecting the main ports and
fortresses together may be seen ; and for this purpose I
have abstained from marking down any other roads, whether

' A general index of the writings and proceedings of the different anti-
quarian societies is nuiuh needed, for diffusing a wider acquaintance with
their investigations than is now attainable, except with great loss of time
in the search.

XVI INTRODUCTORY CHAPTER.

British or Roman, except those in the Ituierarij of Anto-
ninus.

Four sheets of autotype facsimiles, from coins in the
British Museum, of some of the Boman Emperors most
directly connected with British history, is also added.
These present their portraits to the reader in a more accu-
rate form than could be rendered by a mere outline ; in
fact, the view of the coins thernselves Avill hardly teach
more than can be learnt from the engraved facsimile pro-
duced by the new autotype process. The fifth chapter is
dedicated to the subject of the perpetuation or imitation of
forms and designs in art through Boman into Anglo-Saxon
and mediaeval times ; and in the succeeding chapters the
various mosaics of England are described county by county.
The sixteenth and seventeeth chapters treat upon the
native and foreign mosaics preserved in the British
Museum ; and the eighteenth sums up the whole subject-
matter. The nineteenth is dedicated to an explanation
of the coins before referred to ; and the Appendix, besides
giving a catalogue of the pavements, treats of the Itinerary
of Antoninus, and furnishes the text of the document, as
far as regards Britain, with a map. By following the lines
on the map, not only will it be seen how in their vicinity
some of the finest specimens of mosaics have been found,
but it will also indicate in some degree where others might
be sought which have not yet come to light.

The intermediate stations along the various roads
have been amply discussed, and their correspondence with
modern towns and localities not always agreed upon ; but
the main points and direction of the roads can hardly be
controverted/ and the main ybci of Roman occupation will

' With some few exfe])tious as lu Iter x and the Itinera vii and xv.

INTRODUCTORY CHAPTER. XV U

be some guide to the villas of the rich and powerful of
the time, and to the mosaics which adorned them. The
counties of England south of the Thames were first formed
into a province under the name of Britannia Prima, and
this was entered from the Continent by roads leading from
Richborough (Rutujnce), Dover (Duhris), and Lymne {PoHiis
Lemanis) : three roads from which j^ort^ converged upon
Canterbury (Durovernum), and from thence proceeded
through Rochester (Durobrivce) to London.

Here the river Thames intervened and bounded this
province on the north. The next outposts on the west
would be in Gloucestershire, the principal of these being
the fortress and Colonia of Gloucester {Glevum). This was
reached from London, perhaps by the Thames river as far
as Silchester (Calleva Segontiacum), and from thence by a
direct road through Speen [Spince), near Newbury and
Cirencester {Coinnium). The next step was to subdue
Wales ; and a line of road was accordingly made by Ross
{Ariconium), Kenchester (Magna), Wroxeter ( Uriconium),
and Mediolanum, a station on the Tanad, to Chester (Deva),
the head-quarters of the 20th Legion, the "dutiful, faithful,
and victorious", Mediolanum, a central town of Wales, as
its name indicates, was conveniently situated in the midst
of this country, now erected into the province oi Britannia
Seciimla.

Wales being pacified, a pretty direct road was made to
communicate from Silchester [Calleva Segontiacum), through
Reading and Bath, with Caerleon (Isca Silururii) on the
Usk, the head-quarters of the 2nd Legion, and tlie line was
continued along the coast as far as Carmarthen [Mari-
dunum). From Caerleon {Isca Silurum) a line was carried

XVUl INTRODUCTORY CHAPTER.

northward to the great camp at Kenchester [Magna), near
Hereford, and there was joined by the road from Ross
[Ariconium) to Wroxeter [Uriconium), and on to Chester.
The northern part of Wales was opened up by a line of
road from Chester to Caer Seiont, near Carnarvon {Segon-
tmm).

The next progress of occupation was that of the large
province called Flavia Ccesariensis, in honour of the
Emperor Flavins Vespasianus, which included the whole
country bounded by the Thames river on the south and
the Humber on the north ; and to this was soon added the
adjoining province northward from the Humber as far as
the Wall of Hadrian, from sea to sea, under the name of
Maxima Ccesariensis, and these provinces were then opened
up by military roads, as well as that further north, the
province of Valentia, between the two walls of Hadrian and
Antoninus.

The original Dover and London road was continued,
through Verulam and Dunstable [Durocohrivce), to the
river Trent, which was navigable to another Mediolanum
in Staffordshire, the centre of the Flavian province, and
thence it pursued its course in nearly a right line through
Congleton (Condate), Manchester {Mancunium), through
Wigan, Preston, and Lancaster, to Cockermouth, near
Maryport, on the west coast of Cumberland. From Lon-
don a road in a north-easterly direction embraced Chelms-
ford iCcesaromagus) , Colchester, the great camp of Camu-
lodimum, to a port on the sea-coast of Suffolk, Dunwich
[Sitomagus), with a line on to Norwich {Ve7ita Icenorum).
From the camp and colony of Colchester a thoroughly
military way went round by Thetford to Cambridge

INTRODUCTORY CHAPTER. XIX

(Camborimim), Castor (Durohrivce) to Lincoln (Lindum
Colonia), thence through Doncaster (Danum) to York^
(Ehoracum), the head-quarters of the 9th Legion (" the
Spanish"), proceeding thence northward to Hadrian's Wall,
and through it as far as High Rochester (Bremeniiim) .

This great road, which bisected the country in a course
almost parallel with the line already described from Dover,
London, Manchester, and Cockermouth, known in later
times, through part of its course, as the Watling Street,
communicated with it by two cross-ways, the one from
High Cross ( Venonce) to Lincoln, and the other from Man-
chester to York, with a south-easterly line from York to
Patrington {Prcetorium) on the Humber, near its mouth ;
and a branch must be mentioned which separated from the
great military way (Colchester to York and Bremenium) at
Catterick (Cataracton) in Yorkshire, and went off in a
north-westerly course to Carlisle (Luguvallum).

At a later period the harbours of Portsmouth, South-
ampton, Weymouth, and neighbouring inlets of the sea,
seem to have been the most frequented ports of landing
from the Continent ; and the Itinerary points to a road from
east to west, which ran along the south coast, connecting
Worthing, Chichester, Portsmouth, Southampton, Win-
chester, Wareham, and Dorchester ; and from Havant two
roads radiated, the one straight to London, in line with
that from London to the Suffolk coast, and another due
north to Silchester {Calleua Segontlacum), where the re-

1 Though not in the Itinerary of Antoninus, there scetns to have been
a more direct road from Lincohi noithward to York, by crossing the
Huinbcr at or near VVinterton to Brough. (T. Wright, CvU, Roman, and
Saxon, 1875, p. 1.03.)

XX INTRODUCTORY CHAPTER.

mains of massive walls, forum, and buildings attest the
importance of this central point of convergence.^

The cross-roads in the Itinerary to which I have not
before referred are a line connecting Etocetum, near Lich-
field, on the Watling Street, with Wroxeter, and one con-
necting Ross [Ariconium) with Abergavenny ((To6a?i7im?}i).
It will be seen from this sketch of the roads where impor-
tant positions as places of residence were situated in the
vicinity of towns, such as Cirencester, Gloucester, and
Bath.^ The Isle of Wight, Southampton, Chichester, and
neighbourhood, from their southerly position and easy
access to the Continent, would be much frequented, as well
as Kent, with its three ports before named, and Rochester
[Durobrivce), with the fertile country at the back of
these places.^ The neighbourhood of the garrisons of the
northern legions, whose head-quarters were at York and
Chester and along the stations of the Wall, were too much
taken up with military works to afford the time and leisure
required for the cultivation of the arts of peace, in the

1 The most recent discoveries from excavations on this spot have been
described by the Rev. James Gerald Joyce, F.S.A., in vol. xlvi, p. 344, of
the Archaiologia of the Society of Antiquaries, who had pi'eviously given an
acconnt of the investigations there in 1865 and 1867.

2 The Rev. H. M. Scarth, M.A., the historian of Roman Bath (Aqiue
Solis), has minutely illustrated this part of the country, and, indeed, many
others, in a comprehensive maniial of antiquities lately published, entitled
The History of Roman Britain, to which I shall again have occasion to
refer in the course of these pages.

^ The latest guides to Kent in Roman times, since Hasted and the
old county historians, are Mr. Charles Roach Smith, F.S.A. , Antiquities of
Riclihorough, Reculver, and Lymne, London, 1850; and the articles by
Rev. Canon Scott-Robertson and Mr. George Dowker in the Archceologia
Cantiana; and Canterbury in the Olden Time, by Mr. John Brent ; and the
various papers on the localities in the British Archtcolugical Association
and Ro3'al Ai'chcoulugical Institute Journals.

INTRODUCTOEY CHAPTER. XXI

laying out of spacious villas and mosaics, such as are seen
or might be found at Lincoln, Castor, Verulamium, Col-
chester, and Norwich. Wales, both north and south,
affords evidence of Roman peaceable occupation through-
out the country, which was well guarded by the strong-
garrisons at Caerleon on the Usk and Chester on the
Dee.

In the first chapters of this work are discussed the
two classes of subjects which in Romano-British mosaics
are generally combined, that is, the Orphic and Bacchic
myths, with astronomical references and symbolism ; and by
comparing these with the writings of poets, contemporary,
or nearly so, with the mosaics, as well as with the prose
writers, we shall find them mutually to explain each other.
It would be long before the rich and luxurious Romans of
the higher orders would be induced to exchange their
Epicurean philosophy and habits for the principles and
practice of Christianity ; and if they did, the banqueting-
hall would be the last place from which would be banished
the emblems and adornments of an ancient creed and
mythology. Epicurus considered the summum honum to
consist in the attainment of happiness on earth by every
means which could procure peace of mind and tranquillity
through intellectual enjoyment and health of body — aapKcbv
evaradh KardaTrjfia. The tendency of such a system would
be to degenerate from the higher standard of its founder
into licentiousness and lust, which would entirely defeat
the end proposed by Epicurus. The Stoics and Cynics did
all they could to bring Epicurean doctrines into ridicule ;
and one of the most moderate of these, the Cynic Hierocles,
may be named — who, nevertheless, was somewhat un-

XX11 INTRODUCTORY CHAPTER.

measured in his satire, as appears by the testimony of
Aulus GelHus (ix, 6-8).

The Romano-British tesselated pavements have been
separately described, and most of those which are specially
interesting on account of the subjects displayed in the
pictures, have been figured in the works of S. Lysons,
F.S.A., of which his Reliquice Britannicce Romance, in three
folio volumes, is a grand example of sumptuous illustration.
Many are to be found in Monumenta Vetusta and the
Archceologia of the Society of Antiquaries, and also scat-
tered through the journals of the many archaeological
societies ; in the Corinium of Messrs. Buckman and New-
march ; in the works of Sir Richard Colt-Hoare, Bart., and
his Ritney (1831-4°) ; in the Reliquice Isuricmce of Mr. H.
Ecroyd Smith, and in Mr. John Pointer's account of Stuns-
field, Oxford (1713). The Rev. W. Hiley Bathurst pub-
lished an Account of Roman Antiquities in Lydney Park,
Gloucestershire, in 1879, with notes by C. W. King.

Mr. William Fowler, of Winterton, published twenty-six
plates of Roman mosaics, 1796 to 1818,^ and Mr. J. R.

» I am indebted to Mr. H. W. Ball of Bartou-on-Humber, for the fol-
lowing testimonials to Mr. Wm. Fowler's skill and accuracy in publishing
these drawings. The Rev. W. Gretton, D.D., Master of Magdalen College,
Cambridge, writes, under date 20th March 1801 : — " I recommend Mr.
Wm. Fowler to the notice and regard of all who are admirers of the
antiquities of this county, as a man of exquisite industry in his researches
and of great ingenuity in the execution of the various species of tesselated
pavements which he has drawn and engraved with the greatest fidelity
and accui'acy." Sir Joseph Banks, upon an occasion of addressing the
Society of Antiquaries, said, in reference to the representations of mosaic
pavements by Mr. Fowler : — " Others have shown us what they thought
these remains ought to have been, but Fowler has shown us what they ai'e;
and this is what we want." Born in 1761, he died on 22nd September
1832, at Winterton, where he was born, and where he resided during

INTRODUCTORY CHAPTER. XXIU

Smith, of Soho Square, another collection of plates of
mosaics in 1850. Many accounts of them are given in the
Collectanea Antiqua, seven vols., and Roman Remains of
Ancient London, by Mr. C. Roach Smith, F.S.A.

Mr. J. E. Price, F.S.A., and Mr. F. G. Hilton Price,
F.S. A.,F.G.S., in describing the pavement found in Bucklers-
bury, have touched upon many other of the mosaics in
Britain, and have given an account of the villa and pave-
ments discovered in 1880 at Morton, near Brading, in the
Isle of Wight, in a separate work. The Morton mosaics
have also been described by Mr. Cornelius Nicholson,
F.S. A., in the pages of the Antiquary, 1880. The county
historians have but occasionally given accounts of the dis-
covery of mosaics. Leland and Camden have described
many, as well as Stukeley, Gale, Horsley, and others. In
numerous instances the pavements have been destroyed or
reburied, and, therefore, are only known by these descrip-
tions in print ; some also have been removed to public
museums or private collections ; and as I believe they have
not hitherto been brought together for the purpose of
comparison, a catalogue of them may be useful to future
inquirers, and I have arranged more than a hundred
and eighty examples, according to counties, without pre-
tending that the list is com])lete, though embracing the
principal figured pavements hitherto discovered, and it is
a beginning for a work which others may continue and
perfect hereafter.

One unintentional omission must be here mentioned,
of a small portion of a pavement found at Bay's Meadow,

the whole of his long and active life. — Reprinted from the North Lincoln-
shire Monthly Ilhuttrated Journal for Ajjril 18G9.

XXIV INTRODUCTORY CHAPTER.

near Droitwich, on 3rd April 1847, particularly as no
other mosaic has been reported in the county of Worcester.
It is of geometrical pattern, of inch tesserce, in about
three colours ; the liiies form a diamond overlapping a
square. In the centre is a guilloche knot in a circle.
This pavement is now in the museum, Worcester.^ A
description is given of the principal examples, and refer-
ences to the authors from whom my information is drawn,
and I have added a notice of coins found in the vicinity, as
some kind of clue to the chronology. My list will begin
with Woodchester, once at the head of British pavements,
but which now has even been excelled in interest by the
late discovery in the Isle of Wight, with which I shall
conclude. Coloured engravings, drawn expressly for this
work, are also given of eight out of the seventy mosaics
in the British Museum from Asia Minor and Northern
Africa, with descriptions of each.

I shall not encumber my account with the origin and
history of mosaics in general, and the date of their intro-
duction into Italy, which has been often written upon ;
nor speculate as to how the floors of the Romans, at first
stuccoed, came to be painted with representations of such
objects as might have fallen from the table to the ground ;
nor how these first essays at art were succeeded by pictures
in mosaics which acquired such repute, and came so much
into use, that in the time of Seneca he was considered a
poor man indeed who could not afford a tesselated floor^
in his best rooms ; nor need I repeat Avhat is well known,
that the far-seeing mind of the divine Julius, knowing

' Jonrnal Brit Arch. Assoc, xxxvii, p. 432.
2 Lithostrotuvi.

INTRODUCTORY CHAPTER. XXV

the effect of Roman civilisation upon the nations brought
within its scope, did not fail to carry about with liim
tesserce and sectilia for the decoration of the floor of his
jorcBtorium, wherever this might happen to be, so that the
head-quarters of the general might always represent the
style and dignity of Roman life/ Suetonius, in relating
this (in Vita C. J. CcBsari^), little knew the puzzle it would
be in after ages to discriminate accurately between the
words tesserce and sectilia. The probability is that the
tesserce, presenting four sides on the surface (from reaaape^,
four), were originally the cubes of brick cast in a mould,
and that when other substances, such as porphyry, glass,
or marble, were cut into forms for the same purpose, these
were called sectilia, as the word seems to be used in a wider
sense than for the sections or slabs employed for decorat-
ing walls and ceilings, to which the word is sometimes
restricted by modern interpreters. The sectilia were either
square or shield-shaped, triangular or hexagonal (honey-
comb form), and sometimes cut to special forms as required.
Britain was not behind the rest of the Roman empire
in works of this nature, some of which were of great beauty
and elegance. Foundations of Roman villas are spread
through the length and breadth of the land, and accounts
of them and their arrangements would bear greatly on the
subject here treated of, but this present work must be
restricted to the tesselated floors with which they were
adorned. Gysi&yiw^ {Antiq. Rom., viii) has the remark that

' Juvenal criticises such practices at a later period :

" Argillam at(]uo rotani citius propcratc sccl ex hoc
Tempore jam Cfcsar figiili tiia castra secpiaiitur." — Sat., iv, 133.

XXVI INTRODUCTORY CHAPTER.

as the large number of slaves owned by the rich Iloman
proprietors had each a separate cella allotted to him, it can
readily be seen how the villas came to be extended in width,
and, as Seneca observes {Epist., 114), the private edifices
exceeded in extent even large towns. Olympiodorus (in
Bibliotheca Photii) informs us that each of the large villas
contained within itself whatever a moderate sized town
might require — that is, circus, exchange, temples, fountains,
and baths of all kinds ; but it would be rather an exag-
geration to apply this description to those hitherto found
in England.

A large number of mosaics may yet see the light, for
in the country they lie only from one to two feet below
the surface, and the plough goes over without injuring or
exposing them to- view, unless the finding a few Roman
remains happens to come to the ears of some neighbouring
antiquary. The south-western counties have furnished
the most numerous and some of the best examples ; but
as instances are found in almost all the other counties
south of Yorkshire, it is probable that many more may
hereafter be exhumed. The pavements Avere formed of cubes
of various sizes, colours, and materials, and I may instance
as a good type the large pavement at Woodchester, in
Gloucestershire, described by Lysons, which consisted for
the most part of cubes of half an inch, and in which he
says that not less than a million and a half of them were
employed. The materials were mostly of the produce of
the country, except the white, which is of a very hard
calcareous stone, bearing a good polish, and resembling the
Palomino marble of Italy.

The Romans took much pains to keep out damp from

INTRODUCTORY CHAPTER. XXVU

their floors and walls, and hence the mosaics have been
so well preserved ; thus, the greater part were " sus-
pended", that is, built on a platform of tiles which rested
on pillars of brick-tile or stone, and into the hollow space
below, or the hypocaust, was blown the heated air from
a great furnace lighted outside the house, and the blast
rushed into the hypocaust through one or two narrow
channels. When the pavement had no hypocaust below
it, then it was laid upon a thick bed of different materials,
by which the same purpose of keeping out the damp was
effected. Mr. Thomas Wright describes the foundations
of one at Wroxeter as follows : " They consist of four dis-
tinct strata of materials, forming together a bed between
two and three feet in thickness. On the native ground
they first placed a layer of lumps of sandstone, rather
irregularly disposed, and above eighteen inches thick, tlie
uneven surface of which was made tolerably smooth by
a bed of soft concrete or mortar, exactly like that now
used in ordinary building. On this bed of mortar was
placed the stratum on which the tesserce were laid, about
two inches and a half thick, exceedingly hard, and evidently
composed of a mixture of rough pulverised burnt clay and
lime, prepared with more care than the others, being of a
very uniform thickness, and having its under and upper
surfaces perfectly level. On this hard and even stratum
the tesserce were bedded in a layer of white and very hard
cement, not more than half an inch thick." Mr. Lysons
says of the pavement at Woodchester, that "the cement on
which it was laid appeared to be about eight inches thick,
and composed of fine gravel, pounded brick, and Vnue, \
forming a very hartl substance, on which the tesserce were

XXviii INTRODUCTORY CHAPTER.

laid in a fine cement consisting chiefly of lime. The
next stratum was three feet thick, and appeared to be
composed of coarser gravel, with which great quantities of
tesserce were mixed, and below this another of a reddish
sand and clay, mixed with pieces of brick about a foot in
depth, which lay on the natural soil."' According to this,
the foundations of the Woodchester pavement would be
nearly five feet in thickness, though the previously named
example at Wroxeter only measured between two and three
feet. The thickness of these foundations was probably
influenced by the nature of the soil,^a moist clay requir-
ing a thicker foundation than a subsoil of gravel.

Seneca [Nat. Qucest., vi, 31) instances a remarkable
phenomenon in the case of an earthquake, when the entire
nucleus of a pavement had been rent, and the water oozed
up through the tessellce. It will be seen that the English
examples carry out very well the directions of Vitruvius :
" Super nucleum, ad remdam et lihellam exacta pavimenta
stniantur, sive sectilibus sive tesseris." These mosaics were
called Opera segmentata, Opus musivum, and musaceum.
The workmen, in laying them down, kept the tesserce of
difterent colours in divisions, as does the printer his
types.

The bed to receive them was of lime, sand, and ashes,
and the cement used to set them in was composed of
pounded slate, white of egg, and gum-clragon, which was
to be moist when the tessellce were laid on it, as it soon
hardened, and these were then pressed down with a heavy
roller, which fixed them in their places. The surface was
then polished, or rather, such of the tessellce as would take
a polish ; and this inequality of materials, some being

INTRODUCTORY CHAPTER. XXIX

polished and others retaining their natural dull surface,
produced a very pleasing effect. The Opus vermiculatimi
seems to describe the sinuous lines of tessellce when they
were arranged in curves to follow the pattern, in opposition
to those placed in straight lines. The Ojyus Alexandrinimi
was worked in two colours, black and white, on a red
ground.

Eumenes, in his eulogium on the Emperor Constantius,
who had restored Britain to Kome after the ten years'
usurpation of Carausius and AUectus, invokes the Em-
peror's patronage in the restoration of his native town,
Augustodunum (Autun), in Gaul, and cites the reconquest
of Britain as the means by which the Emperor would be
able to comply with his request, by sending artists from
Britain, in whom that province abounded.^

For the purpose of reference, the value of a work such
as the present is much enhanced by the excellence of engrav-
ings, that the pavements may be faithfully presented to the
eye ; and I must acknowledge the obligation I am under to
Messrs. Howe and Clark, of Messrs. Whiting and Co., the
publishers, and the skilled artists under their direction, for
the care bestowed on the coloured drawings from the
mosaics at Morton, Bignor, London, and elsewhere, as well
as those copied from the fine specimens in the British
Museum.

Those discovered in far bygone times, which can only be
represented by co|)ies of engravings tlien made, may not
so well represent the reality as the modern work referred
to, but they are the best to be had. I have seen a

* Ex hac Britanniic facilitate victoricU jiluriino.s (jnibiLs ill;c pruviuciio
rcdamlafMinl acccpit artifices {I'nneyyric, v, c. I'l).

XXX INTRODUCTORY CHAPTER.

coloured drawing in the possession of Mr. Christopher
Bowly, of Cirencester, of a pavement described at its foot
as found "in Dier Street, a.d. 1820, in the house of Mr.
Jenkins, cheese-factor." It seemed not to be drawn with
that accuracy which would be required to substantiate a
discovery of which this drawing is the only record, still
the fact is worthy a place in the history of Romano-British
mosaics, and particularly as Mr. C. Bowly writes to me
that " it was very near to w^here the 1849 pavements were
found; but the house (No. 93, Dyer Street) is on the
opposite side of the street to the Mr. Smith's house
(No. 52, Dyer Street) in which the 1783 pavement was
discovered. The latter could not be the same as that dis-
covered in 1849, though it may have been part of the same
dwelling. There are other pavements in Cirencester still
uncovered, and of which only the edge has been exposed,
and covered up as quickly as possible.

" There is an unopened villa on the estate of Lord Sher-
borne, at Bibury, about seven miles from here, where some
pavement was found, but has been covered up again in
order to preserve it ; the small piece that was exposed was
of a simple character." He further writes, in reply to
inquiries, that he regrets to say " the Barton pavement
has deteriorated, and is deteriorating, from the combined
effects of damp and frost. I am not aware that since its
discovery it has been injured by the roots of trees at any
rate : although it is quite possible, it is not very obvious
that such is the case. The pavement is under cover, but
rests immediately upon the soil, and is not flat, but un-
dulating."

I have to express my obligation to Mr. Bowly for this

INTRODUCTORY CHAPTER. XXXI

information, as well as to all those gentlemen whose
printed works are referred to in this volume, and for the
knowledge freely imparted to me by many of those who
are still living, whenever required, as Mr. Joseph Clarke,
F.S.A., of Saffron- Walden, Mr. Gordon Hills, Mr. HalHwell-
PhiUipps, LL.D., F.S.A., Mr. C. Roach Smith, F.S.A.,
Mr. Stephen Tucker (Somerset Herald), Mr. C. Warne,
F.S.A., and others. I am also much indebted to Mr.
Augustus W. Franks, F.S.A., Mr. Walter de Gray Birch,
F.S.A., Mr. Charles T. Newton, C.B., F.S.A., Mr. A. S.
Murray, and Mr. George Bullen, F.S.A., all of the
British Museum, for facilitating the copying of the mosaics
there and for information concerning them ; and to the
three first-named friends for looking through and correct-
ing portions of my proof-sheets. To Mr. Walter de Gray
Birch I owe the first idea of writing this work, by describ-
ing Bomano-British mosaics, and throughout its perform-
ance he has assisted and encouraged me in the under-
taking. I also gratefully acknowledge the many courteous
acts of assistance in matters of archaeology generally from
his worthy father, Dr. Birch, F.S.A., Keeper of the Depart-
ment of Egyptian and Oriental Antiquities in the Museum,
as well as firom Mr. E. Maunde Thompson, F.S.A., Keeper
of the Manuscript Department.

To Mr. Herbert A. Grueber, of the Department of Coins
and Medals in the British Museum, I am particularly
indebted for the assistance he has afibrded both to me
and to Mr. Prsetorius, the photographer, while engaged in
reproducing the coins, and for his written descriptions of
those coins and correction of the proof-sheets.

Mr. E. P. Loftus Brock, F.S.A., I have to thank very

XXXU INTRODUCTORY CHAPTER.

much for the loan of many rai'e engravings of mosaics
from his rich collection, which has assisted me not a
little.

It is with great pleasure I acknowledge myseK' beholden
to Mr. Jno. G. Price, F.S.A., and to Mr. Fred. G. Hilton
Price, F.S.A. , as well for their written descriptions of
Morton and other pavements, as for those given on the spot
viva voce, and for permitting the artist to make drawings
of the pavement at Morton.

I must not omit mention of the many friends who
have from time to time accompanied me to some of the
pavements ; and I refer back with pleasure to the friendly
intercourse and free discussions kept up, during many
years, with Messrs. G. G. Adams, F.S.A., Geo. Ade,
Thomas Blashill, Cecil Brent, F.S.A., W. H. Cope, Arthur
Cope, C. H. Compton, H. Syer Cuming, F. S.A.Scot.,
Horman Fisher, F.S.A., J. W. Grover, F.S.A., George
Lambert, F.S.A., Douglas Lithgow, LL.D., F.S.A., Dr.
Phene, F.S.A., Bev. S. M. Mayhew, Walter Myers, F.S.A.,
Samuel B. Merriman, J. T. Mould, Geo. Patrick, W. H.
Bylancls, F.S.A., Worthington G. Smith, and George B.
Wright, F.S.A., not forgetting Mr. Walter Mann of Bath,
all of whom have assisted me in these researches, the
latter having furnished me with drawings and plates of
the mosaics in Bath and neighbourhood.

Lastly, my acknowledgment is due to the learned ex-
Secretary of the Society of Antiquaries, Mr. C. Knight
Watson, F.S.A.,and to Mr. G. C. Ireland, the Bub-Librarian,
for information they have at all times freely rendered as to
the books and records in the valuable collection under
their care.

INTRODUCTORY CHAPTER. XX.Xlll

Siiice this work has been written, notices have come to
my knowledge of various other pavements lately found at
Lancing, Yatton, near Weston-super-Mare, Leicester, and
elsewhere ; and the British Archaeological Association paid a
visit to the pavement at Bignor, Sussex, in August last,
which was commented on by Mr. C. Roach Smith, F.S.A.,
who inclined to the belief that large villas such as this and
the other recently found at Morton, Isle of Wight, were
a kind of public building occupied by the Procuratores, or
others who collected the revenues of the province ; and for
myself I have to remark that it seems to me probable that
the head with a nimbus, attributed by Mr. Lysons to
Venus, is rather that of Ariadne, the beloved of Bacchus.
The pheasants seem emblematic of the country where she
dwelt, and the cantharus of Bacchus also adorns the same
comj^artment of the mosaic. She had the nimbus because
exalted to the skies, where the crown of Ariadne among
the northern constellations is still seen and acknowledged,
though the fair lady has long ceased her lamentations here
on earth. There are two letters, i r, on one of the mosaics
at Bignor, which, transposed, may possibly be two letters
of the name of Ariadne. This is purely conjecture, but I
see no monogram or combination of letters here, but simply
I R. This may be one of four divisions of the name; the
remaining three may have occupied other three parts of
the geometrical design, now destroyed. An article on the
Bignor pavement, since the visit of the British Archaeo-
logical Association thither, has been given in the Builder,
vol. xlix, p. 487, for 10th October 1885, and the pavements
there minutely described. The interest which all archa3-
ologists feel in this Bignor series of mosaics has been

XXXIV INTRODUCTORY CHAPTER.

further stimulated by a paper read by Mr. W. de Gray
Birch before the British Archaeological Association on the
2nd December 1885, in which the Roman art was examined
from new points of view ; and the gradual decay of these
and other Romano-British art-pictures in tesserce deplored.

I will conclude these preliminary observations by point-
ing to an erratum on page 33, where Bignor is erroneously
named as having on its mosaics a figure of Bacchus and
panther ; and also on page 36, Apollo and lyre is ascribed
to Bignor pavement, which is equally a mistake, and the
word Bignor should therefore be erased from those two
paragraphs on pp. 33 and 36.

My many shortcomings and omissions are committed
to the indulgence of my readers of this the first work
specially dedicated to the description of Romano-British
mosaic pavements.

ROMANO-BRITISH MOSAICS.

CHAPTER I.

Greek Modes of Thought in Britain prominent under the Lower Empire — ■
Ancient Rehgious Theogonies influenced by the Harmony of the Solar
System — Epicurean Philosophy prevalent in the Roman World —
Orphic and Bacchic Myths — Onomacritus, Pythagoras, and Meton —
Coins found in or near the Villas in Britain — Palace of Gordian III at
Rome and Prseneste — Abstract of the Reigns represented by Coins
from Gordian III to Arcadius and Honoriiis.

AFTER the usurpation of Carausius and AUectus, the
influence of the old gods of Rome, the Dii majorum
gentium, appears to have slackened, both in Britain as well as
elsewhere. The strongest argument which could be adduced
in favour of their influence was the uninterrupted success
of the Roman arms, under their supposed guidance, by which
conquests had been made of new countries, and a vast
empire consolidated. This was now appearing to wane ; and
Greek modes of thought tended to carry back the Pagan
world to earlier forms of nature-worship, such as were
embodied in the Orphic hymns and the poetical rhapsodies
of the Dionysiac epic. The follies and crimes of the gods of
Olympus were successfully ridiculed by the voice of reason
and philosophy, and such reasonings have been set forth in
the elegant prose composition, Octavms, by Minucius Felix,
an author well versed in the learning of the ancients, in
whose work Christian principles and ethics are set forth in
bright contrast to the licentiousness and degeneracy of the
age. Lucian is more severe, though less serious.

The discoveries in astronomical science will be referred

2 ROMANO-BRITISH MOSAICS.

to ill another chapter, and the influence they had in
spirituahzing the anthropomorphic rehgion of the Greeks
and Romans. The beautiful order and regularity of the
heavenly bodies were an everlasting evidence of the unity
and immeasurable depth and greatness of a Divine mind, of
a great effector rerum naturw, without which neither the
atomic theory of Anaxagoras, nor the forces of nature, the
vis consilii expers, could account for the presence of man
on earth, and the innumerable objects which are brought
together to administer to his mental and bodily enjoyments.
Much less could the marvels of the solar system, and of the
countless number of bodies in space beyond the orbits of
the planets, be explained as the work of chance, or be the
creations of such despicable divinities as Saturn and Jupiter.
Boeotian Thebes and Cadmus its founder, who introduced
into Europe the letters of the Ionian Greek alphabet, formed
a point of departure for the expansion of science among
mankind, and of the religious feelings which sprang from
increased knowledo-e. Hence we find that Cadmus married
Harmony, an embodiment of the "Music of the Spheres".

Euripides introduces her to the Athenians in those
beautiful lines of the Medea, wdiich may be rendered into
English verse, however inadequately, as follows : —

" Happy of old, ye sons of Evectheus,
Children of good gods happy for ever,
Nurtured on wisdom the most distinguished,
In a laud, sacred, untrodden by enemies;
Leading I'efined lives in brightest of atmospheres,
Where, as report says, the flaxen-haired Harmony
Planted of old nine Pierian Muses,
And where, as they say, the fair-flowing Cephisus
Off'ered to Venus her pure stream to drink,
As she breathed o'er the land odoriferous breezes,
AVhile bi-aiding with chaplets of roses her hair,
Sending her sweet loves attendant on wisdom,
And help-mates in excellence, science, and taste."

(Eur.. Med., v. 820, et seqq.)

EPICUREAN IDEAS. O

The antidote to this frame of mind was the later
Ef)icurean system. Epicurean ideas had so strongly pre-
vailed in the time of Juvenal in the Roman world, as to
justify the satirist in saying that the hungry muse liad
migrated into the hall —

" Esurieus migraret in Atria Clio." [Sat. vii, 6 — 7.)

The Bacchic theogony, and the hours or seasons, took the
place of the Muses, who, according to Cicero, were once only
four in number, and whom he calls daughters of Memory

(^lvr}|xr}).

The name Mussivum and Musaceuni, applied to mosaic
pavements, has been derived by some from the Muses, who
at one time were often introduced into the designs of floors.
Cean-Bermudez, in his summary of Roman antiquities in
Spain, mentions two pavements at Ulia, near Montemayor,
on one of which is a female head, with the letters
EVTERPE, and on the other are female busts, which he
supposes represent the Muses. The subject should be
studied chronologically, as considerable changes were taking
place in the social and religious ideas of the time, up to
when our British mosaics were designed during the four or
five centuries of Roman heathenism ; and we have, in fact,
instances of floors upon three separate levels, and of difterent
degrees of merit, representing the dwellings of successive
generations; but as to the general tone of the pictured
mosaics in Britain, it does not vary much.

The conservative ideas of the old Roman aristocracy,
when heathenism was dying out, dictated the designs ; and
at this time the eclecticism of the philosophers was striving
to modify the mythology of the ancients, and to bring it
more into harmony with the experiences of man and the
lessons of nature. The spread of Christianity, too, had the
effect of encouraging, on the part of its adversaries, tlie

4 ROMANO-BRITISH MOSAICS.

pictorial treatment of subjects which held up Epicureanism
as the summum honum. The old theogony of Homer and
Hesiod, which formed the ground-work of the Koman
system as well as the Greek, had been gradually giving
place to the Orphic or Bacchic, which may be traced back
to Onomacritus, who lived between 520-485 B.C. He seems
to have collected the myths and traditions concerning
Orpheus, reputed to be the pupil of Apollo, who taught
him to play on the lyre, and with such wonderful effect,
that not only wild beasts, but even trees and rocks, were
moved by the power of his melody.

Dr. Smith, in his Dictionary of Biography and Mythology,
has collected the opinions of the ancients upon Orpheus :
Ibycus {Frag, apud Priscian, vol. i, p. 283, Krehl); Pindar
(P?/^^.,iv,315,s. 176) ;iEschylus(^f/a»i., 1612-13). Sophocles
does not mention him, but Euripides repeatedly [Med., 543 ;
Iph. in Aid., 1211 ; Bacch., 561 ; Rhes., 941-944; Alcest.,
357 ; Hippol., 953), and this poet makes the first allusion
to the connection of Orpheus with Dionysus, or the Theban
Bacchus. The other Greek and Roman poets refer to him
as the civilizer of mankind ; Aristophanes calling him the
teacher of religious initiations, and of abstinence from
murder {Ranee, 1032). An inscription at Dium, near Pydna
in Macedonia, says the Muses buried him there, Jupiter
having slain him with a thunderbolt; the more usual
legend says he was buried by the Muses at the foot of
Olympus [Anthol. GrcBca, No. 483 ; Pausanias, ix, 30 ;
see Miiller, Hist. Lit. Grcec, p. 231). The symbol of pure
intellect and refinement melted away afterwards in the
more sensual civilization of Bacchus or Dionysus; and hence,
in the myth of Bacchus we get two successive gods of this
name who seem to represent the different stages of religious
belief, the first of whom, under the name of Zagrseus, is the
oldest hero of the Orphic theology, and " his worshippers,

ORPHEUS, PYTHAGORAS, AND METON. 5

instead of indulging in unrestrained pleasure and frantic
enthusiasm, rather aimed at an ascetic purity of life and
manners (Lobeck, Aglaoph., p. 244). Their priests wore
white linen garments, like Oriental and Egyptian priests,
from whom, as Herodotus remarks, much may have been
borrowed in the ritual of the Orphic worship (Dr. Smith,
in voce Orpheus).

At about the same time that Onomacritus was establish-
ing Orphic societies in Greece, Pythagoras was introducing
his philosophy into Italy, and Meton had made that
discovery in astronomical science, the cycle of nineteen
years, when the sun and moon revert again to the same
position relatively to the earth and to each other ; a cycle
still preserved and used in our golden number in the
Calendar.

These three men mark an epoch in the world's history,
and from them science and religion took a mould, which
poets and artists rendered permanent, with progressive
modifications, such as have been already referred to.

The Bacchic theology, under the auspices of the son of
Semele, youngest daughter of Cadmus of Thebes, encouraged,
and was acted upon by, the Epicurean ideas of the age, which
were introduced not without a revolution, which spread
from Thebes to the islands of the j^gean, to Argos, the
stronghold of the stately and jealous Juno, where, though
first opposed by Perseus, the system was also introduced,
and finally into Athens. The history and ultimate stage
of this mythology may best be studied in a long poem by
Nonnus, a native of Panopolis, or the city of Pan, in Egypt,
who wrote his Dionysiaca in forty-eight books, digested into
Homeric hexameters. It has been translated into French,
and the various texts collated by the Comte de Marcellus
(Paris, 1850). This Nonnus was not only a contemporary
of Claudian and Ausonius, but also of Cyros of Panopolis,

b ROMANO-BRITISH MOSAICS.

and of Coluthus, Tryphliodorus, John of Gaza, Musseus,
Comtos of Smyrna, and the poets of the Anthologia.

The coins found in and near the villas, to which reference
is made in association with the description of each, will be
some clue to the chronology of the mosaics, and from this it
appears that, except in single instances, as in the coin of
third brass of Hadrian, and one of Lucilla, found at
Woodchester ; the coin of third brass of Titus, found at
Stanway, in Essex ; one of Vespasian and of Faustina
junior, at Gurnard's Bay, Isle of Wight ; and one of
Hadrian, in London, found near the Excise office in Broad
Street, and perhaps a few more, the coins discovered on
the site of the mosaics belong almost entirely to a date
extending from the reign of Gordianus III, or say Alexander
Severus, to that of Arcadius — a period of about 175 years.
Cases of single coins found will, of course, not prove much
in chronology. They were sometimes suspended round the
neck as amulets or ornaments, as the holes bored through
them testify, and therefore might have been in use long-
after they were first issued ; but these would not greatly
affect the question, the number of such coins being small.
Reference has been made to the progressive civilization of
Britain along the Koman military roads ; and the country
abounds with remains of the early period of Boman
dominion, both in coins, walls, architectural fragments, arms,
and the various utensils of civil life ; but it would appear
from the coins found, either that the mode of decorating
the floors with mosaics was not in use at the earlier period
in Britain, or that at present such earlier floors have not yet
been discovered ; and it seems probable that the Gordians,
father and son, who were elected emj)erors in Africa, to the
joy of the Senate, may have been the means of introducing
this fashion into Britain through their representatives.

PALACES OF GORDIAN Til. 7

Gordian III, who was grandson of tlie first Gordian,
occupied a villa near Rome which was built on a scale
of extraordinary magnificence. Gibbon says : " The family
of the Gordians was one of the most illustrious of the
Roman Senate. On the father's side he was descended
from the Gracchi ; on the mother's, from the Emperor Trajan.
A great estate enabled him to support the dignity of his
birth, and in the enjoyment of it he displayed an elegant
taste and beneficent disposition. The palace in Rome
formerly inhabited by the Great Pompey had been during
several generations in the possession of Gordian's family.
It was distinguished by ancient trophies of naval victories,
and decorated with the works of modern jDainting, His
villa on the road to Prseneste was celebrated for baths of
singular beauty and extent, for three stately rooms of a
hundred feet in length, and for a magnificent portico sup-
ported by 200 columns of the most curious and costly sorts
of marble {Decline and Fall, vol. ii, p.. 194).

If we consider the disturbed state of the empire ruled
over by tyrants such as Maximin the Thracian, who was
advancing with his legions upon Rome from the north,
besieging on the way Aquileia, at the head of the Adriatic
Sea, we should have supjDosed the provinces on the continent
could seldom have enjoyed that repose which would be
necessary for the cultivation of the arts of peace and the
erection of sumptuous villas ; yet they seem to have been
able to do so, and, moreover, to adorn them with metaphy-
sical delineations and conceits. The state of affairs in the
secluded island of Britain was scarcely less agitated by civil
commotions than the continent, notwithstanding its insular
position, yet its villas and mosaics show the same culti-
vated taste. The thirty years which followed the elevation
of Gordian III, at the age of thirteen, could boast of little
tranquillity, though tlie young man, under the guidance of

ROMANO-BRITISH MOSAICS.

his father-in-law and prsetorian prefect Misitheus, success-
fully defended the eastern frontier against the Persians.
He, however, finally lost his life in a renewed attempt
against the Persian kingdom, which had sprung up with
increased vitality under Artaxerxes and his successor
Sapor.

Philip the Arab, praetorian prefect in succession to
Misitheus, when raised to Imperial command, endeavoured
to amuse the people of Pome by celebrating the Secular
games, in commemoration of the thousandth year of the
foundation of the city. His coin, bearing the effigy of
a hippopotamus, recalls the festivities of the circus.

The unfortunate reigns of the emperors Decius Gallus
and ^milianus were succeeded by the disastrous events of
Valerian and his son Gallienus. The former of these two,
whose attention was all fixed upon Persia and the East, and
who ended his career there by dying in captivity, could not
have exerted much influence over Britain and Western
Europe ; but not so Gallienus, his son, to whom was
entrusted the care of repelling the Germans and defending
the Gauls. He had to encounter the opposition of the
thirty tyrants, the number of whom, however, has been
reduced by Gibbon to nineteen ; and as those in Gaul and
the western provinces more especially concern our present
subject, I will name only Posthumus, Lollianus, Victorinus
and his mother Victoria, Marius, and Tetricus. Most of
their coins turn up occasionally in our archaeological
researches, some often, particularly those of Tetricus, which
are very common. He was governor of Aquitania, and
reigned four or five years. The next period to be reviewed
in connection with our own history is that extending from
Claudius Gothicus to the reign of Diocletian.

Claudius, by his victories over the Goths, deservedly
earned his surname of Gothicus. If the origin of his ancestry

THE SUCCESSORS OF GORDIAN I IT. 9

seems doubtful, his name is honoured in his posterity : his
niece being the grandmother of Constantine the Great. A
high character is given him by TrebelHus PolKo, who lived
under Constantius.

Aurelian, in his short reign of four years and nine
months, put an end to the Gothic war, and recovered Gaul,
Spain, and Britain out of the hands of Tetricus. After
pacifying the Persians, he turned his arms against Zenobia,
Queen of Palmyra, and defeated her tw^o armies in the
battles of Emesa and Palmyra. The pageant of his
triumph at Rome was graced by the appearance of ten
women of the Gothic nation, who had been made prisoners
while fighting in the garb of men. Twenty elephants,
bands of gladiators, and a variety of wild beasts swelled the
triumphal procession, in which were seen captives of the
nations of the Blemyes, Axomitae, Arabes, Euclsemones,
Indi, Bactriani, Hiberi, Saraceni, and Persse, bearing gifts ;
and of the Gothi, Alani, Boxolani, Sarmatse, Franci, Suevi,
Vandali, and Germani, with their hands tied ; and among
these were some of the principal men of Palmyra, and
^Egyptians on account of their rebellion.

We may hasten through the short reigns of Tacitus,
Probus, Carus and his two sons, in which the ancient vene-
ration for the Senate of Rome alternated with the turbu-
lence of the Praetorian guards in the election of emperors.
The reigns of Diocletian and Maximian, with the Caesars
Galerius and Constantius, appointed by them to assist in
the government of the Empire, are illustrious in many ways.
The august emperors who assumed the surnames of Jovius
and Herculius ruled the East and the West from their two
capitals of Nicomedia and Milan in their departments, and
set the first example of abandoning Rome as the political
centre of the Roman world. Maximian and Constantius
exercised a particular influence over the province of Britain,

]0 ROMANO-BRITISH MOSAICS.

but could not prevent the usurpation of Carausius and Allec-
tus in the island,who for ten years succeeded in dismembering
that province from the Empire, until Asclepiodotus, on the
death and defeat of Allectus, restored Britain to the
rule of Constantius and the harmony of the Roman system.

Eighteen years of discord and confusion followed, until
Constantino the Great — from his palace in York, whither he
had hastened to receive the last dying words of his father
Constantius — by defeating his numerous opponents, restored
order. We have coins of Magnentius, who took an impor-
tant part in the civil war inherited by the numerous
descendants of the family of Constantino, and among these
a conspicuous part was played afterwards by his two
nephews, Gallus and Julian ; the former from his capital,
Antioch, ruling the East, and the latter, after a life of
trouble, rising to the highest eminence in the West, and
defeating the Germans at the battle of Strasburg. After
saving Gaul, he delighted to make Paris his winter residence,
and from thence was able to keep a vigilant eye on the
province of Britain. He repaired the loss of food on the
Continent, consequent upon the calamities of war, by
importing large quantities of corn from Britain. Six
hundred ships, built from the timber of the Ardennes, and
making more than one voyage, were capable of transporting
a very large quantity of corn. Such transactions argue
strongly for the prosperous and fertile state of Britain at
that time as regards agriculture, for the exportation thence
seems to have been on a very large scale. We find memo-
rials, in the shape of coins of the reigns of Valentinian and
Valeus, of Gratian, and as late as the reigns of Arcadius and
Honorius, who divided the empire of the Great Theodosius
between them.

Mr. C. Roach Smith, in describing a hoard of coins
exhumed in 1883, in Cobham Park, Kent, makes this

TREASURE OF MAGNENTIUS IN KENT.

remark : ' ' The finding of buried hoards of Roman coins from
time immemorial is a well-known fact ; hut not generally
considered in its historical signification as it deserves
to be." In reference to this hoard, he goes on to say that,
" with the exception of a single specimen of Constant ine
the Great, it is confined to coins of Constantius the Second,
Constans, Gallus, Magnentius, and Decentius. As there is
not one of Julianus, who was created Caesar by Constantius
in A.D. 355, when his coins were first struck, we may con-
clude that the hoard was deposited in a.d. 353, not long
before the overthrow of Magnentius and Decentius by
Constantius. This important event took place near Mursa,
in Lower Pannonia. Magnentius, who in a.d. 350 had
usurped the Imperial dignity, and reigned successfully over
the Western provinces, had drawn together an immense
army of legionaries and auxiliaries, and among the levies
from Britain we may enrol the owner of the Cobham hoard
now under our examination." The following will show the
very limited range of the coins, as regards time : —

Constantine the Great

Constantius II

Constans

Constantius III, Gallus

Magnentius

Decentius .

Total

S^o. of Specimens.
1 . .

A.D.

30G to 337

. 148 . .

337 to 361

. 256 . .

333 to 350

1 . .

351 to 354

. 419 . .

350 to 353

. 11 . .

350 to 353

836

From their good preservation, and the absence of
attrition from circulation, these coins must have formed
part of the vast stores sent by Magnentius from Gaul, and
probably not long anterior to his overthrow.

Besides other towns in which the coins were minted,
" we find on those of Magnentius and Decentius in the
Cobham hoard, Arnhianuiii, Amiens, amb ; and Siscia in

12 ROMANO-BRITISH MOSAICS.

PaiiDonia, now Sissek, E.sis., rsis, etc., of the latter a few
only."^

It has lately come to my knowledge that a Roman
amphitheatre has been discovered in Paris, not far from the
Thermge of the Hotel-Cluny, which are supposed to have
been built by Constantius Chlorus, and improved and
occupied by Julian. " The amphitheatre, which was not
far distant from their palace, on the left bank of the Seine,
under the hill on which the Pantheon and the church of
St. Genevieve now stand, has not been forgotten in history,
although buried by earth brought from the hill above since
the beginning of the fifth century, when St. Marcel, relieving
the people from the dragon of paganism, built the church of
St. Etienne, and abolished the pagan amusements of the
circus. Just south of theJardin desPlantes, on the northern
side of the Rue Monge, a large area of ground has lately
been cleared of buildings which occupied the position of the
amphitheatre in part.

" Under the direction of an influential committee, of
which the late distinguished historian, Henri Martin, was
president, a very considerable surface has been excavated, of
twenty feet or more of earth, revealing the entrance to the
arena, its outline, and still uninjured walls on the eastern
side, a portion of a theatre connected with it, the approach
to it gently sloping, the passages and recesses for the retreat
of attendants, a very remarkable sewer or passage-way
leading towards the river, and some of the seats for spec-
tators. Enough has been opened to show that it was a
very large and well-constructed building. It is of stone,
like the Caen stone, in small, squared blocks, about twice
the size of an English brick, and like those in tlie lower
part of the Palais des Thermes."^

1 Archceologia Ccmtiana, xv, p. 321, ct stqq.

2 From a letter to the author by J. ricrce, a memhcr of Ihc British
Archreolocjical Association.

AMPHITHEATRES IN BRITAIN. 13

It would be well if more attention were paid to the
investigation of traces of amphitheatres in Britain. That
in the neighbourhood of Dorchester was nearly being-
destroyed some years since, but for the efforts made to save
it by Mr. C. Warne, F.S.A,, the historian of Dorset, assisted
by others. We have the authority of the Rev. Dr. Colling-
wood Bruce, the historian of the Wall, for the existence of
other remains of the Amphitheatrum Castrense outside the
walls of Corinium, Silchester, Caerleon, Bichborough, and
several other places ; and " in the north of England is one
adjacent to the mural station of Borcovicus. It is, however,
small in comparison with that at Cirencester, but large
enough for the garrison, which consisted only of one
cohort."

CHAPTER II.

Dionysiaca of Nouuus — Argument of the Poem — Europa carried off from
riiosuicia — The Mimallones and I'hi/rsus of Bacchus — Cadmus and
Harmony — Education and first Exploits of Bacchus — Re-establishment
of the Spheres after the War ^vith the Giants — The Progeny of Cad-
mus— Staphylus and Botrys ; their Palace in Assyria — Prizes for
Dancing — Lycurgus, Son of Mars ; his Axe with double head —
Deriades, the Indian King — Bassarides and Msenades — Morrheus and
Chalcomedia — Bacchus defeats Lycurgus and Deriades — Agave and
Peutheus — Athens at last converted.

AS reference has been made to the mythology which
explams the subjects of the Anglo-British mosaics,
this chapter will be devoted to a review of some parts of
contemporary poems which appear to have exerted an
influence upon the compositions. At the head of these is
the Dionysiaca of Nonnus, before referred to.

He begins his work by the history of Europa, the
Phoenician princess who was carried off from her father's
grazing grounds by Jupiter in the form of a bull, who walked
with her upon his broad back across the sea to Crete with-
out wetting the feet of the princess.^ She was met upon
the sea-shore by Cadmus of Thebes, who plays a most
important part in the poem. The author invokes the Muses
to bring in the narthex (a bamboo-cane, the pith of which
was used as tinder for striking fire), and to sound the
cymbals, and to place in his hand the much celebrated
thyrsus of Bacchus : —

^ See the History of Europa in Moschus, Idi/l. ii. Jupiter, he says,
line 79—

DTONYSIAC EPIC. 15

A^are fxai vdpdrjKa, Tivd^are KVfM^aXa, Movaat,
K.al TraXdfjLTj Sore Ovpaov deiSo/jiivou A.iovvaov."

(Lib. i.)

Further on, he addresses the MimaUones, or bands of
Bacchanahan women, who sang in divine raptures and
deUrium the praises of Bacchus. Their name, according to
Strabo, was derived from Mount Mimas, in Asia Minor : —

""A^are /xot vdpdrjKa M.L/jiaW6ve<; 0D/J,aBi7]v Se
Ne/3/3tSa TTOiKiXovcoTov i0)]/jbovo^ dvrl yiTwvo^."

They were to exchange the well-known tunic for the
spotted fawn-back skin thrown over the shoulders. Nonnus
then launches into the depths of the ancient cosmogony,
and shows how the beneficent god brought all things out
of chaos ; and how Typhaeus led an army to fight against
Jupiter, upsetting the constellations and the order of heaven ;
and how Cadmus of Thebes, and Harmony his wife,
re-established order, and imported into the heart of Greece
the civilization and arts of Phoenicia and Egypt. After the
first Dionysus, called Zagrseus, had disappeared in the great
war with the Titans and j)owers of darkness, appeared the
second Dionysus, or Bacchus the Theban.

Born amidst the thunders of Jupiter, he had to flee
from the vengeance of Juno and of Athamas, the husband
of Ino, who had suckled the cliild, and brought him up.
The young hero, after profiting by the education given him
by Rhea or Cybele in Phrygia, the universal mother, pro-
ceeds to destroy the enemies of civilization, and to spread
it over the earth. The arts of agriculture were promoted
in every way, and particularly the cultivation of the vine.
He taught the manufacture of wine from grapes all through
India, following the line of march of Alexander the Great
into that country at a later period. We find liim at Tyre,
the dwelling-place of his grandfather, Cadmus, and loading
with his rich crops the valleys of Berytus and Libanus; and

16 ROMANO-BRITISH MOSAICS.

passing through Cilicia and Lydia, he brings his influence
into Europe by way of Illyricum and Macedonia, towards
Thebes, where he was born. Athens is initiated into his
mysteries. At Naxos he dries the tears of the deserted
Ariadne, and marries her. Then comes his struggle with
Juno at Argos, and the episode of Perseus. He then con-
quers inhospitable Thrace, and makes rebellious Pallene
submit to be cultivated. After again repairing to Cybele
in Phrygia, the scene of his youth, where he had learnt to
drive great Rhea's chariot drawn by lions, and performing
many great and useful works in that country, he is admitted
to Olympus among the immortal gods. I will now refer a
little more in detail to the contents of those books of the
Dionysiaca which illustrate the designs of our mosaics.

In the first two books, Typhoeus, after stealing the
thunderbolts of Jupiter, is described as upsetting the
beautiful order and harmony of the spheres, and causing
consternation among the gods and goddesses, so that -

""WjSri Xelire KvireWov, "Apr]<; K aTreaeicraTO \6<^-)(rjv
'Kp/X'P]<i pd^Sov eOrjKe, Xvprjv S'eppiyjrev ^ AttoWcov. k. t. X."

But Cadmus helps to subdue Typhoeus by the sound of his
flute, and Victory, under the form of Latona, addresses
Jupiter to urge him to use his power, and restore peace to
the distracted universe. He does, and the spheres assume
their accustomed order. The triumphant Hours or Seasons
stand at the gates of heaven to open them to Jupiter and
to Victory.

In the third Book appears the swallow, the plaintive
harbinger of spring ; and Cadmus of Thebes sails to Samos,
where, taking the hint given him by a raven, he marries
Harmony, the sister of the king of that island, and daughter
of Electra. The magnificent palace of Hemathion there
has some counterpart in the descriptions we have of the
gorgeous halls of Constantinople. Cadmus teaches tlie

CADMUS AND HARMONY. 17

islanders the ceremonies of Osiris, the Egyptian Bacchus, of
whom he had been a pupiL

In the fifth book he dedicates the seven gates of his
new city, the Boeotian Thebes, to Diana, Minerva, Mercury,
Electra, Mars, Jupiter, and Saturn, but leaves it to Amphion
to build up the towers, at a future time, by the sounds of
his musical voice. The marriage of Cadmus and Harmony
is celebrated with all honour, Apollo himself being present
with his seven-stringed lyre, and the nine Muses also
assisting. Polyhymnia directed the dance, and Venus
brought jDresents for the daughters who were to be born,
and who played important parts in the myth hereafter.
The dauo'hters' names were —

Antonoe, the eldest, who married Aristseus, and they
had a son, the hunter Actseon.

Ino, who married Athamas.

Agave, who married Echion, and who had a son named
Pentheus.

Semele, the youngest, who, though a mortal, had a son
by Jupiter, called the Theban Bacchus. This child was
born amidst the thunders of the gods, which burnt up the
unfortunate mother.

The sixth book describes how the first Bacchus, Zagrseus,
was killed, and relates the story of the Deluge, and the
dragons' teeth, and other marvels, which do not concern
the mosaics.

- The seventh book introduces avvTpo<f)o<; 'Aicov, or Time and
Eternity, and the wise and self-taught Cupid, or "E/3tu9.
" Kat (ro(j)6<i avToBi8aKTO<; "Epw? aldva voju-evcov
TIpcoToyovov Xaeo9 ^o(f>€pov<; irvXewva'i avoi^a<i."

This clever boy produces twelve winged arrows to shoot
at Jupiter, and the fifth brings down the god to the banks
of the Asopus.

In the eighth book the jealousy of Juno is described,

18 ROMANO-BRITISH MOSAICS.

but Jupiter contrives to assuage her wrath sufficiently to
permit of Semele being placed among the constellations,
one reason being that her mother belonged to the royal
family of Olympus, being a daughter of Venus and Mars.

In the ninth book the palace of Ino is described. The
seasons are crowning the infant Bacchus with ivy. Mercury
havinof brouo-ht him in his arms to Ino ; but her husband in
the next book shows himself very jealous and furious.

The eleventh book is devoted to young Ampelos (the
Vine), and the seasons flpat, particularly that one which
is especially connected with Ampelos.

The thirteenth book gives the assemblage of a very
mixed army of centaurs, satyrs, fauns, and others, too
numerous to mention here, and among the first was Actseon
the hunter ; these were to accompany Bacchus on his Indian
expedition, and a very curious series of campaigns are
described.

In the fifteenth book Nicaea the huntress appears, and
is courted by Bacchus. They had a child, who was called
Teletes ; and Bacchus, on his return from India, caused the
city of Nicrea to be built in honour of the huntress.

In the seventeenth book he drives the car of Cybele,
and pours wine into the Orontes, making his adversaries
drunk.

The eighteenth book describes the splendid reception
he met with at the Court of Assyria, in the palace of
Staphylus and his son Botrys.

The nineteenth book introduces an interesting contest
on the lyre, between the two great players, (Eagrus, the
father of Orpheus, and Erectheus, to compete for prizes.
Erectheus sings first, and describes how, in divine Athens,
Celeus, aided by his son Triptolemus and the ancient
Metanira, had received the goddess Ceres as a guest ; and
how the latter had taught Triptolemus to plough and sow

CONTESTS AN I J PHIZES. 19

corn, and how the latter had pursued a triumphant journey
in the chariot, drawn by serpents, spreading civilisation
and the arts of agriculture. Then (Eagrus, the father of
Orpheus, varying his subject, sings of the immortality given
to Staphylus of Assyria for his hospitality to Bacchus, and
of the benefits he had derived from being made acquainted
with the juice of the grape. And when the contest is over,
the wreath of ivy is placed on the brow of (Eagrus, who
receives the first prize of a young bull, whose neck has
never yet submitted to tlie yoke, while Erectheus of Athens
has to walk sulkily away with the long-bearded goat, which
was the second prize only.

The next prizes are for dancing : first, the wonderful
gold cup made by Vulcan, and presented by Venus to her
brother Bacchus ; the second prize for dancing is of silver,
adorned with festoons of ivy and enamelled with gold, and
Bacchus added a ton of new wine, to console those who gained
no other prize — " ov ve/J-eai^; yap, avepa viKTjdivra Trveiv dfiepc/juvou
iiparjp' (^"No harm in the vanquished man to drink the dew
which drives care away").

The merits of a good dancer are wonderfully described,
the flexibility of the body, and movement in silence of the
hands and eyes, the silence which speaks — avB/^eaaa aiwTrT);
but after this poetical effusion the performers in the
dance are ludicrously chosen, being no less than old Mars
and Silenus ; the first obtains the gold cup, but the latter,
ia dancing, is changed into a river, and his prize, the silver
cup, has to be thrown into the stream. The name of Silenus,
from iWw or eiXoo, is expressive of his rolling motion.

The twentieth book introduces Lycurgus, son of Mars,
and king of Arabia, who is a great enemy to Bacchus, and
determines his destruction. Juno arms him with a double-
headed axe, with which he attempts to break the crown of
Bacchus ; the queen of heaven also sonds Iris down to

20 ROMANO-BRITISH MOSAICS.

Bacchus to threaten him with war. Iris puts on the talaria
of Mercury, Lycurgus exclaims eych jSovTfKijya rtvda-croi (322),
Bacchus has to throw himself into the sea to escape, and is
well received hy Thetis and old Nereus.

Homer describes the axe of Lycurgus, and calls it not
ireXaKv^ but ^ovTrXr)^, the axe of sacrifices.^

The punishment of Lycurgus is given in the twenty-
first book, and the anger of Neptune described —
" Regna securigeri Bacchum Sensere Lycurgi."2

Li the twenty-fourth the campaigns against Deriades,
tlie Indian king, and his ally Hydaspes, are the occasion of
many poetical adventures ; and the following book shows
how a war of seven years was not sufficient to bring to sub-
jection the Oriental nations. The victories of Bacchus are
contrasted with the feeble exploits of Perseus against a

woman —

""AXX' ov roco^ e7]v ^^pofiiov iJi6do<i'"

The poet makes little of what Perseus accomplished by
killino' one woman —

"OuK dja/xat Tiepafja, fiiav KTelvavra 'yvvalKa ;"

and depreciates the fame of Andromeda and Celeus, who,
though placed among the constellations, still, the former
was perpetually being pursued by the Whale, and the
latter was always unhappy at his daughter's distress. The
shield is described after the manner of Homer, and Gany-
mede, the beautiful boy carried off" by the messenger of
Jove, is one of the subjects engraved upon it.

In the twenty- sixth and twenty-seventh books Argive
Juno assists the Indian king Deriades and his allies, the
Derbici, Ethiopians, Sacae, Blemmyes, and different tribes of
Bactrians ; and Ceres also goes over to the enemy, out of
envy of Bacchus and his invention of whie, which had
effaced the glory of Zagr^eus, the ancient Bacchus.
' Jii<i(L vi, 135. ^ Seneca, (Edip. Act ii.

WARS IN INDIA. 21

The Bassarides^ and Meenades, on the side of Bacchus, take
a prominent part in the fight.

" HaaaapiSe^ koI Beupo '^^opevcrare Sucr/nevecov Se
KretVare ^dp^apa <pv\a koI ey^eac fii^are $vpaov<;."

In the twenty- eighth book the Cyclopes join in the
melee.

In book twenty-nine, Hymenseus is wounded by Mars.
War continues, and Morrheus slaughters the Bacchantes.

In books thirty and thirty-one golden-winged Iris
appears, ^j^pucroTrTepo?"!/)^?, and there is trouble in the army
of Bacchus.

In the next and following book is the episode of the
Indian Morrheus and the Bassarid Chalcomedia. The
former has left his black wife and made several Bassa-
rides prisoners, tying their hands behind their backs and
leaving them to his father-in-law Deriades. He sees the
beautiful Chalcomedia wearing a transparent cloak and a
brilliant tunic.

" (f>dp€a XeTrrd t^epovaa Koi dcrrpaTrrovTa ')(tTSiva" (v. 2GG).

The image on his shield of his dark-coloured wife, Cheirobia,
is effaced in the scuffle, and he pursues Chalcomedia, who
flies before the winds, which expose her beautiful neck and
shoulders, which rival the pallid moon.

" av^eva jv/jupdoaavre^ eptSfiaivovra ScXj/i't^".

She escapes, and hides herself among the troops of
Bassarid women, who then disperse and fly towards Eurus,
Notus, and Boreas. The Msenades exchange their thyrsi of
Bacchus for the spindles of Minerva.

In the thirty-fifth book Deriades fights the women. An
Indian woman attacks them to revenge the death of her
husband, Orontes, and behaves like a new black Atalanta
in courage. Morrheus again chases Chalcomedia, and is

' So called from the Bassarpc, or dresses of fox-skins, worn by the

ThiMcian l')atrlianals.

22 ROMANO-BRITISH MOSAICS.

about to seize her, when a serpent, coiled about the nymph's
waist, seizes the pursuer by the throat. He had been
persuaded by the woman's stratagem to take off his breast-
plate and to put down his arms, so that he was hel2:)less
against the attack of the angry reptile. Various events
are recorded in the next three books. Bacchus takes divers
forms, and Deriades meditates a naval attack upon him.
Funeral rites to the dead are then performed, games are
described, and Erectheus in these gains the first prize.

The hours bring in the seventh year of the war. The
marriage of Clymene with the Sun is related, and the
episode of Phaeton driving the horses till he upset the
chariot and fell headlong. Lycurgus and Deriades then
have a sea-fight with the merry god, and Bacchus gains the
victory.

Book forty describes how, after the battle of the Cau-
casus on the banks of the river of the Amazons, Bacchus
visits Arabia and goes to the land of the Tyrians, where
he sees the wonderful colours and marvels of Assyrian art.^

The forty-first book is dedicated to love and Beroe, a
scion of the Graces Xapercov 6ako<i and Astrsea.

The poem then goes on to describe the love of Bacchus
for Beroe. Cupid goes to Tyre, and Bacchus spends the
livelong day in creeping about in the forest.

" Se/eXo9, ei<? fiecrov yfiap, ecofo?, €a7repo<i ep'Kwv."

Neptune falls in love with the same lady, and in the next
book the rivals fight; but Jupiter parts the combatants, and
gives her to Neptune. Cupid consoles Bacchus, and pro-
mises him Ariadne.

' Claudiau flatters Honorius by comparing him with Bacchus :
" Hoc si Mteoiiias ciuctu graderei'e per urbes,
In te pampincos transferrct Lydia Thyrsos,
In tc Nysa choros : dubitarent ovgia Bacchi,
Cui furerent : irent bhiudos sub viucula tigrcs.''

De IV, Cons. Hnnorii, v. 602 GOo.

AGA.VE AND PENTHEUS. 23

The forty-fourth book gives the tragedy of Agave much
as it is told by Euripides in the Bacchce, and Pentheus is
killed by the hand of his mother, who mistook him for a
wild beast, indeed, his head is much like that of a lion.

In the forty-fifth. Agave holds up the bleeding head.

"Hang it up," she says, "under the portico of Cadmus, that

it may be seen how Jupiter has doomed the Cadmeian family

to destruction." Autonoe consoles her sister Agave, and

Bacchus consoles them both, and sends off Cadmus and

Harmony into Illyria, to wander there till they are petrified

into serpents; and two more books are filled with a variety

of incidents; among others, Bacchus falls in with a nymph

named Aura, whom he treats much as he did Nicsea before

referred to, and he has a young Bacchus by her, and closes

the drama with his Pans and Satyrs in immortal Athens,

the never-silent

" a(rL'y}']roLaiv 'A67]vat<;,"

where his divinity is at last acknowledged.

" Kat Te\6Tat9 rptfrcrrjcnv i^a'yyevOriaav W.6f]vai.
Kal X''^P^^ o'^LTekedTov aveKpovaavTO TToXiTat,
Zaypea KuBalvovre^i a^a Jipo/xico koI 'la/c^o)."

The Dionysian epic has been treated by no ancient author
so intelligibly and sympathetically as by Euripides in the
Bacchce. Canon Brooke F. Westcott, in a late article in
the Contemjwrary Review, remarks that, "The significance
of Euripides as a religious teacher springs directly from his
position and his character. He looks from the midst of
Athenian society — a society brilliant, restless, sanguine,
superstitious — at the popularmythology, at life, at the future,
with the keenest insight into all that belongs to man, and
what he sees is a prospect on which we may well dwell.
He is, therefore, perfectly consistent when he affirms man's
dependence on the gods, whik* he denies the historic trutli
of the ancient legends."

24 ROMANO -BRITISH MOSAICS.

" From what has been ah^eady said, the profound signi-
ficance of the Dionysian worship for Euripides will be at
once clear. In that worship Nature found the fullest recogni-
tion as the revelation of the Divine. Man sought fellowship
with God in the completeness of his being. The organ of
knowledge was confessed to be, not the intellect, but life.
Thus the Bacchce is no Palinode, but a gathering up in rich
maturity of the poet's earlier thoughts. Man cannot, he
shows, with tragic earnestness, attain to communion with
the divine by pure reason, a part only of his constitution.
He must keep himself open to every influence, and so, by
welcoming the new in time, prove his loyalty to the old.
Seen in this light, the Dionysian worship is the witness to a
real belief in the vitality of religion as answering to the
completeness of man's nature. It does not aim at super-
seding that wdiich went before, but at bringing it nearer to
actual experience. Men must worship as men, feeling at
once the richness and the limits of their endowments. The
theology of Euripides takes its shape from his conviction
that all Nature and all life is a manifestation of one Divine
Power. All that is human claims his sympathy ; and it
may be said, conversely, that all that claims his sympathy is
seen in its connection with man. We can then study in
Euripides a distinct stage in the preparation of the world
for Christianity. He paints life as he found it when Greek
art and Greek thought had put forth their full power. He
scatters the dream, which some have indulged in, of the un-
clouded brightness of the Athenian prospect of life ; and
his popularity shows that he represented truly the feelings
of those with whom he lived, and of those who came after
him."^

^ Canon Brooke F. Westcott, " Euripides as a Religious Teacher",
Contem/porary Review, April 1884.

CHAPTER III.

Design of the Mosaics at Morton, near Brading, Isle of Wight — Harnionia
— The Three Seasons of the Day, Gallicinium, Gonticuum, and Diluca-
luni — Orphens and the Animals at Morton — Seasons of the Year —
Agave with the Head of Penthens — Juno and Lycnrgus — Ceres and
Triptolemus — Staphjlus and Bacchante — The Realms of Neptune
and Thetis — Jupiter and Ganymede — The Borders and Frames, with
their Meanings.

THE poem referred to in the last chapter sufEciently
explains the myths as well as tone of thought pervading
the mosaics under review; and as the pavement at Morton,
near Brading, Isle of Wight, is about the fullest in subjects
of any, I will say a few words about its interpretation, and
there will then be little left to explain as to the pictures
displayed on the others. First, as to room numbered 3 on
Mr. Price's plan. This has a female head in the centre,
which I should be inclined to attribute to Harmonia; and
around it are three pictures which seem to represent the
three seasons of the day, that is, the early morn or cock-
crow, when the lanistce, or keepers of the gladiators, were
in the habit of bringing out their men for practice, to fight
with wild beasts, as a training for the more serious contests
of the afternoon.

" In matutina nuper spectatus arena,"*
Horace relates such an early morning conversation :
"Threx est Gallina Syro par?2
Matutina parum cauto.s jam frigora mordent."

" Is the Thracian Gallina a match for the Syrian ?
These morning frosts nip those who are not very careful."

* Martial, x, 25, and again xiii, 95, - llor., .SV//., ii, v. 44, 45,

26 ROMANO-BRITISH MOSAICS.

Claudius, the emperor, was so fond of the sports of the
amphitheatre, that he is said to have attended both the
early performance at daybreak as well as that at midday/

Seneca says, "Mane leonibus et ursis, homines meridie
spectatoribus suis objiciebantur." ^

The panthers on the mosaics have wings, which express
the figurative ideal animal sacred to Bacchus.

The lanista is clothed in the woollen smock he is
usually dressed in, as on the pavement at Bignor, and on
the bas-reliefs from Cardinal Maximini's palace at Rome,
figured in the Vetusta Monumenta, vol. i, plate 65. The
man -cock is emblematical of the hour when the Romans
began their day.

The next scene is midday, or when men fight with men,
for the recreation of the Roman world.

The principal work of the day was then over; and, after
a light meal and short repose, the Roman rose up refreshed
for the afternoon amusements. Here we see the seciitor
with helmet and sword; the ret iar ins with net and trident.
The latter endeavours to entangle his adversary in his net,
and then attacks him with his trident, w4iile the secutor
has to avoid this, and follow up his antagonist sword in
hand. The origin, perhaps, of this display of force is the
personification of the land and sea combat.

In the third scene we probably behold the evening, or
time of the principal meal of the Romans, the time being
indicated by the fox stealing into the vineyard to eat the
grapes at nightfall. The division of the Roman day was
similar to that of the Greek; but Macrobius. remarks how
the space of a day was reckoned differently by different
nations : the Athenians reckoned from sunset to sunset ;
the Babylonians from sunrise to sunrise; but the Roman
day extended from midnight to midnight, and the first

' Suetonius in vita Clcmdii, xxxiv. "^ Epist., lib. i, 7.

SEASONS OF THE DAY AND YEAR. 27

part was called mediw noctis inclinatio ; the next galllci-
nium, or cock-crow ; the third conticuum, or the silent,
when not only cocks cease to crow, but men also take their
rest; the last is the diluculum, when day begins to decline.^

In the centre of the long gallery at Morton is Orpheus,
with Phrygian cap, cothurni on feet, the attributes of
divinity, the lyre on left knee, and the flowing robe. This
picture, both as to the principal figure as well as the
animals, is small and inferior as compared with many other
examples at Woodchester, Withington, and elsewhere.

The northern room, numbered 12 on the plan, extending
39 feet 6 inches from east to west, is a history in itself, and
is divided into four principal compartments: a square
towards the west; then an oblong panel; another square;
and another oblong panel, eastward. The square towards
the west is mutilated ; the centre is gone, and we have no
means of divining the subject. The corners represent the
seasons of the year. The angry Juno seems to stand for
the Spring, and Ceres for the Summer. Winter is placed to
the north of the latter, and Autumn has been destroyed.
The only one remaining of the four pictures which sur-
rounded the centre in this western compartment is one
which is attributed to Perseus and Andromeda, the former
holding up the Medusa's head ; but my interpretation would
be more appropriate to the unity of the design, with
reference to the poem, if we consider the two figures to be
females, the one being Agave holding up the head of
Pentheus, whose mangled remains appear at foot; and the
other perhaps is Ino, or her other sister Autonoe. This
is the catastrophe to the house and fortunes of Cadmus :
here are his daughters, whose tragic end is well known;
and the fourth, Semele, the mother of Bacchus, was l)urnt
up by the lightning of Jupiter; represented, probably, by

1 S'((i()n<i/i", lil>. I, cap. iii.

28 ROMANO-BRITISH MOSAICS.

the emblem of fire, which is clearly depicted on the western
margin of the pavement, between the pictures and the
western wall. Autonoe, the eldest daughter, escaped
the catastrophe, but it fell upon her eldest son, Actseon,
whose fate has been referred to, and is depicted at
Cirencester.

Then follows the oblong panel, with the astronomer
seated; and who this may be it is difficult to conjecture. It
might be one of the wise men of the age of Onomacritus,
Pythagoras, or Meton; or, more probably, it is an abstract
representation of an astronomer, without reference to
any one individual. It has been assigned to Hippar-
chus, of a much later age, who made a map of the
fixed stars, and wrote a commentary on Aratus {cir.
146 B.C.). The figure is seated by itself in a separate
panel, and with the instruments around him which called
forth the jealousy of the gods, according to Claudian. The
next square panel is a continuation of the story of the
enemies of Bacchus, and I should be inclined to consider
the central head as that of Pentheus, though usually
ascribed to Medusa.^ The first picture in this square
represents a man armed with the double-headed axe, who
can be no other than Lycurgus. The axe was given him
by revengeful Juno, with which to crack the Osiris skull of
Bacchus between the horns ; but Bacchus was too much
for him, as Ovid says, in addressing the god —

" Peuthea, tu, venerandc, bipenniferumque Lycurgum,
Sacrileges maetas."-

The myth of Ceres and Triptolemus shows how she

^ The Bacchse, or Bacchantes, wei'e represented with snakes entwined in

their hair.

" Node coerces viperino

Bistoniduni sine fraudc criucs." — Hor., C'inn., ii, 10.
^ JA/.. iv, -J-I, 2:l

CERES AND TllIPTOLEMUS. . 29

rewarded those who liad received her hospitably ; and she

taught the young farmer to sow corn and till the ground,

as sung in the poem by Erectheus in honour of Athens ; but

she is represented as jealous of Bacchus for his gifts to men;

and the other melody referred to in the poem was that

sung by CEagrus, the father of Orpheus, about Staphylus,

who was the son of Bacchus and Ariadne, and who received

the first prize. This young man, from the island of Naxos,

])robably, is dressed in the costume of that island, and, with

the Pandean pipe in liand. is educating a nymph for her

part of a Bacchante. She plays the tambourine, and her

attitude is not inelegant.

" Motus doceri gaudet lonicos
Matura virgo," etc.,

was said by Horace of his young countrywomen, as it
may be told of ours in this mosaic.^

This is the third picture of the eastern square; and the
fourth has delineated upon it a nymph pursued, and with
her drapery torn from her back. This seems to answer
very well the description of the Bassarid Chalcomedia
pursued by the Indian Morrheus. As a pair of thin legs is
all that remains of the pursuer, these legs answer better to
the Indian prince than they would to Apollo, on the sup-
])osition that the scene represented Apollo and Daphne.
And here is another of the episodes in the expedition of
Bacchus to India. On a portion of the stucco found in this
villa, which once adorned the side of a room, is painted the
head of a panot, well designed, and perhaps emblematic of
these Eastern campaigns —

" Psittacus Eois, iniitatrix ales ab Indis.'"'^
The four female heads, liaving on them the wings of

' The Roman poet summarises the exjjloits of Bacchus in that Jieaiitifiil
ode addressed to the god, tlic nineteenth, in Book ii.
' Ovid, Ainnr., lih. ii. I'-leg. G.

30 ROMANO-BRITISH MOSAICS.

Mercury (petasus), may represent Iris, sent down by Juno to
proclaim war on Bacchus, which they do by the tiihce, or
trumpets, they are blowing ; but it is more likely they
personify the Winds, with wings expressive of speed.

In the eastern panel the scene is changed to the realms
of Neptune. Ino threw herself into the sea, and was
well received by Thetis, and afterwards was changed into
a rock, under the name of Leucothea, and her Sidonian
women into birds. Bacchus, to avoid Lycurgus and the
stroke of his axe, had also to leap into the sea, and was
hospitably received by the queen of the deep, to whom
he presented the golden vase which had been given him by
Venus. The two fioures with human bodies and the tails
of fishes are probably intended for old Nereus and Neptune,
each carrying his wife on his back ; the former, Thetis, the
latter, Amphitrite. If I have rightly interpreted the figures,
the unity of the whole mosaic is thus established, and it is
a beautiful illustration of the Dionysiac myth; the early
Bacchus or Orpheus, Harmony and the seasons of the day
and year, regulated and exjolained by the astronomer on
his instruments ; then the enemies of Bacchus, and his final
triumph both by sea and land. The fearful catastrophe to
the house and fortunes of Cadmus for opposing the worship
of the god is here shown, while Staphylus (the vine)
perpetuates the race of the Wine-god, and delights the
agricultural population with the sounds of his Pandean
pipes. It will be seen that this room (No. 12), in its
entirety, is divided into parts corresponding with the four
elements of nature: Jire, in the semi-circular division at the
west end ; earth, on which are enacted the fables here
pictured of the enemies of Bacchus and their fate ; aii\ in
the astronomical compartment ; and luater, at the eastern
end.

If I have deviated a little from the interpretations of

LUCIAN AND THE PYTHAGOREANS. 31

some critics as to a few of the pictures at Morton, my
reasons for so doing, and authorities, shall be given, that
the reader may form his own judgment upon them.

The cock-man has been thought by some to be a cari-
cature, having a rehgious, or quasi-reHgious character; and
if the astronomer with his instruments is to be taken for
Pythagoras, it might certainly remind us of the dialogue in
Lucian between Mycullus, the shoemaker, and a philoso-
phical cock who speaks with a human voice, and turns out
to be a Pythagorean, and one who remembers the different
changes his body had undergone since he was first a large
white ant in India. From this he became a courtezan,
changing afterwards into the form of a cynic philosopher;
and even after this his metempsychosis did not bring him
to his present form of a cock till after he had passed into
the cold-blooded body of a frog. The shoemaker witli
difficulty restrained his anger, aroused by the cock crowing
at midnight, instead of his proper time in the small hours
of the morning ; and the more so, as this poor, half-starved
cobbler had been awakened out of a delightful dream, in
which wealth and plenty were at his command, and now
the disenchanted cobbler awoke to his wretched hovel, his
last, and his shoe-leather. However, whether the man-cock
is to be interpreted as an impersonation of the before-
named personage in Lucian, and a caricature of the
Pythagoreans; or as a caricature of the Emperor Gallienus,
from the similarity of name to galliis, a cock ; or as having
some Gnostic signification, 1 think precedents are wanting
to favour any of these interpretations, and a more simple
one is that I have given, which harmonises also with tlie
two other scenes in connection with it, which make up
together the three parts of the Roman day, as given in the
writers before referred to. A Gnostic signification has been
given to a piece of sculpture found at Sea Mills, ii(\'ir

32 IIOMANO-BRITISH MOSAICS.

Bristol, in 1873, and figured in the Journal of the British
Archffiological Association, xxix, p. 372. It is a portion of
a memorial stone, having a female head sculptured upon it.
Above this is what seems to be a cross; on the right is a
cock, and on the left a dog or a fox, in the same attitude as
that on the Morton pavement. The lettering is spes c
SENTI, with a leaf stop on each side of the word "spes".
The Bev. John McCaul, LL.D., President of University
College, Toronto, after discussing the interpretation in
various ways, says : " One other question remains for con-
sideration : is it an ordinary Boman monument?" It appears
to me to be so, and a dedication to the memory of a young-
daughter, the hope of Caius Sentius, who died early. The
expression may not be in common use^ on Boman monu-
ments without the proper name, but the term agrees with
the modern expression, "the hope of the family". She died
in the midday of life, therefore lived only between the
dawn, represented by cock-crow, and the evening, by the
fox in the vineyards. This explanation may appear not
altogether satisfactory; how^ever, I offer the suggestion,
and with due deference to the opinion of others who may
differ from it.

If the interpretation is the correct one, it may some-

^ Some aftalogy to it may be found in the epitaph in T. Reinesius,
Li script iones Antiquce, Classis xii, No. 30 —

ORCVS . CVM . TE . VOHAVIT

BACVLVM . EXVCTIS . MEDVLLIS E

DEXTVL.^ SENECTVTIS . SECVIT .

SPEM . NEPOTVM . ABSTRAXIT

SECVM . MAXIMAM .

REVIEAV OF THE SUBJECTS. 33

wliat corroborate two of the seasons of the clay out of the
three referred to on the Morton pavement. In confirma-
tion of the popularity of the Bacchanalian myth, as
represented in the large room at Morton, I may refer to
the fact of its being quoted by Pomponius Loetus in his
life of Julius Licinius Licinianus, when he deplores the
wars and calamities of the empire. He says : " The Bassarid
women, excited to madness at the name of Bacchus, did
not murder each other. Agave — wlio did not kill another
Bacchante, but an irreligious son — when she came to her
senses, retreated into a cave and gave way to penitence.
But we are never penitent for murder committed. In truth,
we consider that we have gained an accession of praise and
of glory the more men we have slain."

By taking a review of all the subjects delineated on
the various mosaics which are classified at the end of the
volume, it will be found that the subjects most frequently
repeated are Orpheus ivith his lyre, taming the animals, as
at Woodchester, Withington, Barton Farm, Winterton,
Horkstow, Littlecote (Wilts), died worth, Cirencester, and
Morton (Isle of Wight); Bacchus and Panther, as at
Cirencester, Pitney, Thruxton, Stunsfield, Bignor, and
London ; and without his panther at Frampton. His
Cantharus, at Bignor, Cotterstock, Littlecote, Crondall
(near Farnham), Lee (near Shrewsbury), Itchen-Abbas,
Bramdean, Stunsfield, Carisbrook, Silchester, Morton (Isle
of Wight). Harmonia, once at Morton. The Seasons
of the year, at Littlecote, Thruxton, Morton; and at
the latter place the seasons of the day also. The realms
of Neptune, with his naiads, tritons, dolj^hins, and fishes,
at Witliington, Cirencester, Bramdean, Bignor, Frampton,
Horkstow, Woodchester, and Littlecote. The eneniies
of Bacchus, as Lycurgus with his axe ; Pentheus, whose
head is held up by Agave, his mother; and the head

34 ROMANO-BRITISH MOSAICS.

itself, in the centre of another compartment at Morton.
Tlie angry Juno is there represented, in her inter-
view with Lycurgus, armed with the axe ; and she
appears also through her emblem, the Peacock, at Wellow,
London, and Morton, where also are depicted her winged
messengers, or Iris, sent to proclaim war against Bacchus:
unless these are meant for the Winds. Mercury is shown
five times at Frampton, and once at Bramdean ; the episode
of the black king Morrheiis and the nymph Chalcomedia,
one of the Bassarids, at Morton ; another enemy of Bacchus
is disposed of in the death of the Indian king ; while a
grandson of Cadmus, Actwon, son of his daughter Autonoe,
fills up the tragic catastrophe which overwhelmed the family
of Cadmus. The intrusion of the hunter Actseon upon
Diana and her attendants when bathing, w^as speedily
chastised by the goddess, who became purple with rage.
Ovid's simile from nature is admirable —

" Qui color infestis fidversi solis ab ictu
Nnbibus esse solet, ant pnrpurefe Aurorse ;
Is fiiit in vultu viste sine veste Dianse."^

And she was not satisfied till, after changing him into a
stag, he had been torn to pieces by his own dogs —

" Dilacerant falsi domiuum sub imagine cervi
Nee nisi finita per plurima vulnera vita
Ira pharetratce fertur satiata Dianee."^

The goddess Isis is only once drawn, and that is at
Pitney, even if the figure should really be that divinity, who
holds what looks like a sistrum, the religious rattle of the
goddess, but may be something else. Sir B. C. Hoare, Bart.,
calls it a book, and thinks the personage may be the keeper
of accounts to a smelting establishment, to which he attri-
butes the other figures scattering coin from a cylindrical
vessel, but which looks as much like seed or corn, and the

' Ovid, Mrtamorph., Ill, v. 183. - Ibid., v. 250.

" BONUS EVENTUS" AND PAN. 35

figures probably have to do with the various myths con-
nected with Bacchus, as at Morton, Thus, we may conjecture
the horned figure No. 1 to be Neptune ; No. 2, Ceres; No. 3,
Triptolemus; No. 4, female figure, difficult to appropriate;
No. 5, Staphylus, with Phrygian cap; and No. 6, Nymph,
whom he is teaching to dance; No. 7, unknown figure;
No. 8, perhaps Isis, with sistrum. The animals at the
corners with cornucopice may perhaps represent the four
seasons.

Cupid,^ addressed by name in an inscription at Framp-
ton,^ is represented at Leicester, and is seen riding on
the tail of a sea-horse at Horkstow.^ Good-luck was
to be honoured — " Bonum Eventum bene colite " — as at
Woodchester ; and as this divinity was worshipped at
Bome, much more should it be in Britain, as to agricultural
results in our uncertain climate.^ Beference is made to
agriculture in the young man fighting the Hydra, by which
was understood the swampy stream with many heads which
had to be drained. This is at Pitney; and at Woodchester
is seen foliage proceeding from the mask of Pan, a divinity
who seems to personify the woods, the country, and all
nature, and who was one of the most popular of the gods
of the ancients. A curious statue of him is figured in the
Monumenta Vetusta of the Society of Antiquaries.^

The occupations and amusements of men are shown in

1 Chap, viii, No. 21. 2 Chap, xiii, No. 11. 3 chap. ix, No. 2.

^ Bonus Eventus was one of the twelve divinities who presided over
husbandry. — (Varro, De re rustica, lib. i.) "There was a temple to tliis
divinity in Rome, and Pliny mentions statues of this deity witli patera in
right hand and an ear of corn and poppy in the left. He is represented iu
the same shape on the reverse of a coin of Titus ; and the reverse of a coin
of Geta has a female figure holding a dish of fruits in her right hand, and
ears of corn in her left, with inscription, Boni Eventvs." — (T. Wright,
Celt, Roman, and Saxon, 1875, pp. 233 and 327.)

' Vol. ii, PI. 21 and 22.

36 ROMANO-BRITISH MOSAICS.

the hunting scenes, as the " Tree and Ammal," at Aid-
borough ; "Three Dogs," at Ch^encester ; "Animals," at
Pitney ; " Figure in a cloak standing by Stag," at Lei-
cester; "An equestrian figure fighting a Lion," as at
Frampton and Withington. " Gladiatorial Combats" are
seen at Bignor and at Morton ; " Chariot Races" at
Horkstow.

As the gladiators at Bignor are figures with \^'ings as
well as the lanistce, it is possible these may be the umhrce, or
ghosts, of an institution jDassed or passing away.

The old gods, majorum gentium, are represented in but
few cases, and these may be taken rather to designate the
days of the week over which the planets, under the names
of those gods, presided : as Jupiter and Mars at Frampton ;
Mars, Venus, and Diana at Bramdean ; Apollo and his lyre
at Littlecote and Bignor.

At Bignor, however, is Jupiter, by his messenger, an
eagle, carrying off Ganymede, the myth being referred to
in the poem of Nonnus,^ — unless this should be taken for a
consecratio, that is, an eagle carrying up the deified man to
heaven.

At Bramdean is seen jEsculapiiis and Hercules and
Antceus. Hercules and Bacchus remained popular to the
last ; the former specially encouraged colonisation, travel,
and hard work.

The star is introduced into many of the pavements :
astrology and astronomy being kindred sciences among the
ancients. Many of the personages referred to in this book
were transferred as stars to the skies ; the Greeks called a
human being a light, and when it \\Qnt out here it shone

forth in the sky above.

" micat iutei- omnes
Juliuni sidus, velut inter igues

Luna niinores."

' Sec chapter ii.

SIGNIFICANCE OF BORDERS. 37

The borders of the mosaics are not without their signi-
ficance. The single, the braided, and double-plaited guil-
loches are beautiful designs, with their blended colours,
which show off to advantage the pictures of which they
form the frames.

The labyrinth, or fret border, is a combination of those
emblems of fire which were used as such by the earliest
nations, and are thought by some to be derived from two
pieces of wood laid across each other on the ground,
and into which, at the point of intersection, an upright
stick is made to revolve rapidly, by means of a cord wound
round it, till the friction causes the ignition of a certain dry
kind of grass, still used in India for the purpose of obtain-
ing fire ; and the pith of the narthex seems to have served
the same purpose, whence its sacred character. The
narthex, a kind of cane or reed, was placed in the hands
of divinities, as seen in nearly all these mosaics where gods or
goddesses are depicted. Mr. C. Roach Smith, in alluding
to the labyrinthine fret on a pavement at Wingham, seems
to carry up the design to the celebrated labyrinth of Crete,
of which he gives an example found at Saltzburg, which is
an obvious reproduction " of the story of Theseus, Ariadne,
and the Minotaur, in a series of pictorial scenes in rich
colours and well desio-ned."^

The element of water is represented by the spiral pat-
tern, well known to students of Greek art, and of which an
example is No. 27, chap, xii, found in London.

The axe of Lycurgus is often introduced as a border, as
in that on No. 4, chap, vii ; the earth is beautifully repre-
sented by lilies and foliage in flowing designs, and birds
personify the air which th6y inhabit. The subjects treated
of can be exemplified in scenes embossed upon the Samiaii

^ A)rhiL'(tlo(jia Can/ tana, xv, p. 130.

38 ROMANO-BRITISH MOSAICS.

ware which fills our museums ; and I may refer especially
to a Bacchanalian cup, described by the Rev. S. Weston,
D.D., in the Archceologia, xvii.

The Emperor Septimius Severus was a devotee of
Bacchus, having been engaged in wars over the same
line of country as the conquering god. A coin of middle
brass, bearing the heads of Severus and Julia Domna face
to face, has on the reverse the figure of Bacchus in a biga
drawn by two leopards ; he is hurling a spear in his right
hand against the enemy, carrying a leopard's skin over his
left arm, and with his left hand he holds a cantharus, towards
which one of the leopards turns round his head, as if to
drink. It is dedicated by the Seleucians on the river Caly-
cadnus, in Cilicia, and seems to refer to the defeat of Didius
Julianus, Pescennius Niger, and Albinus.^

^ The coin is figured in Spoil, Miscellan. Erudit. Antiq., p. 26.

CHAPTER IV.

Emblems of the Elements — Anaxagoras and his Perception of the Neces-
sity for a Divine Ruler of the Universe — The Atomic Theory of the
Homceomeria — His Successors and Predecessors and their Theories —
Pythagoras and Meton — Astronomer figured on the Mosiacs at Mor-
ton, Isle of Wight — Ptolemy — Claudian's Poem on the Loadstone —
Union of Astronomy and Philosophy — Astrology — Instruments, Con-
stellations, and Zodiacal Signs — Improved Observation of the Seasons
— Seasons of the Day, Week, Month, and Year depicted on Mosaics.

SOMETHING must now be said of Greek astronomical
science, to which honour is done in these mosaics.
We have seen the elements of air, earth, fire, and water
portrayed through their emblems, and made to adorn the
various scenes which have been referred to in the preceding
pages ; in the present chapter some remarks will be offered
upon the progress of the human intellect towards a recog-
nition of one divine mind arranging and overruling the
wondrous cosmogony, which increased knowledge forced
upon the minds of men in a firm and serious cpnviction.
Perhaps it is due to Anaxagoras, among the Greeks, to have
first attributed to the Divine Mind the arrangement and
distribution out of chaos of atoms which made up the mass
of the globe and its contents. The Homceomeria of Demo-
critus might account for the agglomeration together of atoms
of the same nature, which constitute the material world ;
but how could they be acted upon without a summum
mobile, a motive and active power, which must be nothing
less than eternal, omnipotent, omniscient ?

Cicero was aware of this when he briefly refers to the
tenets of the Greek philosophers, as of Thales, wlio supposed

40 ROMANO- BRITISH MOSAICS.

all things to have been created out of the element of water;
and of Anaximander, who thought the gods were worlds
rising and setting at long intervals; and of Anaximenes,
who made a god out of the element of air, always in motion
and infinite ; or of Strato, the physicist, who made Nature
his god ; or of Zeno, who in like manner raised natural
law into divinity itself, the created into the creator ; and,
^^'hen he interpreted the theogony of Hesiod, deprived it of
what inspired an intuitive perception of the existence of
the gods ; but, continues Cicero [De Nat. Deor., i), what
nation is there, or race of men, which has not, without
learning, a certain preconception of the gods which Epicurus
calls 7rpo\rjyln<i^ that is, a kind of unformed idea of the thing
preconceived in the mind ? Aristotle teaches that Orpheus
the poet never existed ; and some Pythagoreans say the
Orphic poem was really written by one Cercops. Cicero
goes on to say that Democritus, who was certainly great
among the greatest, from whose rills Epicurus watered his
own gardens, yet seems to be asleep as to the nature of
the gods.

Anaxagoras, who resided thirty years at Athens, had
disciplined himself in the Ionian schools of Anaximenes
and Anaximander, who preceded him. He then went to
the fountain-head for attaining a knowledge of God, by
studying his works ; pursuing especially the science of
astronomy with all the enthusiasm of his nature, and aided
by the use of the armillary sphere and the gnomon, instru-
ments which Anaximander is said to have invented. If
Anaxagoras did not actually first discover the causes of
eclipses of the sun and moon, he yet did much to perfect
the discoveries of his predecessors ; and our material age
will hardly give him credit for w'isdom in abandoning his
sheep-w^alks and other property in Athens, to devote him-
self entirely to the contemplation of the heavens. He was

ANCIENT ASTRONOiMERS. 41

born about B.C. 500, and Pythagoras about seventy years
before him. This great man, who introduced the wonderful
discoveries of science from Chaldaea and Greece into Italy,
has the credit of teaching there, if not of himself dis-
covering, the obhquity of the ecliptic, the round figure of
the earth and its rotation around the sun with the other
planets, the reflected hght of the moon, and the causes of
eclipses. He considered the moon to be a world similar to
our own, but inhabited by animals, the nature of which he
could not determine.

Meton, B.C. 433, established the Metonic cycle on 16th
July of that year ; and such was the fame and the im-
portance given to his discovery in Greece, that the order
of the period of nineteen years was engraved in figures of
gold upon plates of bronze. Hence the name of our golden
number, still retained in the calendar.

Callipus, born at Nicsea in Bithynia, B.C. 338, corrected
the Metonic cycle ; and Hipparchus, born B.C. 160, rendered
still more exact this periodical coincidence of the sun and
moon. These ancient astronomers and philosophers have
been referred to in order to show the connection between
their observations of the great works of creation and their
theological speculations, by which we can- appreciate the
juxtaposition of the various fahdhe on the mosaics at
Morton, near Brading, and the figure of an old man, an
'astronomer, surrounded by his instruments, the armillary
sphere, the gnomon and dial, and globe. The reader may
appropriate to tlie figure any of the names of astronomers
to which I have referred, but it is more probably an
abstract impersonation of the science, rather than the por-
trait of any one philosopher in particular.

The age of Anaxagoras and Pythagoras is separated by
a pretty wide interval from the time when our mosaics were
laid down. Epicurus was Ijorn in B.C. 341 ; he taught at

42 ROMANO-BRITISH MOSAICS.

Athens thirty-six years, till his death at the age of seventy-
two (Clinton's Fasti Hellen.), and the four schools of phi-
losophy about his time were represented by Arcesilaus,
Strato, Zeno, Epicurus, whose deaths occurred B.C. 267,
270, 263, 270.

Time ran on, and the Alexandrian school of astronomers
produced a Ptolemy, who had the advantage of the map of
the fixed stars, laid down by Hipparchus. His numerous
and valuable discoveries in astronomical science, such as the
inequality of the movements of the moon through evection,
or the attraction of the sun's mass, and his method of con-
centrating in writing the whole system of ancient astronomy
and geography, so blinded the world to his faults, that
nearly fourteen hundred years elapsed before mankind
were brought to see the fatal error he had fallen into, by
making the earth the centre of the system instead of the
sun, and thus undoing the discoveries of the early Greek
astronomers.

Having shown how increased knowledge of the heavenly
bodies, and of the laws which governed their movements,
produced in the minds of the Greeks the certainty of a
divine mover and ruler of this wonderful cosmogony, I will
now refer to a sense of something in and around us on this
earth — pure, ethereal, and pervading all created things —
which also served to draw the ancients to a sense of the
supernatural or divine. This was a certain electric or mag-^
netic force, which, though not understood, was known to
exist ; and that beautiful little poem by Claudian on the
magnet describes the feelings of the fourth century upon the
subject among the Romans. He seeks in this poem to find
out the causes of the sun's pale face and moon's disturbance
under eclipses ; to account for the fiery tail of comets ; the
movements in the bowels of the earth ; the rents of the
clouds in a thunderstorm ; the explosion of the thunder.

CLAUDIAN ON MAGNETISM. 43

and the variegated light of the rainbow. He contemplates
the loadstone, colourless, dingy, of little value. Where
are its attractions ? It neither sparkles in the tiara of a
monarch, nor adorns the white neck of a maiden, nor shines
in the clasp of a belt; yet the miracles of this dusky stone
attest its superiority over the brightest of ornaments, and
the reddest of corals which an Indian may seek on his
eastern coasts, for this stone gives life to iron and feeds
upon it. It knows the sweet food, and from it extracts its
native strength. The hard aliment is infused through its
whole frame ;, without it the stone perishes, its dying limbs
grow stiff from gnawing hunger, and thirst consumes its
dried-up veins.

The simile is then given of Mars, the smiter of cities at
the j)oii^t of the sword, and Venus, who relaxes human
cares during a period of ease, and they occupy one common
fane inside a golden temple. Their figures are very dis-
similar, but the iron form of Mars and the magnetic stone
as Venus, unite in wedlock at the altar. She entwines her
arms around his helmet ; he is drawn by secret cords to his
stony wife, and they are united by unseen attractions.
What congenial heat has welded the two metals together ?
What attraction has drawn two hard heads into one, and
made the steel alive to the charms of love ?

So Venus has power to compel a savage king, drawn
sword in hand, to relax his features when boiling over with
bloodthirsty rage, just as she does in the case of the
lower animals. " What power, too, is not given to yon
cruel boy," says the poet, addressing Cupid; "you are greater
even than the Thunderer, and bring him down from heaven
to roar as a bull in the middle of the waves. ^ You wound
a cold stone, and, struck by your weapons, the rock begins

' An inscription of a, modern wit (Voltaire]), below a figure of Cupiil,
runs as follows : — " Qui quo tu sois voila ton niaitre."

44 ROMANO-BRITISH MOSAICS.

to burn ; the iron is held by enchantments, and flames
pervade the rigid marble."

This power, then, is held by the ancients as one beyond
our n}ortal ken. Cupid pervades the mosaics ; he rides on
the dolphins, is present at the sports, and subdues the
hydras in the field. Lucretius gives his mother the first
place in the government of the world, and she can hardly
be said to have quitted her pedestal ever since.

The union of philosophy with astronomy resulted in
many a mythological tale and many a religious dogma.
Goddesses, as Venus Urania, descended from heaven ;
mortals were taken up to shine in the sky, like the crown
of Ariadne, Orion the' Hunter, Perseus and Andromeda,
and many others.

Astrology sprang from a knowledge of astronomy. Some
of the instruments of the period have come down to us, as
the two armillary spheres, said to be of the fom'th century,
preserved in the Archaeological Museum of Madrid. The
view of three instruments depicted on the mosaic at
Morton, Isle of Wight, is a contemporary record of high
interest. The progress of astronomy in after ages, which
was remarkable in Spain during the Moorish occupation of
that country, may have been due in part to its cultivation
in North Africa, under Mussulman rule ; succeeding, as
did the Arabs, the famous schools of Alexandria and the
many learned astronomers, philosophers, and w^riters who
flourished in the Roman provinces of North Africa. The
reformation of the calendar by Julius Ceesar was the result
of increased knowledge derived from the schools of Egypt.
The practical application of this knowledge gave a great
impulse to agricultural pursuits, and caused a more accurate
observation of the seasons ; bence the mosaics in this
country take the seasons for their theme oftener than any
other. Wc find the seasons of the day at Morton, the days

THE ROMAN WEEK. 45

of the week at Bramdeaii, and the seasons of the year
repeatedly. The months are not separately emhlematised
in England, as far as we know at present, but they are on
that pavement in the British Museum brought from Africa,
which will be treated of in a separate chapter at the end of
the work.

The Romans, in naming the days of the week after the
sun and moon and five planets, generally began the enu-
meration with Saturday, or Saturn's day, then following
with Sun-day, Moon-day, Mercury, Jupiter, and Venus
days, as on the bronze forceps found in the bed of the
Thames at the close of the autumn of 1 840, by Charles Roach
Smith, and described by him in Archceologia, xxx, p. 548,
where, beginning at the bottom of one of the handles, the
heads of the gods representing the days appear in the above
order, four appearing on one handle and four on the other ;
an eighth head being added to complete the uniformity,
which may be that of Ceres. Professor Migliorini, of
Florence, compares the heads with those on a calendar
discovered in the baths of Titus, in Rome, in 1819 (see
C. R. Smith's Collectanea, vol. ii). On the Bramdean
pavement, Saturn's head has been destroyed, as well as the
eighth head, inserted to complete the even number, as was
the practice. The other heads remain. The order of the
days of the week is made to begin with Sunday by
Ausonius, as is seen in the well-known lines —

" Primum «nprcmuniqiie diem radiatus habct Sol ;
Proxima fraternee succedit Luna coronce ;
Tcrtius asser[tiitur Titaiiia liunina Mavors ;
Mercurius qiiarti sibi vhidicat astra diti ;
Inliistrant quintain Jo vis aurea sidera zouam,
Sexta salutigeruni seqiiitur Venus alma {)arcntcni,
Cuneta supergradiens Saturni scptima lux est ;
Octavum instaurat revolubilis orbita Solcm."

Before leaving astronomers and the stars, it would not

ROMANO-BRITISH MOSAICS.

be right to omit mention of three very celebrated MSS. of
Cicero's metrical translation of Aratus, one of which is
considered by Mr. W. Young Ottley {Archceologia, xxvi) to
have been written as early as the second or third century,
while the other two are not earlier than the end of the
tenth century. The difference in characteristics and cos-
tume is very marked. The first MS. (Harleian, No. 647)
is accompanied by drawings of the constellations, with a
preliminary dissertation in proof of the use of minuscule
writing by the ancient E,omans, and it is a corrected edition
of the poem itself, including nine lines not heretofore
known. ^

The figures of the constellations are in colours ; they
are of somewhat large size, and within the outlines of the
figures, the prose accounts of these constellations, as given
by Hyginus, are written in small capitals, like the small
poems of Simmias Rhodius, which are often inscribed within
the shape of an egg, a pair of wings, a battle-axe, an altar,
etc., as in the Poetce Minores Grceci.

The scheme gives —

Aries.

Perseus (18 stars).

Cygnus.

Sagitta.

Oriou (18 stars).

Argo {2Q stars).

Piscis (12 stars).
Hydra.

Deltolon.
A

Pleiades (7 stars).

Aquarius, Capricoruus.

Aquilla.

Syrias (20 stars).

Coetus, the sea-monster,
coming to destroy An-
dromeda (13 stars).

Ara (4 stars).

Anticauis.

Pisces.

(Lyre).

Sagittarius (16 stars).
Delphinus (9 stars).
Lupus (7 stars).
Eridauus, the Po (13
stars).

Centaurus (24 stars).

Five heads (the planets
Jupiter, Saturn, Mars,
Mercury, and Venus).

1 In a tabular arrangement of t}'pical Latin MSS. and handwritings,
to the tenth century, given in the History of the Utrecht Psalter, p. 43, by
Walter de Gray Birch, F.S.A., so great an antiquity is not given to this
MS., which is described as of the ninth century — rustic and minuscule
duplicate text.

THE ARATUS OF CICERO. 47

The Sun is represented in a chariot drawn by four
horses, ascending. The Moon is represented in a chariot
drawn by two oxen, descending.

The early MS. above referred to is 12| in. in height and
1 1 1 in. in width. There are upon it extracts from Pliny,
Macrobius, and Martianus Capella, by another hand, and a
planisphere by one Geruvigus, a monk. Under this is
written : " Ego indignus monachus nomine Geruvigus rep-
peri ac scripsi, pax legentibus." Among the writings in
this hand are treatises De Concoi'dia Solari et Lunari,
Item de eadem Ratione, De Concordia Maris et Lunce.

The following are the nine lines, the existence of which,

says Mr. W. Young Ottley, are not even hinted at in any

printed edition, and he concludes thence that, except in the

ancient MS. referred to, and the two Saxon copies from it,

they are nowhere to be found.

" Sed cum se medium cosli in regione locavit
Magnus Aquarius, et vestivit lumine terras,
Tuni pedibus simul et supera cervice jubata
Cedit equus fugiens ; at contra siguipotens nox
Cauda Centaurum retineus ad se rapit ipsa ;
Nee potis est caput atque humeros obducere latos ;
At vero Serpentis hydrgo caligine caeca
Oervicem atque occulorum ardentia lumina vestit ;
Hanc autem totam properant depellere pisces."

The poem of Aratus was put into Latin verse by
Cicero, when quite a young man, as Q. Lucilius Balbus
informs us, who was so pleased with this Latin version that
he was in the habit of reciting passages of it by heart.

We may now descend from "the clouds", and conclude
this rapid sketch of the scientific investigations of the
ancients by referring to a conversation or disputation in
matter-of-fact Eome, or at the Tusculan villa of Cicero, held
on the occasion of the Ferice Latince, the great national
holiday.

The greatness of Rome, her glorious history, and the

48 ROMANO- BRITISH MOSAICS.

general belief in the overruling providence which had been
instrumental in building it up, was present to the minds of
those here assembled, who were C. Cotta, the intimate
friend of Cicero, and ?i^pontifex; Velleius, a senator and an
Epicurean ; and Q. Lucilius Balbus, a Stoic, dignified in
Cicero's description of him as Grcecis ijar. This latter
weaves an intricate web of history, showing the direct
action of the gods in bringing about prosjDerous events,
and their anger as the cause of misfortunes ; instancing the
latter in the first Punic war, when P. Claudius insulted the
gods by making a joke at the chickens of the State, who,
when brought out of their coops, refused to eat. " Let them
drink, then," he said, and ordered them to be drowned. The
Sybilline oracles, the great authority of the Augurs, and
the numerous other religious institutions of ancient Rome,
are adduced in support of his cause ; and he is careful to
distinguish between what he calls religious and super-
stitious beliefs.

We should have a difficulty in perceiving the definitions
of the boundaries of each, but he points them out to his
own satisfaction, and dwells particularly on the dignity of
man's nature ; he alone, of all created things, having a
knowledge of the risings, settings, and courses of the
heavenly bodies, by which he defines days, months, and
years ; he knowing also the eclipses of the sun and moon,
and when and where they will occur. This study leads his
mind to the knowledge of the gods, from which springs
piety, the handmaid of justice and of the other virtues.

Cotta, the Pontifex, anxiously endeavouring to draw
out the philosopher's reasons by a closer line of argument
than he seemed able to give, took care at the same time to
maintain his own official dignity by saying that he always
believed and defended the religious opinions, and the
sacred acts and ceremonies connected with the worship of

TUSCULAN CONVERSATIONS. 49 "

the gods, which had been handed down by those who went
before ; that he always would defend them, and would
place more faith in the teaching of the High Pontiifs,
and in C. Lselius the Augur than in all the speeches of
Stoic philosophers ; but, he goes on to say, I am bound to
expect reasoning about religion from you, a philosopher, as I
am bound to believe, without any reasoning, what our
ancestors have handed down.

He then begins to take exception to some of the
marvels recorded, as the foot-print of Castor's horse's hoofs
on the stone at Lake Regillus, and of the supposed ap-
pearance of gods on horse-back who have formerly lived on
earth. Balbus rejoins, " What ! do not you believe in the
temple dedicated to Castor and Pollux in the forum by
A. Postumius?" etc. "I believe in the gods", said the
pontifex, " but not in your reasons for proving their exist-
ence." He then goes on to object to the numerous natural
objects being made into gods, as well as abstract qualities,
such as Harmony, Faith, Prudence, Honour, Hope, etc. ;
and those who have been made gods by the vulgar and
ignorant, as a Fish by the Syrians, and every kind of animal
by the Egyptians. He objects to Greece making gods of
mortals who have once lived on earth, as Leucothea, who
had been Ino, and her son Palaemon ; and Italy, who had
enrolled Romulus, and many others, among the new
citizens of Heaven. But you philosophers are no better,
for you number each of the stars as a separate god, giving
them the names of beasts or objects of still-life.

If, then, such are accepted as gods, why do we not as
well include among them Serapis and Isis, and all the
beasts and birds and reptiles of the barbarous nations ?
He names a number of foreign divinities, such as Circe,
Medea, etc., and if they are not admitted, what shall I say
then of Ino, called by the Greeks Leucothea, and by us

50 ROMANO-BRITISH MOSAICS.

Matuta, she having been a daughter of Cadmus ? He then
objects to the old gods being multiphed by having a
different parentage and origin given them. He winds
up a long speech, by saying to Balbus, " I see I must go
elsewhere to find the proofs of the existence of the gods
and of their nature, rather than take them as you make
them out to be."

The result of the discussion was that the whole subject
was declared to be very obscure. Velleius, the Senator,
thought that dreams, said by the Stoics to be sent down
to us from Jupiter, were as shadowy as their own exposition
of the nature of the gods ; it seemed to him that the
arguments of the pontifex Cotta were the truest, but that
those of Balbus were nearer the semblance of truth.^ I
have inserted this episode to mark a stage in the progress
of polytheism in Italy and the signs of its decay. Socrates
had died for teaching what was not considered the orthodox
view of religion, four hundred years before Cicero lived ;
and four hundred years afterwards, the legend of Cadmus,
Ino and Bacchus still survived to be represented on the
floors of dining-halls by the men of Rome in distant
countries. In the intermediate time, Lucian perhaps repre-
sented the opinions of his day, when he said the number
of new gods introduced into Olympus was so great, and of
so many nations and languages, some being really quite
unpresentable in such high society, that the ambrosia and
nectar were beginning to run short there, and were selling
as high as a inina for a sextarius, or eighty shillings a
pint. He further makes Jupiter notify the fact by procla-
mation,^ and declare that every god should mind his own
business, and not be jack-of-all- trades like Apollo, who
was patron of the four arts of music, archery, medicine,
and divination.

' Cic. , De Xdtnra Deoritm, lib. ii and iii, paxshn.
- Ocui' iKK\)jai'ct, 14 and 16.

CHAPTER V.

Trausitional Times — Policy of Theodosius — Absorption of the Gothic
Nations— Destruction of Roman Villas — Continuation of Roman Arts
and their Mosaic Patterns by Sculptors and Scribes — Wall Painting
and Sectilia for Walls — Floral Decorations and their Influence on
early Church Architecture and Glass Windows.

IT will be my endeavour in this chapter to penetrate, if
possible, the darkness of the transitional times which
led to the universal adoption of Christianity in this country ;
or at least to trace the permanence or revival of many arts
and appliances of civilisation for which we are indebted to
the Romans. We must be satisfied to grope through a
misty atmosphere with little light from contemporary
evidence in writing. The end of the mosaics and the villas
which they adorned can only be conjectured from their
present appearance ; such portions only of the buildings
as have from time to time been disinterred remain to tell
their imperfect tale ; but a fair idea of their ground-plans
may yet be pretty accurately ascertained.

The Dacian conquests of Trajan have been perpetuated
on the column of marble which still stands in the forum,
bearing his name, at Rome ; and the 2,500 human figures of
the triumphal procession which surround it may be studied
in London on the full-sized cast of the column in the South
Kensington Museum ; but the unification of the various
tribes of northern and eastern Europe under the name of
Goths, by the civilisation and language of Greece, and the
written gospels of Bishop Ulphilas in the Moeso-Gothic
tongue, combined to form a monument more durable than

52 ROMANO-BRITISH MOSAICS.

the marble of Trajan, and more efficacious in the re-constitu-
tion of nations than tlie exploits of his sword.

The archaeologist may obtain some insight into what
was going on from the very many relics of those times
disinterred of late years and subjected to the scrutiny of
attentive criticism. It has been said, in reference to the
introduction of Christianity in Ireland, by one who has an
accurate knowledge of such relics, that " the facile con-
version, or rather passive reception of the gospel by the
natives, forms a feature in Irish history almost unparalleled
in the history of any other country. The favour shown to
the new faith and its disciples prompted many a neophyte
to seek that peace and safety in Erin which was denied in
Other lands, and the welcome and hospitality exhibited to
distressed and persecuted strangers, were the means of
turning to its shores men of learning, genius, and piety
from distant regions. Through the agency of these, foreign
refugees a tinge of Byzantine taste was infused into the
decorative arts of Ireland, and the bold, simple, and severe
style which characterises the productions of the Bronze
})eriod, was soon lost in the elaborate ornamentation which
followed in the wake of the Christian missionary. Three
varieties of bronze are found in Ireland : one the ordinary
bronze, another of a dark-red colour, and the third, of a
yellow colour, much like brass."^

It may be here remarked that besides the vast collec-
tions of objects which illustrate this transitional period,
and which fill our national and provincial museums, much
benefit has accrued to archaeological science by the constant
handling and exhibition of such relics before our antiqua-
rian and- archaeological societies ; for this the private
collections of individual members have proved very useful,
and I may particularly name, from my own experience, the

^ H. S)er-Cuming, F.S.A.Scot.; in Brit, Arch. Assoc. JovrnaJ, x, p. 172.

INDIGENOUS TILE-STAMrS. 53

collections of Mr. Bailey; of the three brothers Brent, of
Canterbury, Bromley, and Plymouth ; of Mr. E. P. Loftus-
Brock, of Mr. H. Syer-Cuming, of the Rev. Sam. M. Mayhew,
of Mr. Stephen Tucker, Somerset Herald; of Mr. C. Warne,
and Mr. E. Way, with many others, members of the British
Archaeological Association.

We are indebted to Dr. Birch for an exhaustive account
of Boman tiles and pottery, both as to their manufacture
and uses. He informs us that stamps on tiles give the
names of proprietors of the estates, or j^t'C^dia, where they
were made. This has enabled him to draw an ingenious
deduction therefrom, which shall be given in his own words :
" The most remarkable fact connected with the history of
the proprietors is the prevalence of female names, and the
quantity of tiles which came from their estates was enor-
mous. The occasional renunciation by the Emperors of
their private fortunes in favour of their female relatives ;
the extensive proscription by which, owing to a defect of
male heirs, estates devolved upon females, as well as the
gradual extinction of great families consequent on the
corruption of public morals, may be traced on a tile as
readily as on the pages of a historian."^ Future excavators
may bear this in mind, and endeavour to trace out some of
the names in this country in case any should appear on
tiles or mosaics of villas.

The alteration of Boman names into the language of the
country is another subject which needs investigation. It has
been said that no Boman proper names have survived; but
this is not altogether correct, and some have, no doubt,
through syllabic alterations, become difficult of recognition
unless a special search were made with good philological
experience.

' History of Ancient Poltenj^ by i?;umicl Birch, LL.D., F.S.A. Lomluii,
1873, p. d83.

54 ROMANO-BRITISH MOSAICS.

The legislation of the emperor Theodosius did as much
to destroy artistic remains, as well as the memory of the
ancient civilisation, when this ran counter to the new order
of things, as did the arms of the barbarians or the raids of the
sea kings ; yet most interesting records of his time have re-
appeared, and none more important can be mentioned than
the disc of sih^r, twenty-nine inches in diameter, being the
largest of this kind of memorial dishes extant, which was
found in 1847 at Almandralejo (province of Badajoz), not
far from Merida, and now in the Museum of the Royal
Academy of History, Madrid. The subject, in relief, is
altogether historical. The Emperor Theodosius is accom-
panied by the two princes, Yalentinian II and Arcadius,
w4io were associated with him in the empire, and surrounded
by his guards ; he is handing a scroll to a consular per-
sonage. The legend around reads :

" D.N. THEODOSIVS PERPET AVG OB DIEM
FELICISSIMVM X

which fixes the date to 19 Jan. 389, being the tenth anni-
versary of the accession of Theodosius to the throne\ unless,
as is probable, it was a presentation dish on the 1st January
of that year. The latest of these dishes known was one of
nineteen inches diameter, with the legend :

" GEILAMAR REX VANDALORVM ET ALANORVM",

showing it to belong to the first half of the sixth century
(530-534). It was found on 20th Jan. 1875.^

The prestige, however, of Rome remained, and the skill
of her lawyers and ecclesiastics was strong enough to rule
Britain and absorb any number of the northern Gothic

^ See Anto. Delgado, Mem. Historico-Critico Sohre el Gran Disco de
T//eoclosio, Madrid, 1849, 4to.; and an essay upon it by Mcrimce in Revue
Archeologique for July 1849, p. 263.

' Jonntal des Savants, annee 1877.

POLICY OF THEODOSIUS. 55

confederacies. It is probable tbat the large towns would
remain constant in orthodoxy and in their allegiance to
Roman ideas of government, and true to the memory of the
great soldier Theodosius, as well as to his son the emperor ;
but, as in the olden time, the populations of the villages
and country hamlets were probably left much to themselves,
and if slow to be converted to Christianity, the force of
example and the zeal of the missionary would, in the end,
weld'ihem together in a compact nationality.

The skilful policy of Theodosius, the emperor, retrieved
the fortunes of Rome, which had suffered so severely at the
fatal battle of Hadrianople(A.D. 3 7 8), in which Yaleus had lost
his life. The Eastern Goths, under Odothseus, were routed
on the Danube in the reign of his son Honorius, when
each of the five mouths of that river was tinged with the
blood of the slain, to use the language of a contemporary
historian, and the fish fled in trepidation ; but a writer of
more recent date thinks that a large pike in the Danube
would have caused more consternation among the fishes.

The Western Goths were absorbed and amalgamated
under Roman institutions. The poet Claudian could boast,
when addressing Honorius in his fourth consulate, —

" Tua Sarmata discors
Sacramenta petit, projecta pelle Gelonus
Militat : in Latios ritus transistis Alaui."

In Britain, the partizanship of Greek or Roman ideas was
often the primary cause of those conflicts between Saxons,
Britons, and Welsh, which are irreconcilable upon any other
hypothesis ; and as there is not reason for supposing that
the permanent government of Britain suflered collapse,
such quarrels would only partially aftect our villas and
mosaics.

The plan of warming the house by hot air conveyed
through tiled passages inside the walls from the hypocaust

56 ROMANO-BE ITISH MOSAICS.

beneath the flooring, furnishes a good proof of the skill of
the Komans in the conveniencies of social life. The system
was intricate, from the difficulty of admitting heated air
without smoke ; vapour or steam, as well as cold air, were
judiciously sent into the rooms at different levels, producing
a circulation and uniform temperature above and below. ^
The subject is one of considerable interest, which it is not
my purpose to enter upon here ; but the heating flues may
have been the cause of many of the conflagrations which
appear to have been frequent ; and these have been attri-
buted, perhaps in many cases without reason, by historians,
to the effect of civil strife or incendiarism.

Our island has twice been invaded by Greeks and twice
by Romans, paradoxical as this may at first sight appear.
The visits of Greek navigators to our shores before the
time of Julius Caesar are certainly recorded by several
trustworthy authors of antiquity; but it is doubtful
whether any remains of such visits can be traced, or any
other evidence than that of the few authors referred to,
unless it is the gold coinage of the ancient Britons, which
has been investigated with success by the Rev. Beale Poste
in the early volumes of the British Archseological Asso-
ciation, and by Mr. J. Evans, F.B.S., in his work The Coins
of the Ancient Britons. The second invasion, though of a
peaceful and more permanent character, was gradually
brought about through the extension of the dominion of
Rome over Greece and her dependencies, and may date,
probably in England, from the immediate successors of the
emperor Septimius Severus, if not from his reign ; and Greek
influence was greatly stimulated by the removal of the seat of
civil government to Byzantium by Constantine the Great.
If, however, Greek was the language of the court, it is not
probable that it would supersede the tongue of the natives

' Seneca, Epistle xc.

ON THE GROWTH OF NATIONS. 57

in these islands, any more than would the Latin. These
two languages of the educated classes had been formed by-
some of the finest intellects which the world has ever pro-
duced ; and doubtless were as different, even in Greece and
Italy, firom those in use among the lower orders of men as
is the provincial country English of Yorkshire or Dorset
from that spoken in our large towns. The history we have
of the inhabitants of the different countries of Europe shows
that they consisted of a great number of separate tribes,
and the march of civilisation among them would cause those
individuals who might be gifted either by nature or educa-
tion to rise to positions of command.

We are, by a wide conventionality, in the habit of calling
all the old inhabitants of north-western Europe under the
general name of Celts and Teutons, and of tracing their
earliest origin and migrations : a system leading to no result.
The Greeks were more rational than ourselves in this respect,
who, in writing of the antiquities of their country, found that,
as they could neither tell who the native inhabitants may
originally have been, or whence they had come, gave them
the name of Autochthones, or born of the soil. The move-
ments of nations may be compared to the old and new
theories of light. The expounders of the former describe
a ray as proceeding from the sun and travelling at so many
miles in a second. The advocates of the new theory show
that a ray is tlie oscillation of the waves of light set in
motion, and thus reaching us by a very different process.
So, we find nations set in motion on the page of history by
new combinations, and wave appearing to succeed wave ;
yet the masses of the people, like the ocean or the atmo-
sphere illumined by the light, remain unmoved, and the
surface only or the crests of the waves are presented to our
observation. What Eno-land owes to that reofeneration
out of which Christian feelings and ideas have sprung, with

58 ROMANO-BRITISH MOSAICS.

tlieir civilising influence upon social life, let our own history
tell. The spirit of God has moved upon the face of the
waters, ruffled though they have been. We might almost
as well search for the fountains or sources of the Atlantic
and Pacific Oceans, or attempt to analyse the waters of each
for the purpose of separating the infinite number of rills
and rivers which have flowed into them from time imme-
morial, as seek to trace out the primeval origin of nations,
and analyse the combinations of which they are composed.

To return from this digression, let me call attention to
its application, by first claiming the necessity of studying
the chronology of history in disquisitions concerning the
origin of nations. This is too often disregarded and de-
spised, though really the only test of the soundness of any
system. My object has been to show the infiltration of the
Greek element into Roman civilisation, which is manifest
in these mosaics, by the not infrequent use of Greek words
or letters in the few inscriptions which remain. The
quartering of cohorts of the Roman army raised in Asia
Minor, Syria, Thrace, Illyricum, and elsewhere in Greece,
throughout our island, and particularly in the northern
parts of it near the Wall, accounts for Greek inscriptions
which have often been found and continue to come to
light.

Now, as to the two Roman invasions before referred to,
the fii'st was by Claudius, when a permanent occupation was
effected ; for the invasions of Julius Csesar were only in the
form of i-econnaissances in force, unless there should be any
truth in the supposed intercourse between Rome and Britain
under the Emperors Augustus and Caius, which some think
is implied by the words of Xiphilinus in his abstract of
Dion Cassius, and put by him into the mouth of the British
queen, Boadicea. Csesar's narrative of his two invasions
shows that in his time, and somewhat before, Roman influ-

EVIDENCES OF GRADUAL PROGRESS. 59

ence in Britain was considerable in promoting the disunion
of the tribes, and in the gradual formation of a Roman
party. It is hardly likely that this influence would have
been allowed to drop, and it 2:)robably was the principal
cause that the permanent annexation was made under
Claudius W'ith so little bloodshed.

The second invasion may be called that of New Rome,
by Augustine, at the end of the sixth century. The impos-
sibility of effecting a reconciliation with the Greek Church
in the matter of reliofion, rendered it the interest of Rome,
and her safety, to retain the old lines of the Roman or Latin
dominion with her language, and to do aw^ay with the
memory even of everything Greek in Western Europe.
This seems to have been in a great measure accomplished ;
and even if the civil arm may have been inclined to Greek
institutions and ideas, through Constantinople and the
later emperors, it was gradually, in the seventh and eighth
centuries, subdued to the ecclesiastical. This phase in the
history of England is interesting, and may be further
elucidated.

Mr. C. R. Smith, in describing a so-called Anglo-Saxon
urn from North Elmham, in the museum of Joseph Mayer,
Esq., remarks that ''these urns are of ruder fabric than
the Roman, and less elegant in shape, but the Roman
influence is more or less apparent in them all, as it is in
the Frankish pottery found in France and Germany. The
urn in Mr. Mayer's museum must be regarded as influenc-
ing to a certain extent our opinions on the so-called Saxon
mortuary urns, and if not to modify, at least to reconsider
them. The inscription is in every respect a Roman one,
written in a w^ell-known and very common funereal
formula. The inference that may be drawn from these
facts is antagonistic to the popular idea that the advent
of the Saxons into Britain was attended universally with

60 ROMANO-BRITISH MOSAICS.

hostility, and with the carnage and extermination of the
population of Britain."^

Old Roman civilisation has never ceased to prevail ;
and though the difference of religiori would prevent this
being fully acknowledged in the writings of the cloister,
yet it is very manifest as to the arts, which are brought to
light by the excavations made of late years.

Mr. E. P. Loftus Brock, F.S.A., one of the honorary
secretaries of the British Archseological Association, in an
article in vol. xv of the Arclueologia Cantiana, pp. 38-55,
has collected the earliest evidences of Christianity in Britain
in Roman times. As to mosaics, he refers to the ^ found
on the pavement at Frampton, Dorset.

Let us now refer to those artistic evidences which have
not been buried, and they are the stone memorial crosses,
called Anglo-Saxon and Celtic, which show how the inter-
laced patterns upon them have been the outcome of patterns
on the Roman mosaics. It will be enough to refer to the
Copplestone Cross in Devonshire, of which a drawing by Sir
Henry Dryden, Bart., has been figured in the Journal of
the British Archceological Association, vol. xxxiv, p.. 242,
and to those interlaced crosses at Penally Church, Pembroke-
shire, and one at St. David's Cathedral, which have been
drawn by Mr. J. Romilly Allen, and figured in the same
Journal, Yo\. xxxiv, p. 354 ; and also to a cross at Winwick,
Lancashire, and figured in vol. xxxvii, p. 92, of the same
Journal; all which plates have been kindly lent by the
Association for reproduction in this work. It is not
necessary to multiply examples, which are very numerous
throughout the country.

The next evidence in support of this position is that
derived from interments, wherein buckles, or Jibulce, are
found with the same interlaced pattern, and the jewellery,

^ C. Roach Smith, Collect. Anfi'j., vol. v, p. 115.

I, ;, 3, 4, Fragment of Shaft of Cross found !n Penali.v CinKtii, I'f.mi.i-okeshire.
5, 6, Head of Cross, from St. David's Cathedral, Temdrokeshire.

To fate p. 6o

CoPLESTONE Cross. Devon .

VnjDitrDlN CUf

To face p. 60.

ROMAN INFLUENCE ON WORKS OF ART. 61

generally of a Roman style, as well as the arms and imple-
ments. The excavation of a tumulus recently made at
Taplow. near Maidenhead, caused a grave to be reached
below the level of the natural soil, which proved to be
that of a king or chieftain, to judge by the pattern of his
arms and accoutrements. The buckles to fasten the belt
at the waist have the interlaced Roman pattern very
marked ; and the gold thread of the border of his vest-
ments indicates Byzantine influence. The bronze vessel
found there, also, is quite Roman in make and taste. These
remains are to be seen in the British Museum, where also
is a fine collection of objects of the same period found in
the various Anglo-Saxon cemeteries of Kent, in one of
which, at Sarre, near Canterbury, were four gold coins of
Emperors of the East.^

Mr. C. Roach Smith, in speaking of mosaic floors, has
remarked that "the mode of constructing them was pre-
served by the ecclesiastics to a very late period, as con-
tinental examples testify. At St. Omer is preserved a fine
specimen worked in the twelfth century, which is a close
copy of the Roman in every respect except that the subjects
are scriptural, surrounded by the signs of the zodiac."^

In our own country may be named the mosaic in the
Prior's Chapel at Ely, figured in Archceolocjia, xiv, Plate 28 ;
and the series of encaustic tiles in Derbyshire and elsewhere,
described and illustrated by Mr. Llewellyn Jewett in the
Journal of the Brit. Arch. A.'isoc, vol. ii, p. 2G1; iv, p. 216 ;
and vii, p. 384, particularly in the Plates xli and xlii of the
last-named volume.

The farther we recede from Roman times the more the
patterns diverge from the original model, but still the orna-
ments retain the unmistakal)le characteristics of their origin.

' C. Roach Smith, Colled. A)iti</., vol. i, jip. 0.3 aiul 177; and Jiio.
Brent, Canterbury in the Olden Time, [>. l'9.

2 Journal of the Brit. Arch. Asw., vol v, p. 102.

62 ROMANO-BRITISH MOSAICS.

As to Anglo-Saxon charters, it is curious to find the
Greek name of Albion used instead of Britannia for this
island ; and I will refer to one of Edgar, a.d. 966, for the
foundation of Newminster Abbey, in which he is styled
Totiiis Alhionis Basileus ; but this is only one out of many
others which could be cited.

To trace further the continuity of Koman ideas, we may
notice the construction of the early religious houses, which
conform very much in their cloistered arrangements to the
peristyle form of Roman villas. The Roman pavements
had, of course, to be done away with on account of the ^
allusions on their face to the old mythological worship ;
but it is probable that if we were to dig beneath the old
tithe-barns of the monasteries, which are often extensive
and well-preserved, we should find they were not unfre-
quently built over mosaic pavements of old Roman times,
for this reason, that the hypocaust below them, and their
solid construction, rendered them impervious to damp, and
therefore well-adapted for granaries; and they seem to have
been used as such in the middle ages, from the frequent
remains of wheat found upon the surface of mosaics.

The monks, in cultivating the language of Rome, seem
to have been well acquainted with the best ancient authors,
and used them freely as far as they served their purpose.
Precedents for government were at times taken from
Roman examples, and these in some cases had better have
been forgotten. Mischief is often produced in after times
by immoral political examples, as Horace well knew when
he quoted one from Roman history.^

1 " Hoc caverat mens provida Rcguli.
Dissentientis couditionibus
Faedis, et exemplo trahenti
Peniiciem veniens in Eevum,
Si non periret immiserabilis
Captiva pubes. "

Hor., Ocl. Ill, 5-13.

PAL^OGRAPHICAL EVIDENCES. 63

The assemblies of the tribes of this country, in their
open-air meetings at such places as Abury, Arbor-Lowe,
Pennenden Heath, and elsewhere, speak of the state of the
country when these meetings prevailed, and it can be
traced how the isolated Moots came to be gradually drawn
into one central government as civilisation progressed
among them. Mr. G. Laurence Gomme^ has investigated
this subject, and more yet remains to be told.

In the meantime this is enough to show how the transi-
tion took place from heathen Roman to Christian Roman
ideas, and without that violence having been resorted to
which is generally asserted or implied by the historians of
a later epoch. It is hard to think that the men who could
produce in the seventh and following century the beautiful
MSS., each one being almost the work of a life, could have
been working in times of bloodshed and slaughter. The
writing has all the signs of a civilisation uninterrupted,
continuous, and peaceful. Whether we take the Gospels of
St. Chad, c. A.D. 700, from Lichfield, or the Book of Kells
of the seventh century, from Ireland, or the Lindisfarne
Gospels from Scotland, the interlaced work in the orna-
mentation of the three is strongly suggestive of an old
Roman origin.^

To continue the successive stages of the decorative
art, we may pass from the illuminated MSS. to the
system of wall-painting by means of sectilia or thin slabs
cut into shapes to form pictures, which were used by
the Romans, and gave, perhaps, the idea of painting the
walls of churches. One of the earliest examples of the
latter in England is on the small church of Kempley, in

^ Primitive Folk-Moots. London, 1880,

2 See Facsimiles of MSS. and Ornamentation, with letterpress, of tlie
Pala30graphical Society, Parts i-viii, Nos. 21, 35, and 58, 89, and Nos.
4, 5, 6, 22.

64 ROMANO-BRITISH MOSAICS.

Gloucestershire, near Ross, visited by the British Archaeo-
logical Association at their Congress at Great Malvern, in
1881. Of wall decorations of Roman times in this country
by means of these mosaic pictures, however, I am unable
to name an example, because the walls no longer exist, —
unless we except a very small portion of the lower part of
the wall at Wingham so ornamented, — but must refer to
the account of three fine specimens of such decoration
described by Mr. Alex. Nesbitt, F.S.A., in vol. xlv, p. 267,
of the Archceologia. He describes them as at the church
of Saint Barbara, originally perhaps the great hall or
basilica of the Bassi in Rome on the Esquiline Hill. The
three subjects are Hylas and the Nymphs, a consular
procession, and a tiger seizing an ox. Mr. Nesbitt says the
ground of both the large pictures was originally green
porphyry (or as it is commonly called at Rome, " serpen-
tino"), and still remains so in that representing the rape of
Hylas ; but in that of the consular procession a great part
of the ground is now of the soft stone known as " verde di
prato", so much used in buildings in Tuscany, this having
no doubt been used to replace pieces of green porphyry
which have dropped out. The rocks, in the rape of Hylas,
are of " alabastro fiorito", variegated alabaster ; the figures
of Hylas and the nymphs, of the marble known as " gialo
antico" ; the hair, I believe, of some variety of alabaster ;
the prgefericulum held by Hylas, and the armlets and
bracelets of two of the nymphs, of mother-o'-pearl. The
water, the blue portions of the garments of the nymphs,
and the cloak of Hylas, are of glass ; the drapery flying
out from the nymph on the right of Hylas is of marble, the
paler portion of that known as " palombino". The band,
representing embroidery, below the figures of Hylas and the
nymphs, is wholly of glass, with the possible exception of
the green ground on which the small figures are placed.

EXAMPLES OF ROMAN '' SECTILIA." G5

The other large picture represents a consul (or other official) ,
clad in the toga, or Iwna picta, or triumphalis, of purple and
gold, proceeding in his chariot to preside at the games.
The white horses are of " palombino", the chestnut of " gialo
antico"; the stockings worn by the men on horseback of
"palombino"; the garments, as well as those of the consul,
of glass ; as also are the trappings of the horses, with the
exception of the discs in the breasts and head- bands of
the horses attached to the higa, which are of mother-o'-pearl.
These two mosaics are preserved in the palace of the Prince
del Drago, at the Quatro Fontane in Borne. Of the palace
of the Bassi, Mr. Nesbitt considers the founder to have
been the Bassus who was Consul in a.d. 367. This art of
joining together sections of polished stones, marble, or glass,
to form a picture or a pattern, was carried to great perfec-
tion throughout the Gothic period in Europe. An instance
is given in Archceologia, xlvi, jd. 237, of two gold orna-
ments of the time of Theodoric, preserved in the Museo
Classense at Ravenna ; they are supposed to have been
" fastened on the fore part of a cuirass or of some leather
garment or lorica\ The author of the article referred to —
Count Ferdinand de Lesteyrie — describes them as the most
perfect specimen of workmanship of the kind he had ever
seen, and goes on to say : " They are not flat, but consist
of a central raised band with a border on each side. The
pattern throughout is the same, composed of nine fillets of
various designs running symmetrically, so as to make the
transverse section of any part of tlie bands the same.
Nothing can give an adequate idea of the regularity and
delicacy of the work, in which thousands of minute pieces
of oriental garnets are inlaid, and separated from each
other by thin gold partitions. It has been remarked that
the exterior border of the band on both sides j^resents to
the eye the same pattern as the cornice of the well-

6G ROMANO-BRITISH MOSAICS.

known mausoleum of Theodoric, which the Italians call
the Rotonda."

The buckles lately discovered in the grave at Taplow,
before referred to, show a similar skill in the execution of
this kind of work. If the evidences of its continuance in
England fall away in the lapse of ages, a revival of mosaic
work is manifest in the thirteenth century, when the
European influence of the Anjevin kings caused it to be
introduced largely for the decoration of churches and
tombs. An instance ready at hand is the work in West-
minster Abbey, of the pavement before the high altar, and
in the chapel of Edward the Confessor. The floral decora-
tions of the old Roman mosaics, in which they abound, are
again manifest in the varied floral ornaments of the capitals
of the Early English architecture, and the flowing decora-
tions of the coloured glass windows then introduced, of
which specimens are given in an article on stained glass
by Mr. W. H. Cope, in Journal of the Brit. Arch. Assoc,
vol. xxxviii, p. 249, and Scdishury Volume, R. A. I., p. 158.
Roman tesselated pavements for flooring in small cubes do
not seem to have continued in England, but the idea was
accepted of producing a somewhat similar eflect by en-
caustic tiles, which could be produced with much less
labour and expense.

CHAPTER VI.

Gloucestershire Mosaics — Situation of the Villas — Woodchcster and
Cirencester described in Lyson's great Work — Catalogue and Descrip-
tion of these and other Mosaics — The Localities where found — Coins
— Authorities. — Herefordshire: Mosaics at and near Kenchester
referred to by our early Writers on Antiquities.

I WILL now, county by county, refer to the principal
mosaics, with a description of each, and especially of
those which have pictured scenes of life upon them, authori-
ties being also quoted, and will begin with Gloucestershire,
where attention seems first to have been directed to Roman
pavements in England by Camden's translator (1695), and
then by Lysons, in his great work on the pavements, in 1797.
The situation of each pavement will at the same time be
given, and a note of the Roman coins which may have been
found in the locality, as some clue to the chronology, though
some of these are mentioned in too vague a manner.

In Gibson's Camden (1695), it is said that "south of the
river Stroud, and not far from Minchin Hampton (a pretty
market town once belonging to the nuns of Sion), is Wood-
chcster, famous for its tesseraick work of painted beasts and
flowers, which appears in the churchyard, two or three feet
deep, in making the graves." No further discoveries are re-
jDorted, and damage must have accrued to the pavements,
which, though covered up, were constantly interfered with in
the churchyard by coffins being [)laced upon them, and some-
times they were even cut through if a grave of extra de[)th
were required. The pavements were again uncovered in
1880, for inspection by tlie Bristol and Gloucestershire

68 ROMANO-BRITISH MOSAICS.

Archaeological Society. Mr. William George, in an account
of this inspection, in The Bristol Times and Mirror for
August 9, 1880, especially refers to the interest taken in
this relic of antiquity by the rector of Woodchester, the
Rev. F. Smith, and to the precautions taken for its preser-
vation from further injury. Woodchester is described by
the late Thomas Wright, Esq.,^ as " situated in a beautiful
valley in the high grounds bordering on the bank of a
stream, which runs down thence into the j)lain to join the
Severn, and at about four miles from the Koman road from
[Coriiiium) Cirencester, to the (Trajectus Augusti) Aust
Passage across the Channel. It was about twelve miles
from the town just mentioned, and the same distance from
(6^/ei'^r??i) Gloucester. If we left Corinium by the ancient
road just mentioned, we should first have seen on a hill to
the right, between this road and the road to Glevum, a
villa of some extent, the remains of which have been dis-
covered at Dasflino-worth, about three miles to the north-
west of Cirencester. Close to the road on the left, under a
hill about five miles from Corinium, was a Roman station, or
building, at a place now called Trewsbury. About two
miles further, on the right-hand side of the road, stood
another handsome villa, which has been excavated to some
extent, at Hocbury, in the parish of Rodmarton. Two
miles more brought us to a villa on the opposite side of the
road, and like the last, close to it, which has been dis-
covered in the parish of Cherington. About six miles
further, on the same side of the road, extensive buildings
have been found at a place called Kingscot, which belonged
either to a villa or a station. About half-way between the
last two places, a by-way probably led to the villa at
Woodchester, among the hills to the right. Eight or nine
miles from Kingscot, at a place called Croom Hall, remains

1 Celt, Roman, and Saxon. London, 187-5,

ROMAN VILLA AT CHEDWORTH. 69

of another villa or mansion have been found close to the left-
hand side of the road, where it passes over an eminence.
A few miles carried the traveller hence to the shores of the
Bristol Channel. If we had taken the road from Corinium
to Glevum we should first have seen the villa at Dagling-
worth, on the hill to the left ; and then on the right hand,
and near the road, about seven miles from Corinium, we
should have seen a fine villa which has been discovered at
Combe-end. On the other side of the road, in a fine
valley among the hills, about half-way between the road
and Woodchester,was another rich villa, the remains of which
have been discovered at a place called Brown's Hill. In
the vale of Gloucester, at the foot of the hills, about four
miles to the west of Woodchester, stood another handsome
villa, or perhaps a small town, at Frocester. All these places
are within a very small circuit, and have been discovered
accidentally, so that there may be others within the same
compass."

The Boman villa at Chedworth was situated in an equally
picturesque and commodious situation as that at Wood-
chester. It has been graphically described by Mr. J. W.
Grover, F.S.A. (in Journal of the Brit. Arch. Assoc, vol.
XXV, p. 129-35), as situated at the bottom of a steep Cots-
wold valley, two miles to the west of the Fosse Bridge Inn,
which stands at the seventh mile from Cirencester. " The
villa occupies the extremity of a ravine, which opens into
the vale, and looks upon the river Coin, the parent stem of
the Thames, which at this point is about six or seven miles
from Thames Head, near Cheltenham.

"The buildings of this villa, or rather the foundations
which remain, are j^laced at the base of the natural slopes
surrounding them closely on three sides and covered with a
thick growth of wood. The spot is one of remarkable beauty
and seclusion, eminently calculated for the site of an elegant

70 ROMANO-BRITISH MOSAICS.

retired sylvan residence, where its lord might enjoy at
leisure the beauties of undisturbed nature, and in the
neighbouring woods find good sport to enliven his more
active moments. Although the aspect of the villa is north-
east, yet so closely do the hills surround it that few winds
can disturb its precincts, whilst the dense foliage is sufficient
to protect it from the heats of the summer sun.

" On entering the nearest building of the extremity to
the left, the antiquary finds himself in a large room paved
with a very bright and beautiful mosaic in singularly good
preservation. The centre compartment is divided into
various divisions, some of which are destroyed by rabbit-
burrows. They contain dancing figures in various atti-
tudes. At the four corners, in triangular spaces, are the
four seasons, wrought out with singular art. That of Winter
is very interesting, exhibiting the dress, probably, of the
Roman sportsman in primaeval Britain. His head is en-
velojDed in a capote or hood, similar to that worn by the
head of Winter in the great Bignor pavement. Bound the
waist goes a belt, and below this there is a lappeted kilt.
The wind appears to be blowing a loose cloak from his
shoulders ; in his left hand he holds a bare branch, and in
his right a rabbit — indeed, rabbiting must have formed a
leading amusement amongst the proprietors of this villa, for
in another room there is a sculpture of a man holding a
rabbit with a dog at his feet. The figure of S^Dring is very
vigorous and artistic. It represents a divinity girt with a
sash, and holding in the left arm a basket, whilst with the
right she is apparently scattering seed. Upon her hand
stands a bird.

" This pavement is surrounded with an ingenious, en-
twined band, beyond which comes a broad and graceful
Greek device. It has also some very pleasing patterns in
scroll work, and is generally of a very elaborate and tasty
character."

ROMAN VILLA AT COMBE-END. 71

The Rev. Preb. H. M. Scarth furnishes some further
particulars (in vol. xxv of same Journal of the Brit. Arch.
Assoc, pp. 215-227), with a plan of the villa. He refers
particularly to the tesselated floor at the south end, " on
account of its elegant pattern and execution." He says:
"It seems to contain the figures of a dance, eight in number,
in which the couples gradually approach or move round
each other, till in the last figure the gentleman places
a chaplet on the head of the lady. This may be seen in
his hand in the first figure. Unhappily, several of the
compartments have been broken up by the burrowing of
rabbits."

My principal authority for the following descriptions is
the large work of Saml. Lysons, An Account of the Roman
Antiquities discovered at Woodchester, imp. folio, 1797, and
the larger work of the same author in three volumes,
folio, Reliquice Britannicce Romance.

This author describes the villa at Combe- end in Archceo-
logia, X, p. 319, as follows : " In 1779, some labourers dig-
ging for stone in a field called Stockwoods, at Combe-end,
farm, belonging to Saml. Bowyer, Esq., in the parish of
Colesburn, in Gloucestershire, discovered the remains of a
very considerable building, at a small depth below the sur-
face of the earth ; which, on further investigation, appeared
clearly, from the remains of tesselated pavements which
were found in several places, to have been a Roman house.
The floor of one room was preserved quite entire, the walls
remaining in many places near three feet in height. Its
dimensions were 56 feet in length and 14 feet in breadth.
The entrance to it was by a stone step on the south side.
Immediately above this pavement were found many of the
slates with which the roof had been covered ; they were of
a rhomboidal form, and several of them had the nails with
which they had been fastened remaining in them. This

72 ROMANO-BRITISH MOSAICS.

room, in its size and situation, bears a near resemblance to
the cryptoporticus, described by Major Rooke in his account
of the Roman villa at Mansfield-Woodhouse, Nottingham-
shire, and was in all probability designed for the same pur-
pose. The above-mentioned building was pleasantly situ-
ated on the side of a hill, facing the south, at the distance
of about a mile from the great Roman road leading from
Cirencester to Gloucester, seven miles from the former, and
about eleven from the latter, and must undoubtedly have
been the villa of some Roman of considerable eminence.
About two feet above the level of the cryptoporticus, before
mentioned, appeared the remains of another tesselated
pavement, of a red and white chequered figure, in a very
indifferent state of preservation."

The beautiful pavement found at Cirencester, and now
one of the two preserved in the Museum there, has upon it
three heads, described as Flora, Ceres, and Pomona, which,
following the precedents of other pavements, I take to be
the seasons of Spring, Summer, and Autumn, as they are
usually depicted.

A small fragment of a corner of a pavement was seen
by Mr. Inskip in August 1843, at Oxbody Lane, now Mitre
Street, Gloucester, figured in Brit. Arch. Assoc, Gloucester
volume, p. 316.

We have no special descriptions of pavements in Here-
fordshire, only observations upon them of a general
character, thus reported in Gough's Camden, vol. ii, p. 449 :
" Kenchester standeth a three mile or more above Here-
ford upward, on the same side of the river as Hereford dock,
yet it is almost a mile from the rise of the Wye. This
towne is far more auncient than Hereford, and was celebrated
in the Romans time, as apperith by many t hinges, and
especially by antique money of the Csesars, very often
found within the town, and on ploughing about, the which

KENCHESTER. 73

the people there call Dwarfes money .... Of late, one Mr.
Brainton, building a plsice at Stretton, about a mile from
Kenchester, did find much tayled (hewn) stone there
towards his buildings. There hath been found nostra
memoria lateres Britannici et ex eisdem Canales,aqu(ie ductus,
tessellata ijavimenta,fragmentu7n catenulcB aurece, calcar ex
argento, by side other strawnge things."^ " At Kenchester
was a palays of Offa, as sum say. The ruines yet remain,
and vaults also. Here hath been and is found a fossorihus
et aratoribus, Romayne money, tessellata j)ctvimenta,^ etc."

Ariconium stands on a little brook called the Ine, which
thence, encompassing the walls of Hereford, falls into the
Wye. The form of the station is an irregular hexagon. Mr,
Gale says the site is oval, of 50 or 60 acres, with four gates or
openings, two on the west, two on the north side.^ In 1669
was found here a great vault with a tesselated pavement and
a stone floor. About fifty years ago a very fine mosaic floor
was found entire, but was soon torn to pieces by the ignorant
vulgar. Dr. Stukeley took up some remaining stones of
different colours and several bits of fine red pottery. Mr.
Aubrey, in his MS. note, says, " In 1670 old Roman buildings
of brick were discovered underground, on which oaks grew.
At the same time was found here by Sir John Boskyns an
hypocaust about 7 feet square, the leaden pipes intire,
those of brick a foot long, 3 in. square, let artificially into
one another. Over these probably was a pavement. In
another place is a hollow where burnt wheat has been taken
up. Col. Dantsey sent some to the Society of Antiquaries.
Numbers of Roman coins, bricks, leaden pipes, urns, and
large bones, have been formerly dug up here."

This large camp and station at Kenchester is now gene-
rally considered to be the Magna of the Itineixiry, that is,
1 Leland, v, 66. 2 jf,{^_^ yij^ 152.

3 lieliquicc Grdeance, pp. 120, 122.

74 ROMANO-BRITISH MOSAICS.

the Magna Castra, or Great Camp, and not Ariconium, as
was supposed by Camden, this latter place being now ap-
propriated to Eoss. On the 10th June 1830, Thomas Bird,
Esq., F.S.A., communicated the following account of the
discovery of a Roman pavement at Bishopstone, in Here-
fordshire : " The E,ev. Adam Jno. Walker, rector of the
parish, has answered my inquiries in the following form.
The distance from the station of Kenchester is nearly a mile
and a half This is directly east of the site at Bishopstone,
which was probably the commanding situation of the Prse-
torium for the general at Kenchester ; Credenhill and
Dinevor being perfectly under his eye from this spot."^

GLOUCESTEESHIRE.

WOODGHESTER, twelve miles from Cirencester ; same from
Gloucester.^

1. The large pavement, 48 feet 10 inches square, was
discovered in 1797. A circular area of 25 feet diameter is
enclosed within a square frame consisting of twenty-four
compartments, enriched with a great variety of guilloches,
scrolls, frets, and other architectural ornaments, edged on
the inside by a braided guilloche and on the outside by a
labyrinth fret, between a single fret and a braided guil-
loche.

The large circular compartment in the centre is sur-
rounded by a border consisting of a Vitruvian scroll, edged
on each side by a guilloche and enriched with foliage pro-
ceeding from a mask of Pan, having a beard of leaves.
Immediately within this border are representations of

' Archcnologia, xxiii, p. 417.

- S. Lysons, 1797 ; and Bel. Britt. Bom., by same author, 3 vols., fol.
Gibson's additions to Camden's Brit., 1695. 3Io7i. Vetusta S.A., vol. ii, for
pi. xliv, Brown's drawing. Brit. Arch. J.ssoc, Gloucester vol., p. 327.

3^..^

iMiliMI

1R9H«rM

WOODCHESTER. 75

various beasts, originally twelve in number, on a white
ground, with trees and flowers between them. The figures
of a gryphon, a bear, a leopard, a stag, a tigress, a lion, and
a lioness are now remaining. Those of a boar and a dog,
which are to be seen in Mr. Brown's drawing, together with
that of an elephant, have since been destroyed, and no part
now remains of the two others necessary to fill up the
whole space. Most of these figures are about four feet in
length. Within the circle occupied by the animals is a
smaller circle, separated from the larger by a guilloche and
a border of acorns, in which various birds are represented
on a white ground. In this circle is also the figure of a fox.
Within the circle of birds is an octagonal department
formed by a twisted guilloche, in the south side of which,
and also of the border of acorns above mentioned, are
openings to admit the principal figure of the design, now
much mutilated. When Mr. Brown's drawing was made
the head only was wanting. The figure is that of Orpheus
playing on the lyre, which he rests on his left knee.

No part of the pavement within the central octagon
exists at present, but it appears from the memorandum on
the margin of one of Bradley's drawings that it contained
figures of fish, and that about the centre there was a star-
like figure.

In the four angular spaces between the great border of
the pavement and the great circular compartment are the
remains of female figures, two of which appear to have
been in each of these spaces. The figures in the north-
east angle, which are more perfect than any of the others,
were Naiads. One of them is represented in a recumbent
posture, with her right hand over her head, and in her left
holding what was intended for an urn, though very rudely
expressed ; the other, supporting her head with her left
hand, extends her right over an urn placed under her left
arm.

76 ROMANO-BRITISH MOSAICS.

The tessercB, for the most part, are cubes of half-inch ;
those of the outer border are larger, and those near the
centre much smaller. Many are triangular and of various
other shapes. The whole, when entire, could not therefore
have contained less than a million and a half of them.
Most of the materials are the produce of this country,
except the white, which is of a very hard calcareous stone,
bearing a good polish, and nearly resembling the palomhino
marble of Italy. The dark bluish grey are of a hard argil-
laceous stone found in many parts of the vale of Gloucester,
and called blue-lias. The ash-colour are of similar kind
of stone, frequently found in same masses with the former.
The dark brown are of a gritty stone found near Bristol
and in the Forest of Dean. The lightest brown nearly
resemble a hard calcareous stone found about two miles
from Woodchester. The red are of a fine sort of brick.

The cement on which the pavement was laid appeared
to be about eight inches thick, and composed of fine gravel,
pounded brick, and lime, forming a very hard substance,
on which the tessercB were laid in a fine cement consisting
chiefly of lime. The next stratum was three feet thick, and
appeared to be composed of coarser gravel, with w^hich
great quantities of the tesserce were mixed ; and below this
another of a reddish sand and clay, mixed with pieces of
brick, about a foot in depth, which lay on the natural
soil.^

2. At the east end of the above-named pavement
another was laid over it, a foot above its level, of much
coarser materials and very ill-executed ; the design being
nothing more than stripes of wdiite, blue, and red, very
irregularly put together.

3. Another pavement is shown on Lysons' PI. xiii.

^ See Vitrai'ius, vii, c. 1. Pliu., i\7<^. Hint., xxxvi, c. 2.5. Pavement of
a passage is shown on Lysons' Plate xii, Cubes of one inch.

WOODCHESTER. 77

The design is simple and elegant, consisting of a mat of
three colours, dark grey, red, and white, surrounded by a
double red border. The mosaic is of same degree of coarse-
ness as the preceding.

4. There is another in a gallery running on south side
of the great mosaic. The labyrinth pattern at the east
end has been very coarsely patched with rude stripes of
blue, red, and wdiite. Other plates, xix and xx, show
four fragments found 25 feet from the churchyard
w^all.

5. Three feet below the surface w^as a floor of very hard
cement, and six inches below this were found the frag-
ments referred to. Five octagonal compartments are seen,
w4th figures on a white ground, surrounded by a double
labyrinth fret, immediately within which, on the north side,
is a scroll of flowers having a vase in the centre. In the
remains of the compartments at the north-west and south-
east corners, are fragments of Bacchanalian figures. The
octagonal compartment at the south-west corner is entire,
and contains figures of two boys holding up a basket of
fruit and leaves, with the words bonvm event vm inscribed
under them. The compartment at the north-east corner
had nothing remaining within the octagonal border except
the letters b H N H c, being part of the remainder of the
foregoing inscription ; the last w'ord has probably been
COLITE, which would exactly fill the space which is eftaced.
-The inscription would then be Bonum eventum bene colite.
The room in which this was found seems to have been
22 feet 10 inches square. The walls remained to the
height of about three feet on every side, and several
fragments of stucco-painted in fresco were found among
the rubbish and adhering to the walls.

G. Another pavement, shown on Lysons' 1*1. xv and
xvi, was in a room 20 feet by J 2 feet 8 inches.

78 ROMANO-BRITISH MOSAICS.

7. The pavement of a passage is shown on PL xii,
fol. 2.

8. Another, south of this passage, in room 19 feet 3 inches
by 13 feet 8 inches, simple and elegant in design. The
tesserce were of the coarser kind, none being smaller than a
cubic inch in size. The coins found within the walls of the
room numbered 25 on the ground plan were tw^o large
brass of Hadrian and Lucilla, and here and in other parts of
the building were found a considerable number of small brass
of the Lower Empire, chiefly of Tetricus junior, Victorinus,
Probus, Constantinus, Constantius, Constantius junior,
Crispus, Magnentius, Valentinianus, and Valens ; none of
them were remarkable either for their preservation or for
the peculiarity of the " reverses".

Withingtox-upon-Wall-Well, nine miles from Cirencester ;
fourteen from Gloucester}

In eight rooms were pavements of coarse tesseroe, cubes
of one inch ; not inelegant ; very ruinous. One very good
pavement in five compartments ; two nearly entire, the
others almost destroyed ; in cubes of half-inch.

9. In compartment at east end, Orpheus surrounded by
various animals, eight in all, — leopard, boar, wolf, entire ;
bull and stag, nearly so ; horse and lion much mutilated, as
w^as also the figure of Orpheus.

10. On each side of the circle was a narrow^ com^Dart-
ment, that on the south being ornamented with a peacock
and goblet, much mutilated.

In oblong compartment, north of circle, were figures of
pheasants and other birds. This division was much better
than that which joined it, which was probably the work of

' Brit. Arch. Assoc, i, p. 44. Arch. Journal, ii, p. 42.

WITHINGTON-UPON- WALL- WELL. 79

a much later age. The second compartment, which was an
oblong, the sides of which were not parallel, contained
figures of dolphins and sea-monsters, and a large head of
Neptune, represented with horns, apparently formed of
crabs' or lobsters' claws, and two dolphins proceeding from
his mouth. The other three compartments were much
mutilated, yet could be seen a figure on horseback in
the act of hunting some wild beast, apparently a lion ;
another contained figures of fish, etc. ; and the third con-
sisted only of ornaments. The pavements were on different
levels. That marked A in the plan was 4^ inches higher
than D, and 9-| inches higher than e. The pavement B
was 4^ inches above c, and d was the same height
above E. (See Archceologia, xviii, p. 118.)

1223 coins were found near, of third brass, from Valerian
to Diocletian, including Carausius and Allectus.

Four pieces of this pavement are now in the British
Museum.

Church Piece, near Lilly Horn and Bisley}
11. Tessellce of different sizes and colours by thousands.

Comb-end Farm, seven miles from Cirencester, ^parish of Coleshourn.

12. Pavements in two rooms. 'No. 1, cosiYse tesserce.

13. No. 2, circles and double-fret border. Passage
chequered blue and white bordered, with several stripes of
brown. Twelve feet remain. No. 3, no pavement, but
stucco painted on walls in situ.

Coins of Valentinian, Valens, and Gratian.

* £7-it. Arch. Assoc. Journal, ii, p. 326 ; plan of villa, p. 32.').
' Archceologia, xviii, p. 112 ; by Sam. Lysons.

80 ROMAXO-BRITISH MOSAICS.

HocKBURY Field, a q^uarter-mik N.E. of Cliurch, Parish of Bocbnerton.

14. Pavement with stripes of blue, red, and white.
200 coins (cojDper) were found here, in perfect preservation,
from Constantine toGratian.^

Chedworth, seven miles from Cirencester.

15. A large room, 28 feet 9 inches by 18 feet 6 inches,
paved with bright and beautiful mosaics. In centre com-
partment are dancing figures ; and in the four corners, in
triangular spaces, are the Seasons, surrounded by an inge-
nious entwined band, beyond which is a broad and graceful
Greek device. It is much mutilated ; three of the corners
only remain. Winter is represented by a man warmly
clothed, and holding a hare or rabbit in his hand. Dis-
covered about 1864. Moulding and columns of best period
of Roman art, and pavements in smaller rooms. ^

Cirencester, in Dyer Street.

16. Discovered in 1783. The space within borders filled
with marine subjects — Cupid on a dolphin ; Nereid on
dolphin. In field are marine dragons — the sea-leopard, sea-
horse, and fishes, among which the conger-eel is conspicuous.
There are also lobster, crab, star-fish, spiral shells, bivalve
shells, etc. This seems to be the same as that discovered
in 1849.'

Queen's Lane.

17. Another discovered in 1837. Geometrical patterns,

and a flower in the centre.

^ Archceoloffia, xviii ; by Sam. Lysoiis.
2 Brit. Arch. Assoc. Journal, xxiv, p. 130 ; xxv, 219.
2 Buckmaii and New march, Curinium, p. 29. Lysons' Rtliq. Rom.,
ii, p. 7.

VILLA AT CHEDWORTH

_£ Gardfn of thu Villa, with Crypt<E or Ambulntories

-(jj trnnce to Anibulfttory. (d) Steps.
. l/pfa or Ambulatory in front.

^nk, — perhaps for fish. In thia room the small Altnr
gings for Attendants.

- . ^ prs for Sundry purposes
Ji, ^bath.

end of the Villa Jlmtica.

'y.

ulatory.

RTici, or AmhulMories, ugpd also for slorinp; i^rain

ildings (Vitruvius vi, b, 2 ; Varro, li. li , i, 07).

oma.

ms.
ff water from the bath.

' fee^ to arh Inch

To fai e p. S

PLAN OF ROMAN VILLA AT CHEDWORTH

CIRENCESTER. 8 1

Barton Farm, in Earl Bathurst's Park, near Cirencester.

18. Orpheus/ resembling that at Woodchester, but
tesserce smaller, and workmanship even superior. It is
imperfect to the extent of about one-fourth, but enough
remains to show most of the details. The figure of Orpheus
in centre is surrounded by a simple black line. Outside
this black line, and encircling it, is a series of birds of rich
plumage strutting from right to left. Seven remain, and
there are j)robably more. Outside these is a concentric
border filled in with a wreath of laurel leaves. The space
between them is occupied by figures of beasts. The whole
circle had six originally, but four only remain, more or less
imperfect — a lion, a tiger, a leopard, and another animal of
the panther tribe.

Orpheus,^ as described above, in Phrygian cap, occu-
pies the centre of a room 21 feet square. He rests his
lyre on his left knee ; a dog dances on his hind legs.
Around the circle walk with rapid strides a duck, goose,
hen, peacock, the common and the silver pheasant. In
another circle animals are running in a contrary direction
to the birds — that is, a lion, panther, leopard, and tiger
occupy half this circle ; the remainder is destroyed. Guil-
loche border surrounds the circle, which is in a square, and
the spandrils are filled up with a floral pattern. This
pavement may still be seen in situ at Oakley Park, by apj)li-
cation, and within reasonable hours. It was discovered
in the year 1826 ; a walnut tree was then growing near
the middle of it.

19. Pavement of a room, 15 feet square, discovered in
Dyef Street, Cirencester, in 1849. There is a central circle,
and four semicircles placed at right angles form the sides of

^ Brit. Arch. Assoc, ii, p. 381 ; xxv, p. 103.
^ Buchnian and Newmarch, Corinium, p. 32.

82 ROMANO-BRITISH MOSAICS.

the figure, whilst the corners are filled with quadrants.
These forms are brought out by the twisted guilloche, and
greater relief given to the design by various dark-coloured
frets. In centre are three dogs : a large one, around wdiose
neck is a collar, and two smaller in full chase ; but the oppo-
site side of the design is worn away. Of the semicircles
only three remain, in which are a winged sea-dragon in pur-
suit of fish ; a sea leopard with legs, also in pursuit of fish ;
sprig of a plant with leaves. In the quadrants, three
only remaining entire, are petals of flowers and a Medusa's
head. In one of the lozenges is a head of Neptune, with
tangled sea-weeds and lobster's claw^s entwined in the
coronet wdiich crowns the head, as also in the side hair
and flowing beard ; there is also a flower with four heart-
shaped petals and an endless knot. This appears to be the
same pavement discovered in 1783. (See No. 16.)

20. The last discovered in the town is on the floor of a
room 25 feet square. There were nine medallions when
perfect, each nearly five feet in diameter, and each included
in an octagonal frame of twisted guilloche, in wdiich bright
red and yellow tessellcB prevailed. Within the octagons are
the circular medallions, surrounded by twisted guilloche
borders, but in tessellce of a subdued colour, in wdiich olive-
green and wdiite prevail. The central medallion is dis-
tinguished from the rest by a double twisted guilloche
circle, in wdiich are the colours black, green, ruby-red,
yellow, and white. This is a good study for the chrom-
atic efiects displayed. The groups were originally five,
one in the middle and one on each side. The central is
much injured, but is supposed to represent a Centaur.

The two last-named pavements, discovered in a Roman
villa in Dyer Street in the year 1849 during drainage opera-
tions, were removed in blocks, together with the concrete on
which they were laid, and were transferred to their present

MUSEUM AT CIRENCESTER. 83

position in the museum at Cirencester. The larger pave-
ment is thus described hy the learned curator, Mr. Arthur
H. Church, who says it is of " singular merit and design,
and excellent in execution. In its perfect state it originally
consisted of nine medallions, each nearly live feet in dia-
meter, and included in octagonal frames, formed of a twisted
guilloche, in which bright red and yellow tessellce prevailed.
Within all the octagons, with the exception of the central
one, are circular medallions, surrounded also by the twisted
guilloche, but with tessellcB of a subdued colour, in which
olive-green and white prevail, this arrangement giving
greater effect to the pictorial subjects within each circle, an
effect which is heightened by inner circles of black frets, of
various patterns, in the different medallions. The central
fig-ure, w^hich is supposed to have been a Centaur, together
with some other parts of the pavement, was unfortunately
injured by the pressure of the foundation wall of a dwelling
house.

" The first figure on the south side is the goddess Flora.
The head has a chaplet of ruby-coloured and white flowers,
intermixed with leaves ; the ruby tessellce here are of glass ;
they are now covered with a green crust. A bird, probably
a swallow, is perched uj)on the left shoulder ; against the
right rests a flowering branch.

" The next figure is Silenus, He is sitting backward
on an ass, and has a cup and bridle in his right hand, while
-the left is extended.

" Next appears the goddess Ceres. She is crowned with
a chaplet of leaves, intermixed with ripe and partially ripened
corn ; against the left shoulder rests a reaping-liook.

" The next figure represents Actseon the hunter at the
moment when he is being changed into a stag, and is on
the point of being devoured by his own dogs.

" The goddess Pomona is next. She has a coronet of

84 ROMANO-BRITISH MOSAICS.

fruits, interwoven with autumnal leaves. Against her
right shoulder is seen an edged instrument, which may be
a knife for gathering grapes.

" The materials used in the manufacture of the tessellce
appear to have been carefully selected, and many of them
obtained from a considerable distance. The white tessellce
are from a singularly hard and pure limestone of the neigh-
bourhood, the uppermost bed of the great oolite ; the
cream-colour, from the great oolite ; the grey, the same
stone altered by burning; the light yellow, from the oolite;
the chocolate, from the old red sandstone ; the slate, or
dark colour, from the limestone of the lower lias ; the
brown are of Purbeck marble; while the light and dark
red, the yellow, and the black, are of burnt clay ; and the
ruby-red, glass. The last-mentioned colour is used for the
flowers which adorn the head of the goddess Flora, and
for the blood dropping from Actseon's wounds. The glass
is coloured red by sub-oxide of copper, but by lapse of
time it has acquired a green crust of carbonate."^

The following are further descriptions by other authors
of the same beautiful pavement: — No. 1. Actaeon ; young-
stags' horns surmount his forehead, and a couple of dogs
are attacking him. The figure is beautifully drawn. No. 2.
Silenus, sitting backwards on an ass, holding the bridle
and a cup in right hand, and extending his left. Trousers
and shoes are of Eastern fashion. No. 3. Bacchus ; the
head and Thyrsus remain, much injured. Three out of
the four heads are distinguishable — (a) Head of Flora, with
chaplet of ruby-coloured and white flowers, intermixed
with leaves; a bird is on the left shoulder, against the
right is a flowering branch. (b) Ceres, crowned with

1 Guide to Corinium Museum. By Arthur H. Church, M.A.Oxon.,
Professor of Chemistry in the Agricultural College, Cirencester ; Local
Secretary to the Society of Antiquaries of London, etc.

PARTY COLOURS. 85

chaplet of leaves, intermixed with corn; against the right
shoulder rests a reaping-hook, and against the left some
ears of corn, (c) Pomona; head with coronet of fruits;
against the right shoulder is an instrument which may
either be a pruning-hook or a knife for gathering grapes.^
There are squares and triangles: in one a dancing figure,
scattering flowers, and in another, a Medusa's head.

There is a similarity of design and ornaments to those at
the grand Imperial villa at Woodchester. The ornaments
are those prevailing at the time of Hadrian ; and the floors
in the Vatican, rescued from Hadrian's villa, may be com-
pared with these.^ Colours of the tesserce are white chalk;
cream-coloured, of hard, fine-grained freestone, from the
great oolite; grey, the same, altered by heat; yellow,
oolite, oolitic and Wilts pebbles; chocolate, old red sand-
stone; slate-coloured or black, limestone bands of the
lower lias. Artificial are the light red; dark red and black
are of terra-cotta ; the transparent ruby-coloured are of
glass. The foundations consist of the regular Nucleus,
Rudus, and Statumen, making up the Ruderatio. Coins of
the Emperors in great quantities, from Augustus to
Arcadius. The reparation of the pavements when injured
by time was in many instances done by inserting simple
stripes, as shown in the mosaic at Woodchester, of blue,
red, and white colours.

The same coloured stripes are observed at Hockbury
Field, Rodmerton, and it occurs to me as possible that
these stripes may have had some party significance,
as being of the colours originating in the circus at
Constantinople, which, as badges of party, caused dis-
sensions throughout the empire. Gibbon (Decline and
Fall, chap, xl, 2) says, " The race, in its first institution,

1 Lysons' JReiiq. Bom. Brit., iii. Plates 15, 22.
^ Arch. Journal, vi, C. Tucker's " Observations".

86 ROMANO-BRITISH MOSAICS.

was a simple contest of two chariots, whose drivers were
distinguished by ivhite and red liveries; two additional
colours, a light green and a ccerulean blue, were afterwards
introduced. The four factions soon acquired a legal esta-
blishment and a mysterious origin, and their fanciful colours
were derived from the various appearances of nature in
the four seasons of the year — the red dog-star of summer,
the snows of winter, the deep shades of autumn, and the
cheerful verdure of spring. The four colours, albati, russati,
prasini, veneti, represent the four seasons, according to
Cassiodorus {Var. iii, 51), who lavishes much wit and
eloquence on this theatrical mystery. Of these colours, the
first three may be fairly translated white, red, and green.
Venetus is explained by cmruleus, a word various and
vague: it is, properly, the sky reflected in the sea; but
custom and convenience may allow hlue as an equivalent.
Baronius (a.d. 501, Nos. 4, 5, and 6) is satisfied that the
blues were orthodox. The partiality of Justinian for the
blues is attested by Evagrius [Hist. Eccles., lib. iv, c. 32).
At the accession of the younger Justin, the proclamation
of equal and rigorous justice indirectly condemned the
partiality of the former reign. 'Ye hlues, Justinian is no
more! Ye greens, he is still alive!' He goes on to say that
party spirit caused such a sedition and tumult in the
Hippodrome at Constantinople, that ' thirty thousand
persons were slain in the merciless and promiscuous
carnage of the day'."

An inscribed slab, now to be seen in the grounds of
Lord Stanhope, at Chevening, bears the name of one
Fuscus, a charioteer, who belonged to the "blue"
faction. My attention was called to it by the Kev.
Canon Scott-E,obertson, on the visit to Chevening of
the Kent Archaeological Society, and I at once recognised
the stone as one I had seen described by Ambrosio de

INCISED STONE AT CHEVENING. 87

Morales (in his Antiquities of Spain, Alcala, 1578) as then
lying in a garden at Tarragona. It appears that this,
among other stones, was brought from thence by the first
Earl Stanhope, they having been presented to him by the
municipality of that town as an acknowledgment of his
military services to Spain during the war of the succession.
The inscription, as illustrative of the period which followed
that under review, shall be given in full.

FACTIONIS VENETAE FVSCO SACRAVIMVS ARAM
DE NOSTRO CERTI, STVDIOSI ET BENE AMANTES
VT SCIRENT CVNCTI MONIMENTVM ET PIGNVS AMORIS.
INTEGRA FAMA TIBI LAVDEM CVRSVS MERVISTI
CERTASTI MVLTIS NVLLVM PAVPER TIMVISTI
INVIDIAM PASSVS, SEMPER FORTIS TACVISTI.
PVLCHRE VIXISTI, FATO MORTALIS OBISTI
QVISQVIS HOMO ES QVAERENS TALEM . SVBSISTE VIATOR
PERLEGE SI IMMEMOR ES SI NOSTI . QVIS FVERIT VIR
FORTVNAM METVANT OMNES, DISCES TAMEN VNVM
FVSCVS HABET TITVLOS, MORTIS HABET TVMVLVM
CONDITVS HOC LAPIDE, BENE HABET FORTVNA VALEBIS
FVNDIMVS INSONTI LACHRYMAS, NVNC VINA PRECAMVR
VT lACEAS PLAGIDE, NEMO TVI SIMILIS.

TOYC COYC AFONAC
ALQN . . . AAAACCE.

" Thy contests for a prize
Eternity doth change."

CHAPTER VII.

Mosaics in Somersetshire, Monmouthshire, Wiltshire, and Shropshire
— Situations of the Villas and Remains described by various Authors
— Particular Descriptions of the Mosaics with the Coins found near
them, and the Authorities quoted.

LET US follow Mr. Thomas Wright's introduction into
Somersetshire. He says, " Taking as a centre the
ancient town of Somerton, situated on a Roman road
leading from Ilchester in the direction of Glastonbury.
If we follow this road towards Ilchester, two miles from
Somerton, two extensive Roman villas have been traced in
the parish of Kingsdon ; one near the Roman road, and
the other a little to the east, on the bank of a small
stream, called the Gary. Further east, on the other side
of the stream, a third villa has been found at Lyte's-Gary.
These three villas are included in a distance of about a
mile. In the parish of Hurcot, joining Somerton to the
east, two villas have also been found ; one near Somerton,
the other about three-quarters of a mile to the north-east.
Barely half-a-mile to the south-east of the latter is another
extensive Roman villa at Gharlton-Mackrel ; and, in the
opposite direction, somewhat more than half-a-mile from
the Hurcot villa, is another at Gopley. To the east of this,
in the parish of Littleton, close to the Roman road just
mentioned, a group of several Roman villas has been
found. Proceeding along the road northwardly, at about
four miles from Somerton, we arrive at Butleigh Bottom,
where a Roman villa of considerable extent has been
traced. Villas are found in equal abundance within two

PITNEY AND EAST-COKER.

or three miles to the west of Somerton, among ^Yhich the
most extensive is that at Pitney, covering an acre and a
half of ground, and containing a very remarkable pave-
ment. It may be noted that the walls of the villas in
this district abound in lierring-bone work."

A pavement at East Coker, near Yeovil, in this
county, has been commented on by Mr. C Roach Smith,
who compares th^ account of one given by Collinson with
the discovery of a villa, presumably the same, by Mr.
Moore, who says: "About forty years ago, I was riding
from Yeovil to East Coker ; a mile and a quarter south-
west of Yeovil, in a field called Chessles, I saw a crowd of
people inspecting the pavement in question. It formed
part of a pavement which had been laid down in a con-
crete of lime, sand, and pounded brick, about eight inches
thick, and beneath this was some masonry of herring-bone
work, containing; flues. I found it was intended to remove
the fragment by sawing it ofP about an inch below its
surface. Of course it fell to pieces. It was tolerably put
together again, but is now gone to decay. It was, there-
fore, fortunate that I made the drawing before it was
removed. There were other fragments of pavements close
by, but shattered to pieces, and one quite entire, but that
was composed of large tesserw of blue lias, of no interesting
pattern. The room in which the hunters' scene pavement
was found had been painted ; the pieces of plaster which
remained were coloured in white, blue, and red stripes. I
saw coins picked up on the pavements ; they were of
Faustina (much worn), Constantine, Crispus, Constantius,
Julian, and Valens."

Collinson makes mention of a Roman villa and
pavements at East Coker, discovered in 1753 ; one
of several rooms discovered was floored with a most
beautiful tesselated pavement, representing, in strong

90 KOMANO-BRITISH MOSAICS

colours, a variety of figures, among which was a female
lying on a couch, in full proportion, w^th an hour-glass
under her pillow, and a cornucopise in her hand ; over her
head a hare flying from a greyhound in the act of catching
her in his mouth ; and at her feet a bloodhound in pursuit
of a doe, just before him. Another female appeared,
dressed in her Roman stola, with the purple laticlave; and
a third, much damaged, helping to afiix a robe round a
naked person on a couch. Under this pavement w^as a
hypocaust. Not a piece of this pavement is now left, the
whole of the field wherein it was found having been
ploughed up, and the antique fragments dispersed among
curious visitors," ^

Mr. Smith remarks upon this, that "the fragment
of Mr. Moore's, of which he gives a coloured repre-
sentation, is probably one of those referred to in the
above account, wdiich had escaped destruction, and w^ould
complete the picture of the hunting scene — the dog
chasing the doe." Mr. Smith says the group is altogether
well- designed, and, allowing for some defects of drawing,
spirited and characteristic. From the costume of the
hunters, its execution may be ascribed to a period as late
as the fourth century. Hunting subjects are of unusual
occurrence in tesselated pavements found in this country,
unless we except that of Actseon and his dogs. Almost
the only one that occurs to me is that of the Frampton
pavement, in which a man with a spear is pursuing a stag
and some other animal."^

A pavement at Wellow", near Bath, was discovered in
1737, and described in the Archceologia, with plates. It
was opened out in 1807. Five plates of the mosaics, and

^ Collinson, Ilist. and Antiq. of the County of Somerset. Bath, 4to.,
1791, vol. ii, p. 340.

~ C. R. Smith, F.S.A., Collect. Antiq., ii, pp. 51, 54.

WELLOW AND BATH. 91

plan of the villa, were made by Rev. J. Skinner, F.S.A.,
and engraved by H. and E. Waddell, Walworth, Surrey,
on a scale of an inch to a foot. The ground plan shows
three sides of a quadrangle ; the portion on the eastern
side is formed of chequers of different sizes in white has
and pennant stone, measuring ten feet in width ; and,
parallel to this, beyond the suite of apartments, is
another passage of 12 feet wide. "Plates i, ii, iii, and iv
give excellent coloured views of the designs. The principal
of these, Plate iv, measures 34 feet by 26 feet, and
appears to correspond with No. 3, Plate li, of my
previous description, occupying the central apartment at
the head of the quadrangle ; on each side of this is a
passage-room, that on the left measuring 2G feet by G feet,
and the one on the right of similar dimensions. In the
corner, at the back of these grand apartments, is a room
20 feet by 15 feet, which has been much injured since the
year 1807, when it was last opened. This appears to be
the room No. iv in my first description."

In Bath, a pavement has been found on the premises
of the Bluecoat School, and two others within the precincts
of the General Hospital; and some rich mosaic work was
found in November 1837, in a villa at Newton-St.-Loe,
Twerton, near Bath, on the line of the Great Western
Railway.

In Monmouthshire, the mosaics discovered at Caer-
went, more than a hundred years ago, have not left very
perfect records of their forms and features. When Giralclus
Cambrensis, in the twelfth century, referred to the mosaic
pavements, hypocausts, and Roman buildings of Caerwent,
they were probably then in a fair state of preservation.
Since then, the first mention of pavements there was by
Dr. Gibson, in his Addition to Camdens Britannia, who
says that in the year 1G89 there were three chequered

92 ROMANO-BRITISH MOSAICS.

pavements discovered in the garden of one Francis Ridley,
which being in frosty weather exposed to the open air, upon
the thaw the cement was dissolved, and this valuable piece
of antiquity utterly defaced, so that at present there
remains nothing for the entertainment of the curious but
the cubical stones wdiereof it was composed, which are of
different sizes and colours, and may be found confusedly
scattered in the earth at the depth of half a yard.
Another chequered pavement, the same learned author tells
us, was discovered in the year 1692, in the grounds of the
learned Henry Tomkins, of Caerleon, Esq., in the same
county. It lay no deeper than the ploughshare, and that
at Caerwent not much lower. See the figure of it in
Gibson's Camden, p. 697. The diameter is 14 feet. All
the arches, and that part of the border they touch, were
composed of white, red and blue stones, varied alternately.
The bills, eyes, and feet of the birds were red, and they
had also a red ring about the neck ; and in their wings
one or two of the longest feathers were red, and another
blue. The inside of the cups was also red ; and, elsewhere,
whatever we have not excepted of this whole area is varie-
gated of umber or dark-coloured stones and white. Mr.
Tomkins took care to preserve what he could of this valu-
able piece of antiquity, by removing a considerable part of
the floor, in the same order as it w^as found, into his garden.
In Monmouthshire, tw^o other remarkable pavements
have been described ; the one at Caerwent by Henry
Penruddock Wyndham, Esq., in the Appendix to ArchcBO-
logia, vii, p. 410, w^hich was discovered by Mr. Lewis of
Chepstow^, in 1777. It measured 21 feet 6 in. by 18 feet
4 in. " The pieces of wdiich it was composed are nearly
square, of about the size of a common die. These are of
various colours — blue, white, yellow, and red ; the first and
second are of stone, and the yellow and red of terra-cotta.

CAERWENT AND CAERLEON. 93

By a judicious mixture of these colours, the whole pattern
is as strongly described as it would have been in oil colours.
The original level is perfectly preserved, and the whole
composition is so elegant and well executed, that I think it
has not been surpassed by any mosaic pavement that has
been discovered on this, or even on the other, side of the
Alps. In my opinion it is equal to those beautiful pave-
ments which are preserved at the palace of the King of
Naples, at Portici. Several pieces of tess elated work have
been frequently ploughed up at Caerwent, but none have
been preserved. Mr. Lewis informed me that within these
few years several have been discovered in small parts, but
that their continuation was never pursued," The other, a
pavement at Caerleon, has been referred to by Mr. C
Roach Smitli,^ and it was discovered in the churchyard.
He says : "It presents a novel design so far as regards
works of this kind found in England. Though not in the
best state of preservation, enough remains for us to under-
stand the pattern. It represents a labyrinth, which is
precisely of the same kind as one depicted in a pavement
of great beauty discovered at Saltzburg, which was
published in colours by the late Professor Joseph Arneth,
in his valuable Archceologische Analecten, taf. v. The
plan of the labyrinth is the same in both ; but while that
of Caerleon is merely surrounded by scrolls proceeding from
two vases, the Saltzburg example is of elaborate and
elegant designs and j^ictures — the adventures of Theseus to
destroy the Minotaur. In the centre, Theseus is about to
give the fatal blow to the monster, who has fallen upon his
knee. On one of the sides the hero and Ariadne join
hands over the altar ; and in the fourth Ariadne sits alone
and disconsolate. In the Caerleon pavement, the centre,
which must have been small, is wanting, and in other })arts

^ Collectanea Anliqua, vol. vi, [>. 2')S.

94 nOMANO-BRITISH MOSAICS.

it is also mutilated ; but the Monmouthshire and Caerleon
Antiquarian Association have done all they could to save
what remains of it, and it is deposited in the museum of
local antiquities."

The list of coins found near the pavements at Caerwent
is interesting as showing the occupation of Venta Silurum,
at a late period of the Roman dominion.

Proceeding into Wiltshire, which can boast of several
interesting mosaics, I will refer to one, not much known,
which was discovered as far back as 1741, and may be
called the wandering mosaic. It was brought to the
notice of the British Archaeological Association, at their
congress at Winchester, in 1845, by Mr. Wm. Webster, of
Great Kussell Street, London ; Mr. Charles Beauchamp,
Captain Smith, B.N,, and Mr. Hatcher, of Salisbury. Sir
Bichard Colt Hoare, in his Modem Wiltshire, part the last,
p. 30-31, has the following account of it.

" In a carpenter's shop in the village of West Dean are
the remains of a Boman mosaic pavement, which was
discovered here in the year 1741, and of which the
following notices occur in the minute-book of the Society
of Antiquaries of London: ' 1741-2, February 18. — The
Secretary read part of a letter from the Bev. W. Bowlston,
intimating that a tesselated pavement was lately found at
West Dean, about seven miles from Salisbury, which was
sent to Mr. Ward, who promised a further account when it
came to hand. April 1. — The Secretary presented the
Society with a drawing of the tesselated pavement lately
found at West Dean. October 14. — One Mr. Daniel Beeves
of West Dean, attended with the entire centre of the pave-
ment lately found there, about four feet square superficies.'
This is what Mr. Ward had given some notice of by letter
February 18th, and March 11th, 1741. This travelled
piece of pavement was subsequently made a public exhibi-

THE WANDERING MOSAIC. 95

tion at the sign of the 'Golden Cross', Charing Cross, and
its authenticity vouched for by WilHam Sterne, Rector of
West Dean ; Richard Stern, Gent., and John Coster,
churchwardens ; PhiHp Emmot Hand and John Thistle-
thwayte, overseers. The number of 'cheques' as named in
the advertisement is 12,000."

Besides the square pavement referred to, was found
another (from which the centre had been previously taken),
composed of coarse red and white tesserce, in stripes ; both
of these are figured in the Winchester volume B)nt. Arch.
Assoc; and another, described by Mr. Hatcher, 1846, as a
highly finished tesselated pavement, of which only a few
fragments remained, though, when entire, the pattern must
have been perfectly beautiful. The tesserce are scarcely
half-an-inch square, and laid with peculiar care and
regularity. Mr. Hatcher sent a sketch to the meeting,
which is also figured in the Winchester volume before
referred to, on page 244. He considered the building, or
rather this portion of a larger building, to be 62 feet by 55.
He believed the ornamented pavement was destroyed by
the breaking down of the flue, as fragments of it were
found deep in the ground. On the outside of the founda-
tions was a mass of chalk, two feet wide, probably to kee^^
the floors dry. His remarks on the neighbourhood I will
give in extenso, as illustrative of the widespread influence
of Roman civilisation : " The discovery of these remains
confirms me in the opinion I have long entertained, that
the forest of Clarendon was much anterior to the Conquest,
and that it probably contributed to the pleasures of the
officers commanding the neighbouring garrison of Old
Sarum. I suspect, indeed, that if the foundations of the
old palace were thoroughly explored, traces of Roman
occupation would be found there also. In a field below
the ruins, many small Roman coins have been discovered

96 ROMANO-BRITISH MOSAICS.

after the plough. West Dean is about midway between
the palace of Clarendon and the royal park of Melchet." ^

Another pavement in this county is recorded in
Archceologia, viii, p. 97, found in Littlecote Park, the seat
of the Pophams ; it has been engraved by Vertue from a
drawing made by Mr. George, steward to Mr. Popham : in
the margin is a verbal description of it, drawn up by the
late Dr. Ward, of Gresham College. This curious piece of
antiquity has since been destroyed, but Mr. George made
an exact drawing of it on several sheets of paper, in which
all the parts and figures were expressed in their proper
colours. From this drawing his widow afterwards made a
beautiful carpet in needlework, reduced to the size of
about one inch to a foot of the original.

In Shropshire, reference is only made to a mosaic at
Wroxeter {Unconium), where important excavations were
made, and described by Mr. Thomas Wright, who calls it
" one of the laro-est Poman cities in Britain. It was sur-
rounded by a wall and fosse, the remains of which may be
traced all round, and are upwards of three miles in extent,
and enclose a space of about double that of Roman London.
The town occupied a picturesque and strong position at the
foot of the celebrated Shropshire hill of the Wrekin, which
perhaps gave its name to the place, and on the bank of the
river Severn, just where it is joined by the Tamer. It was
evidently of considerable importance, and w^ell inhabited; it
had a forum of great extent, and it possessed a theatre of
considerable size in the heart of the town, as w^ell as an
amphitheatre outside." (See Uriconium, by Thomas
Wright, M.A., F.S.A., 8vo., London, 1872.)

Seeing the importance of the place, it might be
expected that more ornate examples of mosaics might
have occurred than have been found here; but the very

^ Journal Brit. Arch. Assoc, i, p. 62.

WROXETER PAVEMENT. 97

fact of its importance may probably account for the dis-
appearance of its figured mosaics. Mr, George Maw, of
Benthall Hall, near Broseley, has minutely described them
in Journal of the Brit. Arch. Assoc, -yoI. xvii, p. 100. He
has given a plan of the building in which they were found,
and a drawing of one in a long corridor, consisting of
oblong panels of simple patterns of dark grey and cream-
coloured tesserce, and, as in most Roman pavements,
surrounded next the wall with a broad field of uniform
colour, in this instance of a greenish grey tint. Narrow
bands, about five inches wide, branching from this, divided
the pattern into panels of about 8 feet by 11 feet. In
point of design, as far as fine detail is concerned, the pave-
ments were decidedly inferior to many that have been
found in this country. Those at Cirencester and Wood-
chester, for example, are not only finer in mechanical execu-
tion, but are admirable as works of high and refined art.
In the pavements of Uriconium the designer appears to
have been satisfied with producing a bold arrangement of
simple geometrical forms. Considerable variety has, how-
ever, been obtained, no two of the panels being exactly
similar ; and doubtless these two long pavements, although
wanting in high artistic excellence, must have had a very
noble appearance in their original entirety.

I would here notice the close similarity that exists
between several of the patterns forming the filling in of the
.compartments, and those that occur in the pavements of
some of our early mediaeval buildings. The subjoined cut
represents part of a mediaeval pavement from Beaulieu
Abbey, Hampshire. A close similarity will be found witli
the pattern forming the panel enlarged on p. 102 in vol.
xvii of the Journal of the Brit. Arch. Association.

98 ROMANO-BRITISH MOSAICS.

SOMEESETSHIEE.

Pitney, a riUage west of Somerfon ^

1. Mosaic discovered by S. Hasell of Littleton, in a.d.
1827. The ruins of the buildings cover an acre and a half
of ground, on the north side of a steep hill bordering on
Sedgmoor. Eight rooms had tesselated pavements, but
three afford the richest specimens, in rooms connected with
each other. The largest is the central, of a square form,
with an octagon within it, divided into eight compartments,
and one in the centre of an octagon shape. In this centre
is a figure seated, holding in left hand a slender rod with
small cross at the top of it. In his right hand is a cup.
In the compartments around are — No. 1, a man walking
hastily, having on his head a pair of horns, and mantle on
his back ; in his left hand is one of the rods before men-
tioned, which has a cross at the bottom and three prongs
at the top. No. 2, a female figure, seated, scattering some-
thing from a canister which she holds in her right hand.
No. 3, a young man naked, and running ; he holds a cloak
on his right arm, and in his hand holds an instrument bent
at the top, and in his left some drapery and a canister
similar to that held by the female in No. 2. No. 4, a
female figure, enveloped in a large cloak, and holding in
right hand one of those rods described, having a cross at
top and bottom of it. No. 5, a man dressed in what looks
like armour, with Phrygian bonnet. His chin reposes on
left hand, and he holds in right one of the crooked rods as
in No. 3. No. 6, female figure, much mutilated, bearing
in each hand a musical instrument. No. 7, a male figure
in the act of running, with a cloak at his back. His right

1 Sir II. Colt Hoare, Bart., Pifnei/ Pavement ; Gentleman's Magazine
for 1827.

PITNEY PAVEMENT. 90

hand presses his breast, and m his left one of the rods
before described. No. 8, a female figure, seated, having
left hand raised to her chin, and an open book (or the
sistrum of Isis) lying on the ground by her side. In the
angles of this pavement are four beasts, three of which
have cornucopice on their shoulders.

The other rooms are divided into square compartments,
four of which are decorated with figures, the others with
arabesque patterns. Three of the former are nearly perfect,
and represent winged boys. No. 1 holds in his right hand
a pair of pincers and a rake. No. 2 has a bird perched on
right hand, and in left holds one of the crooked rods, on
which a canister is suspended. No. 3, the figure also holds
in right hand the crooked rod, on which are suspended
some quatrefoil flowers, of which others are scattered
around. Each of the boys has a piece of drapery round
his waist.

2. In another room is the figure of a young man within
a circle, striking at the hydra, or serpent, which is darting
furiously at him. He holds a bent stick in his right hand,
and in his left the canister as before, with the coin or the
corn running out of it. Excepting as to the right leg, the
figure is perfect. Another small room has a mosaic bust
with ornamental head-dress. Coins mostly of the Lower
Empire.

The villa is surrounded on all sides Ijy relics of
antiquity.

HuRCOT, near Somcrton.

This site was examined in 1827 by Mr. Hasell. It is
situated at the foot of a hill facing the south and com-
manding a fine view of the neighbouring country; it covers
about half an acre of ground, and a clear spring of water

100 ROMANO-BRITISH MOSAICS.

rises at a short distance from the ruins. Traces of hypo-
causts, baths, and mosaic pavements were discovered.

Another site, also at Hurcot, but nearer to Somerton, has
been dug into, and Roman pottery, tiles, flues, and coins of
Constantino, Antoninus, Victorinus, Porthumus, etc., with
foundations of tesselated floors, have been found. ^

East Coker, one mile and a quarter south-west of Yeovil.

3. Two hunters hold each a spear in right hand, and
with left support a pole, on which is suspended between
them a doe, having her legs tied together and head hanging
down. On the ground beneath the animal is a dog
seated.^

Wellow, near Bath.

4. Oblong, chiefly of geometrical pattern, found in
17 37 ; elegant borders ; one of the labyrinth pattern. In
centre is a bird, either a peacock or a j^heasant, and the
hinder part of an animal in one of the corners of the central
oblong. The size, 32 ft. by 22 ft.^

5, Another found in same place. Geometrical oblong
figure in centre, and at top and bottom a floral patterji
with two animals in each, in outline, badly executed. 20
ft. by 15 ft.^

Of the large mosaic. No. 3 in this enumeration, only the
upper part now remains, presenting borders so beautiful as
to cause regret for the loss of the remainder. One particu-
larly deserves notice, formed of a double row of axe-heads
placed horizontally and perpendicularly to form the pattern.

^ Pitney Pavement. By Sir R. C. Hoare, Bart., 4to., 1831.
^ C. R. Smith, Collect. Antiq., ii, p. 51; Collinson's Somersetshire, vol.
ii, p. 340. 3 Y^f^ jY^^,^ PI L^ ^^1 I 4 ji;j^ PI, LI

PAVEMENT U1SC<JVERED AT WELLOW IN 1737.

BATH PAVEMENTS. 101

Each axe-head is in two colours, black and red, divided
down the middle, and the background is white. The
other mosaic referred to as No. 4, consists of an outer
border of lines, black, white, red, and blue, then a Greek
fret, more lines of the colours as before, and the interior is
made up of a square and two oblong panels, one on each
side. The centre is an elaborate pattern of guilloches,
ingeniously combined. The oblong panels contain each
two animals like dogs, amidst plants with heart-shaped
leaves. The two passage-rooms on each side of the large
mosaic No. 3 are particularly remarkable for the geome-
trical designs, which are uncommon, particularly that
formed of right-angled triangles.^

Bath Blue-Coat School.

6. Portion of pavement removed here, measuring 6 feet
by 5. Three animals of good design. Horse w4th hhid-
quarters of a fish. Panther or leopard, terminating in the
same way, and a dolphin. A portion of the tail remains of
a fourth animal. The tessellce are of white lias and j^ennant
slate of several shades, giving the picture an artistic
appearance.

Bath General Hospital.

7. A large square pavement of geometrical design,
found on the premises and preserved in one of the galleries
of the hospital, where it is well cared for and protected.

8. At one of the outlying parts of the premises where
building is going on, a small portion of a pavement of good
design has been uncovered (1884), but the remainder runs
under the modern houses, and this small fragment will soon
be again covered up.^'

^ Skinner and Waddcll, plates.

2 Shown to the editor by Mr. llichard Mann, Contractor to the Corpora-
tion of Bath.

102 ROMANO-BRITISH MOSAICS.

Newton St. Loe, Twertox, near Bath.

9. A long corridor, running north and south, is paved
with chequers and subdivided by panels of geometrical
design. At the southern end of the corridor three principal
apartments with pavements are shown upon the plan.^

10. The mosaic in the central and largest chamber,
marked No. 3, consists of a square surrounding a circle in
the centre, wdierein is the figure of Orpheus, with lyre, and
an animal, apparently a dog or fox, standing on his hind
legs. Around this circle are seven animals, lion, stag,
leopard, panther, bull, perhaps wolf, and hind. The span-
drils betw^een circle and square are fitted with triangular
figures ; a guilloche border surrounds the whole, and out-
side is a bold frame of various geometrical figures composed
of Greek fret, guilloche knot, etc.

11. Nos. 2 and 3 on each side of this large apartment
have good mosaics, though the latter much destroyed. To
the north of the above-named large apartment is another,
with pavement of good design, with a border of chequers,
and in the centre a square containing a guilloche knot.

12. Eastward of this room is an oblong chamber to
complete the space to the wall which bounds the large
apartment No. 3. The mosaic here consists of circular
figures of considerable variety of design.

13. Northward of room No. 4. is a small fragment of
mosaic which covered room No. 5, but the remainder has
been destroyed.

At the north end of these buildino's wdiich have been

uncovered is a hypocaust, with adjoining rooms, connected,
probably, with a bath. The Bath and Bristol highroad
running east and west here cuts off any remaining portion
of this fine villa, the portion uncovered measuring 125 feet
' Plates by AV. B. Cook (Bath) and T. Hearne (Loudon), 1839.

PAVEMENTS AT CAERWENT. 103

by 55 feet. The joavements were 5 feet below the surface
of the ground, and composed of half-inch tesseUw. The
remaining walls of the building were from 1^ to 3 feet in
height.

MOmiOUTHSHIRE.

Caerwext.

14. Mosaic discovered in 1763 in an orchard adjoining
the street. "The colours are lively enough, but the figure
of a dog or other animal under a tree very ill -expressed."^

15. In 1775, John Strange, F.S.A., communicated a
long paper, accompanied by an engraving, in which he
describes a pavement, on which was still preserved part of
a vase and a bird, and on which there had been figures of
a lion, a tiger, and a stag.^

IG. In 1778, a beautiful pavement discovered in previous
year, of which, fortunately, an accurate drawing has been
preserved. Figured in Archceologia, vol. xxxvi, p. 428, Plate
34. Many geometrical figures and floral designs. Mr. O.
Morgan refers to the above in describing the excavations in
Caerwent, in summer of 1855, when a villa was discovered.

17. In the room No. 6 were traces of a ruined tesselated
pavement. Coins of Magnentius and Valentinianus. A
well-preserved silver coin of Julian, a.d. 360. In another
room were coins of 3rd brass of Gallienus, Tetricus, Con-
stantine, Constans, Card^usius, and Arcadius.

18. In room No. 7 is a fine tesselated pavement, covered
to a considerable depth with stucco and plaster, as if of the
walls or ceilings. It is divided into four compartments,
each four feet square. The baths, paved with coarse
tessercB of dark reddish sandstone, about Ij inch scjuare.

^ Archceologia, ii, and xxxvi, by Octavius Morgan, M.P., F.S.A.
« Ibid., V, p. 58.

104 ROMANO-BRITISH MOSAICS.

19. Square of 14 feet discovered in 1692. Tesserce,
white, red, and blue, birds, and a geometrical pattern.^

20. "Octavius Morgan, Esq., F.R.S., F.S.A., exhibited
a fragment of a Koman pavement which had been recently
accidentally discovered in a cottage in the walls of Caer-
went, about 10 inches below the surface cell ; the rest of the
pavement would appear to have been destroyed many
years ago by building a wall and constructing a path.
Enougli, however, was left to give a clue to the pattern of
the whole pavement, showing that there had been four
spandrils with a fish in each (a salmon), and eight hexagons,
each containing two fish ; one of the hexagons had a trout
with an eel coiled up by the side of it."^

WILTS.

LiTTLECOTE Park, Parish of Ramshury?

21. Discovered in 1730. A square floor with semi-
circular apses or recesses on three sides ; is wholly covered
with mosaic work, and on the fourth side is an oblong panel
of mosaic leading to another room of larger dimensions, and
square. The first room has a circle within the square and
another in the centre, the space between the two being
divided into four compartments, in each of which is an
animal with a female figure riding on its back ; one may be
Spring on a fawn ; the next, holding a bird, perhaps a
peacock, rides on a panther ; the third seems to hold a stem
or branch, and rides upon a bull ; while the fourth is
mounted on a goat. The last two figures are clothed from
top to toe ; the first two are naked to below the waist. In
the centre is Apollo playing on the lyre, which he holds on
left knee.

' Gibson's Camden, p. 607, figured at G97.

2 Proceedings of Society of Antiquaries, June 16, 1881.

^ Aixhrwlogia, viii, p. 97.

WILTSHIRE MOSAICS. 105

^ 22. The larger room contains a square of many geome-
trical patterns, and a kind of frieze or panel runs along the
top and bottom of this square. The top one has a cantharus
in centre, and at each side two sea-leopards and two dol-
phins. The bottom side also has a cantharus, and on each
side of it two panthers.^

PiTMEAD, near Warminster.

23. Discovered 1786. Geometrical borders and two
centres ; one geometrical, the other with draped female
figure without head.^ Sir II. C Hoare says: "The only
fragment now remaining, that of a hare sitting, is preserved
at Longleat. These villas remained unnoticed from 178G
to 1800, when Mr. Cunnington employed some workmen in
making further investigation of the Roman buildings, and
left at his decease the following notes relating to it. The
villa is 100 feet in length. Principal entrance by south-
west front, leading into a crypto-porticus, 72 feet long by 9
feet wide. At the eastern end of the portions is a square
room of 14 feet, brick flues, painted stucco. The ground
was examined again in 1820."^

Froxfield Farm, in Parish of Ramshury.

24. A pavement found, oblong in shape, divided into
three parts, prettily ornamented, but not adorned with any
animal figures. Mr. George left a drawing of it.

RUDGE, on Mr. George's Estate.

25. Another was found in 1725, of which he took a
draught and had it engraved by Vander Guclit.

1 Will. Fowler's Tiventy-siv Plates of Roman Mosaics, 1796 to 1818.
3 Mon. Vet., ii, pi. 43.

^ Hoare's A[od. WUdfhire, vols, ii and iii ; Oentlfman's Magazine, vol.
Ivii, p. 221 ; Velnsfu Monnmenta, vol. ii, plate 23.

106 ROMANO-BRITISH MOSAICS.

Bromham, 7iear Devizes.

26. Pavement opened at the Congress of the British
Archaeological Association, at Devizes, in 1880, in a field
not far below the surface of the ground. It had been
uncovered before at long intervals. There were two pave-
ments slightly different in level, one containing figures of
fish and marine monsters, the other a geometrical pattern
in black, brown, grey, and red tesserce of chalk and clay; it
was much injured.^

West Dean, sere7i miles from Scdishury.

27. Square pavement ; dimensions not given. Descrip-
tion by Mr. Emanuel Mendez da Costa, Clerk to the Royal
Society^ : —

" Eight rows of bricks and eight of stone surround it, of
equal depth with the pavement, of eight inches breadth ;
each row is 10 feet 8 inches. The stone was common
quarry stone, the bricks red, and about one inch thick and
long on every way. These rows did not end, but were broken,
for the pavement reached only as far as they dug, so that
whether it continued further they cannot tell. In three or
four fields, called Holly Flower Fields, near the said place
where this was dug, which was in Aston Cooper's, a farmer's
yard, various such bricks have been cut up by the ploughshare,
which lay very shallow, so that undoubtedly there are other
pavements and antiquities there. The })avement is divided
in the inner circle, excluding the border all round, into
twenty-eight quarters or ribs, producing a circle. The
middle consists of a four- leaved white flower; the ribs run
equal, as the circle admits, and are a kind of tesselated
work coloured in arches ; in the vacancies at the four

1 Brit. Arch. Assoc, xxxvii, p. 172.

^ Winchester vol. Brit. Arch. Assoc. ; Sir R. C. Hoare, Mod. Wiltshire.

SHROPSHIRE MOSAICS. 107

corners (the pavement being square and the work circular)
were represented a lozenge within a square."

The tesscrcB are of a quarter to half an inch. In the
centre they are black and white ; the others are red and
brown bricks of one-inch square.

28. Another portion of pavement, in stripes of coarse
red and white tesserce, terminating in a square, is also
figured in Winchester volume, Brit. Arch. Assoc, p. 241.

29. Another portion, in an apartment 18 feet by 12 feet,
Avas a border in black and white tesserce laid with peculiar
care and of great beauty ; also figured in same volume at
p. 244.

SHROPSHIRE.

Wkoxeter.

30. Oblong panels of simple pattern about 15 feet wide,
and extending the length of a long corridor of 240 feet ;
the pavement remaining over about half its length. The
tessellce are dark grey and cream-coloured, surrounded by a
broad field of greenish grey tint of open texture found at
the foot of the Wrekin. The dark bluish were probably
imported, as they are used sparingly, or may be the finer
stones of the lias formation of our own country brought
from a distance. The light lime-stone is similar to that
known in Italy as Falombino, and was probably imported.^

31. There is also a fragment of pavement in the bath.^

Lee, 7icar Shrnoshury.

32. Found in 1793. Geometrical patterns, making up a
square within a circle. A cantharus in each spandril.^

' Jirit. Arch. Assoc, xvii, p. 100. " Ibid.

3 Will. Fowler's Twenti/-sijc Plates of Mosaics, 1796 to 1818.

108

CHAPTER VIIT.

Mosaics in Oxfordshire, Leicestershire, Nottinghamshire, and North-
amptonshire— The Villas and their Situations described by various
Authors — Details given of the different ^losaics and of Coins found
near them — Authorities quoted.

THE Mosaics to be described in Oxfordshire, Leices-
tershire, Nottinghamshire, and Northampton-
shire, if not so numerous as in some other counties,
yet the designs upon them are of great interest. In
Oxfordshire we have an intelligent guide in the Rev.
John Pointer, M.A., Rector of Slapton in Northampton-
shire, who wrote an account of the pavement at Stuns-
lield, situated about a mile and a half from Woodstock
Park (and of some others), in 1713. He tells us that
" a farmer (one George Hannes) was ploughing his land.
His ploughshare happened to hit upon some founda-
tion stones, amongst which he turned up an urn, which
made the farmer have the curiosity of searching further,
whereupon he discovered a large and entire ancient tesse-
lated Roman pavement, the superficies of it smooth and
level, and composed of little square pieces of brick and
stone about the size of dice, generally speaking, but some
larger and some smaller. This pavement, by its equal
division into different sorts of work, should seem to have
served for two different rooms ; but, be that as it will, I
choose to consider it at present, as it is now, but one entire
pavement. That part of the field where it was discovered
is called Chest-Hill, and sometimes Cliest-Hill Acre, in

STUNSFIELD PAVEMENT. 109

some old leases of this land, being a rising ground about
lialf a furlong from the old Eoman road, and about three
furlongs off Stunsfield town. Several pieces of painted
plaistering were found inside the foundation walls, and a
great many slates were amongst the rubbish, mixed with
pieces of burnt timber, mortar, and nails ; and that there
were other rooms contiguous to this chief room, one may
guess from the foundation w^alls discovered all round it."

As to the quantity of black, whole, and dried corn which
lay so thick upon it, and was of one quality only, that is
wheat, the author quoted was inclined to believe that it
was dried and laid on for no other end and purpose but to
preserve the pavement and keep it dry. With due deference
to the rector's opinion, it seems to me more probable
that when the chamber was disused, the corn was placed
there to be kept dry, Koman pavements being so well
adapted by their construction for resisting damp, that they
made excellent granaries. As to the urn, the writer says : —
" What should have induced the farmer, as soon as he found
it, to leave his man and horses in the field and run off
home with it, unless it had contained some coins ? How
could he distinguish between a sepulchral urn and a flower-
pot or money-pot ? However, he showed his cunning in
concealing it, because coin did, by tlie ancient Statute
of Treasure-Trove, belong to the queen or else the lord of
the manor ; for so we are told by the Eev. Dr. Wood, in
-his Neiv Institute of the Imjjerial or Civil Law, p. 89."

The same author has a curious remark upon the number
of Roman coins often found buried. He considers them to
have been purposely left behind, as so many "incontestable
memorials of the once lloman greatness, which custom has
been practised by our own as well as other warlike nations,
as France and Spain and other countries in Europe can
witness ; and not only so, but another quarter of the world

110 ROMANO-BRITISH MOSAICS,

too, of which I shall produce but one single instance, still
fresh in some people's memories, and that is Tangiers, in
Africa. When King Charles II demolished this strong
place in the year 1682, he caused a great deal of our
English coin to be buried there, as an undoubted testimony
to future ages of the English prowess, as I am informed by
the Honourable Captain Bertie of Chesterton in Oxford-
shire, who was himself in that action."

As to the work of the pavement in question, this writer
admired it as the most elaborate piece of Homan workman-
ship of this sort, and one of the finest of the " tesselated
pavements that had been hitherto found in all Britain.
Upon a nice view of it may be observed such an exact
symmetry and due proportion in all its parts, but more
especially in the human and animal figures, w^here the very
shades that give life to all figures are visible (as on the
right leg of the man and the right side of the circle that
encompasses these figures), insomuch that one cannot
forbear commending the perfect beauty of the whole.
The various authors of antiquity do all agree in the
general description of Bacchus and his Panther, — that he
was represented as youthful, beardless, and naked ; that he
was crowned with ivy ; that he had his cantharus or cup in
one hand, and his thyrsus in the other, which was a spear
adorned with vine-branches and ivy ; and the panther was
dedicated to him as being a lover of wine ; and lastly, that
he was the first that showed his subjects the magnificence
and solemnity of a triumph. Bacchus was called in Greek
©pta)u-/3o9, which by a little alteration is made triumphus."
(See Horace, Ode IV, 2.)

Further examination of this villa took place in 1779,
and many beautiful specimens of tesserw were at this time
discovered, of which drawings were made by W. Lewington
of Woodstock. These drawings are in the possession of
the Society of Antiquaries in London.

• NORTH LEIGH MOSAIC. 1 1 1

Pursuing the investigation of this villa in 1812 and 1813,
the Rev. Walter Brown and Henry Hakewill, Esq., in
searching the neighbourhood, came upon the remains of the
Roman villa at North Leigh, which then engaged all their
attention, and the result is given in a letter addressed to
the Society of Antiquaries by Henry Hakewill (published
in Skelton's Oxfordshire). He says, that " in the autumn
of 1813 several fragments of bricks and tiles of a peculiar
form and substance were accidentally observed by the Rev.
Walter Brown on the surface of a field near the banks of
the river Evenlode, in the parish of North Leigh, in the
county of Oxford, at the distance of about half a mile to
the south of the Roman road, called the Akeman Street,
which runs along the northern boundary of this parish.
The ground in that part of the field where they were found
was considerably higher than the natural level of the soil,
and had the appearance of four wide ridges enclosing an
extensive area. It therefore seemed probable, on the first
view, that these ridges had been raised by the ruins of a
quadrangular building. Foundation walls were soon after-
wards discovered on each side of the supposed quadrangle ;
and as in tracing these walls many tesserce of difierent
sizes and colours were turned up by the workmen, it was
concluded that the building v/as of Roman origin, and that
some of the rooms in it had been decorated with tesselated
pavements.

" It was found on subsequent inquiry that the field had
been long known by the name of the Roman piece, and
that these ruins are noticed in Warton's History of Rid-
dington, 2nd edition, 1783, p. 59. In September 1815 the
north side of the cpiadrangle was examined, and a suite of
rooms found, connected by an interior gallery or crypto-
porticus, which was about 170 feet long and 10 feet wide.
These rooms were then successively laid open, and IVoni

112 KOMAXO-BRITISH MOSAIC!^.

time to time the remains of a hypocaiist, a very curious
bath, several rooms with coarse tesselated floors, and a
small one with a pavement of much finer materials, were
found ; and in the month of October the investigation was
rewarded by the discovery of the large room (No. 30), con-
taining a very beautiful mosaic pavement, 28 feet long
by 22 feet wide.

" The western side was now the chief object of attention,
and a series of rooms, not inferior to those on the north side
either in size or interest, were discovered, with a crypto-
porticus to the east, which was nearly of the same width as
the former, but extending in length to 184 feet; and at
the south-western angle a most interesting room, with its
hypocaust and flues in the best state of preservation.
Room No. 1 seems to have been buried at an earlier period
than the last described, under the ruins of its vaulted roof,
and to have been thereby secured from further injury.

" The situation of this villa was well chosen, for the little
valley in which it was placed, and the scenery round it,
are remarkably beautiful. The ground falls gently from the
site of the villa to the river, but round the south-west
angle of the building it rises abruptly to the brow of the
hill which skirts the valley on the south. Standing in the
western portions, and looking eastward, you have the river
before you (within the distance of 180 yards), which, after
winding below a rocky bank to the left and passing by the
front of the villa, turns suddenly to the east, close under
a hanging wood, on the steep side of the hill before men-
tioned. This wood, in the form of an amphitheatre, covers
the right bank of the river during its course through the
valley. On the left bank there is a level meadow, varying
in breadth, but everywhere soon rising into a pleasing
irregularity of ground, till the prospect is terminated by a
high ridge, on which, in front of the villa, stands the village

LEICESTER MOSAIC'S. H .">

of Combe, and on the left tlie woods in the vicinity of
Blenheim Park."

I have reproduced Mr. Hakewill's ground plan, which is
a good typical example of the Romano-British Roman villa,
and shows by its irregular quadrature how it has been
altered from its original plan by later occupiers ; and this
is also proved by a section of the soil beneath it to the
depth of seven or eight feet, the measurement of each
layer being given in Mr. Hakewill's drawing.

There have been other such pavements ploughed up
some years ago at Great Tew and Steeple-Aston, in the same
county of Oxford, as we are informed by Dr. Plot, in his
Natural History of Oxfordshire, p. 335.

In Leicestershire, a mosaic work is recorded in Philoso-
pliical Transactions, p. 324, found in digging a cellar, in
about 1673, over against the elm- trees near All Saints'
Church, Leicester, about a yard and a half under the sur-
face of the earth. It is generally supposed to describe the
story of Actseon.

Two plates of a pavement found at Leicester in 1830,
about a hundred yards north-west of the Roman wall called
Jewry Wall, in excavating for the foundations of a cellar,
were published in 1850 by Mr. H. Ecroyd Smith, Saffron
Walden. Mr. C. Roach Smith remarks upon them, by
saying that the first, Plate iv, is " one of the most beautiful
pavements preserved in this country". The design, he says,
is " as rich and gorgeous as it is chaste and classical ; it
comprises nine octagonal compartments, enclosing quadri-
lateral and triangular figures, interlaced by a rich guilloche
of various colours. It appears to have been about twenty-
four feet square. The second, Plate v, is more curious than
beautiful, representing a group of three figures, one of
which is a female ; the second, CHipid drawing his bow ;
the third, a stag."'

1 Jiiiinuil liril. Arch. /l.<Nor., vi, p. Ifid.

114 ROMANO-BRITISH MOSAICS.

In Nottinghamshire, the villa at Mansfield Woodhouse
has been described by Mr. H. Eooke, in Archceologia,
vol. viii, who, after pointing out the elegant mosaic pave-
ment in the centre room, described hereafter, says the
walls in the other rooms of his plan were painted, but had
not tesselated pavements ; the floors \vere stucco, which
appeared to be made of lime, pounded brick, and clay.
Ashes, and other appearances of there having been fires,
were visible towards the centre of these rooms. The
entrance of this villa seems to have been on the east front,
into a narrow portions, or rather crypto-porticus, about fifty-
four feet in length and eight wide, with painted walls
and a tesselated pavement; the cubes, nearly an inch square,
of light stone colour, formed a border of about two feet
round the room, within which were squares of about a foot,
of the same sized cubes, but of a greyish colour. On the
right-hand half of this floor, as you enter, the squares
appear rather larger, but not easily distinguishable. A
limekiln, placed not many years ago, has destroyed great
part of this pavement. At one end of the crypto-porticus
is a small room 16 ft. 8 in. by 12 ft. At the other is a
hypocaust, the flues 1 ft. wide and 14 in. deep; at the
end of one flue was a kind of tile about 15 in. high and
12 in. broad. This seems intended to lift up occasionally
to let in the heat conveyed through an arch under the
wall from the other side, where the fire was made, and a
quantity of ashes found ; no remains of a wall appeared
round it.

The best specimens in Northamptonshire are the mosaics
at Castor, the Durobrivse of the Romans. The church
there, with its fine Norman tower, stands on an eleva-
tion at some distance from the river Nen, in the centre of
a cluster of Roman buildings which have yielded many
tesselated pavements ; these have been figured in a series

NORTHAMPTONSHIRE MOSAICS, 115

of plates by Mr. Artis (London, 1828, folio), but without
letterpress description. The list of them in their order is
given below, as well as of those found at Mill Hill, a spur
of the table-land on which Castor stands, and overlooking
the valley of the Nen.

Mr. Morton, in his Natural History of Northampton-
shire, tells of several Roman pavements found in his county,
particularly at Castor, w^iere, he says, " in digging a little
way beneath the new surface, they frequently meet with
small square bricks or tiles such as the Romans were wont
to make their chequered pavements of, and particularly in
the place which is now the churchyard, and on the north
side of the town. In digging into that part of the hill
Avhich the church stands upon they find these little bricks
almost everywhere, sometimes single and loose, sometimes
set together, and fixed or inlaid in a very hard cement or
mortar. The loose ones appear to have been laid in the
same manner as those which are now found in entire or
unbroken pavements."

He calls the pavement at Nether-Heyford, in the same
county, " a noble piece of art. It lay under ground, covered
with mould and rubbish, in a part of the meadow which is
every year overflowed with land floods ; and yet when it
was first uncovered it was so close and firm as to bear
walking upon as well as a stone floor would do. But
leaving it awhile exposed to the night dews, the cement
became relaxed, and the squares easily separable. It
appears to have been the floor of a square room in some
house or other structure of a circular figure, and about
twenty yards diameter.

" The room that had this curious floor was in the southern
part of the said structure. In the western and northern
part of it were several lesser rooms or cellars about ten feet
in length and four broad. That there really were such little

liG KU.MANO-BKlTIrtH MOiSAlL'S.

rooms is plain enough from the partition walls, the bottoms
whereof have been discovered in digging there. The bor-
ders or sides of the floors were painted with three straight
and parallel lines or stripes of three different colours — red,
yellow, and green. The floors were all upon the same level.
Upon one of these floors were found three urns."

OXFOEDSHIKE.

Stunsfield, one mile and a half icest of Woodstock Park}

Pavement 35 ft. by 20 ft., of six different colours — blue,
red, yellow, ash-colour, milk-white, and dark brown — on a
bed of mortar about a foot in thickness, supported by
ribbed arch Avork underneath.

1. — A labyrinth fret border surrounds the outside, then
a braided guilloche, and the space inside this is divided
into two squares, with elaborate panels between. Each
square has ^vithin it a circle, and in this again is another
square ; and in the spandrils are two canthari and two
heart-shaped ornaments. The other large square has within
it a series of concentric circles of elaborate design, and
inside is a figure standing on one leg and resting against a
panther. In right hand he holds a cantharus ; in his left
a stem with leaves ; a crown of leaves on his head. In
the spandrils are four birds. The whole pavement was
covered with black dried wheat above half a foot, and in
some places nearly a foot deep.

No coins ; but an urn was found and carried off, which
was supposed to have contained some.

^ A\'iii. Fuwici'a Tii:etdy-sbi Plates of Mumics. l^liui^field, by Rev. John
Tuintcr, M.A., Uxlord, 1713.

PLAN or It OMAN VILLA j^t north leigii

oxFOJinsumE .

VILLA AT NORTH-LEIGH. 117

NoKTH Leigh, half a mile south of Roman Road, the Akeman Street;
the Stunsfield Villa, a little north of said road}

The ground plan from Mr. Hakewill's work is annexed,
upon which the apartments are numbered.

2. — No. I (33 ft. long by 20 ft. broad), discovered in June
1816. The pavement of this room was about 4 ft. below
the surface of the ground. The walls (which are more
than 3 ft. thick) were in most part sound to tlie height of
3 ft. 6 in. above the pavement, and at the south end rose
so high as to be scarcely covered with the soil. The tesse-
lated pavement was, with a few exceptions, sound and
perfect. No description is given of the design.

3. — No. 2 (30 ft. long by 10 ft. 3 in. wide) seems to
have been an ante-room to that which has just been
described. The floor is composed of coarse red tesserce, and
is very perfect.

4. — No. 3 (9 ft. by 14 ft. 6 in.) has a plaster floor.
The stucco was quite sound upon the wall adjoining No. 1,
and was coloured of an Etruscan yellow. The skirting was
red.

5. — No. 5 was a passage of communication. The floor
had been tesselated, but so small a part of it remained
that the pattern could scarcely be traced.

6. — No. 8 (discovered Sept. 14, 181G). This room is
19 ft. long by 16 ft. 6 in. wide. The greater part of the
pavement had been destroyed ; enough remained, however,
to show the general design of it. This pavement has stone
flues under it, similar to those in the north division of the
room No. 1, but there were no remains of funnels against
the walls.

7. — No. 9 is 19 ft. long by IG ft. G in. wide. The pu\e-

' Both Koiiian Kcuiains described by 11. JIakcwill, Luudun, 8vo.,
1836 ; and Skcltoii'b Oxfonhkire.

118 ROMANO-BRITISH MOSAICS,

ment was much broken, and laid upon flues like No. 8.
The colours and workmanship of both these are very good,
and the cement firm.

8. — No. lo is part of the crypto-porticus in tlie east
front of this side of the quadrangle. At the south end
there is a tesselated pavement composed of interesting
circles 2 ft. 4 in. in diameter, and extending 25 ft. 6 in. ;
it was then much broken, and its termination could not be
easily ascertained ; but it probably ceased nearly at that
point, as a pavement of a different design, upon a level 8 in.
lower, was discovered. It was found to go under this pave-
ment ; and it continued to a considerable distance to the
northward. It is evident that great alterations must have
been made on this side of the quadrangle, both from the
irregularity which is perceived in this part of it, and from
the bottom of the bath which remains at the north end of
this crypto-porticus in the rooms Nos. 19 and 20.

9. — No. II is a continuation of the crypto-porticus ; it
has a similar tesselated pavement to the lower part of
No. 10.

No. 1 6, partially examined, and the borders of a tes-
selated pavement discovered.

10. — No. 17. A trench has been dug across this room.
The floor is of plaster, and was covered in many places
with wheat and lentils — black, as if burnt. The form of the
grain, however, is distinctly preserved.

No. 18, not perfectly examined. The floor is of plaster
laid upon stone flues.

11. — No. 19 is a division at the end of the crypto-
porticus. The floor in several places is paved with coarse,
white tesserce, but not in compartments. At the north end
the bottom of a semi-circular bath was discovered, which is
below the level of the floor, and passes into the adjoining
room. No. 20. This must necessarily have belonged to a

VILLA AT NORTH-LEIGH. 119

former building, as the partition wall between this room
and No. 20 is built across it.

12. — No. 24. This room is 21 ft. long by 17 ft. broad,
and has two nearly semi-circular recesses on the western
side. The pavement in the north division of this room
was in much confusion, having been broken into number-
less pieces either by the decay or removal of the pillars in
the hypocaust ; but by a careful and patient examination of
the dimensions and position of the large fragments, the
design was very satisfactorily made out.

13._No. 25. This room is 27 ft. 6 in. by 18 ft. The
floor has been tesselated, but there is reason to fear that
the pavement is destroyed. At present, however, the room
has been only partially opened.

14.— No. 26 (13 ft. long by 11 ft. 6 in. wide). The
floor has been tesselated, and where it has been opened,
guilloche borders remain very perfect.

No. 29 (28 ft. 6 in. long by 8 ft. wide) has a plain,
coarse, red, tesselated pavement.

15.— No. 30. This room is 28 ft. 6 in. long by 22 ft.
9 in. wide. When first discovered, in September 1815, the
pavement was entire, except a small part in the south-east
corner, and a circular compartment in the middle of the
room ; but such was the eager curiosity of the country
people, who, on the Sunday following the discovery,
flocked in crowds to the spot, that, before any precau-
tions could be adopted, the pavement was much injured.
What remains will, it is hoped, be protected from further
injury, a building having been erected over the room.

16. — No. 31 (28 ft. G in. long by 9 ft. 3 in. wide). It
has a coarse, red, tesselated pavement.

17._No. ss (28 ft. 6 in. long by 13 ft. wide). It has a
coarse, red, tesselated pavement. A fire had been made u})on
the floor, and the ashes were remaining.

120 ROMANO-BRITISH MOSAICS.

18.— No. 35 (19 ft. long by 3 ft. 3 in. wide). This
passage had a pavement of small red, blue, and white
tesserce. The wall upon the eastern side appears to have
been built across the floor ; but no traces of the pavement
were found in the adjoining room eastward. The stucco
adhered to the wall on the western side of the passage,
and had been coloured red, with stripes of black. The
remains of the pavement were entirely carried away on the
Sunday after it was discovered.

19. — No. 44. A crypto-porticus, 80 ft. long by 8 ft. 6 in.
wide, paved with coarse red tesserce at the east and west
ends ; in the middle, for a space of 10 ft. 6 in., the pave-
ment is composed of small red and white squares, chequered.
This space of 10 ft. 6 in. corresponds with an opening
between two columns, of which the bases and part of the
shafts remain very perfect. The columns are 2 ft. in
diameter,

20. — No. 45. A crypto-porticus, 105 ft. long and 10 ft.
wide, paved with red tesseroe.

21. — No. 46. A continuation of the crypto-porticus,
separated from the former by a wall or step. This had been
tesselated, but very little of the pavement remained. It
is 53 ft. long and 10 ft. wide.

More than one hundred Roman coins, chiefly of small
brass, have been found in different parts of the building ;
many of them are entirely eftaced, but most of the following
are very perfect: — 1 Claudius II; 2 Carausius; 1 Allectus
9 Constantinus ; 3 Crispus; 2 Constans; 4 Constantius
2 Magnentius ; 1 Julianus (silver) ; 2 Helena; 7 Valens
2 Valentinianus ; 3 Arcadius.

MOSAICS IN MIDLAND COUNTIES. 121

LEICESTERSHIRE.

Leicester, near All Saints' Church}

22. — Found in about 1673. An octagon enclosed within
a guilloche border. On it is represented a naked figure
with cloak thrown over one shoulder. A stag stands by,
and a winged boy is shooting an arrow, apparently at the
figure.

NOTTINGHAMSHIRE.

Mansfield, Woodhouse.^
23. — Several fragments from two villas, but one is of
beautiful geometrical design, in a room 20 ft. 5 in. by
19 ft. Colours of tessercB — red, blue, white, and pale stone
colour. Three coins of Constantine, very perfect ; also of
Claudius Gothicus and Salonina.

NORTHAMPTONSHIRE.

CoTTEKSTOCK, near Oundlc.^

24. — A mosaic 12 ft. square, elaborate and diversified in
colour and design, having a square centre within which is
a diamond and flower. The borders are guilloches, Greek
frets and lines.*

25. — Shows a mosaic which is probably the same as that
described in the next paragraph, though the descriptions
differ.^ This is an oblong figure, with square centre con-
taining a cantharus marked out with blue lines ; a heart of
four colours is on the bowl, and flowing down from the rim

' Wm. Fowler's Twenty-six Plates of Mosaics.

2 Archa'nlof/ia, viii, p. 363, with plate (1786).

3 Artis's Plates, 1828, fol. " Tlate lx. ^ pi^^tc lix.

122 ROMANO -BRITISH MOSAICS.

are two stalks ending in heart-shaped leaves. Above and
below the square are two borders formed by axe-heads
placed in different directions.

A. pavement was found here in 1736, with small and
simple oblong centre, in which is represented a cantharus.
Grey, plain tesserw fill up the outside.^

Harpole, infield between JVorthamjyton and Weedon.^
26. — A mosaic measuring 22 ft. by 10 ft. was discovered
in 1846, and covered up again. Tesserce and other relics
were found to a considerable extent beyond the spot. The
foundations have not been hit upon, so that a rich mine is
left to explore. It was uncovered again in 1849, and a
drawing made, which is figured in the Brit. Arch. Assoc.
Journal, vol. vij p. 126. Mr. Morton gives a plan and
description of a mosaic found here in 1699, that is, in Hore-
stone Meadow.

Nether Heyford.^

27. — A pavement was discovered here in 1699, in Horse-
shoe Meadow, about half-a-mile from Watling Street. It
showed four colours, white, yellow, red, and blue, disposed
into various regular figures. It measured about 15 ft. in
length from east to west. The extent from north to south
was not ascertained.

Borough Hill, half a mile south-east of Baventry.^

28. — Mr. George Baker describes the camp of Borough
Hill, and says that in the year 1823 a spot was explored

^ Yet. Mon., PI. xlviii ; Wm. Fowler's Twenty-six Plates of Mosaics.

^ Morton's Nat. History of Northamjdon (London, 1712), pp. 527-8.
Journal of the Brit. Arch. Assoc, ii, p. 364 ; v, 376 ; vi, 126, with plate.

^ Morton's Nat. Hist, of Northampton.

^ Hist, and Antiquities of the County of No)ihampton (1822-30), vol. i.
By Ceo. Baker.

BOBO UGH- HILL CAMP. 123

on the west side of the enclosure, where were the
walls of a building. A room was discovered the floor of
which was broken up, but there were decided indications
of the entrance. At the north-west corner of the room
the fragment of two sides of a tesselated pavement was
found, composed of blue, yellow, red, and white tesserce, half
an inch square, forming an outer border of the foliated
Vitruvian scroll, and an inner one of the simple guilloche,
within which was a small ornamented circle, evidently the
commencement of a central pattern.

29. — Another room, from its diminutive size, and being
considerably below the level of the adjoining apartments, is
presumed to have been a bath. The walls had been painted
in fresco of various colours ; some small portions still adhered
to them, as well as to the base, which was finished with a
narrow sloped border or moulding. Several large coarse
tesserce, of the common stone of the neighbourhood, an inch
square, surrounded an elegant square mosaic pavement,
partly destroyed, but sufliciently preserved to develop
the leading design. The exterior arrangement consisted of
five borders ; the first white, the second dark blue, the
third white and dark blue Vandykes transposed, the fourth
white, and the fifth a simple guilloche of red, white, and
dark blue tesserce. The same ornament was introduced in
the central compartment, and disposed into a circle with
two intersecting squares. The wall (l) must have been sub-
sequently added to form a passage, for it stands on the
pavement and interrupts the pattern, which was continued
and completed south of it. The room (o) was floored with
a composition of pounded brick, lime, and sand. Upon it
were considerable quantities of loose ridge and other tiles,
apparently the eflect of a fallen roof

30. — The room (r) presented [)art of a tesselated pave-
ment about 6 ft. wide, principally of the larger tesserce ; the

124 KOMANO-BRITISH MOSAICS.

remainder had probably been dispersed by the plough, not
being more than three or four inches from the present sur-
face. The room (q) had a similar floor to (o). The whole
space excavated was 144 ft. long by 67 ft. wide, without
reaching the exterior of the building.

lioman coins have been frequently found here, but a
denarius of Constantino was the only one brought to light
on the present occasion.

CAaTOii.^

31. — In the churchyard to the north was found a frag-
ment of mosaic work on which were three oblong figures,
one placed lengthwise, and the other two having the
narrower sides downwards. The figures were formed of
stripes of yellow, blue, and wdiite. This was opened and
examined on December 22, 1827.^

32. — South-west of the church was found a mosaic 8 ft.
square, having a square centre of 4^ ft. , in which is a circle
round the inner circumference, on which are described
sixteen half circles, having a semi-diameter of about 4 in.^
Within are placed around, in a circle, eight heart-shaped
figures; and within these again, to fill up the centre, is a
small circle surrounded by petal-shaped figures. In the
spandrils formed by the square and centre are two figures
at the opposite corners, formed of volutes and petals, and
the two others are fronds springing from vases. The border
between the central square and the exterior is filled by a
square at each corner, containing on the opposite corners a
fusil surrounding an elaborate pattern of petals and hearts,
and small circle containing a cross in the centre. The other
corners have each a fusil with guilloche knot in a circle, and
two hearts with flowery figures outside. The colours, to
judge from Mr. Artis's plates, are very well toned down

1 Avtis'y Plaice. 1828, fol. - Plate vii. » Plate xii.

MOSAICS AT CASTOR. 125

and harmonised. The intervening spaces are filled by-
fusils, one within the other, set off by a white border, and
containing within these a guilloche border of apparently
five colours. This pavement has been relaid in the ante-
room to the dairy at Milton.

33. — To the east of the church a fragment of a pavement
was discovered on April 9, 1821.^

34. — And another pavement is referred to found on the
north-east, 10 ft. long and apparently 9 ft. wide, if com-
pleted, with 15 in. of plain tiles outside it. The guilloche
twist is carried over all the surface, with the exception of
an oblong centre formed by black and white stripes.

Mill Hill, Castor Field.^

35. — A mosaic was discovered here on March 25, 1822,
of beautiful design, square, and having a square centre, in
the middle of which is an octagon surrounded with plain
guilloche frame, and containing as a central ornament a
cantharus of many colours. The design of the whole is
elaborate, and made up of guilloche knots, oblong figures,
petals, and triangles. A kind of axe-head ornament is
enclosed in a square or oblong alternately, with an ela-
borate guilloche knot in smaller frame, and the intervening
border is filled up with chequers of black, white, and red
alternately. The outside of the pavement is filled up with
squares of two colours, alternately set off with double lines
of red tessellw.

3G. — Another pavement, also found at Mill Hill, is of
plain geometrical design, in red brick tessellw upon a white
ground.^

37. — Another discovered in April 1822 is also figured.*

38. — Other fragments.^

^ Plates III and iv. ^ pi-itc xix. ^ I'latc xxi.

< Plato XX. 5 Plate xxii.

126 ROMANO-BRITISH MOSAICS.

39. — A pavement was discovered on December 11, 1827,
in one of the fields on the south side of Helpstone, called
Pail Grounds, adjoining Oxey Wood and Wood Lane. It
is of elegant square design ; the centre is a kind of flower-
shaped figure, surrounded by a guilloche border. Outside
this is a square formed by a scroll pattern, the several lines
of blue and white alternating ; then a border composed of
figures of the shape of arrow-heads in alternate colours,
blue and red ; then several more stripes of blue and .red,
and tlie outside is filled in with plain tessellce}

40. — A pavement found at Water Newton.^

41. — Another in Sutton Field.^

1 Plate XXIV. 2 Plate xxxiv. ^ Plate xxxv.

127

CHAPTER IX.

Mosaics ia Lincolnshire and Yorkshire — Roman Remains at Barton-on-
Humber described, as well as those at Aldborough, and some account
of the situation of these and of other localities where Mosaics have
been found — The "Corbridge Lanx" and its interpretation — Particular
descriptions of the Mosaics and Coins found near them, and reference
to the authorities.

THE mosaics in Lincolnshire, separated by a long
distance from the gems of Roman art heretofore
described in the south-western counties, yet tell a good
story of themselves, and are amongst the best examples.
It will be seen, by inspecting the Map and Itinerary in the
Appendix at the end of this volume, that though the main
road to York from Lincoln tended a little westward through
Doncaster, yet another route would have been very con-
venient for places on and towards the east coast, if a line
of road were made from Lincoln to Barton-on-Humber,
whence a ferry across that estuary would conduct the
traveller northwards into the line between Patrington and
York. Accordingly, a line has been traced tending to
Barton-on-Humber by a direct course from Lincoln, and at
the former place ancient earthworks are seen to protect a
position which it was as necessary to defend as any other
along the northern roads. An account of these works has
been given by W. S. Hesleden, in the Winchester volume
of the Brit. Arch. Association, p. 221. He says, "The
town of Barton is most pleasantly situated upon a gentle
declivity, at the foot of the northern extremity of that
range of chalky hills which, running across the eastern part

128 ROMANO-BRITISH MOSAICS.

of the county of Lincoln, give to it the appellation of the
Lincolnshire Wolds, and is an open, airy, and healthy place
of residence. It is 167 miles distant from London, and
is much noted for its ferry or passage across the river
Humber, being the last town on the great road leading
across the country to Beverley, Hull, and Scarborough ;
and being thickly studded with good dwelling houses and
pleasant gardens and orchards, it happily combines the
pleasing characteristics of a country village with the more
solid comforts and conveniences of a market town. It
contains within its precincts two large and ancient churches
with lofty towers, which are not only conspicuous but
picturesque objects, from whichever quarter you approach
the place ; and from the grounds above the town you have,
from every point, commanding and magnificent views of
the river Humber. From some parts of the lordship,
indeed, the course of the river may be seen for many miles
together, both to the east and to the west ; and at par-
ticular times of the tide, the glassy surface of the water is
so studded with vessels that it presents to the eye a won-
derfully pleasing and moving panorama, which to a stranger
is a source of equal surprise and delight.

*' In the Doomsday survey Barton is called Berton-
super-Humber, to distinguish it from Broughton, a village
about twelve miles distant, once a port or station on the
great Ermin Street or Roman road, and which, in the same
survey, is called Berton, which seems to show that both
names had one common origin, and had reference to some
defensive or protecting positions or ports of the Romans :
it being evident that a military station might be as neces-
sary at Barton to defend or command the passage of the
Humber, as such stations were for protection in the line of
the Ermin Street itself.

" Having already assumed the town of Barton to have

BAKTON-ON-HUMBER. 129

been a Roman station, our attention is called to any addi-
tional indications of a Roman origin in or near the place.
Taking the direction of the turnpike road, we pass, at the
distance of three miles from the town, an old plantation of
stunted elms, which has long been known by the name of
Beaumont Cote, and which, according to tradition, was
planted for the guidance of travellers on their way over
the wolds. This tradition serves to give it some object of
protection, and it was, no doubt, a Roman camp of an
agrarian character. Its form is that of a square, each side
measuring in length about twenty-five yards. At the dis-
tance of a mile from this we come to an ancient encamp-
ment in the adjoining lordship of Burnham, of much larger
dimensions, having the form of a parallelogram, and being
of the length of 200 yards from east to west, and 100
yards from north to south. It is situated at some little
distance to the east of the parish boundary line before
noticed, and at about the same distance from the boundary
fence of the lordship of Barton. It has been matter of
great surprise that this encampment should have been so
little noticed."

This information is given as an introduction to the
neighbourhood of Horkstow Park, Lincolnshire, where, and
at Winterton in the vicinity, the beautiful pavements here-
after described were found. The great Roman road called
the High Street, or Old Street, leading from Lincoln to
the Humber, passes within four miles of this place. Several
Roman mosaic pavements and other antiquities have been
found at Winterton and Roxby, each about four miles from
ETorkstow Hall.

The capital city of Yorkshire, Ehoracum, has been
eclipsed as to mosaic pavements by Isuviiim, the ancient
city of the Brigantes. Aldborough, on its site, from being
a place of importance in Saxon times, and even in oiu' own,

130 ROMANO-BRITISH MOSAICS.

having sent two members to Parliament up to the Reform
Bill of 1832, has now degenerated into a mere village.
Isurium lay between York, seventeen Roman miles to the
south-east of it, and Cataracton, twenty-four Roman miles
to the north-west. The ancient Isurium was a town en-
circled by a massive stone wall, which for centuries provided
the country round with building materials ; and all the walls
between this and Borough Bridge are more or less composed
of the spoils. The upper portion of the fragment of the
city wall, which still exists on the south-west side,
measures ten feet in thickness, but lower down, where the
foundations were opened up in 1794, it showed a breadth
of fifteen feet. In some places the regular courses of
masonry in this wall have been found still to rise above
six feet, though here the average is less.

The numerous buildings within the enclosure have
been described in Mr. Henry Ecroyd Smith's Reliquice
Isuriance (London, 1852) ; and among the numerous plates
in that work, to which reference is made hereafter, Plate
XIV may be especially noticed, representing a lengthened
corridor, the extent of which at each extremity has yet to
be determined. This pavement, with the wall two feet
thick remaining upon each side to about its level, lies two
feet below some apartments devoted to the receipt of the
antiquities of Isurium (forming a varied and valuable col-
lection), whence the best fragments, now carefully pre-
served, can be seen through the trap-doors.

Of the six square compartments of the pattern upon
the mosaics of the corridor, the one at the northern end is
remarkable for the dark-coloured design upon a white
ground. This design resembles the blades of the ancient
Amazonian battle-axe, and is so arranged that the points
meet in fours, whilst that part where, in the weapon, the
socket for a handle would be, is terminated by a small cross
of three red tesserce.

CORBRIDGE LANX. 131

Farther north we miss the tesselated pavements and
villas of the Eomans ; castles and military works rather
than decorated floors were more necessary there for securing
the occupation of the country near the northern frontier ;
dedication stones, centurial stones, and other Roman anti-
quities, being also very abundant. But as these do not form
the subject of this work, I will only refer to one object
found at Corbridge (Corstopitum), near Newcastle-on-Tyne,
because it has a j)ictorial interest, and is another of those
historical dishes of which two other examples have been
given in Chap. v. I refer to the famous Corbridge Lanx, or
dish of silver, which is, however, not circular, as are the
others. It is thus described by Mr. Jno. Yonge Akerman,
F.S.A., in his Arcliceological Index, '^. 116: —

" Among the Roman remains discovered in Britain is the
remarkable object represented in the plate accompanying this
description. It is shaped like a modern tea-board, weighs
148 ounces, and is about twenty inches long by fifteen broad.
It was found in a boggy place near Newcastle, by some
children at play, and by them taken to a smith's shop ; the
smith sold it to a goldsmith in the town, and it finally
became the property of the Duke of Northumberland.
Without attempting a description of the subject repre-
sented on this plate, we may observe that the first three
female figures clearly represent Diana, Minerva, and Juno,
and the fourth, perhaps. Security. The column surmounted
by a globe near this figure will remind the antiquary of the
manner in which Security is so often represented on Koman
coins, and may, probably, suggest a better interpretation
than has yet been ofiered of the whole group, which, if
intended to be symbolical of events in Britain, may ty])ify
the security of the province in a state of peace. Such an
explanation is suggested by the figure of Security, who
alone is seated, while the other divinities stand. We leave

132 ROMAXO-BllITISH MOSAICS.

it, however, to the study of more competent judges than
ourselves, and refer those v^ho would learn what has been
said of this very perfect example of Roman art to the
explanations of Gale, Horsley, and Hodgson."

As many interpretations have been offered, I venture
upon another. Diana, in tunic not reaching to the knee,
and chlamys over left arm, holding a bow in left hand
and an arrow in the right, is seen moving to the right
towards another upright figure, apparently Minerva, hel-
meted, and w-ith a large shield, a3gis, and spear leaning on
left arm. Between them is a tree, perhaps a fig-tree, with
birds in its branches, one of which is probably the oracular
crow of Apollo; and on the left side of the tree is a square
cippus with ball on the top, which has some similarity to
one of the astronomical instruments on tlie mosaic pave-
ment at Merton, Isle of Wight. Behind Minerva, to the
right, stands a dignified draped figure, liolding in left hand
what appears to be a spear, or the hasta inwa, without a
point. This, as described by Mr. Akerman, is Juno, and
perhaps one of the emjDresses, who, from coins, may appear
to have paid special devotion to the queen of heaven ; and
herself mio-ht have been flattered under the form of the
goddess. On her right, again, is seated a figure draped and
veiled, looking round towards Apollo, who stands behind
her under a temple of two columns and pointed roof. He
extends his right hand towards her, holding in it a branch
of some tree. His left hand is raised up in air, and holds tlie
bow, which is recurved at both ends. His lyre rests against
the foot of one of the columns of the temjole. The seated
figure has in her right hand what may be a distaff — though,
according to the usual representation of Fortuna Redux on
coins, it should be an ear of corn — and is raising her left as
if conversing with Apollo. In the back-ground behind her
is a tall, thick column with a globe on the top, which may

INTERPRETATION OF LANX. 133

be taken for the Umbilicus Roma3, or Milliarium Aureum
at Kome, to which the roads tend from the provinces.

Beneath the above figures the following eniblematic
objects are ranged in line from the left. A doliiim, or cask,
is placed among rock-work, from which a stream of water
issues, emblematic of a river, probably the Tiber ; then a
dog ; two wings, or i:)etasus, fastened on an upright post.
A stag, fallen on its haunches and fore-legs in the air, looks
towards a winged griffin to the right, with head turned
backwards (regardant) ; between them is an altar on which
fire is burning ; then a plant with three branches.

I would suggest the seated figure to be Fortuna Redux,
that is, "Fortune who brings her votaries home again."
Behind her, the great milestone at Rome, and, not far of^,
the religious fig-tree in the Forum, characterise the goal
which it is desired to reach. Under this figure is the altar
with the fire, representing, perhaps, the sacred fire of Vesta
at Rome.

Apollo, represented here under a shrine, such as used to
be dedicated to him at the doors of houses in the city, was
probably intended for Apollo 'Ayvtevii or 'Ajvidrrj';, patron of
the streets and squares, and seems to be holding out the
olive-branch of peace to Fortuna Redux, advocating the
safe return of the Empress on the pacification of Britain.
Under Apollo is the griffin, a special emblem of the Hyper-
borean or Northern Apollo. The stream of water is emblem-
atic of the Tiber ; the stag and dog have all reference to
Diana ; the ][)etasus represents the wings of speed for the
journey home. Apollo's bird in the tree is a happy augury ;
and Fortuna Redux holds in her hand the ear of co)n, one
of the attributes of Ceres, to symbolise plenty at home
after the return of the Empress. Fortuna Redux is repre-
sented on coins as a seated figure, holding an ear of corn,
and the anxiety at lionic lor the safe return of the Enijiress

134 ROMANO-BRITISH MOSAICS.

is often expressed by this type. Around the whole is a
graceful border of the vine ; between the alternating waves
of the stalk is a leaf and a bunch of grapes, suggesting,
perhaps, the cultivation of the vine in our northern latitude
of Britain. Wisdom, Sport, Law, and Order may have
reference, by a graceful compliment, to the prophetic intelh-
gence of the Empress introducing them on the occasion of
her visit to the island. Eumenes, in the beginning of the
fourth century, speaks of vines in the territory of Autun as
an old introduction, these being already decayed through
age, and the first plantation of which was totally unknown
to the then generation ; and there is some reason to believe
that the vineyards of Burgundy are as old as the age of
the Antonines.^

The Empress celebrated in the design of this dish might
be Sabina, who came over to Britain with her husband, the
Emperor Hadrian, and whose coins are, like many other
empresses', sometimes dedicated on the reverse Junoki
Begins., though she stayed but a short time in Britain; or
it might be Faustina the elder, wife of Antoninus Pius; or
Julia Domna, wife of Septimius Severus ; or Mamma3a,
mother of Alexander Severus, who took a prominent part
in the government. Of all these, the most probable seems to
be Julia, the wife of Septimius Severus, because she was a
long time in Britain ; her husband died here, and her
countrywomen were especially indebted to her for rebuilding
the Temple and College of Vesta in the Forum at Bome,
which had been burnt during the reign of Commodus, when
the Palladium, or sacred image, originally brought from
Troy, and never seen by anyone in later times except the
Vestal Virgins, its custodians, was snatched from its resting-
place and found shelter in the palace of the Emperors.

Several coins of Julia Pia have "Vesta Mater" on the

' Gibbon, Decline and Fall, i, 58, London, 1809.

VESTA LES MAXIMA. 135

reverse, and she has the credit of having brought plenty to
Home under the form of Ceres. Her husband, Septimius
Severus, was so thoughtful in making provision of corn for
Rome, that at his death there was found a store equivalent
to ten years' supply.-^

The excavations lately made in the house of the Vestals,
near the Forum at Kome, have yielded no less than sixteen
marble statues and eight pedestals of statues dedicated to
Vestal Virgins who had attained the dignity of Maximce, or
Superiors. The inscriptions upon these and others pre-
viously found from time to time, and recorded in the Corpus
Inscriptionum Latinarum, yield a long list of the names of
grand Vestals during the third century, a.d., and one
of them, dated in the consulship of the dedicator, which is
equivalent to the seventeenth year of the reign of Septimius
Severus, or a.d. 209, is dedicated to Terentia Flavola,
his sister, "most holy vestal superior", by G. Lollianus,
son of QuiNTus PoLLio Plautius Avitus, Consul, Augur,
etc., with Claudia Sestia Cocceia Severiana, his wife,
and LoLLiANA Plautia Sestia Servilia, his daughter.
This lady, Terentia Flavola, was apparently of the Emperor's
family, and her connection with Julia Pia, the Empress, may
give some additional support to the interpretations I have
given of the scene embossed upon the Corbridge Lanx.

LINCOLNSHIRE.

WiNTERTON.

Three beautiful pavements were found here in 1747 near
the Trent and Humber.^

1. — No. I. Central octagon; contains the delineation of

' Spartiamis.

2 Vetusta Monumenta, vol. ii, p. 9 ; Wra. Fowler's Plates of Tivcnty-six
Mosaics.

136 ROMANO-BRITISH MOSAICS.

Orpheus, with Phrygian cap, and lyre on knee. Eight com-
partments around contain eight beasts — lion, stag, hippopo-
tamus, boar, horse, dog, elephant, and fox, surrounded by a
circular guilloche border. The spandrils at the corners
contain a cantharus in each.

No. 2. Female head with ears of corn, supposed to be
Ceres. Heart-shaped ornaments in corners.

No. 3. Defective. A stag in one corner.

HOEKSTOW, Barton-upoii-Humler}
2. — A magnificent pavement was discovered in the park
in 1796. It is divided into three panels, which are de-
scribed and figured in the beautiful plates of Lysons. Plate
III shows one of the panels or compartments, Plate iv,
the central compartment of the same, and Plate v, the
remaining panel. On Plate vi is given the design of the
whole pavement, restored by Robert Smirke, Esq., R.A.;
and the excellent description of each of the plates by Mr.
Lysons is given below.

The red ground of the picture on Plate iv is remarkable;
the serpents forming the extremities of the Tritons are of
ferocious aspect as to fangs and crests, which are red ; the
bodies, variegated brown and white. Of the three medal-
lions the ground is black, which produces an effective con-
trast. The subjects seem to be Theseus and Ariadne in
two scenes, in one of which she stands erect, undraped ;
from her right hand a crown is suspended, and she holds
one end of a thread or tape, while Theseus holds the other,
having reference to the story of the labyrinth. In the
second scene he is placing a crown upon the head of
Ariadne, who is seated. The third scene represents two
dancing Msenades or Bacchantes. A four-b.raided guilloche

Brit. Arch. Assoc, Worcester volume, p. 26 ; Lysons' lieliquice Brit.
Jioviance, vol. i.

MOSAIC DISCOVHKEL) AT HARKS I OW,

PAVEMENT AT HO UK STOW. 1 .'>7

border surrounds the whole. The borders are very har-
monious and effective.

Mr. Lysons described them as follows : —

Plate III. "The west end of the pavement has been
originally a circle 18 ft. 6 in. diameter, divided into eight
smaller compartments by radii proceeding from a smaller
circle in centre. Small circle contains Orpheus, Phrygian
bonnet on head, playing on a lyre and attended by animals.
In the smaller compartments, of which two only remain
entire, are various birds and beasts. The circles and radii
are formed by single twisted guilloches of three colours,
bluish grey, red, and white. The large circle, enclosed
within a square border of zigzag pattern of bluish grey and
white. Each of its spandrils appears to have been filled
with a large head having a red cross on each side. Only
one of these heads remains. Among the figures of animals
which are preserved are an elephant, a bear, and fragments
of a boar. Tessellce of about half an inch, of red, white, bluish
grey, dark blue, and several shades of brown ; the red, the
dark blue, and the brown are of a composition; the grey and
white are natural productions, the former being a kind of
slate, and the latter of a hard calcareous substance called
calk, found near the spot. Tliey are laid in mortar on a
stratum of terras about six inches thick, beneath whieli is
a stratum of coarse rubbish."

Plate IV. "Central compartment here figured consists of
a- circle 15 ft, 3 in. diameter, enclosed within a braided
border of four colours, dark grey, red, light brown, and
white. Four spandrils are filled by Tritons, whose lower
extremities end in serpents, and whose arms support the
circle. This circle, and the radii by which it is divided into
four equal parts, are formed by a single twisted guilloche.
In the centre of these four compartments are small cii-cles
containing Bacchanalian figures on a dark blue ground, on

138 ROMANO-BRITISH MOSAICS.

either side of which are Tritons, Nereids, Cupids, and
marine monsters on a red ground. On a sea-horse rides a
man backwards, with a girdle round his loins and holding
his hand over his eyes. Facing him on the horse is a female
fiofure holding; a Stemma, and on the tail of the animal
stands a winged Cupid. Figures of genii are seen dancing
round a basket of flowers. The centre is destroyed."

Plate V. "East end of pavement is more entire than
any part of the work. The subject is a chariot race by four
higce, which appear to be driven round a platform in the
centre, at the extremities of which are the metcE. The
chariots are attended by two horsemen, one of whom has
dismounted lo assist the driver, who has lost a wheel, and is
fallino' backwards. The saddle of the dismounted horseman
has a high peak in front, a fashion prevailing in the time of
the Lower Empire."

" On Plate vii is shown a fragment of a smaller pave-
ment close to the large one, and a third was discovered near,
but of a coarser kind, the tessellce being cubes of an inch,
with no other pattern than stripes of red and white."^

LlXCOLN.-

3. — A pavement was found here 13 ft. 6 in. by II ft. 6
in., including the border of coarse red tesserce. Two designs
in geometrical patterns; the colours are blue produced
in slate, white, brownish yellow, and brick red. Spandrils
ornamented with vases, and centre filled with ornaments in
shape of hearts. Another was square, surrounded with
guilloche border, and outside this another of the labyrinth
pattern. Compartments of half circles within the square,
one against each side, formed by guilloche borders, and a

' Wm. Fowler's Twenty-six Plates of Mosaics.
Brit. Afh. Assoc. Jo)U')iiI, ii, p. 186.

To face p. 138,

• •

-i -^

1\\VEMENT FOUND AT LINCOLN.

MOSAICS IN LINCOLNSHIRE. 139

whole circle in the centre, and inside it a geometrical pat-
tern in form of a star. The half circles contain each a
dolphin, and the quarter circles at corners a heart with
double heart within it.

4. — A fragment of another pavement was found forty-
yards east from the centre of road leading to Newport
Gate.

Denton, near Grantham}
5. — Pavement discovered in February 1727 in the lord-
ship of Denton, near Grantham, geometrical pattern.
6. — Another in same lordship, geometrical pattern.

RoxBY, near the Humhcrr

7. — Near the Humber at Roxby, a mosaic of beautiful
geometrical design and stripes outside.

\VlNTERT0N.3

8. — Another piece of mosaic discovered here in 1797.

SCAMPTON, near Lincoln.'':
9. — A piece discovered here in 1795.

Storton.^

10. — A mosaic of a scale pattern discovered in 1816.
11. — Another, at same place, in 1817.

Laceby.*'

12. — A mosaic found here of plain geometrical pattern
in a villa, several chambers of which were traced, as well as
a hypocaust.

^ Wm. Fowler's Txventy-six Plates of Momics.

■' Ibid. 3 Ibid. -^ Ibid. 5 Ibid. '' Ibid.

140 ROMANO-BRITISll MOSAICS.

YORKSHIRE.

Aluborough, the ancient Isurium

13. — Some forty yards within the rampart of Isurium a
portion of mosaic of a long corridor, geometrical pattern.^

14. — Traces of two smaller corridors in close proximity,
but a foot higher, and other fragments.^

15. — A few yards to the south-east, at the back of the
"Globe" ale-house, a large paved floor 14^ feet square,
geometrical pattern, colours red, slate, and brown. ^

16. — Eastward from this last, a mosaic in corridor of a
large building, opened out for about thirty feet, and now
beneath a museum, from which it is seen through trap-doors,
geometrical pattern.^

17. — Beautiful pavement discovered in 1832 near the
"Aldborough Arms"; the apartment enclosed by its broken
walls measuring 13 ft. by 11 ft. 6 in., its floor being com-
pletely inlaid with mosaic work. Square centre, on which is
depicted a tree, and, beneath, some huge animal reposing,
part of the head and fore-paws, with small portion of the
tail, only remaining. The ground-work of the picture is
white, and the colours of the two objects are red, yellow,
brown, black, and lilac, the last a very unusual and
peculiar colour. Tlie various borders in squares are taste-
fully arranged.^

18. — Mosaic found in 1848. Square centre contains a
star. The variation in the Greek fret in one of the borders
is a peculiarity.*^

19. — In 1846 were found remains of an extensive tesse-
lated floor in building, supposed to have been a basilica, from
the apsidal form of the western end. Mosaics chiefly

• H. E. Smith, lielif/. Isunancc, 18.52.

2 Ibid., Plate XII. 3 jf^jj^ pi.^tt^, XIII. * Jhu/., Plate xiv.

•" J/'id., lM;»tc XVI. 0 /A/,/., Plate xvil.

YORKSHIRE PAVEMENTS. 141

composed of borders, but in the apse are compartments
separated by black borders, in two of which are seen
remains of human figures ; one, the lower part of a draped
female figure, and beneath the elbow, worked in small
tessercB of blue glass, are the Greek letters ^^■^•, the other,
remains of a head uncertain of interpretation.^

20. — Early in last century several pieces of mosaic were
disinterred at Borough Hill, and are figured in Drakes
York, p. 24 ; now destroyed.^

Small brass coins of the Tetrici and of the Constantino
family, so common here that they are known as Aldborough
halfpennies. Many good coins of the earlier emperors are
preserved in the cabinet of Andrew Lawson, Esq.^

21.— "Mr. H. Ecroyd Smith has recently (1868) pre-
pared, from a photograph, a coloured lithograph of a tesse-
lated pavement which was not included in his work. It will
be welcomed by all who possess copies of the Reliquice
IsuriaiuB, or collections of tesselated pavements, as it is
singularly curious, and is represented with the most accurate
fidelity, every tessera being shown in its proper colour.
The subject is Komulus and Remus suckled by the wolf,
enclosed in a border of elongated lozenges or diamonds, each
containing others, in white, black, and red tesserae. As a
work of art this design is extremely rude ; the wolf and
twins are beneath the traditional fig-tree, but are so rudely
drawn as almost to approach the grotesque ; this does not,
however, lessen its interest. It probably belongs to a very
late period of the days of Roman Aldborough."*

22. — John Walker of Malton, under date 0th June 183G,
announces in Archceologia, xxvii, p. 404, the discovery at

' Reh'q. Isnr., Plate xvhf.

- Ihifl., Plate XIX.

•'' Ihid., Plate xxxiv.

■* i\ \\<y,\('\\ Sniilli. Collrrl. Anfiff., vl. vi, p. S.'iO.

142 ROMANO-BRITISH MOSAICS.

Hovingham, near Mai ton, of a Roman pavement, a bath,
and coins.

23. — At Mosley Bank, only one mile from Mai ton, of a
Roman pavement, urns, and coins.

He announced also the finding of a Roman altar and
coins at Patrington, near the church.

143

CHAPTER X.

Mosaics in Berkshire, Essex, and Kent — Reference to the situations of
various Roman Villas in these Counties where Remains have been
found — The Mosaics separately described and the Coins dug up near
them — Authorities quoted.

THE mosaics in Berkshire, Essex, and Kent are not
so numerous or so interesting as might be expected.
This may be attributed to the fact that these centres of
Roman civiUsation were more effectually purged of all
traces of heathenism, which the pictured mosaics displayed,
than were the remoter parts of the country. At Silchester,
in Berkshire, a villa has been excavated, and described in
Archceologia, xlvi, p. 329, which is most interesting, both
from its mag-nitude and from the alterations which have
been successively made in it at different epochs ; which valla,
in the language of the author in the volume above referred
to, " rose above the earth in the early days of Calleva in
the time of the first Claudius, stretching eastward in the
reigns of Antoninus Pius and Commodus, its third altera-
tion contemporary with Gallienus, Victorinus, and Claudius
Gothicus ; whilst its fourth period, the one nearest the
surface, yielded coins of Diocletian, Maximinianus, Carau-
sius, Constantino, Theodosius, and Honorius ; and now,
fourteen hundred years after its burial, it silently records
its consecutive occupation by the Roman, from the earliest
days of the Christian era to the last days of his waning
power in 410. Taking into consideration the position it
occupied in relation to the Forum and the Basilica, its

144 ROMAXO-BRITISII .MOSAICS.

great size, the growing importance attached to it through-
out three consecutive centuries, and the attention given to
its alterations and additions, we may assume it was not
unlikely to have been an official residence, and, probably,
Avas the actual home of one of the Duumviri of Silchester.
This is the only building in which any hoard of coins was
discovered. In the room to the west of the triclinium a
number of bronze coins were found on the floor about
2 ft. 6 in. distant from the wall ; they appear to have been
thrust into a hole in the wall of the house, probably in a
leathern pouch. In the falling of the wall they came down
with the debris of clay and flint, and were found under
roof- tiles and plaster, lying in a little heap on the white
tesserce, which were stained beneath them a deep bronze
colour. The peculiarities of these folles were that the
greater part of them were coins of former emperors, re-
struck by Carausius. This, taken in connection with the
finding of a somewhat rare coin struck at Treves in com-
memoration of peace between the three emperors, Diocle-
tian, Maximinianus, and Carausius, and some types of
coins of his reign not often found, has led to a supposition
that this emperor at one time made his headquarters at
Silchester. These coins, doing duty to the memory of past
dominion, and the tardily acknowledged power of the suc-
cessful usurper, are of various dates. In some, the head of
Carausius is hardly more apparent than that of Postumus,
Gallienus, Maximinianus ; in others, the legend belongs to
Carausius ; whilst the head of Postumus still asserts its
primary origin. In many, irrespective of the reverse having
at an earlier date carried a legend of different sentiments,
PAX is stamped upon the coin. Out of the forty-two coins
found in this group, thirty-one bear the impress of Carau-
sius. Amongst others, one found on the north side of this
house appears to have been struck by Carausius, and pur-

PAVEMENTS IN BERKSHIRE. 145

posely circulated by him, bearing the head of Maximinianus
to pubHsh to his subjects the establishment of peace between
the three emperors. The coin is in the most perfect con-
dition possible, and can hardly have been in circulation at
all ; it bears in the exergue mlxx. Reverse, Peace stand-
ing to left with olive-branch in left hand, and sceptre.
Transverse, pax avggg. Carausius and his successor Al-
lectus appear to have used the London Mint, which was
probably established about that date, with little or no
intermission.

" A coin of Carausius, helmeted, has been found in the
adjacent house ; it is an excellent specimen ; and there is
also a very beautiful coin with its reverse exactly similar
to the ' Adventus' of Aurelian, a soldier on horseback, and
below the horse's foreleg a small bird ; whilst a coin, not
apparently described in any published list, has on its reverse
a Capricorn to left with a trifid tail. A great number of
the ordinary types of the coins of Carausius have been
found and chronicled in the journal of the excavations.
The tiles found were throughout of remarkable size and
thickness ; one of these bears upon it a record of daily life.
It has part of an inscription on its surface, — not, however,
a name stamped into it, but a word written with great
freedom and clearness with some sharp-pointed tool whilst
the clay was moist. Some Roman lover was thinking of
the maid he worshipped whilst preparing his tiles for the
kiln, and, with a lover's ardour, he scribbled on one of
them some sentence about the maiden, more indelible than
the passion it expressed, of which the last word ' 'puellani
alone is left to record to a distant age the Roman's love."

Mr. Roach Smith has described a pavement at Basildon,
near Pangbourne, discovered in excavating for the Great
Western Railway in 1839 : " It lay about twelve or four-
teen inches below the surface of the ground, and this, like

146 ROMANO-BRITISH MOSAICS.

all the Koman pavements hitherto (1839) laid open by the
cutting of railways, has been destroyed. A few only have
been drawn and published." Mr. Smith has given a
coloured photograph of this in his Collectanea Antiqiia,
vol. i.

In Essex it is very remarkable that the remains are
so few, or at least those which have been discovered ;
but Colchester was especially associated with Constantine
the Great and Helena. The early converts to Christianity,
in their zeal to extend Christian influence, would, pro-
bably, as far as they were able, mutilate or destroy
objects of mythological reference without waiting for the
edict of Theodosius by which they M^ould be compelled to
do so.

The same reasoning will apply to Kent and Middlesex.
In the former county two fine pieces of mosaic work have
recently been discovered at Wingham, near the Roman
road connecting Richborough with Canterbury ; but, at
present, Mr. G. Dowker, who has superintended the exca-
vations, has only met with buildings connected with the
bath, and these not of a large size ; and it is impossible to
say what may prove to be the extent of the villa, as
neither the entrance nor the atrium or crypto-porticus have
been discovered. In the words of Mr. Dowker, " Traces
of walls some yards to the south are indicated by the trial
probe of iron, and foundations of walls are discernible in
the arable field some hundred yards or more south-east of
the present excavation. The bath with tesselated sides,
and the two tesselated-floored rooms adjoining, bespeak a
villa of the better sort. The situation is that usually
selected by the Romans : a spot sheltered from the east
and north winds, and open to the south-west. A beautiful
spring of water, that of Wingham Wells, runs close by,
and turns a Avater-mill beyond. At Ickham, the adjoining

KENT MOSAICS. 147

parish, and almost within sight of this spot, another Roman
villa exists. It is hoped that sufficient funds will be found
to make a thorough exploration of this villa,"

Mr. Geo. Payne, junr., of Sittingbourne, in describing
the discovery of a Roman leaden coffin in May 1878, at
Chatham,^ refers to the walls of two Roman villas in the
neighbourhood, and he says, " It would seem that each
had its private burying-ground." It was hoped that that
indefatigable antiquary might be able fully to explore their
extent, and, perhaps, come upon some rooms paved with
mosaic work. He has since described an interesting dis-
covery of a Roman villa and pavements near Lower Halstow,
at Boxted, where, having found the ground thickly strewn
with broken tiles and mortar rubbish, he " cautioned the
brickmakers to exercise care in case of their coming upon
walls or pavements". Tlie caution was given none too
soon, for within a few days (9th February 1882) the wall of
a room was exposed, and a small portion of a tesselated
floor remained in situ, paved with sandstone cubes. The
tesserce were fixed by means of a white cement, and firmly
set in a three-quarter inch bedding of concrete made of
lime, sand, and pounded tile ; the whole being laid upon a
base levelled with fine gravel. The original size of the
apartment could not be ascertained, as it had been torn up
by the plough. Two or three gallons of sandstone and
hard chalk tesserce were found upon the spot, together with
- fragments of pottery, a spindle-whorl of bone, and a middle
brass coin of Vespasian. About thirty yards to the south-
west a well was met with filled up with Roman materials.
Some of the debris were cleared out, among which were
found a bronze finger-ring and a hairpin. Within a hun-
dred yards of the well coins of Domitian, Antoninus Pius,
M. Aurelius, and Lucilla were exhumed. In September

^ Archaiulof/ia Cantiana, xiii, \i. ins.

148 ROMANO-BRITISH MOSAICS.

1882 the ground was opened, and a wall discovered at a
depth of fourteen mches.

BERKSHIRE.

SlLCHESTER.^

A villa was excavated not quite 120 yards from the
quoin of the Forum at its north-west corner, and in this
same space stood also a temple, certainly an altar and a
precinct, to Hercules of the Segontiaci.

1. — Two figured mosaics were found, one of which,
16 feet square, is figured in Archwologia, xlvi. The ground-
work of this is of grey and white tesserce. In the centre is
a circle formed by an elegant braided guilloche. This sur-
rounds a cantharus, highly ornamented in stripes and arches
of coloured tessellce. The space outside the circle up to
the square is ornamented as follows, in black and grey
lines : at each corner of the square is a small square en-
closing a guilloche knot ; in the centre of the north and
south of the outer squares is an oblong panel containing a
guilloche braid ; and on east and west sides are oblong
figures, each containing a guilloche twist. The interstices
between these various panels and the inner circle are filled
with geometrical figures in double lines of tessellce, forming
triangles and parallelograms. In two of the triangular
compartments is the axe-head figure. This mosaic is now
preserved at Strathfieldsaye.

Basildox, tiro miles to the north of Panglourne on the Thames, in
afield called Church Field.

2. — " A square pavement, with three borders of zigzag-
plain white and guilloche patterns, including an octagon
which comprises two intersecting squares witli the guilloche

' Arfliccologia, xlvi, p. 329.

BASILDON AND UFFINGTON. 149

border, tlie octagonal compartments being filled alternately
with diamonds and Gordian knots. The four corners
formed by the octagon with the square are filled with
figures of the lotus. The tesserce are white, red, blue, and
grey, arranged with admirable skill to produce a pleasing
effect.

3. — "Another pavement adjoining was a parallelogram,
formed by the addition of three rows of tesserce to two
sides of a square which comprised five others, gradually
decreasing in diameter towards the centre ; the line of de-
marcation between each being made by a streak of deeper
red. The monotonous effect of the red colour was relieved
by the introduction of twenty-four tesserce of blue brick,
placed at equal distances round the outer square ; twenty
arranged in like manner round the next, and decreasing
similarly towards the centre. The design was chaste,
simple, and unlike any that I am acquainted with."^

Uffington Woolston, in the Vale of the White Horse.

4. — This pavement is to be deposited at the Ashmolean
Museum, Oxford. No description yet published. Mr. Arthur
J. Evans, Keeper of the Ashmolean Museum, who saw it in
situ, says, " It is evidently a part of a much larger pave-
ment which has been destroyed, and is a fair specimen of
mosaic work. It is divided by a coil pattern into various
compartments, and contains the usual conventional rose
ornament, but no figures. Mr. James Parker made an
accurate drawing of it."

5. — A second pavement in the same villa is referred to
in Illustrated London Neivs for July 5, 1884. And further
excavations are being proceeded with.

' C. Roach Smith, Collect. Anil'/., vol. i, p. G.).

150 ROMANO-BKITISH MOSAICS.

ESSEX.

Stanway Parish, Gosbach Farm.
6. — An important building, with hypocaust; tesserce scat-
tered about, of various colours. Thirty coins found ; among
them Titus of 2nd brass ; Helena, 3rd brass ; Carausius, in
fine preservation — reverse, pax avggg.^

Colchester.

7. — Across the yard of the " Eed Lion", in a house
dating from about Henry VH, about eighteen inches of a
pavement was uncovered. White and black tesserce of half-
inch cubes. ^

8. — In Angel Lane, just below the Moot Hall, was
found a rude and coarse pavement of brick tesserce. No
design. A quantity of wheat was found under the pave-
ment. ^

KENT.

The Mount, near the Mechcay.
9. — Extensive walls and rude pavement found, but
effect as rich as that of a Turkey carpet. Two coins, one
of Gordianus III, much corroded ; the other a mere lump
of oxide. ^

Southwark.s

10. — A pavement was discovered by Gwilt to the south
of St. Saviour's Church, in the churchyard. It is now laid
down within the building.

" In the operations for forming the Southwark approach
of the new bridge, was found in the middle of the Borough

' Brit. Arch. Assoc, vol. ii, p. 4.5. ^ /^/f/,^ vol. v, p. 87.

3 Archceologia, ii, p. 286. ^ Brit. Arch. Assoc, vol. ii, p. 87.

^ C. Roach .Smith, in Arrha-olorjia, xxix.

SOUTHWARK AND WINGHAM. 151

High Street a Roman pavement of coarse tesserce, a plain
proof that that could not have been the line of road to the
Roman trajectus over the Thames. While, in making some
alterations last month (May 1831) in the pavement of the
choir of St. Saviour's Church, stone foundations were dis-
covered crossing the church from north-east to south-west ;
and there is known to be a narrow line of tesselated pave-
ment in the churchyard, perhaps the floor of the crypto-
porticus of a Roman house, running in the same direction.
Let a line be drawn from Kent Street, a portion of the old
Roman way from Dover to London, across the Borough
Market, and it will be seen that the buildings in the
Roman suburb in Southwark, in conformity with the road,
must have taken a north-westerly direction, — nay, the very
point of the Roman trajectus may by this method be nearly
ascertained."^

WiNGHAM, half-iaay hetween Bichhoi'ough and Canterhury, in a field
called the Vineyard.

Hasted mentions traces of Roman stones, in 1710,
behind Wingham Court ; and Mr. Sheppard and Mr. Aker-
man had seen Roman tiles and coins in the same field
called the Vineyard.

11. — A discovery was made by Mr. G. Dowker on
'22 July 1881 of Roman buildings, of which a plan is given
with his account. He first came upon " a bath with founda-
tion of concrete, the walls covered with a tesselated mosaic,
the upper part white, the lower half of a slate colour.
The bottom had likewise had a tesselated floor of similar
material, but had been broken up, and a small portion
next the sides alone remained. The wall of this bath was
of Roman tile, and eighteen inches thick. The slate-
coloured tesserce of the lower portion of the walls extended

' Alfred Jno. Kcinpc, in Arrh<.eo1o<jio, xxiv, p. 198.

152 ROMANO-BRITISH MOSAICS.

fifteen inches from the bottom. They are cubes of some
half-inch. This bath is numbered 1 on the plan, and steps
from it lead up to a room, No. 2, due north of it. On this
northern side of the bath-room, east and west of the steps,
was a projection 18 inches wide, 17 inches deep, and 9
inches high ; the inner surface being tesselated with a
continuation of the tesserce of the east side of the bath, and
rounded off at each corner.

12.—" Room No. 2, 9 ft. 9 in. east to west ; 10 ft. 10 in.
north to south, with a floor 13 in. higher than the bottom
of No. 1, and tesselated with a pattern of alternate large
diamonds and small squares, with a banded border in
dark grey and white tesserce. The south and west walls
had each a projecting cornice of red concrete at base next
the floor, and the sides of the wall were covered with the
same ; it had a remarkably smooth surface, as if to receive
colour. A recess in the south wall had white tesserce on it.
Towards the north-west corner of this apartment was a
doorway through the wall, paved with white tesserce leading
into a room to the west. No. 4, which was a hypocaust,
with all its arrangements. The tesselated floor of room
No. 2 was tolerably perfect, excepting towards the south-
east, where a portion had been destroyed.

13. — "Room No. 3. is again to the north of No. 2, and
has a tesselated floor of a different pattern, consisting of a
central portion of fret labyrinth, with three bands of alter-
nate black and white, forming a margin. The south-east
and north-west corners are broken up. This room is 11 ft.
4 in. by 11 ft. 11 in. The entrance to it was probably
from the north-east of room No. 2, where the wall is
broken. The level of this room is 15 in. higher than that of
No. 2.

" Excavations outside the walls showed no appearance of
there having existed. any rooms either north, east, or west

MOSAICS IN KENT. 153

of this. It appeared as if the tesselated floor of room No. 2
had been continued into the hypocaust No. 4. Most of the
suspended floor had fallen in, and was found in the debris
at the bottom."^

Boman coins found in the Wingham Bath were as
follows : —

1. — Antoninus Pius, large brass, with the common
reverse of a standing female. This coin was perforated for
suspension as an ornament.

2. — CoNSTANTiNE THE Great, the veversc is of the
altar type, Beata tranqvillitas. The mint mark str
shows that it was struck at Treves.

3. — Ohv. Imp. Constantinus Max. Aug. Head and
bust in armour. Rev. Victori.e L^t^ n. Principis, two-
winged figures hold a shield ; upon a cippus is vot. pr.

4. — Victorinus.

5.— Tetricus.

G, 7, 8, of the Constantine family.

9. — Ohv. MAGNENT(ius) NOB. c. E, Rev. Victoria d.d.
NN. AvG ET C^s. Two winged genii hold a wreath, within
which is voT. v. m.x.

Canterbury, in cellar of house next the "Kings Head".

14. — Pavement discovered on 20 June 1758, at three
feet under the surface of the soil. A drawing was taken
of this relic, which was once in the possession of a Mr.
Edward Jacob, of Faversham.^

The above drawing is reproduced by Mr. C. Boach Smitli
in Archceologia Canticina, xv, p. 127.

^ G. Dowker, F.G.S., in ylrc/Kto/oym Cantiana, xiv, p. 134; and xv,
p. 351.

^ John Brent, " Canterbury in the Olden Time", GentlemaiCs Magazine,
.Tan. 1808.

154 KOMANO-BRITISH MOSAICS.

BuRGATE Street.

15. — Specimens of these mosaics are preserved in the
Canterbury Museum.

Jewry Lane.^
16. — Pavement discovered in 1739.

Cellar in St. Margarefs Parisli^ ; St. Martin'' s Parish, opposite the
"Fountain" Inn.^
17, 18, 19. — The whole of these were portions only of
dwelling-houses, probably of considerable extent. That in
St. Martin's parish must have belonged to a villa beyond
the city wall. They cannot be said to afford a fair example
of the tesselated decorations of the houses in Boman Can-
terbury, for they occupied but a trifling portion of the
extensive area of the city.

BoxTED, Newington.
The following villas should be named, though not pro-
ductive of pavements hitherto. A suite of apartments
occupied the centre of the plan, making a total length of
193 ft. 3 in., and width of 23 ft. ; the whole being un-
paved. The walls averaged 22 in. in thickness, and, where
tested, gave a foundation of 3 ft. They were chiefly con-
structed of flint, sandstone, or rag and tufa roughly set in
mortar. The outer or eastern wall being almost entirely
built of tufa."*

Hartlip, near Place House.
This neighbourhood is near the famous Upchurch Pot-
teries, described in vol. vi of same work.

^ Hasted 's Hist, of Kent. 2 Somuer.

' C. R. Smith in Archceologia Cantiayia, xv, p. 127.
* C. Roach Smith, Colled. Antiq., ii.

urrrYi- ii'li^it'i'i.',,i.iii).',i

=5 I t^.

155

CHAPTER XL

Mosaics in Middlesex— Opinions as to the Walls, Boundaries, and extent
of Roman London, and in reference to Public Baths there, some
account of the Roman Thermae at Bath and Rome.

London.

OF the busy crowds who throng the broad-paved streets,
or are carried, underground, by carriages of steam,
beneath girders of iron, through modern London, how few
ever give a thought to the fact that they are treading over
and among the wrecks of a city of the dead, buried some
eighteen feet below the present surface ! — yet 1,500 years
ago or more, amidst the " fumum et opes strepitumque" of
this locaUty, an enterprising population lived and moved in
Roman London, whose works are still to be seen and admired
by those who care to seek them out. Who, too, it may be
asked, in treading upon the new tesselated pavements
which adorn the portals of the palatial buildings dedicated
to banking, insurance, and other business, or which cover
with their variegated patterns the inviting entrance-halls
to a modern eating-house, will stay to consider that deep
. in the ground beneath his feet may lie the ancient proto-
types which have suggested the geometrical designs, the
fret 'and guilloche borders, which have been revived and
adopted by modern art, unable to invent any patterns more
beautiful or in colours more harmonious than the ancient ?
Yet such is the case, and let us endeavour to awaken more
public interest in these relics of a far-off past.

Among the specimens of modern art, the pavements in

156 ROMANO-BRITISH MOSAICS.

the Western Branch of the Bank of England, m Burhngton
Street, the numerous tesselated floors in the Holhorn
Restaurant, and those designed to adorn the premises of
Messrs. Burroughs, Wellcome, and Co., on Snow Hill, are
by no means the least worthy of the nineteenth century,
and the last-named, designed by Mr. Wellcome, and
executed by Signor Capello, as having a pictured meaning
upon it, shall be figured by way of a comparison of the new
world with the old. The proprietors have kindly furnished
a drawing of the pavement to which reference has been
made. Mercury, upon this mosaic, is brought up again
after an interval of fifteen centuries or more, to personify
the astute and far-seeing merchant of commerce ; and four
panels, representing the appropriation of the forces of
nature, through the ingenuity of man, to the four great
mainsprings of modern commerce, viz., the electric tele-
graph, the printing press, the railway engine, and the
steam ship, complete the picture.

If the Metropolis has not yielded up Boman pavements
of pictorial designs in such numbers as some of the western
counties, still many of the fragments found have been
excellent, and in some respects unrivalled ; and their distri-
bution over a large area, and the direction of the walls of
houses in which they were placed, have been of the utmost
value in determining the course of streets and buildings in
ancient London. Upon the extent of the Boman city at
different epochs much has been written, and without any
very definite conclusion. The configuration of the great
wall, supposing it to have been built upon Boman founda-
tions throughout its whole circuit, affords certain data
which, as well as the position of the mosaic pavements, may
establish some facts with confidence, but the deductions
from tliem hazarded in the following pages must be taken
Avith some hesitation and reserve.

TOPOGEAPHY OF THE CITY. 157

Sir Wm. Tite considered, from the diagonal position of
the walls of a house he exhumed on the site of the old East
India House, in Leadenhall Street, that the direction of a
Roman street must have been towards Bishopsgate,
between the house lie discovered and that with mosaics in
Cullum Street. Now to adopt this view, if a straight line
be drawn from the corner of Camomile Street and Bishops-
gate, where pavements were found, to between the before-
named two sites, the road will cross the site of the church
of St. Ethelburga, over St. Helen's Place, and Great St.
Helen's, passing Crosby Square, which would lie to the west
of it ; then, passing eastward of the Roman buildings lately
found at Leadenhall Market, and of important character,
it would pass over the site of the mediaeval chaj)el there,
and crossing Lime Street Passage and the site of the church
of St. Dionis, it w^ould follow the course of Phil pot Lane,
Botolph Lane, and to Botolph Wharf As to this locality
on the Thames, Mr. John E. Price gives the following
information.

" The situation of London Bridge has varied at different
periods. It is tolerably clear that the most ancient bridge,
of which we have any record, was further eastward than the
present one, viz., towards Botolph "Wharf at Billingsgate,
which was doubtless the Roman harbour or landing-place.
The immense quantities of piling discovered some thirty years
since, at this spot, was evidence of this, as well as of the
existence of historic testimony to the circumstances of the
head of the first bridge being at St. Botolph's Wharf "^

At about a hundred yards further east than the supposed
road referred to, and near the river, were the baths dis-
covered in 1848, on the site of the Coal Exchange. Mr. Price,

' "L'omcni Antiquities, illustrated by remains recently discovered on the
site of the National Safe Deposit Company's Premises, Mansion House."
13y Juo. E. Price, F.S.A., London, 1873, p. 18.

158 ROMANO-BRITISH MOSAICS.

in the work before referred to, has traced the coijrse of the
Walbrook from north to south, and this seems at one time to
have been the western boundary of the Roman City. It
sprang from the marshy country beyond Moorgate, and fell
into the Thames somewhere near Dowgate or the Water
Gate. Mr. Price gives some interesting particulars about
the finding of this southern part of the stream, one of the
Roman terminal marks (area Jinalis), and coins not later
that Antoninus Pius. Here its course is circuitous and un-
certain. Mr. Price says that " in the sewerage excavations,
made some years ago at Tower Royal, Little St. Thomas
Apostle, and Cloak Lane, the channel was observed to be
no less than 248 feet in width, filled with made earth and
mud placed in horizontal layers, and contained a quantity
of black timber, of small scantling. The form of the banks
could be distinctly traced, covered wHth rank grass and
weeds."

He then speaks of the London stone, which ''tradition
has always asserted to be a limitary stone". He says, that
"in defining the line followed by the stream we shall
observe that the stone, prior to its removal in 1742, from
one side of the road-way to the other, was situate much
nearer to the embankment, though it is impossible at this
spot to define where would be the actual limit of dry land."
" The stone would thus be near the end of Cannon Street,
and adjoin the way across the stream which ran westward
through Watling Street, and really occupied such a situa-
tion as would be selected by the agrimensor" These facts
being established, and supposing the city bounded on the
north and east by the London wall, on the west by the
Walbrook, and on the south by the river Thames, a nearly
square camp is marked out, having the Praetorian gate,
which faced the enemy, in the wall at Bishopsgate, and the
via principalis bisecting it in a straight line down to

BOUNDARIES OF ROMAN LONDON. 159

Botolph Wharf, where would be the Decuman gate, or gate
in the rear, through which the commissariat operations
were conducted, and communications were kept up. This
camp would have measured about 3,000 feet from north to
south, and about the same distance from the angle of the
wall at Aldgate on the east to the brook on the west. A
much smaller area northward than this has been given by
many antiquaries to the first Roman settlement ; but an
important city and seat of government to which no less
than eight out of the fifteen roads, laid down in the
Itinerary of Antoninus, conducted, would require space for a
large garrison and population. The perimeter of the walls
of Calleva (Silchester), according to the latest survey, was
8,010 feet {Archceologia, xWi, p. 345); and for the peri-
meter of a capital city like London 12,408 feet would cer-
tainly not be excessive, nor the extension, when raised to
16,280 feet (my measurements of Koman London are calcu-
lated on the Ordnance map of 5 feet to the statute mile, or
1 inch to 88 feet), falling very far short of the perimeter of
Ancient Rome, which within the walls of Servius was esti-
mated by Pliny at what would equal in English feet 30,690;^
but the circuit in the time of Vespasian was more than
doubled, that is to 13,200 Roman paces {2)assus) of five
Roman feet each.

Before Christianity reared its first shrine, as is supposed,
on Ludgate Hill, which sloped down to the Thames on the
-south, and to the then broad river of Fleet on the west, an
old Roman wall seems to have come down in a straight
line from the bastion forming the north-west corner of Lon-
don Wall in the churchyard of St. Giles', Cripplegate, and
to have formed a continuation southward of that wall which
turned off, in later times, to the west at the back of the
Castle and Falcon Hotel. A straight line would have crossed

^ Burgess, Topography and Antiquity of liome^ V(^l. i, p. 458.

160 KOMAXO-BRITISH MOSAICS.

Paternoster Row at the eastern end, where remains of the
wall have been seen, as well as in Queen Victoria Street.
A continuation of this would bring it diagonally across the
the site of the present choir of St Paul's, skirting the
southern porch of the cathedral on the east ; and thence,
passing to the west of St. Benet's Church, the wall would
enter the premises of the Carron Iron Company to the
Thames, where it was flanked by the Castle of Baynard, or
an older one on the same site, known as the Palatine Tower,
which defended the city on the west, as did the Tower of
London on the east.

This suggestion of a wall here in Poman times is ren-
dered probable by the fact of many sepulchral remains
having been found outside of it, and notably the collection
of urns and glass vessels dug up in Warwick Lane, on the
premises of the Messrs. Tylor, and now in tlie British
Museum. There would be ample space for a large necro-
polis between this wall and the Fleet river ; and it is
probable that the road to and from London passed through
it from Ludgate and up to the bridge which crossed the
Fleet into Holborn. Such an arrangement would, in the
course of time, suggest the opening of the Newgate on a
spot nearly opposite the bridge, and the building of another
wall still farther westward of the old one, by which the
boundaries of the city might be further extended.

The addition to the camp by the extension westward to
the first wall at Paternoster Bow and Aldersgate Street
would extend it in this direction about 1,750 feet beyond
the Walbrook ; its dimensions would then be about 4,750
feet by 3,000 feet. This seems to suggest, if the usual con-
struction of camps M^ere followed, that the conditions as to
attack and defence might have been altered. The via
principalis would now run from Aldgate, where would be the
Praetorian gate against the enemy, and the Decuman gate

EXTENSIONS OF THE CAMP. IGl

might be somewhere near the eastern end of St. Paul's, in
a Une with Ludgate Hill. The course would be by Leaden-
hall Street, and the line south of Cornhill and Cheapside,
but parallel to them, as a portion of a road, was seen by Sir
Christopher Wren below the foundations of Bow Church.
Another road to the said Decuman gate might have led
from the Thames at Dowgate, by the London Stone, up
Budge Row, between the towers of St. Antholin and St.
Mary Aldermary churches, and through Watling Street.

According to Stowe, "a, water-gate of old time called
Eh-gate, and now Old Swan, was a common stair on the
Thames", and was probably a passage across the river at
low tide. Ebb-gate Lane is a boundary between the wards
of Dowgate and Bridge, and also between the parishes of
St. Laurence Poultney and St. Martin Ongars ; and this
Dwr-gate or Water-gate was in a quarter of the town
known by the significant name of Cold Harbour. " Under
this name it was a separate precinct or liberty, until it
was incorporated with the City of London by a charter of
James I. Coldharbour is mentioned in the reign of
Edward II as a capital messuage. It was the site of a
magnificent house built or occupied by Sir John Poultney, in
the reign of Edward III, and afterwards conveyed by him
as his whole tenement, called ' Cold Herberghe', to Bohun,
Earl of Hereford. It w^as granted by Henry IV to his son
the Prince of Wales, by the title of 'Quoddam hospitium sive
- plateam vocatam le Coldherberghe'; and again by Bichard
III to the College of Heralds as a messuage with appur-
tenances called Poultney's Inn or Cold Herbore."^

Another ^^oria sinistra would have been required, to
which a road probably led up Aldersgate Street, parallel
with the wall and at no great distance from it. It has
occurred to me as a fact worth remarking, that at the end

^ Arr/in'o/nr/la^ xxxiii, ]'.. 101.

162 ROMANO-BRITISH MOSAICS.

of the four most ancient approaches to Roman London
there is a church dedicated to Saint Botolph — that is, at
the site of the earUest bridge, at Aldgate, at Bishopsgate,
and at Aldersgate.

The southern or river frontage was probably guarded by
a wall, if not continuous, at least strong enough for defence,
and necessary because the banks were then less steep than
they have since become, and could be reached in parts by
fords at low water. Mr. C Roach Smith, F.S.A., in his
numerous works on Roman London, has given evidence
that remains of such a wall have been found ; and some
valuable facts connected with the wall of London are
given by him in a paper read before the London
and Middlesex Archaeological Society, and printed in the
Builder, vol. xlviii, p. 23 L Now, as to the history of
the wall, we have no actual account of it by the Roman
classical writers, and in the fifth century it fell into the
penumbra of the eclipse of history which prevailed, more or
less, for seven hundred years, and we must therefore fall
back upon the foundation stones of the wall itself to obtain
a clue to the first builders. As to the documentary evidence,
Fitz-Stephen, in the reign of Henry II, is said to be the
first writer who mentions the wall.

The city of London is conspicuous by its absence from
history during many centuries. The theory hitherto
adopted has been, that because Boadicea burned London
it could not have had walls in the times of Claudius
and Nero ; and because the Franks made an easy entry
into it after the murder of AUectus, it must have been
an open town in his time ; and because Theodosius, when
he restored tranquillity to Britain, left the camps and
forts in a good state of defence, therefore he probably
first fortified London with a stone wall, about a.d. 379.
It is further argued that, at the earlier periods, it was

OPINIONS AS TO THE WALLS. 1G3

rather in the interest of the Romans to leave London
open for the encouragement of free trade, and procuring by
this means abundant supplies for their armies ; while it is
maintained that at the latter period it was necessary to
make a strong fort of London against the continued attacks
of the Saxon invaders and native chiefs. These arguments
seem to me invalid ; and it may be replied that if under
Claudius and Nero the vallum and ditch were the only
fortification to the camp, yet, when the whole country was
subdued under Vespasian, and the north and west pacified,
it is very unlikely that the usual scientific rules would have
been neglected for the permanent defence and occupation
of so important a military position as that of London city,
which at this time would have been thoroughly taken pos-
session of and occupied by Roman official personages and
others. Even at the earlier period, Tacitus says London
was maxime celebre from the number of its merchants and
its traffic; and because Suetonius Paulinus abandoned it to
Boadicea, it does not follow that it was not walled and
fortified, but the Roman general feared that there were not
soldiers enough to man so extensive a place, though he had
10,000 regular troops with him at the time, but he judged
their safety to be the first consideration after the recent
fatal experience of Petilius. (Tacitus, Annales, xiv, 33.)

As this passage in Tacitus has often been quoted to
prove that London in a.d. 61 was an undefended British
. town without walls, it may not be amiss for the reader to
refer to the passage itself, in which there appears nothing
to warrant such a theory, unless it be the use of the single
word 02^2^idum applied to it, which certainly ought not to
be restricted to the sense of a British town without walls, as
described by C. J. C»sar, for it was used by Latin writers to
denote their own garrisoned towns, occupied alike by citizens
and soldiers. Livy has even applied the word oppidum to

164 EOMANO-BRITISH MOSAICS.

Rome itself. The passage in Tacitus may be thus rendered
in Enghsli : — " Suetonius, surrounded by enemies, with
wonderful firmness ruled over London, a place not indeed
by the cognomen of a (Roman) colo7iia illustrious, but,
beyond measure, renowned for the multitude of its
rnerchants and for its commerce ; there, doubtful whether
he should select that as the seat of war, yet seeing the scar-
city of troops, and by sufficiently severe examples knowing
how the temerity of Petilius had been checked, he came to
the determination of preserving all by the sacrifice of one
town (pi^pidi). Nor is he turned, by the wailing and tears
of those imploring his help, from his determination to give
the signal for departure, and to receive those who would
accompany his party. If the weaker sex, or the debility
of old age, or the attractions of the spot, held some back,
these were killed by the enemy. There was a similar
slaughter at Verolamium, because the barbarians, passing
by the castles and military forts, made for what was richest
to the spoiler and what was incapable of defence, rejoicing
over the plunder, and caring for nothing else. In the
places which I have named it is estimated that about
70,000 citizens and allies fell. Nor was it a question of
making prisoners or selling into slavery, or other of the
practices of war, but of slaughter, of the gallows, of fire and
executions, as if they were eager to take revenge in advance
for punishment they had themselves to suffer in the future."
I must not conclude these opinions and suggestions
about Roman London and its extensions without referring
to two important discoveries made of late years ; first, those
on the site of Newgate, described by Mr. E. P. Loftus
Brock, F.S.A., in the Journal of the British Archceological
Association, vols, xxxi, p. 7Q, and xxxii, p. 385. These
excavations disclosed a part of the machinery for an exten-
sive system of water-supply in Roman times, according to

POND NEAR THE ROYAL EXCHANGE. 105

the opinions set forth by myself in voh xxxii of the said
Journal, p. 388 ; and this leads me to quote a passage
by Sir W. Tite as to the discovery of a large pond or lake
existing in the time of the Romans in front of the Royal
Exchange, which agrees very well with descriptions of such
reservoirs supplied by artificial means for the use of cattle
and for extinguishing fires, the devouring flames appearing
to have been as frequently destructive in London as they
were in Rome. The distinguished architect of the Royal
Exchange, Sir W. Tite, writes as follows, in Archceologia,
xxxvi, in Feb. 1854 : —

" When the works were commenced for the erection of
the new Royal Exchange, as it was always anticipated that
some important antiquarian discoveries might be made in
excavating the foundations, every care was taken that they
should be properly developed and preserved. About the
beginning of April 1841, when the workmen began to
break up the substructure of the western side of the
merchants' area of the old edifice, it was found that the
wall had been hastily erected on some small but interest-
ing remains of a Roman building, which were evidently
still standing in situ and resting on the native gravel.
They consisted of a piece of wall, with a kind of pedestal
built obliquely across the ground, inclining to the north-
west, the pedestal being covered with stucco, and moulded
and painted in distemper, with a sort of volute in yellow
. on a red ground. At this part of the excavations it was
found that the small reniains of Roman work ceased to
afford support to the old walls ; and, therefore, that oaken
piles had been driven down into some construction older,
with sleepers laid above them. I'he whole of this more
ancient work was subsequently found to have been erected
over a very large pit or pond, which went down 13 feet
lower through the gravel to the clay. The pit was

166 ROMANO-BRITISH MOSAICS.

irregular in shape, but it measured above 50 feet from north
to south, and 34 from east to west, and it v>'as filled with
hardened mud, in which were considerable quantities of
animal and vegetable remains. There were also found in it
numerous fragments of the common red Eoman pottery-
called Samian ware, pieces of glass vessels, broken terra-
cotta lamps, and the necks and other parts of Roman
amphorce, mortaria, and other articles made of earth. In
this mass likewise occurred a number of imperial coins,
several bronze and iron styles, parts of wooden writing-
tablets, a bather's strigil, tools of artificers, and a large
quantity of remains of leather, such as caliga soles and
sandals. All these mutilated reliques, which are full of
interest and curiosity, and available for the illustration of
ancient manners, were evidently the discarded refuse of the
inhabitants of the vicinity ; and were broken, old, or worn
out before they were thrown into the forgotten receptacle
where they were found. That excavation was certainly not
closed before the third century, the time of the Emperor
Septimius Severus, as one of his coins was found in the pit
from 20 to 30 feet in depth. It might, however, have been
in circulation after his time ; and another small coin of
Gratianus was also preserved there, which can be positively
assigned to a.d. 374, and probably more accurately indicates
the closing of the pit."

The second discovery to which attention has been drawn
is that on the site of the ancient Leaden Hall, described
by Mr. E. P. Loftus Brock, F.S.A. in the Journal of the
Brit. Arch. Assoc, vol. xxxvii, p. 90. This is particularly
interesting as exposing the Roman remains and the Leaden
Hall, a building famous in mediaeval times, and on a likely
spot for the site of the ancient prcetorium of the first camp
of London. He has described wall paintings on the stucco
found in great quantities, with numberless tessellce of various

THE PREFECTURE OF ROMAN LONDON. 167

colours, but no pavement in situ which could be distin-
guished. The Roman tiles found here, from the letters
stamped upon them, seem to suggest that here was the
house of the Prefecture, or palace of the Prefect of Roman
London, and it would have been on the highway, or Via
Principalis, to which reference has been already made.
On the 2nd March 1881, Mr. Brock described further
discoveries at Leadenhall, showing the great extent of the
Roman building, and the thickness of walling. He also
exhibited fragments of fresco-paintings, with ornamental
patterns of green foliage of a flowing style, on a dull red
ground, of the plaster-work of the walls. The building
appears to have had the form of a basilica in some respects,
with eastern apse, western nave, and two chambers like
transepts on the south side.

It seems unaccountable that no large bathing estab-
lishment of the Romans should up to this time have
been discovered in London — for that in Thames Street
and another in the Strand, have the dimensions only
of private baths — when we consider that Septimius
Severus and his two sons, Bassianus (Caixtcalla) and
Geta, who resided in Britain, were known for their public
works of this kind. Geta had the government of the south-
western provinces, and a supposed equestrian statue of him
(according to Wm. Musgrave, F.S.A., in his Dissertatio7i,
published at Exeter in 1714) was dug up at Bath, then the
social capital of the western provinces. The coins of Geta,
as Princeps Juventutis and others, on which he is repre-
sented as taking part on horseback, with other young men,
in the " Game of Troy", show him to have been at the
head of the rank and fashion of the time, and spending his
time at Aquae Solis. He became so popular as the young
Coesar, and afterwards Augustus, that his brother Bassianus
caused him to be murdered soon after their father's death.

1G8 ROMANO-BRITISH MOSAICS.

The Thermae at Bath, recently uncovered, may have
been, under the rule of Geta, a reflex of the magnificent
works of his brother Caracalla, at Rome, though the baths
of Sul-Minerva at Bath have been ascribed to an earlier
period, that is, to so far back as the first century of our era,
which would have been 100 years before Geta's time; yet
he may have extended and decorated them, or at all events
we may conclude that they were in full and daily occupa-
tion in his time.

A few words shall be quoted, first on the ThermjB of
Caracalla at Rome, from the Rev. John Chetwode Eustace,
and then on the recently discovered baths at Aquse Solis
(Bath), which may help to stimulate the researches for a
similar establishment in London, where lately some very
large and bold cornices and other 23ortions of buildings have
been discovered in Castle Street, Houndsditch, near the
Roman wall ; others of a similar character were also found,
in 1852, against the lower part of the wall near the Postern-
gate adjoining the Tower moat, and some of which are now
to be seen in the British Museum ^

" The length of the Thermae of Caracalla was 1,840 feet ;
the breadth of the building 1,476. At each end were
two temples, one to Apollo and another to (Esculapius, as
the "geiiii tutelares" of a place sacred to the improvement
of the mind and to the care of the body. The two other
temples were dedicated to the two protecting divinities of
the Antonine family, Hercules and Bacchus. In the prin-
cipal building were, in the first place, a grand circular
vestibule with four halls on each side for cold, tepid, warm,
and steam baths ; in the centre was an immense square for
exercise when the weather was unfavourable to it in the
open air ; beyond it a great hall, where 1,600 marble seats
were placed for the convenience of the bathers ; at each

1 Jovrnnl of the Brit. Arch. Axxor., viii, p. 2 40.

BATHS OF THE ROMANS. 1G9

end of this hall were libraries. This building terminated
on both sides in a court surrounded with porticos, with an
odeum for music, and in the middle a capacious basin for
swimming. Round this edifice were walks, shaded by rows
of trees, particularly the plane ; and in its front extended
a gymnasium for running and wrestling in fine weather.
The whole was bounded by a vast portico opening into
exhedrcB or spacious halls, where poets declaimed and philo-
sophers gave lectures."^

Dean Merivale remarks on the baths of the Romans
that they were " presented to the populace without charge,
for even the payment of the smallest copper coin which had
been required under the republic was remitted under the
empire ; no tax whatever was put on the full enjoyment of
their attractions. The private lodging of Caius or Titius
might be a single gloomy chamber, propped against a temple
or a noble mansion, in which he slept in contented celibacy ;
but while the sun was in the heavens he lounged in the
halls of the Castle of Indolence ; or if he wandered from
them to the circus, the theatre, or the campus, he returned
again from every place of occasional entertainment to take
his ease at the baths. "^

The Thermae of Bath, even supposing they extend as
far again underground as the parts of the building which
have been thus far uncovered, would still be scarcely one-
fifth of the size of those of Caracalla at Rome, yet do they
-give a grand idea of Roman civilisation and architectural
skill in the provinces. In the centre of the town, where
the four roads from the four gates met, stood the fonnn,
extending over the area whereon the Abbey Church now
stands, and it is probable that the whole southern fiice of
this was occupied by the baths, which have proved by the

' Classical Tour through Italy in 1802, vol. i, pp. 380-0.
^ History of the Romans, vol. vii, p. 3.5.

170 ROMANO-BRITISH MOSAICS.

recent excavations to be much larger than \Yas formerly
supposed when, in 1755, one of the baths, quite at the
eastern end of the large bath lately uncovered, was described
by Dr. Lucas,^ and was again written upon by Dr. Suther-
land in 1763.^ This bath extended from north to south, being
34 feet long by 15 feet wide, contained in a hall 43 feet
long by 34 feet wide, originally arched and decorated by
pilasters, similar to those recently discovered. At the north
and south ends were semi-circular recesses similarly pilas-
tered and arcaded, which are supposed by Mr. Davis to
have been cold water baths, or so constructed that arti-
ficially heated or cold water might be turned on at will, to
give the bather an opportunity of a change of temperature.
A great part of the Roman work was removed at that time,
and the Kingston Buildings and Baths were erected on the
site.

The next important discovery was made upon the erec-
tion of the Pump Room, in the last ten years of the last
century. Various portions of worked stones were then
discovered, being parts of a temple, and a piece of sculpture
of the tympanum of a pediment, the subject being "a large
clypeus, or shield, supported by two flying figures of Victory ;
in the centre is a mask, with moustache and flowing locks,
developing into snakes, with wings springing from behind
the ears. The head, the personification of the celebrated
hot spring itself ; the abundant curls pertain to the flowing
streams ; the wings relate to the fleeting nature of the Bath
waters." This was the interpretation of Mr. G. Scharf, in
his paper upon it read before the Society of Antiquaries in
1855,^ and of Rev. H. M. Scarth in Journal of Brit. Arch.
Assoc, xiii, p. 268.

' An Essay on Waters, Part in, p. 222.

2 Attempt to Revive Ajicient Medical Doctrines, 1763; and see Gentle-
man^ s Magazine, Aug. 18, 1755.

^ Archceologia, xxxvi, p. 190 ; and Wavnei-'s Guide ilirongh Bath.

A TEMPLE AT liATH RESTORED. 171

From these various fragments, \\hich are preserved in
the Museum of the Bath Royal Literary and Scientific
Institution, Mr. James T. Irvine was enabled to make two
restorations on paper of a temple, and of the front of the
entrance hall to the baths, which have been engraved in
the Journal of the Brit. Arch. Assoc, vol. xxix, plates 13
and 14, with a full description of the fragments, and of
their discovery, p. 379.

The first announcement of the discovery of the large
bath was made to the British Archaeological Association by
Mr. Richard Mann, contractor for the Mayor and Corpora-
tion of Bath, on 2nd December 1879, and by the Rev.
Preb. Scarth (author of Aquce-Solis), on 7th January 1880.
The excavations were then systematically proceeded with
by Mr. Charles E. Davis, F.S.A., architect to the Corpora-
tion of Bath ; and at a depth of 20 feet from the surface
the excavators came upon the steps of the great Roman
bath on the northern side of it, and then drained off
the old water into a Roman culvert which had been
opened to the length of over 120 feet. Mr. Davis described
the remains in an address to the Bristol and Gloucester
Archaeological Society, which has formed the substance of
a " Guide to the Ruins", from which I will extract some
interesting particulars.^ He mentions having sunk a shaft
in 1871 in Abbey Passage, and came down upon the north-
west corner of what is now called the great Roman bath.
In 1878 he opened and restored tlie Ro nan culvert, and
came upon a very fine Roman arch formed with stone and
a few tiles. In continuing these explorations the exca-
vators came upon a work of surprising grandeur, the

' Guide to the Roman Baths of Bath, tvith a Plan of the Present and
Former Discoveries. By Charles E. Davis, F.S.A., Hon. Local Secretary of
Soc. Autiq., London • and author of Bathes of Bathes Ayde in the Peiyn of
Charles II. .Stli edition.

172 ROMANO-BRITISH MOSAICS.

Roman enclosure of the hot spnngs, built to unite the
various sources of the springs in one irregular octagon
50 feet in length from east to west, and 40 feet wide.
This octagon is beneath the King's Bath, and forms now, as
formerly, the great well of the springs. The octagon is
built of large masonry 3 ft. thick, and 6 ft, 6 in. to 7 ft.
hio'h, exclusive of foundations, and was found cased on the
inside in great part with lead, 30 lbs. to the square foot,
which was also folded beneath a border of tiles and con-
crete that went round the well. Near these springs was
found a small tablet of lead, having on it an inscription to
bear testimony to the visit of a family party to bathe in
the waters. Among the names, two probably belonged to
the class oilihertini, a class to which the courtly Horace in
his day was not ashamed of belonging, though he admits
that all had a peck at him as being the son of a freedman.

" Me rodunt onines libertino patre natum." — Sat. I, vi, 46.

The frequent mention at this period of the libertini in his-
tory, or the slaves who obtained their manumission either
by the saving up of money, or by their special talent, or by
the liberality of their masters, confirms the fact of the
wealth and influence they had acquired ; and could we but
read the history of the times we should probably find that
many of this class were owners of the fine villas with their
tesselated pavements of which we have been treating.

The great bath laid open was contained in a hall 111 ft.
4 in. long by 68 ft. 6 in. wide. It runs from east to west,
and in the north and south sides are three recesses or
exhedrce, the central one being rectangular, and the others
circular. In these recesses were seats ; in the circular ones
were stone seats called stihadia ; but in the rectangular
recess the seats appear to have been of wood, and the
clothing of the bathers appears to have been hung up there.

THERMS AT BATH. 173

as in one of the pilasters is a mortice-hole for the rail, and
in another the slob to admit the other end. The platform
that surrounded the bath is 14 feet wide, within a few
inches more or less, measuring in the top step as if the
scholcB were perfect ; and six steps formed of very massive
masonry led down to the bath, the bottom being coated
with lead in sheets of about 10 ft. by 5 ft. square, laid on
a layer of brick concrete placed on solid masonry, one foot
in thickness. The lead probably covered the steps also.

On the length of this bath six piers on either side formed
clustered pilasters. The hall consisted of three aisles. The
centre one, being the width -of the bath, was roofed in by a
dome springing from a cornice, rising 48 ft. 2 in. from the
floor of the bath, exceeding by 14 ft. the height of the
Pump-room. The sides, or aisles, were arched also. The
arches of the centre and aisles, except when the abutment
was sufficient, where they were of stone or flat tiles, were
formed of brick boxes, open at two sides, and wedge-
shaped, 1 ft. long, 4| in. thick, and 7f in. at the wider end,
set in usual Roman mortar, a mixture of broken brick and
lime, roofed (as in the case of the larger arch) on the upper
side with the roll and flat tile known to this day as the
Italian tile, and over the smaller arches with hexagonal
stone tiles. The bath was filled at its north-west angle
with hot water by a rectangular lead pipe 1 ft. 9 in. wide
by 7 in. deep, sunk in the lower floor of the scholce, direct
from tlie great octagon well, which was distant 38 feet ;
25 feet of this pipe have been removed.

In the centre of the northern scholce was a pedestal of
stone and some sculpture, and benea,th this are indenta-
tions in the steps, and a plinth, on which, perhaps, stood a
bronze or stone sarcophagus, which received the water as
it flowed from an aperture in the sculpture from which the
pipe lias been removed, but a considerable length of which

174 ROMANO-BRITISH MOSAICS.

(25 feet) still remains some few feet distant. This pipe
did not convey mineral water, as was at first supposed (as
there is but little deposit from it), but cold water. The
pipe was carried on farther along the platform on the north,
branching off on the west and south to supply the semi-
circular baths already described as having been discovered
in 1755. The platform, or schoke, was formed by a layer
of large freestone 9 to 10 in. thick, laid on the level of the
top step but one, on a bed of concrete. Very little of this
paving remains, and even where it does it is very much
worn and fractured. The approach to the great bath was
by two large doorways in the west ; and there were, pro-
bably, three entrances at the other end from the eastern
wing discovered in 1755. The fragments found lead to the
belief that the buildings were of the purest Roman taste,
with considerable Greek feeling, and decorated with sculp-
ture.

The portion of the bathing establishment which thus
far has been opened presents us with the several varieties
of baths used by the Eomans; that is, the Great Bath, with
the boiling water coming up from the ground at the tem-
perature of 1 1 6 deg. Fahrenheit ; then the same water con-
veyed to the eastern bath, opened in 1755, which would
thus be of a cooler temperature ; and the cold baths in the
same hall in the apsides at each end of it, as suggested by
Mr. Davis ; then sweating baths, to judge by the hypo-
causts for warming them, and doubtless each had a laconi-
cum, or apsidal termination, for the regulation of the tem-
perature. Though the portion discovered is, to a certain
extent, complete in itself, yet, from what Mr. Davis has
said, it may be inferred that a portion only, and perhaps
not more than half of the whole buildings, has yet been
uncovered, and beyond all this there would be gardens,
palcestra, and peristyles, so that the establishment would

ANTIQUITY OF THE THERMJC. 175

have been no unworthy example of public baths in a Roman
provincial town. Mr. Richard Mann considers that " col-
lateral evidence of the early period at which the baths were
built is afforded by the entire absence of any tesselated
floors, except a small one of very primitive arrangement
found in 1756. This evidence is still further strengthened
when we take into consideration the fact that the first, or
original floor, had sustained a very considerable amount of
wear, so much so, that we find a second flooring of pennant
laid upon it ; and yet at the end of the long period which
must have elapsed between the erection of the building
and the laying of the second flooring, it would seem to
have been anterior to the tesselated floor period. But in
the buildings around, in Abbeygate Street, the sites of
both Hospitals and the Blue Coat School, we meet with
tesselated floors of somewhat ornate character, thus giving
us a guide to the sequence of the erection of the respective
buildings."^

"ApLo-Tov fjbh vScop {vKiter is best), are words well selected
as a motto for modern Bath ; the continuation of the quo-
tation might have been applied to ancient London — 6 Be
xpvao-i aWoixevov irvp^ (biit gold IS a hlazing fire) , for the wealth
of the city and its importance are shown by the mintage
here of gold coin in Roman times, an example of which is
shown in the plates hereafter described in Chap. xix.

^ Richard Mann, from his letter to the Bath Chronicle, November 26,
1884.

2 Pindari, Olymp. /, ver, 1-2.

176

CHAPTER XIT.

Middlesex — Mosaics in London, particularised and described — Coins found .
near them and authorities quoted.

LONDON.

HOLBORN.

IN 1681 was found "a piece of mosaic-work deep under
ground in Holborn, near St. Andrew's Church, inlaid
with black, white, and red stones in squares". This frag-
ment was originally preserved in the museum of the Royal
Society in Fleet Street. ^

Bush Lane.

2. — " Soon after the Great Fire", writes Harrison, "the
workmen digging the foundation of houses in Scot's Yard,
Bush Lane, Cannon Street, discovered a tesselated pave-
ment with the remains of a large building or hall, the
former supposed to have belonged to the Roman governor's
palace, and the latter to have been the basilica or court of
justice." This is, presumably, the same referred to by
Stow, who says : " In Canning Street, nigh Bush Lane,
was found pretty deep in the earth a large pavement of
Roman mosaic work. Dr. Hooke gave a piece of it to
the repository in Gresham College."^

' Stow's Survey, Strype's edition, 172L

^ J. E. Price, Bucklersbury Pavement, p. 17.

MOSAICS IN ROMAN LONDON. 177

Camomile Street, Bishopsgate.

3. — In AjDril 1707 divers Roman antiquities were found
in digging by the (City) Wall in Bishopsgate Within. Mr.
Joseph Miller, an apothecary living very near the place,
while the labourers were digging for foundations and cellars
for some new houses in Camomile Street, first discovered
several of these antiquities, which he communicated to Dr.
John Woodward, of Gresham College, who gave this narra-
tive of them in a letter to Sir Christopher Wren, which he
courteously let me peruse : — ''About four feet underground
was discovered a pavement, consisting of dried bricks, the
most red, but some black and others yellow, each somewhat
above an inch in thickness. The extent of this pavement
in length was uncertain, it running from Bishop's Gate for
60 feet quite under the foundation of some houses, not yet
pulled down. Its breadth was about ten feet, terminating
on that side at the distance of three feet and a half from
the wall."^

Sherbourne and Birchin Lanes.

4. — " In the great discovery of Boman remains during
the autumn and winter of 1785 and 1786, while digging
a new sewer beneath Lombard Street and Birchin Lane, a
pavement was found 12 feet below the surface near Sher-
bourne Lane, 20 feet broad from east to west, the length
of which was not ascertained. It was composed of small
irregular bricks, measuring two inches by one and a half,
principally red, but some few were black and white, strongly
cemented together with a yellowish mortar, and laid in a
thick bed of coarse mortar and stones. Near it was a wall
built with Roman bricks of the smaller size ; and further

' Stow's Survey^ Strype's edition, 1721.

A A

178 ROMANO-BRITISH MOSAICS.

on, opposite to the Post Office, was another wall of common
Roman masonry, and two other pavements.

5. — " One of them was found nine feet helow the surface,
and was made of thin flat tiles, each 17^ in. in length,
12A in. broad, and about It^o in. in thickness.

6. — "Beyond it, about a foot lower, was another pavement
much decayed, chiefly composed of red bricks about an inch
square, Avith a few black bricks and some white stones
irregularly intermixed. This pavement, as well as most of
the rest, was laid on three distinct beds of mortar ; the
lowest was about three inches thick, very coarse, and
mixed with large pebbles ; the second was of fine mortar,
very hard and reddish in colour, from having been mixed
with powdered brick, and about one inch in thickness ; and
upon this the coloured bricks were embedded in a fine
cement. Other fragments of walls and pavements were
discovered in the course of the same excavations in Birchin
Lane, and especially one angle of a fine tesselated border
composed of black, green, and white squares, about a
quarter of an inch in size. As this pavement appeared to
pass under the adjacent footway and houses, the complete
extent and character of it were not ascertained."^

7. — Mr. J. E. Price says that " other discoveries of a
kindred character are recorded as being made in this
locality by Charles Combe, M.D., and Mr. Jackson, of
Clement's Lane, — among other things, many coins in gold,
silver, and brass of the Higher Empire, associated with
foundations of extensive buildings, pottery, charred wood,
and other evidences of conflao-rations."^ Portions of border-
ings are now in the Guildhall Museum.

' Archceoloffia, xx-Kix, by W. Tite, F.R.S., F.S.A. ; and Ibid., \ni, pp.
116-132.

- liacJilershunj Pavement, p. 18.

mosaics in roman london. 179

Crutched Friars.

8. — In 1787 some remains of a tesselated pavement
were found in Crutched Friars, now in the Museum of
the Society of Antiquaries.^

Winchester or Poulett House.

9. — In 1792 the excavations for a sewer from the cluirch
of St. Peter Le Poor, in Old Broad Street, to Threadneedle
Street, brought to hght a large circular pavement, behind
the old Navy Pay OflS.ce, better known as Winchester or
Poulett House. A quantity of burned corn or charcoal
was found laid upon it, with vessels of earthenware and
some coins."

Old India House, «i Leadenhall Street
10. — Perhaps the most beautiful, if not the most perfect,
of the mosaic pavements found in London was that dis-
covered in December 1803, at the dejDth of 9 feet 6 inches
below the carriage way, as it then existed in Leadenhall
Street, in constructing a sewer opposite to the easternmost
columns of the portico of the late East India House. ^ It
was a part only of this fine work which was then dis-
covered, for the eastern side of it appeared to have been
cut away at the time of making the sewer, and the re-
mainder formed about two-thirds of the floor of an apart-
ment of uncertain dimensions, but evidently more than
twenty feet square. The centre compartment appeared to
have been a square of about eleven feet ; and though it was

1 Allen's Ilisl. of Londoii., vol. i, p. 29.

2 C. R Smith's Roman London.

^ W. Tite, in Archceoloyia, vol. xx.xix, p. 491. T. Fisher, Description.
and I'liitc, 1804 ; also O'ent/nnuits Magazine, May 18U7, vol. Ixxvii, p. 41.").
C. 11. Smith's lioman London, p. 57, Plate xu.

180 ROMANO-BRITISH MOSAICS.

not quite perfect, it contained a series of circles, enclosing
a figure of Bacchus reclining on the back of a panther,
holding the thyrsus, and having an empty drinking-cup in
his right hand. Round the brows of the figure is a wreath
of vine-leaves, and his mantle falls down from his right
shoulder and is gathered up over his leg and right thigh,
showing the long sandal boot laced in front. This design
was surrounded by three broad circles filled with elegant
ornaments enclosed within two broad squares, forming rich
borders ; and of the spandrils produced by these figures,
two were occupied with representations of large Roman
drinking-cups, and two with figures of leaves and flowers.
The colours employed in this tesselation were a blue-grey,
purple-green, black, yellow, red, and white ; and it is stated
by Thomas Fisher, who made a very careful drawing of it
and described it while it was in its original condition, that
the tesserce of it comprised about twenty separate tints.
They were of different sizes, and for the most part of baked
earth, but the j)urple and green employed in the drapery
were of glass.

The central picture of this pavement, which was
about four feet square, was taken up complete, and the
remainder in separate pieces, in which state it was at first
deposited in the library of the East India House. Some
years after it was removed into the open air, and the tesserce
became loosened by the action of the atmosphere, which
destroyed all the work excepting the centre. Professor H.
H. Wilson caused this fragment to be carefully mounted on
a slab of slate and replaced in the Museum of the India
House. This is now preserved in the Romano-British Room
at the British Museum.

It will be noticed that the spandrils between the circle
and square of the centre are filled in with two canthari
and two floral patterns issuing out of axe-heads. " The

^VMi.'.',V,'

MOSAICS IN ROMAN LONDON. 181

blue, purple, and green colours", says Mr. Roach Smith,
" are formed of glass, the others of natural stones and
coloured argillaceous earths"; and the treatment of the
subject closely resembles that on the pavement at Thrux-
ton, near Weyhill, in Hampshire.

Bank of England, in Thrcadnccdle Street.

11. — "At the close of 1805 a beautiful pavement,
though consisting only of a floriated cross and ornaments,
was found within the area of the Bank, under the north-
west angle of the building, about twenty feet to the west of
the west gate opening into Lothbury, and at the depth of
twelve feet below the street. The whole of the floor formed
a square of eleven feet. This relique is in a very fine state
of preservation at the British Museum. Its ornamental
centre was about four feet square ; within the circle is a
foliated cross, the limbs of which terminate in flowers and
tendrils, surrounded by a squai*e guilloche pattern with
flowers in the angles. The white ground is studded with
dark stones." Upon the same level, about the year 1835,
a pavement was uncovered opposite Founder's Court, near
to the church of St. Margaret, Lothbury.^

St. Clement's Church.^

12. — Adjoining St. Clement's Church, at about twelve
feet beneath the present level, ran a tesselated pavement
composed of pieces of red brick of about 1 in. or Ij in. long,
and f in. wide, corresponding with fragments lately dis-
covered in Eastcheap, at about an equal depth, connected
probably with some public building or dwelling-house of the

' W. Tite, in Archceolor/ia, xxxix. C. R. Smitli's Roman London^ p. 57,
Piute XI. John E. Price, BurklevKhuri/, p. 21.
^ C. R. Smith, in An-luvoloijiri, xxvii, p. 111.

182 ROMANO-BRITISH MOSAICS.

better class on or near the site of St. Clement's Church.
A precisely similar pavement occurred in Lothbury, which
may with like reason be supposed to branch off from a
building that occupies the position of the Bank of England.

Crosby Square.

13.— On 14th April 1836 Alfred Burgess exhibited a
small portion of a Roman pavement, discovered by some
labourers during the previous month, while digging for a
drain in a house, No. 3, Crosby Square. The mdth of it
did not exceed five feet ; the depth from the surface was
about thirteen feet from the foot-paving in the square. The
pavement had been of a scroll pattern, with a border round
the margin ; the colours used appeared to be red, yellow,
white, and black ; the first two evidently of brick and the
other two of stone. The site of Crosby Square was at one
time attached to the priory of St. Helen's, and afterwards
occupied by the mansion of Sir John Crosby, of which the
only remains are the splendid hall and some vaults now
attached to the adjoining houses. By the discovery of this
pavement we are led to suppose that upon this very spot a
building, perhaps a forum, was erected by the Romans
during the time they were masters of this country, of which
this beautiful specimen of their taste and w^orkmanship
formed the floor. ^

101, BiSHOPSGATE Street Witiiix.

14. — Pavement found in October 1839, beneath cellar
of No. 101, Bishopsgate Within, fifty-three feet from street,
and fifteen feet from Excise Yard, part of one compartment
of a floor ; black and white tessene, arranged in squares and
diamonds.^

' C. R. Smith, in A)-chceol(M/i'i, xxvii, p. 397.

- Arcluealor/ia, xxix, p. loo, by C K, Smithy figured, p. 16(3.

MOSAICS IN ROMAX LONDON. 183

Hall of Commerce, Thrcadneedle Street.

15. — "In the spring of 1841 two fine examples were
excavated from the foundations of the French Protestant
Church in Threadneedle Street, removed for the erection
of the Hall of Commerce. One had apparently belonged to
a passage only ; it measured six feet by five feet, and com-
prised rows of red tesseUce, an inch square, w^hich enclosed
squares and lozenges, the latter arranged lengthways and
transversely, the spandrils being the halves of lozenges
similarly disposed. The squares were filled alternately
with rosettes of eight and four leaves, frets, and wheels or
w^horls ; the lozenges were filled with a labyrinthine
pattern. The tesseUce were white, black, and slate colour,
a dull green formed from natural stones, and red and
yellow artificial ; the green was apjDarently a native marble,
much worn by time and weather."

16. — The building to which this belonged must have
been an important one, and of some extent, for numerous
evidences of other floorings were observed. Fragments
composed of the large red and yellow tessellw were met
with ; and at about ten feet from the preceding discovery
was seen " about two feet of another pavement similar, but
in which the monotony of the red was relieved by an
occasional insertion of white tesseUce. These were deposited,
at the suggestion of Mr. Roach Smith, F.S.A., by the late
Mr. Moxhay, proprietor of the premises where the discovery
w^as made, in the British Museum.^

^ Jno. E. Price, BucMershiry, p. 21. C. R. Smith's Roman London,
p. 55. GentlemaiVs Magazine, June 1841, p. 637. Archc^ologia, xxix,
p. 400.

184 ROMANO-BRITISH MOSAICS.

Threadneedle Street.

17. — Two months later, at about 6^ ft. from the former
find, there occurred another pavement ; this was 13^ ft.
long, but the full extent of the outer border was not ascer-
tained. It was composed of variegated tessellce, the red
greatly predominating. This is also figured and described
by Mr. Smith, and it is preserved in the National Collec-
tion. The design upon it represents a central flower or
rosette of elaborate character. " It has eight leaves, from
behind which the points of eight others are visible ; each of
the eight upper leaves has in its centre a trefoil, and these
are connected by a band of two rows of red tessellcB."
Around it are rows of grey or bluish tessellce, composed of
Petworth marble, and a small white border of four rows,
in another of white tessellce half a foot wide, and, towards
the centre, bounded by a kind of embattled fret in yellow
and red.

In April 1844 portions of a mosaic pavement were dis-
covered in Threadneedle Street, not far distant from
Merchant Taylors' Hall, at a depth of about twelve feet
from the surface.^

Paternoster Eow.

1 8 — Mr. Smith records the discovery of a fine example
in Paternoster Row. It was very extensive and superb ; its
leng-th was no less than forty feet, and it possessed a border
composed of the guilloche ornament, enclosing rosettes.
Towards the centre were compartments in w^hich were
depicted birds and beasts ; in one division was an object
resembling a star fish.^

^ Jno. E. Price, BncJchrshury, p. 22. ^ Ibid.

MOSAICS IX ROMAN LONDON. 185

Cheapside and St. Paul's.

19. — A pavement was also found, at a depth of eighteen
feet, at a site near the junction of St. Paul's Churchyard
with Cheapside, and was connected with Roman walls ; it
was, unfortunately, destroyed soon after discovery. The
design was a rosette pattern, in red, grey, white, yellow,
and black tesselloe ; a hypocaust was below it, with its rows
of tile-pillars or columns, averaging from fifteen to twenty
tiles to each column. Associated with the remains were
coins of Constans, Constantine, Magnentius, Decentius, and
Valens : indicating that, like the discovery in Paternoster
Row, which was above an interment in a tile-tomb, it really
belonged to the closing period of the Roman occupation.^

Proceeding up Cheapside, as far as Foster Lane, sewer-
age excavations revealed further discoveries of like character.
In the lane itself a pavement was found, accompanied by
quantities of glass and pottery.

At Wood Street, at the corner by St. Michael's Church,
large quantities of white pavement were exhumed in 1843 ;
this was at the north side of the building ; and that it
extended entirely below it was evident from the fact that
it was seen again during excavations in Huggin Lane,
which runs along the south side of the church. And again,
in 1847, at about forty feet from the above site, similar
remains were seen, with large blocks composed of tessellce
of a grey colour, in addition to the white. These are all
indications that on the site of St. Michael's Church an
important edifice existed during Roman times. ^

20. — This was also the case at the site of St. Gabriel,
which formerly stood in Fenchurch Street.^ At the depth
of twelve feet a tesselated floor was seen in 1833, and

' Jno. E. Price, Bucl-lersbury, p. 22. ^ Ibid.

' Geut/rmans Magnzive, 18.34, p. 1.t7.

186 ROMANO-BRITISH MOSAICS.

between Rood and Mincing Lanes a large and perfect red
brick floor was also found.

Lower Thames Street.

21. — Baths or villa discovered in 1848, on the site now
occupied by the Coal Exchange, under which it is pre-
served, and where it can be seen. During the early part of
the year 1859 another portion adjoining was inspected by
Mr. T. Gunston, who has given a plan of the whole building,
and described the remains in the Journal of the British
ArchcBological Association. He mentions one room measuring
about 23 ft. square, surrounded by a wall 3 ft. in thickness,
constructed entu-ely of red and yellow bricks or tiles 1 8 in.
by 12 in. and 1^ in. thick, remaining in parts to the height
of 6 ft., and lined in the interior with stucco.^

The original floor was paved with inch-square tesserce,
but the room appears at a subsequent period to have
been newly floored ; for in parts above this floor was
a very thick layer of coarse concrete, upon which lay a
covering of very hard red cement three inches in thickness.
Within this, apartment was found a quantity of window
glass, an iron key, several jet hair-pins, a large bone pin
for securing the dress, some bone needles, an earthen lamp
bearing a tragic mask and the maker's name, evcaris, and
a second brass coin of the Emperor Nero.

22. — North of this room was another, 19 ft. in length
by 12 ft. in width, with semicircular ends projecting
towards the east, the walls being two feet thick, and com-
posed of all flat tiles ; the floor, of plain red and yellow
tessei'ce, was supported by the pillars of the hypocaust,
thirty-one in number, regularly disposed.

23. — Northward, but adjoining, were the remains of a

1 Brit, A)x'h. Assoc. Journal, iv, 38-45 ; xxiv, p. 295.

MOkSAICS in ROMAN LONDON. 187

third room, measuring 20 ft. by 12 ft. The walls existed
only to the floor, which was coarsely tesselated. Within
this apartment was found the capital of an oolitic stone
column, fragments of stone cornice, besides brass coins
of the Koman emperors Antoninus Pius and Marcus
Aurelius. Further eastward, and indeed in nearly all parts
of the excavation, traces of subordinate rooms and other
specimens of architecture were met with ; but the outer wall
was of extraordinary solidity, and entirely formed of Kentish
ragstone. Scattered about were fragments of culinary and
drinking vessels, roofing-tiles, and red coralline pottery,
some highly embossed, and others bearing the impress
ALBYCi ATILIANI and MARTI, bcsidcs a perfect patera and
urn of Upchurch ware ; also remains of the boar, stag,
sheep, and ox, and shells of the oyster, mussel, and edible
snail. All these remains, except the portion under the Coal
Exchange, have been covered up and built over.

Excise Office, between Broad Street and Bishopsgate Street.

24. — An account is given by Sir William Tite of the
discovery of a tesselated pavement under the vaults of the
south-eastern area of the late Excise Ofiice on 10th Feb.
1854. The modern foundations ceased at a "depth of
twelve or thirteen feet from the level of Bishopsgate Street.
In this ground first appeared traces of Roman remains, in
very imperfect fragments, of pottery and glass, of doubtful
origin, with a few coins, and fragments of Koman mortar
and concrete. Nothing, however, was discovered, excepting
a silver coin of Hadrian, until the morning of 10th Feb.
1854, when one of the workmen, in digging a hole deeper
than the other excavations, for a scaflbld pole, came upon a
fragment of this tesselated pavement."^

' Archa'oUxjia, xxxvi, p. "iUS, by Win. Tile, I'MtS., F.S.A.

188 ROMANO-BRITISH MOSAICS.

After describing the careful manner in which it was
cleared, Sir William Tite goes on to say : " The pavement
itself was constructed in the following manner. The earth
having been cleared away and levelled down to the natural
clay and gravel, a bed of coarse concrete was laid, about six
inches thick. The concrete was composed of river ballast
and lime, with occasional pieces of broken and pounded
brick, and on this coarse substratum a bed of very hard
mortar or cement was laid, about an inch in thickness and
perfectly level. T should suppose that this mortar was
composed of about two parts of clean, sha,rp sand, one part
of pounded bricks or tiles, and one part of lime ; the whole
mass of which must have been well beaten together and
consolidated. This formed the bed for the tesserce, which
were generally of a uniform thickness, of the usual dimen-
sions of about half an inch square, and set in fine mortar.
The pavement thus discovered constituted the floor of a
room twenty-eight feet square. On the side there were
some traces of wall jDlastering ; but though we searched
with the greatest care, there was not any trace, in situ, nor
near it, of any walls, flues, or Roman bricks. Every frag-
ment had disappeared, and even this trace of wall plaster-
ing had nothing behind it but loamy earth.

'' The only additional fact requiring to be noticed, conr
nected with the construction of the pavement itself, is one
which is of equal interest and rarity, namely, that in some
places it had evidently been mended in Roman times, but
by an inferior hand ; and the tesserce introduced in those
places were whiter, and in general colour did not coincide
with the older work. The pattern, hoM'ever, had been care-
fully preserved and restored. I think it probable that we
shall find further traces of pavements as we proceed north-
wards ; for there is a tradition in the neighbourhood that in
digging a well under a house in Bishopsgate Street in that

MOSAICS IN ROMAN LONDON. 189

direction, at about thirteen feet from the surface, some
remains of a pavement were found."

The account is continued at a later date — that is, March
1855 — when he says : " This expectation has been partly
realised, because northwards of this pavement we have
found the floor of a room paved with dark red tesserce. The
pavement was about twelve feet square ; the tesserce, uniform
in size, being about seventeen inches square. I still expect
to find further remains to the north-east, but the old build-
ings cannot at present be removed." •

He then makes the following observations. " A work
so finished as this pavement evidently points out a period
of security and comparative wealth in the inhabitants ;
and such a period may doubtless be found in the reign of
Hadrian, to which the silver coin found on this floor also
belongs. Hadrian began to reign in a.d. 117, and died in
A.D. 138. This interval of tranquillity appears also to have
continued for many years afterwards, certainly until the
middle of the reign of Marcus Aurelius, about a.d. 170, and
it was doubtless during this period that the mansion, or
merchant's house, was erected which stood on the site now
under consideration. The nature of the site is very peculiar.
In passing from Bishopsgate Street to Broad Street, through
the late Excise Office, there was a descent of twenty steps,
giving a difference of level of about ten feet between the two
streets. This difference of level was no doubt always greatest
at this j^articular point ; but the same general features may
still be traced in the continuing high level of Bishopsgate
and the comparative low level of Old and New Broad
Streets, Throgmorton Street, and Lothbury, down to the
line of the Wall Brook, which at that point was thirty feet
below the present level of the ground.^

^ This is shown in a section of the Wall Brook in my possession, made
by Mr. Richard Kelsey, the late Surveyor of Sewers of the City of London.

190 ROMANO-BRITISH MOSAICS.

" This Roman house, therefore, in my opinion, stood on a
gravelly bank ; and the pavement was itself level with the
ground at the back. In the front of the house the ground
was probably considerably higher, and was the Homan
causeway that passed through the City Wall, about 33Q
yards to the north, and then through the Roman cemetery,
which we know to have existed at Spitalfields. The road
was then continued in a direct line to the fords over the
Lea between Stratford and Ilford, and about the spot which
is reo;arded as the Roman station Durolitum, five miles
from London. This road, as in the Appian Way at Rome
and the street of the Tombs at Pompeii, was probably lined
with the tombs of the Roman and British residents of
London.

" It now only remains for me to add that the design
or pattern of this pavement is elegant, and differs in detail
from others ; but in principle and in material it resembles
most of the Romano-British pavements. The nearest re-
semblance to it which has occurred to me is an example
published by Hearne, found at Stunsfield, two miles from
Woodstock,^ in which there is a group in the centre some-
what resembling the figures in the middle compartment
of that at the Excise Office. It is represented in a
very careful and elaborate engraving executed in 1712
by Michael Burghers ; but I am inclined to think that
the descriptive text by Hearne mistakes the central figure
in supposing it to be Apollo, since it should be certainly
regarded rather as the young Bacchus (the Egyptian or
beardless Bacchus), crowned with vine leaves, and holding
horizontally in his hand an empty cyathus, and in his
left the thyrsus upright. The animal in the background
is there indisputably a tiger, as Hearne says ' some
have conjectured'; though he himself was inclined to think

' LeUuid't) Itln., vol. viii.

MOSAICS IN ROMAN LONDON. 191

it was intended for a griffin without wings. But without
any regard to the possibiHty of this figure being a griffin
destitute of wings, not only the human effigy represented
with the animal, and all its accessories, seem to prove it to
be Bacchus (Dionysus) and his tiger, but the very pave-
ment now found at the Excise Office, with the effigy of
Ariadne and her panther, seems to corroborate the truth of
the interpretation. As the figure of Ariadne in the Excise
Office pavement was upright when seen from the north-east,
the couches of the triclinium and the table enclosed by
them probably looked towards the west, and the garden of
the edifice would thus perhaps be situated behind towards
Bishopsgate, or nearer to the extremity of JRoman London.
The pavement was taken up with great care by Mr. Minton,
under the direction of Owen Jones, and has been removed
to the Crystal Palace at Sydenham, where he intends
to restore it completely and place it in the centre of
the nave. By the judicious means taken by Mr. Clifton,
the resident architect, and Mr. Owen Jones, I believe that
not a single fragment of it has been lost."

Fenchurch Street.^

25. — " The next discovery seems to be that made in
1859, opposite Cullum Street in Fenchurch Street, at a
depth of 11 ft. 6 in. The dimensions are about three feet
each way. Upon a white ground appears a bird, possibly
a peacock, though, owing to portions being lost, the tail
feathers are not very clearly defined. The tessellce composing
the breast and neck of the bird are of a bright azure glass,
with a slight admixture of green of the same material ; the
wing is of red, white, and yellow tessellce. On the same
ground is a vase in red, white, and yellow, with a centre of

' Jno. E. Price, Rucldershvnj, p. 24.

192 ROMANO-BRITISH MOSAICS.

green glass. In the perfect state of the pavement another
peacock probably occupied the ojDposite side of the vase.
Around the subject is a guilloche border of white, yellov^,
and red ; the white being heightened in effect by numerous
bands of black coarse tessellce. It has been beautifully
engraved in the Catalogue of the Works of Art and Antiqui-
ties, exhibited at Ironmongers' Hall."

Old East India House.^

26. — "In 1863, a little beyond the portico, westward
and opposite the spot whereon the former pavement was
found, important ancient remains were discovered in situ.
An apartment containing a mosaic floor is shown upon a
plan. The pavement is of red tesserce, neatly laid in the
usual bed of Roman cement ; and the walls are of Kentish
rubble and chalk, with bonding courses of Roman bricks
inserted in two thicknesses, one at the bottom in the
earth and another two feet higher up. All the bricks are
well made, and the mortar and rubble-work are so hard
that they cannot be separated from the general mass. The
walls of the apartment had been plastered and coloured in
fresco in lines. On the western side, which no doubt con-
tained the doorway, the wall has been destroyed ; but a
few traces have been found there of a passage five feet
wide, paved and constructed as the other remains.

" In my former paper, on the pavement discovered at
the Excise Office, I stated what I believed to have been the
real line of the Roman way crossing the city from the south,
and its union w4th the great road leading to Chelmsford
and Colchester on the north-east, and I am inclined to
think that this ancient house stood on the side of that
original road-way. I consider also that the tesselated pave-

1 Wm. Tite, in Arrka-nJor/Inj vol. xxxix.

MOSAICS IN ROMAN LONDON. 193

ment found at this place in 1803 once formed the floor of
the atrium of that dwelHng, and that the apartment now
discovered was one of the small domestic offices on the
side of the centre court, approached by the passage indi-
cated on the plan. It might, no doubt, have been a lower
story ; but the difference between the depth of 9 ft. and
19 ft. 6 in, does not, I think, present any difficulty to this
conjecture ; the latter is the general depth of the rubbish in
Rome, and my own experience in London has convinced
me that the average accumulation above the native soil
must be estimated at least at eighteen feet."

27. — " In 1864 a further discovery was made in front of
the portico of the India House and under the pavement of
the street. About 9 ft. 6 in. below the ground one of the
division walls of a cellar had been built across a tesselated
pavement of a somewhat elegant pattern, and forming no
doubt the floor of a small room. The floor had been a good
deal crushed, but with care the pavement was taken up
tolerably complete, and is now in the British Museum. This,
no doubt, was a continuation of the great pavem.ent found
in the year 1803, and described and engraved by Mr.
Fisher. The depth of 9 ft. 6 in. coincides with that given
by Mr. Fisher, and therefore this house must have had tuo
floors, or at all events floors at different levels, one ten feet
below the other."^

St. Mildred's Court, Poidtry.

28. — "In 18G7, in the foundation of the New Union
Bank of London, at the corner of St. Mildred's Court, a
pavement was discovered, of which a notice appeared in
Part IX of the Transactions of the London and IMiddlesex
Archaeological Society. At that time, from the fragmentary

' Will. Tito, in ArrhccnJogia^ xx.kIx.

C C

194 ROMANO-BRITISH MOSAICS.

condition of the pavement, the nature of the design could
not be ascertained with accuracy ; but, as far as has been
possible, the pieces found, though but a small portion of
the whole, have been appropriated to their several positions ;
and from a drawing of them, communicated by Mr. G. Pluck-
nett, F.S.A., to Mr. Jno. E. Price, it is shown to have been
a mosaic of good execution, both in design and treatment,
and as a work of art very similar to that lately found on the
opposite side of the course of the Walbrook. It comprised
a square enclosing a circle ; the central ornament was a
vase of the same character and type as that so often seen ;
the tessellcB composing it were formed of brown, wdiite, red,
and black materials, with the addition of bright green glass ;
around the vase there appeared portions of a tree with
foliage ; also an object resembling an archway, with em-
battled figures and other objects, the meaning and inten-
tion of which it is difficult to describe without an illustra-
tion. Around the whole were two simple bands of black
tessellce, separating the circle from an elaborate scroll of
foliao'e and flowers analoo'ous in character to that on one of
the pavements at Bignor. At each corner was a rose or
other flower, showing eight petals in stones of white, black,
and varied colours. From the centre of each flower there
spring in opposite directions two branches, which unite
with a leaf, possibly that of the lotus, and of analogous
form to that observed within the scroll. The entire design
is bordered by the guilloche, elegantly worked in seven
intertwining bands of black, red, brown, and white tessellce.
The pavement was laid upon the well-known concrete, and
apparently on the soil, there being no evidence of any
hypocaust or substructure. Its depth was about eighteen
feet from the surface, corresponding in this respect with
other remains from this locality."^

^ Jno. E. Price, BucMershuri/.

MOSAICS IN ROMAN LONDON. 195

BUCKLEKSBURY.

29. — At no great distance from the last-described
pavement, though on the opposite bank of the Wal-
brook, was found a pavement in Bucklersbury, "situated

19 ft. from the level of the roadway, at a very short
distance from the course of the stream and parallel there-
with. In form it is a parallelogram, 13 ft. wide and 12 ft.
6 in. long, exclusive of a semicircular portion at its northern
end of 7 ft. 3 in. diameter, making its total length about

20 ft. It was enclosed by walls of brick and tile, with
blocks of chalk and ragstone about 18 in. thick. These
rested upon a chalk foundation laid on square wooden piles,
pointed at the end, and from 3 ft. to 4 ft. long ; they wei'e
firmly driven into the clay. But little more than the
foundation of the walls remained, and around the semicir-
cular end these were principally of chalk, but in some other
places indications of ' herring-bone' brickwork appeared.
At the line of the floor ran a neatly-turned plaster mould-
ing, which had evidently gone round the building, and
formed the base of the stucco covering of the walls. In
many places this skirting was of a green shade, caused by
the chemical action of the colouring matter used in the
decoration of the walls, and fragments of a bright blue and
red stucco painting of the usual kind were observed. In
the wall surrounding the recess there were, at intervals,
upright flues connected below with the hypocaust, the
whole being the arrangement for warming the apartment.

" The semicircular recess is by no means unusual, yet
it at the same time is, so far as London is concerned, of
especial value, as it gives to us in situ the prevailing form
of one of the principal chambers in a Roman house. It is one
that is invariably met with in villas throughout England;
one room at least usually has this peculiarity, sometimes

196 KOMANO-BRITISH MOSAICS.

more. The most perfect example of the kind is perhaps
that at Lymne, in Kent, where there was discovered a
complete ground-plan of a detached house, which is to a
great extent typical of others.

" On referring to some of the finest villas exhumed at
Pompeii, we find much that will illustrate and explain
analogous remains in Britain. In the house of Diomedes,
and in one of the principal apartments, there was a recess
of the form described, and among the debris occurred the
rings that had been employed in the suspension of the
curtain drawn across the front. These recesses appear to
have continued in use after the Roman occupation, and
were perhaps represented by the oriel windows of the
Middle Ages.

" The elaborate design of the decorative jDortion of this
pavement shows at a glance the amount of skill and labour
which has been bestowed upon the work, the taste and
genius displayed in its conception, and the spirited and
artistic way in which it has been carried out. For boldness
of design, harmony in colour, and the efiect of gradations of
light and shade in the tints selected, this pavement, with
the exception perhaps of that from Leadenhall Street, sur-
passes anything of the kind previously found in the metro-
polis. The end south of the projecting piers has a bordering
in large tessellce of red brick, with occasionally some of a
yellow tint ; this at the south end is 3 ft. wide, and on
either side 2 ft. 7 in. It encloses a panel eight feet square,
formed by an elegant guilloche border in five rows of small
cubes of coloured tessellce. This surrounds the two inter-
lacing squares. One square is worked in colours, the other
tastefully relieving it with the soft tint produced by tessellce
of white or bluish-grey and black. In the centre is a simple
floral ornament of four heart-shaped petals ; the upper
portion worked in colours of grey and yellow ; the lower

MOSAICS IN ROMAN LONDON, 197

half, defined by a line across the centre of each leaf, is con-
tinued downwards in small tessellce of red brick, presenting
the appearance of a cross. Around the central figure are
two rows of black tessellce, and a third one surrounding it is
in an undulating or serpentine form ; the space jDroduced
by the bends is filled by stones of grey and blue. Around
this is a double circle containing twenty-six divisions, each
parted by a line of black representing diagonal forms. These
are in blue, grey, red, and yellow stones. Surrounding this
is the braided guilloche, in the same tints as the external
border. In the four angles of the interlacing squares are
fanciful objects, each two being similar in a diagonal direc-
tion.

"Above the panelling, and between the projecting piers,
are the most beautiful features of the design, viz., a spirited
scroll of flowers and leaves, on either side a centre orna-
ment of. flowers, apparently lilies. The beauty of this
design will at once be recognised as a style of decoration
familiar on cornices of Grecian art. Above this are two
rows of black tessellce, making a dividing line between it
and a guilloche ornament which runs above it and entirely
round the apse. This elegant border encloses a beautiful
scale or leaf-like pattern, formed in parti-coloured sun-like
rays, extending from w^hat would be the centre of the
circle. This is in twenty-six divisions, every two of which
are taken up in the elaboration of the figure. This thatch-
like pattern is worked in small tesserce of red and yellow
brick, alternating with others in blue and black.

" This latter ornamentation may be considered unique as
regards London, though similar figures, especially the under
portion or fan-like part of the design, have been seen in
Wiltshire. The scale-like pattern is purely classical in its
character. A similar figure is sculptured on a marble tomb,
discovered at the island of llhenea in the cemetery of Delos.

198 ROMANO-BRITISH MOSAICS.

It also appears on the choragic monument of Lysicrates,
commonly known as the Ian thorn of Demosthenes at Athens,
and elsewhere. Around the whole design are three rows of
small white tesseUce, which relieve the ornamental pattern
from the sombre heaviness of the external border, formed of
large tesseUce of red and yellow brick, the small ones being
of coloured stone or marble. Some of the latter have been
shown to Professor Tennant, who considers them probably
not all of native stone. The black ones are of marble,
possibly procured from Wales, where similar material is
obtained, and was doubtless well know^n to and quarried by
the Romans, who always utilised native products ; the
white are of a light-coloured, compact limestone of the
kind usually known as ' lithographic'; the blue or grey
is probably a stone of foreign origin. It is probable, there-
fore, that the stone employed in pavements of a high class
was often brought from abroad ; especially might this be the
case in London, where, with the exception of clay, there
would be no indigenous materials that could be applied."^

Besides the above description of the Bucklersbury
pavement, Mr. Jno. E. Price, in his work on the subject,
has given many interesting particulars of Koman London,
and to which the reader is referred, particularly to his
description of the carpentry work in and about the founda-
tions of this pavement, which bears upon the subject of
the construction of Roman houses generally ; and he treats
of the course of the Walbrook with the villas upon its
margin and the antiquities discovered in its bed, with many
valuable comparisons between the Bucklersbury remains
and those found in other parts of the country.

^ Jno. E. Price, Backlershuri/.

199

CHAPTER XIII.

Mosaics in Sussex, Surrey, and Dorset— Comments upon the Situations
and Characteristics of the Remains of Villas in these Counties — Par-
ticular Descriptions of the various Mosaics found in them — Coins
taken up in the vicinity — Authorities quoted.

THE mosaics to be described in the counties of Sussex,
Surrey, and Dorset comprise those found in the
interesting villas of Bignor and Frampton, conspicuous by
the beauty of their designs and by the number of figures
introduced into them. That of Bignor was first discovered
by the plough in the month of July 1811, in a field called
the Berry, in the parish of Bignor in Sussex, lying about a
quarter of a mile east of the church, belonging to and in
the occupation of Mr. George Tupper. The large pavement
was arrived at after removing earth to the depth of one or
two feet ; the decorations of this pavement consisted of
two circular compartments, the one 7 ft. 6 in. in diameter,
the other 16 ft. The smaller one contains a representation
of the rape of Ganymede, as well executed as the nature of
the materials would admit ; the large one is sub-divided
into six irregular hexagonal compartments.

This pavement much resembles one which was found
about a century ago at Avenches, in Switzerland, and which
there is good reason to suppose was executed in the reign
of Vespasian or Titus. As in this, so in the Avenches
pavement, there was an octagonal cistern in the centre, and
these are supposed to have been the only two examples of
the kind which have occurred. It appeared that the room
to which this ])avement belonged had been heated by a

200 ROMANO-BRITISH MOSAICS.

hypocaust, some of the flues of which having given way,
the surface of tiie pavement has been rendered uneven.
This room, when the walls had been traced, appeared to be
an oblong of 19 ft. by 30 ft., with a recess on the north
side 20 ft. 10 in. wide, making the whole length of the
room from north to south 31 ft. 11 in. The walls on the
east, west, and north sides were 2 ft. 6 in. in thickness ;
that on the south side 3 ft. Between the ornamented part
of the pavement and the wall was a considerable space
(filled up with a coarse tesselated pavement of red brick
tesserce), varying in width on the east and west sides from
4 ft. 6 in. to 5 ft., 4 ft. 10 in. in width on the north, and
1 ft. 10 in. on the south side, producing a good effect, as it
serves to relieve and set off the design of the mosaic work.

It seems probable that this room was a grand banquet-
ing-room {ty^iclinium) ^ in which the couches might have been
so disposed on the red ground as not to have hidden any of
the decorations of the pavement ; and the recess was well
calculated to answer the purpose of the high table in our
public halls. The walls had been ornamented with paintings
on stucco, many fragments of which were found among the
rubbish.

Mr. Lysons concludes his account of the pavements by
saying that, "In the year 1708, a mosaic pavement was
discovered at Avenches in Switzerland, the Aventicum
Helvetiorum of Antonine's Itiuerarij, called by Tacitus
Gentis Caput, which was patronised in a particular manner
by the emperors Vespasian and Titus. Of this pavement
an account was published by M. de Schmidt, Seigneur de
Rossau, in his Recueil cV Antiquites de la Suisse, from which
it appears so exactly to resemble the large pavement first
discovered at Bignor, that there seems good ground for
conjecturing that they are the work of the same artist.
Each of them has a cistern of about the same size : a cir-

Tif^nLed- iy WhOmc/ 1 C?1885.

Flan of (fie Remairw of a Rotnati YUla dismend atBU/rur j"fuiu.>^i^sj.^.^.j,.ijUMj:

MOSAICS IN SUSSEX, SURREY, AND DORSET. 201

cumstance which is not known in any other work of the
kind. The pavement at Avenches has figures of Bacchantes
in octagonal compartments, executed exactly in the same
style, and with the same defect of the lower extremities,
being too short, as they appear in the Bignor pavement,
and a blue nimbus round the head of Bacchus, as it here
appears round that of Venus, which is supposed to be
peculiar to these two pavements. There is also a general
agreement between the style of ornament in both of them.
To this may be added that the general style and arrange-
ment of the ornaments, which uniformly prevail in all the
Bignor pavements, differs from any yet discovered in Britain,
and has the appearance of much greater antiquity. The
figures, too, are composed of much better materials, and are
much better drawn and executed than those whicli appear
in other works of the kind so frequently found in this
island."

The pavements hitherto discovered in Surrey, though
enough to show that Roman villas of a superior class existed
among the scenery of its beautiful hills and woods, yet do
not rival in importance those which have been referred to
in Sussex, nor those which will be described in Dorsetshire.

In the latter county, besides the magnificent one at
Frampton, illustrated by S. Lysons, there was one found at
Tarrant-Hinton, five miles from Blandford, in 1846, in a
villa which has been but imperfectly excavated, and further
- discoveries may be made on this spot. Mr. Wm. Shipp, in
describing it, says that "in a field called Barton Field,
some labourers w^ere excavating stones for building and
road-making, and soon came upon an extensive area of old
foundations. The remains of these ancient walls reached,
in various directions, over an extent of nearly twenty acres,
which in several points were dug down upon, and the
dilapidated ruins discovered to the eye of the antiquary

D D

202 ROMANO-BRITISH MOSAICS.

the evident traces of a Roman villa or settlement. The
only opportunity there was of tracing the foundations was
in that of apparently a small house, situated at some
distance from the principal building ; they consisted of an
entrance, leading through a joassage about four feet long, at
the end of which were two small apartments, about 5^ ft.
square. The passage, which was bounded by a wall of
great thickness, was cased on each side with stucco, the
painted frescoes on which, exhibiting great boldness of
design, were as bright and vivid in colour as the day they
were finished by the artist. The floors of these two apart-
ments were likewise stuccoed, but of a much coarser descrip-
tion, composed principally of small stones, sand, lime, and
ashes. At every part of the field where excavations were
made some monuments of Koman character were brought to
light, — quantities of broken and detached squares of tesserce ;
fragments of urns used for domestic and other purposes ;
one highly finished bronze fibula ; two querns ; a quantity
of tiles ; the neck of a large amphora ; one or two beautiful
fragments of Samian ware ; several ornamental tiles ; three
3rd brass coins of Constantino and one of Constantius ;
two circular pipes, used in all probability for conveying
water to the baths ; and at the bottom of a well or vault
of nearly thirty feet, the capital of a stone column of the
Doric order.

" The only perfect tesselated floor discovered was a plain
figure compactly cemented together, and composed of only
two coloured squares of tesserce, red and white. These
tesserce, particularly in the centre, M^ere much worn, clearly
showing that they had been subject to the tread of the
foot for a number of years."

The extent of the buildings reached 650 ft. by 350 ft.,
of which the mansion proper occupied nearly one-half.^
1 History of Sussex, by Mark A. Lower, M.A., 1870.

iTff^^iTjRTn-j'

TUE BIGNOR PAVEMENT. 203

SUSSEX.

Field called the Berry, quarter of a mile east of Bignor Cliurch, six
miles and a quarter from Arundel, and six miles from Pet worth.

1. — In the large room was found a mosaic pavement ;
this consisted of two circular compartments, the one 7 ft.
6 in. diameter, the other 16 ft. The smaller one contained
a representation of the rape of Ganymede ; the eagle is
carrying him off, clasping him in his talons ; the youth has
a red and blue cloak over his shoulder, and holds in his
left hand a stemma with recurved top. The large circle is
subdivided into six irregular hexagonal compartments,
within which are figures of dancing nymphs ; one of them
has been quite destroyed, but enough remains of the other
five to indicate the dress and attitude. These figures are
well executed, except as regards the lower limbs, which are
too short. In the centre of the circular compartment is a
hexagonal piscina or cistern of stone, 4 ft. in diameter and
1 ft. 7|- in. deep, with a step at about half its depth.^

2. — About 30 ft. west of this pavement part of another
was found, which appeared, when entire, to have been 44 ft.
long and 17 ft. wide, and to have consisted of two large
square compartments. One portion includes a circle, sub-
divided into irregular hexagons, with oval compartments
in the spandrils of the circle, and ornamented with figures,
of which part of a boy, a dolphin, and a pheasant, with a
cornucopia, remained, with the letters t r, in one of the
angular spaces between the hexagons ; the second letter
seems to have been intended for a combination of E and R,
The other compartments appear to have originally contained

' Account of the Villa at Bignor, by Sam. Lysons ; London, 181a.
Archccolorjia, xviii, p. 203 ; and xix. Sec also Sussex Arch. CoKecl.,
viii, p. '2d2; xi, 132; xviii, 99.

204 ROMANO-BRITISH MOSAICS.

four octagonal divisions, each including a star, formed by
two interlaced squares ; within was an octagon. Only one
of these remained entire, indicated, by being enveloped in
clothing, and by the leafless branch which accompanies it,
to be the head of " Winter". The other three divisions
contained, no doubt, the heads of the other seasons.

The tesserce were of various sizes ; the larger red ones
for the outside work and the inferior parts of the pavement
were cubes of about an inch, and formed of red brick or of
stone ; those of which the ornamental parts were composed
varied in size from cubes of -| in. down to ^ in.

3. — On the west side of the recess in the great room was
another pavement, 20 ft. by 9 ft. 9 in., quite entire. The
mosaic work consisted of two compartments, each 5 ft. 4 in.
square, with an oblong one between them, 5 ft. 4 in. by
2 ft. 6 in. ; the rest of the pavement being filled up with
coarse red tesserce. The design of the oblong compartment
consisted of t^vo scrolls of ivy leaves proceeding from a
goblet, surrounded by a guilloche and a black and white
indented border. One of the square compartments enclosed
an octagon filled with squares and rhombs, in which were
frets and ivy leaves ; in the middle was a square enclosing
a large rose. The other square included a sort of star of
twelve points formed of rhombs, within which was a smaller
•square, with a guilloche border enclosing a flower. This
pavement was several inches above the level of that first
described, from which it was separated by a wall, and did
not appear to have any communication with it.

On the south side of the great pavement the foundation
walls of a crypto-porticus of great length were discovered ;
it was 10 ft. in width, and remains of the walls were traced
to the extent of 150 ft. to the eastward ; part of its tesse-
lated pavement, ornamented with a blue labyrinth, and
having a red stiipe on each side, was remaining at the west

See chap, xiii, p. 204.

RECEPTION ROOM (RrCVOR).

^ee chap, xiii, p. ju^.

HEAD OF WINTER {DIGNOJ^).

m^s^mmmmsM^^r,

THE BIGNOR PAVEMENT. 205

end, to the extent of about Go ft. in length ; the rest
appeared to have been destroyed.

4. — Another room had a pavement of coarse tesserce, of
a Ho-ht brown colour.

5. — Adjoming this, on north side, was a room in which
was a mosaic eight feet square, geometrical pattern.

6. — To the north of the rooms described was found a
very fine mosaic pavement, in form of a parallelogram, 22 ft.
by 19 ft. 10 in., with a semicircular recess at the north end,
10 ft. in diameter, making the whole length 32 ft. The
design of the pavement consisted of a large compart-
ment, 13 ft. 6 in. square, between two narrow oblong ones,
with a fourth, approaching to a semicircle, occupying the
recess at the north end. The square enclosed an octagon,
within which had been eight small oblong compartments,
meeting towards the centre, which had been entirely
demolished. Each of the small oblong compartments was
2 ft. 9 in. by 16 in. ; two of them were entire, containing
figures of cupids or genii, dancing in the manner of Bac-
chantes ; and of three others, sufficient remained to show
the attitudes of the figures.

The triangular divisions at the four corners of the square
were filled with figures of urns, with fruit and foliage and
cornucopise alternately. The oblong compartment on the
north side of the square one is 13 ft. 7 in. long by 2 ft. 6 in.
wide ; it contains twelve figures of cupids or genii, habited
as gladiators, and exhibits a very complete representation
of the costume of the retiarii and secutores. Here also
appear the lanistce with wands, instructors and guardians of
the gladiators. The subject seems to represent four difler-
ent scenes, in which the same parties are engaged. In one,
they are preparing for the combat; in another, just engaged
in it ; in a third, the retiarius is wounded ; in the last, he
is fallen, disarmed, and wounded in the thigh.

206 . ROMANO-BRITISH MOSAICS.

The semicircular division at the north end of the pave-
ment is surrounded by an elegant scroll of foliage proceeding
from a goblet, and enclosing a circular compartment, within
which is a female head ornamented with a chaplet of flowers;
tresses of hair appear on the shoulders, which are naked.
The head is surrounded with a nimbus of light blue colour,
few of which appear in any of the remains of ancient art.
On each side of the circular compartment are cornucopise
and festoons of foliage, with two birds, one on each side,
which seem to have been designed for pheasants.

7. — On the southern side of the villa, in a room of a
distorted square of about twenty -five feet, is a mosaic pave-
ment, the design being a square containing four stars of
eight points, each formed by two interlaced squares com-
posed of guilloches differently coloured ; within each star
was a circle of three borders. In the middle of the pave-
ment was a circle consisting of a guilloche between tAvo
indented borders, within which was the head of Medusa.
Beyond the mosaic pavement were three rows of black and
red tiles, laid chequer-wise, and next to the wall a row of
bricks.

SUEEEY.

Wakplesdon Parish, Broad Street Common, two miles and a half

from Guildford, eight miles from Farnham, and same from

Tuxbury Hill Gam.p.

8. — Discovery on 13th July 1829, communicated by
Allen Sibthorpe.^ Small tesserce were first found, in red,
white, yellow, and brown. The red were of burnt earth ; the
white, of chalk ; the yellow and brown appeared to be chalk
stained with some liquid colours. Several jDortions of pave-
ment were afterwards developed, forming a suite of apart-
ments. Entire length of building, running north and south,

' Archaulvgia, xxiii, p. 39b.

Sec chap, xiii, p. 206.

HEAD OF MKDUSA AND FRAGMENTS (iiJGNOS).

PAVEMENT NEAR GUILDFORD. 207

was about G2 ft. within the walls ; the breadth, inchicUng a
passage, was 23 ft. 3 in. On each side of the centre apart-
ment is a smaller, 16 ft. by 5 ft. ; and beyond these again,
on each side, is the floor of a larger room, IG ft. by 14 ft.
Along the whole western side ran a piece of paving, orna-
mented on its outer edge with a border formed of very
small tesserce, arranged in a double wavy pattern in the
centre, red and black. With the exception of the ornament
and border above described, the whole of the pavement is
composed of the iron-stone found in great abundance in the
sand hills lying to the south of Guildford, particularly at
St. Martha's and St. Catherine Hills. The tesserce are
about an Inch square, thus giving 144 to each square foot
of pavement.

Mr. Kempe, in his account of the Loseley MSS., refers to
this pavement on Broad Street Green in similar terms to
the above, and refers to the locality in the following words :
" Loseley is situated about two miles from Guildford, and
from the left or west bank of the Wey. That ancient town
is supposed in the early period to have stood on the west
side of the river, and by its castle and outworks to have
occupied also the site of the present town on the east. This
assertion is pretty well confirmed by the curious ancient
vaultings still existing under the Angel Inn at Guildford,
on the west side of the main street, and by the supposed
site of the ancient town being still marked out as the Bury
Fields ; and there is great probability that the last-men-
tioned spot was occupied in the time of the Ilomans, of
whose presence, at least in the neighbourhood, undoubted
evidence has been discovered."^

1 The Losdey MSS., now first edited, with notes, by Alfred .Jno.
Kcmpe, Esq., F.S.A. London, 1836.

208 ROMANO -BRITISH MOSAICS.

Walton Heath. ^

Walton Heath is part of the high ground forming the
southern rim of the chalk hasin of London, and of which
Banstead and Epsom Downs are parts adjacent.

In the year 1772 Mr. Barnes called the attention of the
Society of Antiquaries to Roman antiquities discovered on
this heath, consisting of foundations, walls, and some por-
tions of a flue, and a small brass figure of ^sculapius,
engraved in the Archceologia. Mr. W, W. Pocock says:
" My attention was first directed to these vestiges of
Roman occupation by my friend, the Rev. Ambrose Hall, in
conversation. Having inspected some tesserce, remains of
pottery, and other articles he had himself dug up upon the
spot, and learning that the remaining foundations were
being destroyed for the sake of re-using the materials in a
garden wall, a visit was soon arranged, and a very little
labour sufiiced to uncover a considerable portion of the
pavement. At the same time I measured the trenches,
from which rough masonry, consisting chiefly of flints, had
lately been removed.

" The walls appear to have been little more than a foot
in thickness, and the foundation to have been laid about
three feet below the present surface, the pavement found
being generally a foot below the turf, which distinguishes
this site from the thick heath and gorse of the surrounding
common. The excavations made extend over a space not
more than forty yards square ; but a very slight removal of
surface reveals abundant remains of Roman Jictilia, aflbrd-
ing ample scope for enterprising diggers.

" Of the spaces within the walls, several retained a large
portion of their pavements, mostly executed in red tesserce,

' Surrey Arch. CoUediovs, vol. ii, pp. 4-13, ISGO.

PAVEMENT AT WALTON HEATH. 200

1^ in. to 2 in. square and 1 in. thick, of a coarse material,
and apparently laid without reference to any figure.

9. — " But the only one of an ornamental character yet
brought to light is in an apartment towards the middle of
the eastern side of the space occupied by the remains, and
about twenty-one feet square. The design consists of a
central circle, containing an urn, and surrounded by four semi-
circles and four small squares disposed at the angles, all being
included in a larger square, formed by a wide border, of a
bold and elegant pattern, consisting of circles and points,
the former containing alternately a heart and a figure re-
sembling the seed of the columbine. On the outside of this
larger square is a Greek meander, then a band of white ; and
lastly, the large red tessercB, before described, complete the
whole.

"The central urn was executed with great care, and in it
I discovered two colours, that I could trace in no other
part of the design. One of these was a deep crimson, and
the other a purple or violet. The urn was surrounded
by a circular border, consisting of a guilloche in three
colours, and two bands executed in two colours. This circle
was enclosed in a square formed by a double-twisted
guilloche. One of the angular spandrils was filled by a
heart-shaped ornament, and I believe the others to have
been similarly occupied. Each side of this inner square is
flanked by a semicircle of equal diameter, and formed by a
border of a triple plait and bands, and within this the
guilloche and bands first described, and which is continued
across the cord as well as round the circumference of the
circle. The interiors of these semicircles are filled up with
series of small semicircles, and each of the centres is occu-
pied by a flower of three petals. The angles of the general
design are occupied by the four smaller squares, formed of
the same guilloche, containing an eflective and not un-

£ E

210 ROMANO-BRITISH MOSAICS.

common border in two colours, the centre being filled by a
double endless knot.

" By far the greater part of the cubes employed in this
floor were only sun-dried clay of a fine texture. Some
were cubes of chalk, and the rest pieces of broken Samian
ware, upon many of which the portions of figures or orna-
ments of various kinds occur on the under side.

" With the exception of a few found in the urn, the
sun-dried tessellce were of two different colours, one at least
having been tinted with some colouring admixture ; and it
is probable that the firing was omitted with a view of
obviating the red colour that would otherwise have been
imparted to the clay. The general size of the tessellce is
half an inch every way. In general outline it greatly re-
sembles one found in Dyer Street, Cirencester, some eight
years back ; the whole of the interior of which consists of a
circle and parts of circles within a square framework. But
the introduction of the central and corner squares in the
Walton design gives it such an admixture of straight lines
and curves, as produces a force and character that the Dyer
Street pavement does not possess.

" The pavement at Walton was formed on the solid
ground, with but a slight foundation of pounded brick under
it ; and as it was usual to form the floors of their principal
rooms hollow, for the purposes of warming, either this was
not a principal apartment, or the building was not of a very
important character. I adopt the former of these alterna-
tives. Among other remains was found a coin of Ves-
pasian."

M0.SA1C8 IN DORSETSHIRE. 211

DOKSET.

Dorchester.

"In February 1812, the Rev. Thomas Rackett, M.A.,
F.S.A., presented to the Society a drawmg of a mosaic
pavement found at Dorchester.^ The mosaic was discovered
two feet below the surface of the ground, in digging the
foundation for a garden wall belonging to the new gaol at
Dorchester (formerly the site of the castle), about three
years ago. Tlie pattern is very simple, and appears to
differ little from that of any tesselated pavement hitherto
observed in Britain. It consists of a series of three paral-
lelograms, one within another, each formed by two rows of
blue tessercB, on a white ground ; on each side of this is a
blue stripe formed by five rows of tesserce.

10.— "About ten feet in length of the pavement have
been uncovered, and it is 4^ ft. wide. It appears to be part
of a passage ; and as Dorchester is so well known as a Roman
station, it probably formed a part of a considerable and
elegant building. There is, however, but little prospect of
future discoveries, as the walls of the gaol stand within
a few feet of the eastern extremity of the pavement, and
other buildings intercept it towards the west. Not far
from this spot, whilst the wall above mentioned was build-
ing, several large and coarse tesserce were dug up, and
Roman coins are frequently found by the prisoners who are
permitted to cultivate the garden.''

Nunnery Meadow, quarter of a utile ived of Fravipton, a village
Jive miles distant from Dorchester.

11. — These pavements were discovered in 1796. On
that at A a variety of elegant ornaments and figures of

' Arrlia-ohjitiit, xvii, p. -VM).

212 ROMANO-BRITISH MOSAICS.

— I Jupiter, Mars pacifer, Neptune, Apollo,

"^ and Bacchus. The head of Mercury

is five times repeated. On one side

are dogs hunting, most of them in-

= A : differently executed, b. On this is
'^ a circular compartment in the centre,

round which were four squares and as many semicircular ones,
alternately, formed by a single guilloche of four colours ;
the centre much mutilated. A figure of a man on horse-
back is seen combating a lion with spear. The semicircular
compartments were all very imperfect, and not one of the
figures once contained in them was to be seen except a
fragment of that on the east side, in which was a head of a
small fish and tail of another. The figures at the north-
east angle w^ere quite obliterated ; that at the south-east
much mutilated. The other two squares were in better
preservation ; that at the north-west angle was entire. A
young man is seen sitting, with Phrygian bonnet on head
and pipe of reeds in his left hand ; also a female figure,
apparently addressing him. They are coarsely executed.

At the south-west angle is a young man reclining on a
piece of drapery, apparently in a dying state, from the
female figure who stands by holding an inverted torch, and
with her left hand on her breast. Beyond the compart-
ments above described and the guilloche border, is a border
of dolphins, in the middle of which, on the south side, is
the head of Neptune, with horns, and two dolphins pro-
ceeding from his beard. Above this is an inscription
running in two lines on both sides of the head —

NEPTVNI VERTEX REGMEN SCVLTVM CVI CERVLEA EST

SORTITI MOBILE VEXTIS DELFINIS CIXCTA DV^OBVS

(Ccei'idea harha)
Below this the sign J. The ornaments of this lower part

THE FRAMPTON PAVEMENT. 2 I 3

seem inferior to those of the square, and probably the work
is of a later age. At the eastern extremity of the square
appears the lower part of a human figure ; and on one side
of it an inscription in two lines, the beginning of which is
mutilated, runs thus —

(Facinus) nvs perficis yllvm

CNARE CVPIDO

TessercB of these two pavements are mostly of half- inch,
except the figures, in which many of them w^ere smaller.
The colours are five, — red, blue, white, yellow, and dark
brown, of which last the outlines were usually formed. The
white are of a hard kind of pipeclay ; the blue of Cornish
slate ; the yellow of a hard kind of stone, which seems to
be stained by art ; the red and dark brown are of burnt
clay. Tlie mortar in which they were set was inferior to
that at Woodchester and other places.

12. — There is a smaller pavement to the east of this,
21 ft. by 15 ft. In the middle was a circular compartment,
the border of which was a scroll of foliage between two
guilloches ; in the centre was a leopard, with some remains
of a clothed figure sitting on it. At one end of this pave-
ment was an oblong compartment containing fragments of
group, a man combating a leopard ; and another at the
opposite end, with similar fragment of a man hunting two
wild animals. Several fragments of stucco painted with
stripes were found in the ruins, and a few coins of the Lower
Empire.

The long piece of pavement is 8 ft. 2j in. wide and
94 ft. long.

13. — Plate VII. — Another pavement, more entire than
the others, lay to the north of the long corridor, measuring
19 ft. 4 in. by 12 ft. 8 in. There were five octagonal and
ten hexagonal compartments, formed by a single guillochc

214 ROMANO-BRITISH MOSAICS.

The central one contained a bearded head (Neptune), and
four other heads of Nereids with shells. In the hexagonal
compartments were figures of dolphins, and at each end a
plain Vitruvian scroll, with spirals to represent water.

14. — The pavement of a passage, 42 ft. by 5 ft., leading
from the pavement last described to those first discovered,
was ornamented with double fret running down the whole
length of it. The mosaic work here was of a coarser kind,
and of only two colours, dark brown and white. Under the
pavement at a the foundations were found to be as follows :
9 in. of hard terras, with Avhite pebbles and bits of brick ;
1 ft. of large flints laid in mortar, interspersed with bits of
burnt wood ; 2 ft. of yellow sand with bits of brick and
other substances. Total thickness, 3 ft. 9 in.

Barton Field, in jMrish of Tarrant Hinton, five miles from
Blandford}

15. — A small house, the walls in stucco, painted with
frescoes ; stuccoed floors in two rooms, and tessellce scattered
over the field. Also large ruins in which was one tesselated
floor, perfect. Design was plain, consisting of two coloured
squares ; the tesserce red and white. Three 3rd brass
coins of Constantine and one of Constantius.

Preston, near Weymouth}
16. — In a field near the church a Roman cemetery and
ruins of a temple were found in 1842, a villa or bath in
1844, and in 1852, a pavement, described on the spot by
the Rev. Prebendary T. Baker, at the Congress of the
British Archaeological Association at Weymouth in 1871.
An atrium twenty-one feet square was found, and nothing

* Brii. Arch. Assoc. Journal, Winchester vulunie, p. IT'J.
^ Ibid., xxviii, p 94:.

PAVEMENTS IN DORSET. 2 1 5

on the north of it. A room at the south-west, with very-
rough tesserce, the court paved with stone in the centre ; and
a room to the south-east, about 12 ft. square, also roughly
paved with tesserce. There was a long wall, 63 ft. 8 in. in
length. The white tesserce belonged to the lower chalk,
the red being of burnt brick, and the black pieces umber, or,
according to Mr. Edward Roberts, of the brown sandstone,
of which there was a high chff at Lulworth.

The pavement was found in excellent preservation, and
the surface very slightly damaged. It was about eighteen
inches below the soil.

FiFEHEAD Neville.

Mr. Middleton communicated the subjoined notes on
the site of a Roman villa, which were illustrated by care-
ful drawings of a pavement and other remains.^ " The land
where these Roman remains have just been discovered is
the property of Mr. Wingfield Digby, of Sherborne Castle,
but the fact that they have been discovered and exposed
to view is owing to the energy and care of Mr. W. W.
Connop, of the Manor House at Fifehead Neville.

" The digging up of great quantities of fragments of
Roman bricks and worked stones in a field called
'Verlands', about ten or twelve acres in size, led Mr.
Connop to have excavations made at a })oint where these
seemed most abundant, and the result has been the follow-
ing discoveries.

17. — "First, a fine mosaic pavement, about 13 ft. 6 in. by
11 ft. 6 in., as shown in the drawing exhibited. The design
consists of a sort of vase in the centre ; next, a ring, round
which fishes (something like gurnets) are swimming ; next, a
larger ring, containing four sea- monsters, rather like dolphins

' Proceedings of Sac. AiUlq., IG June 1881.

210 EOMANO-BRITISH MOSAICS.

in shape. This outer band is set in a square, the corners
being filled up with a flowing ornament, and the remainder
of the surface is filled up by bands of red and white, con-
taining a sort of battlement ornament ; round the whole is
a broad panel of plain bluish-grey tesserce larger than the
rest. The colours and materials used are these : — 1, the
main part of the ground of hard white clunch ; 2, a bright
red, made of terra-cotta ; 3, brown, made of soft argillaceous
pebbles, existing in great quantities in a neighbouring
stream ; 4, bluish grey, made of Purbeck marble. The
tesserce average half an inch square, and a little more in
thickness. They are set on a thin bed of cement. The
walls round this pavement have been almost entirely dug
up and carried away for building purposes ; and this is the
case with all the walls of the villa, so that it is impossible
now to make out the plan.

"The surface of the mosaic was only from nine to twelve
inches below the level of the ground, and consequently some
damage has been done to it by ploughs passing over it.
The next room contained the hypocaust, and was of the
same width as the room with the above-mentioned pave-
ment. The internal walls of the villa appear to have been
coated with coloured decoration in blue, white, green, black,
and red.

"A considerable quantity of 3rd brasses have been found,
chiefly illegible fi'om corrosion. The few that can be deci-
phered are of Probus, Carinus, Constantine the Great, and
his sons ; the latest being of the middle of the fourth
century. It appears as if the whole of the large field in
which these discoveries have been made was once occupied
by Roman buildings."

217

CHAPTER XIV.

Mosaics in Hampshire and Isle op Wight — Accounts of the Situation of
the various Roman Villas where Mosaics have been found — Particular
descriptions of the latter — Coins found near — Authorities quoted.

THE county of Hampshire, occupied by the Belgians in
the time of Juhus Csesar, next claims our attention,
their territory extending across to the other sea, that is, to
the Bristol Channel. If the Belgians of Gaul were the
most warlike and powerful of all the tribes there, so we
may presume were the nation of the Belgse in Hampshire,
who were a portion of the same people, according to Julius
Caesar. They were rich in flocks of sheep, as well as in
men and in property.^ If Havant, then, was their chief
town, or Venta Belgarum on the south coast, we may well
suppose a large trade to have been done there in wool, the
chief staple of the country ; and when occupied by the
Romans, it is not surprising to find numerous and wealthy
settlements at Havant, at Brige, Sorbiodunum, and Vindo-
gladia and neighbourhood, and villas paved with mosaics,
during the period treated of in this work. Two of these, at

^ The two passages in which reference is made to them are as follows
(C. J. Csesar, Comm. de B. G., 1, i) : " Horum onniium fortissimi sunt

Belgse : proximique sunt Germanis qui trans Rhenum incolunt, qui-

buscum continenter bellum gerunt." And as to the British Belgians, he says
(i6., V, 12) : " Maritima pars ab iis, qui, prsedae ac belli inferendi causa, ex
Belgis transierant, qui omnes fere iis nominibus civitatum appellantur,
quibus orti ex civitatibus eo pervenerunt, et bello illato ibi remanserunt,
atque agros colere coeperunt. Hominum est infinita multitudo, creber-
rimaque aedificia, fere Gallicis consimilia ; pecornm magnus numerus."

F F

218 ROMANO-BRITISH MOSAICS.

Thruxton and Bramdean, are especially interesting, both
from their designs and the inscriptions upon them.

In the Salisbury volume of the Eoyal Archseological
Institute is a coloured engraving of the former, from a
private plate in the possession of Joseph Clarke, Esq., of
Saffron Walden ; and from the description there given, it
appears that the whole building at Thruxton, of which the
tesselated pavement formed a part, " was in length eighty-
five feet and in width fifty feet. Its walls were composed
of large and rough flints embedded in mortar. These had
fallen inwards and buried a chalk floor, in which were
placed two rows of upright stones, five in each row, of a
large size and perfectly smooth on their upper surface, being
of polished freestone. These rows of stones were one-and-
twenty feet apart. Midway between the rows of stones, a
human skeleton was discovered, lying on the floor of the
building, and cross-legged. Near to it, and about twelve
feet from the end wall, a small axe, the head of an arrow,
and several small coins, etc., were found. At the end
another human skeleton was uncovered, but, unfortunately,
destroyed ; and at some distance behind the outer wall was
a third skeleton. The building appears to have been roofed
or covered with slates, as numbers of them were found
among the ruins. The walls, too, and probably the ceilings,
were plastered and painted, as many fragments of plaster,
variously coloured, were found.

" The recent discoveries at Cirencester only serve to
make the pavement at Thruxton doubly interesting. The
figures on the Cirencester pavement are of the highest class
of design, and perhaps stand unrivalled among similar
remains of Roman or of Grecian art ; but the architectural
arrangement of the different compartments of the floor
at Thruxton, and the disposition of the embellishments
and enrichments, are, perhaps, inferior to none hitherto

PAVEMENTS IN HAMPSHIRE. 219

discovered. The inscription also claims our particular
attention. Quintus Natalius Natalinus et Bodeni
is on one line at the top of the pavement, hut the line of
inscription at the bottom is destroyed, except the two
letters v and o."

The author of the above description suggests that by
substituting b for an interchangeable letter — v or w — some
connection with Woden may be traced ; and this seems
more probable than that the w^ord Bodeni can be the name
of a tribe or people. The word is perhaps continued in the
next line, which no longer exists, and there is nothing to
substantiate the conjecture that v and o are parts of the
sentence ex voto. The same writer refers to a ' Natalis' in
the Annals of Tacitus, in the time of Nero. He was of
equestrian rank, and in the confidence of Piso, who headed
the conspiracy against Nero. It is not improbable that Q.
Natalius Natalinus might be descended from the Boman
knight who acted so conspicuous a part on this occasion.

We know that the Saxon kings boasted a descent from
Woden ; their genealogies from that hero being given in
the Saxon Chronicle.

The second villa in Hampshire which claims especial
attention is that at Bramdean, remarkable for the interest
and diversity of its pictured mosaics. The gods and godesses
portrayed on them are the divinities presiding over the
several days of the week, which has been pointed out by
. Mr. C. Boach Smith, in his Collectanea Antiqua, vol. ii.

At Bramdean, bust of Saturn has been destroyed. This
would represent Saturday.

Sol, with radiated crown and whip, Sunday.

Luna, with the crescent moon, Monday.

Mars, with helmet and spear (Fr. Manli), Tuesday.

Mercury, with winged cap and caduceus (Mercredi),
Wednesday (Woden's day).

220 ROMANO-BRITISH MOSAICS.

Jupiter, witli sceptre in form of a trident (Jeucli),
Thursday (Thor's day).

Venus, with a mirror (Vendredi), Friday (or Freya's
day).

The eighth head has been destroyed ; the design of
which, to complete the even number, seems to have been
chosen almost at pleasure.

Mr. Smith illustrates this by reference to a votive altar
in the museum at Mayence, found at Castel, 3^ ft. high,
divided into two parts, the lower being quadrilateral, the
upper and smaller being octagonal. On the former are
Mercury, Hercules, Minerva, and Juno ; and on the latter
Saturn, Sol, Luna, Mars, Mercury, Jupiter, and Venus.
The eighth is inscribed HDD, In Honorem Domus Divince.
Montfaucon has published an engraving of the seven busts
in a boat.

The bronze forceps, before referred to in chapter iv,
illustrates this subject, and is now in the British Museum.
It is surmounted by small heads of Juno and Cybele,
crowned wdth towers. Lions' heads are on each handle,
and horses' heads at the point, where was the hinge.
Ranged up each shank, beginning from the handle, are
diminutive heads, in metal, of Saturn, Sol or Apollo, Diana,
Mars ; and down the other flange follow in succession
Mercury, Jupiter, Venus, and Ceres, to make up the eighth.
The two shanks, 11^ in. in length, now separated, together
formed a forceps, probably used for securing by the nose
the victim about to be sacrificed.

The Romans generally began their week with Saturday,
not with Sunday ; as did Ausonius in the lines quoted at
page 45.

To Cace p mi.

ITCHEN ABBAS. 187S.

Roman Pavement, found at Itchen Abbas
near winchester. march. 1878.

ABOUT 6 FEET SQUARL

CoLourv. black. w/vUccuui red.
on. bctK pave/nenta

l.COlLltK OIL'

To face p. 221.

MOSAICS AT ITCHEN ABBAS AND THRUXTON. 221

HANTS.
Itchen Abbas, near Winchester}

1. — The best design is a square of twelve feet each way.
Outside is a braided guilloche border ; next to it a fillet ;
then a plain guilloche and another fillet ; then a circular
medallion in the centre, formed by a guilloche border on
dark ground. In the medallion is a head, w^reathed, and
from it proceed six stars upon stems, — or are these intended
for the ivy -leaves of Bacchus ? In the spandrils between
circle and square are two knots of guilloche pattern, and
two floral ornaments with tendrils. The colours are black,
white, and pale blue.

2. — Others form the flooring of two rooms, measuring
16 ft. by 8 ft. and 6 ft. by 6 ft. The design of one was a
central guilloche knot, in the form of a square, and around
this a labyrinth pattern at the comers, alternating with a
floral panel and a strip of guilloche pattern ; the borders
were of red tesserce for about eighteen inches from the walls.

3. — The design of the other was an oblong double-braided
guilloche border ; three panels or compartments are divided
by a guilloche border. The central square contains within it
a circle of geometrical design. The other compartments have
a cantharus in each, and scroll pattern. Two coins were
found here, one not to be deciphered; the other was of Con-
stantine, with the legend sarmatia devicta.

Thruxton, between Amhresbury and Andover.^
4. — The pavement here has a central medallion, with the
figure of Bacchus crowned with leaves ; a cu[) in his right
hand and a stem in his left. He sits upon a tiger or leopard,

^ Brif. Arch. A^i^w. JournaJ, xxxiv, pp. 23i-i), •■>(•!.
- Ji.A.I., Salisl)\iry vuliimc, \>. L'll.

222 ROMANO-BRITISH MOSAICS.

which crouches beneath him ; and four leaves and stems of
the vine (iudging from the tendrils) fill up the background.
In the spandrils formed by the outer circle and inner square
border are four female busts, apparently representing the
seasons.

The outer border of this pavement, which is sixteen feet
square, is formed of single red lines on a white ground,
describing geometrical figures, in two of which are two
small crosses. This border surrounds a square of elaborate
design, of which a guilloche border is a distinguishing
feature; and in a line above this square is the inscription,
very perfect, qvintvs natalivs natalinvs et bodeni ; below
the square the pavement is very imperfect, and only two
letters, v o, with an interval between wherewith to com-
plete the inscription above. Contained within the square
is the circle, surrounded by a guilloche border within lines
of yellow and red, while another smaller circle forms the
central medallion before referred to, which is also sur-
rounded by a similar border as the larger circle, and the
intervening space between the circles is divided by same
border into eight compartments. Each of these contains a
human head wearing a cap, one of them being in the form
of the Phrygian, and from the necks proceed floral orna-
ments. The coins found are small brass of Gallienus,
Claudius II, Maximin, Carausius, Constantine the Great,
Crispus, Constantine II, Constans, and Magnentius, a.d.
254 to 360.1

Crondall, half-ioay behveen Farnham and Odihavir

5. — Square pavement in good preservation. Within two
arabesque borders are six octagon compartments filled with

' Arckcuologia, xxii, p. 49; fjentleman't< Magazine, Sept. 1823.
- Archceo/ogia, xxii, p. 54.

MOSAIC AT BRAMDEAN. 223

various designs, and in the central one is a cantharus with
two handles. The pavement not equal" to those at Thrux-
ton and Bramdean.

Bramdean, near Alresford}

6. — Two of the apartments of villa found here deserve
attention, each being decorated with historical subjects.
The first has a square pavement with angles cut off, in each
of w^iich was the representation of a vase. The central
compartment was circular, with two intersecting squares
within it, and within those squares was an octagon in
which is the head of Medusa. In the space between this
circle and the outer square border were eight compartments
of this form, in each of which was the head of a deity,
of which four only remain perfect, that is, Venus with her
glass, Jupiter with a sceptre in form of a trident. Mercury
with his caduceus. Mars in armour with his helmet and
spear. Parts of two more indicate Diana with her crescent,
and Sol with radiated crown and whip.

7. — In same line with the above, but somewhat sepa-
rated, is another mosaic pavement, of larger dimensions and
much richer in its decoration than the former. It was laid
on piers, and the flues that warmed the room are still
visible underneath. It is composed of four intersecting
squares, and in the centre is an octagon compartment con-
taining a design of the story of Hercules and Antseus. In
'each of the four squares there is a head placed within an
octagon ; in two of the extreme angles are two vases, and
in the others arabesques; and in the centres between the
angles are vases and dolphins. Hercules is seen lifting
Antseus from the ground, before he touches it to recover
his strength in presence of his mother Terra. The work-

' Archceolnriia, xxii, p. /)2.

224 ROMANO-BRITISH MOSAICS.

manship is superior, and coins of the Lower Empire have
been found.

Abbot's Ann, two miles and a quarter 8. W. hy W. from Andover.
8. — " This, called in the earliest records the manor of
Anna, anciently belonged to Hyde Abbey, Winchester. In
a field about a mile south-east of the church were discovered,
a few years ago, the remains of a Roman villa. "^ Some
pieces of mosaic pavement were removed, and are now
placed in the British Museum, in compartments Nos. x, xi,
and XII, in the Roman gallery on the ground-floor.

^ Topographical Dictionary of England, by Sam. Lewis. London, 1849.

T-4\n

SCALE OF FEET

PLAN OF REMAINS OF ROMAN BUILDINGS
NEAR BRACING, ISLE OF WIGHT.

•

225

CHAPTER XV.

Mosaics in Hampshire and Isle of Wight {continued) — Descriptions of the
Mosaics and Coins found near them — Some passages in history
quoted in ilhistration.

THE position of the villa at Morton, Isle of Wight, and
the history of its discovery, can best be given in the
words of Messrs. Price, in their Guide to the Roman Villa,
etc. (Yentnor, 1881). " In few parts of the island will the
changes in the configuration of the land, since the with-
drawal of the Roman legions, be more apparent than in the
vicinity of Brading. At high water the haven has all the
apjDcarance of a lake; it encloses an area of 840 acres,
which opens into the Solent, between the headlands of
Bembridge and St. Helen's. At low water it is mostly an
expanse of mud, with a narrow channel through which the
Yar meanders to the sea. Many attempts have been made
to reclaim this valuable tract, but without avail. It is said
that in the course of an attempt to throw an embankment
across the mouth (which the sea quickly washed away) a
well cased with stone was found. It was near to the middle
of the haven, demonstrating that its site had on.ce been dry
land, and that the sea had overflowed it within the histori-
cal period. Captain Thorp of Yarbridge, who has through-
out our work been an ever-zealous colleague, is under the
impression that he has discovered an ancient ford in the
direction of Yaverland and the shore line. We have
recently come across important indications of a road or
way, the direction of which has yet to be ascertained.

" The site chosen for the erection of the buildings now

G G

'22C) RO>rAN()-BRrTlSH ^[OSAICS.

in course of excavation is a remarkably fine one ; centuries
since it was in one holding, but at the present time these im-
portant remains are partly on the property of Lady Oglan-
der of Nanwell, and partly on the property of Mrs. JMunns ;
indeed, the line of demarcation runs in a direct line through
three of the apartments excavated. The two fields at
Morton are known respectively as ' Seven- Acre Field' on
one side and 'Ten- Acre Field' on the other ; they together
form an elevated site wliich, looking towards the high road
which separates them from the lowlands and marshes, appears
as a gentle slope of cultivated land, which would have at
once commended itself to the attention of Roman architects.
Their text-books on such matters contain many important
hints as to the selection of sites for building operations, and
in this case there is every advantaofe to be desired. Look-
ing seawards, there is to the left Brading-down and the
bold chalk range of hills terminating in the promontory of
Culver Cliff, while to the right is the growing town of
Sandown, Avith the picturescjue hills and vales leading on-
wards to Shanklin and Ventnor.

" Skirting Brading-down, and marking a boundary line
to tlie field in which our excavations are situated, is a fosse
way, which as a bridle-path has in turn been used by Celts,
Komans, and Saxons, and runs at the base of the hills by
Arreton to Newport and Carisbrook. The vast tract of
land which, separates this position from the sea is at high
tides mostly covered by water, and in olden time it is
probable that the site selected by the Roman colonists was,
as it were, insulated from Bembridge-down and the adjoin-
ing heights; but in the indication of buildings discovered at
Brading Haven, and the encroachments of the sea upon
certain portions of the coast, we see how much there is to
be investigated, in a geographical point of view, ere any
opinions can be confidently expressed.

PAVEMENT AT MORTON, NKAR BRADING. 'I'll

" The present explorations originated in the finding on
Mrs. Munns' property such indications of Roman buildings
as offered encouragement for further investigation. On this
land, walls, roof-tiles, and traces of pavements were dis-
covered by Captain Thorp of Yarbridge, who devoted a
considerable amount of energy and zeal to a complete
examination of the ground.

" A description of the discoveries then made has been
printed by the Rev. S. M. Mayhew, F.S. A., in the Journal of
the British Archceological Association, vol. xxxvi, and Mr.
C. Roach Smith, in his Collectanea Antiqua, vol. vii, p. 23.
It was subsequently suggested that, in order- thoroughly to
explore and ascertain the full extent and nature of the
buildings, excavations should be started on the adjoining
land belonging to Lady Oglander. Upon the introduction
of our esteemed colleague, Mr. Roach Smith, himself a
native of the island, and his relative, F. Roach, Esq., of Arre-
ton. Lady Oglander most kindly accorded the permission
required. The co-operation was also obtained of JNIr. Micali
Cooper, the present tenant, and arrangements made; the
work commencing in August last, was, with brief interrup-
tions, continued to the present time.

" The chambers traced are laid down upon the ac-
companying ground plan, reduced from an accurate draw-
ing prepared to scale by Mr. W. R. J. Cornewall Jones of
Ryde. Their positions indicate how much has yet to be
excavated ere any notion of the extent or purpose of the
building can be properly obtained ; we have, therefore,
abstained from theorising as to the objects of the various
chambers, or from allotting any names to them, as it would
be premature until further explorations have revealed the
whole buildino-. A nnnibci- has been nflixed to oacli cliainht'i-
corresponding with llic plan. The looiiis iniiiiKcitMl iVoiii
I to 5, together with parts of (>. 7. and s. ;ii<' upon tlio

228 ROMANO- BRITISH MOSAICS.

property of Mrs. Munns, and are divided from that of Lady
Oglander by the hedge. These were excavated by Captain
Thorp of Yarbridge, in April last, and we are indebted to
him for the list of antiquities then discovered."

The period indicated by the coins found in this exten-
sive villa recall several passages in Roman history which
bear upon our own. From the time when Septimius
Severus and his wife went up to check the invasions of
Roman Britain by the Caledonii, the lords of the forest,
and the Mseatre, the dwellers in the plains, to the reign of
Aurelian, and even as late as Constantine, the worship of
the sun luider the oriental form of Mithras in a cave, with
its Persian rites and self-denying initiations, seems to have
eno-ag-ed the minds of men in North Britain as elsewhere ;
and perhaps before this time, as it prevailed in E-ome as
early as the reign of Trajan. Mithraic worship was im-
ported into Alexandria under the name of Serapis, where
the magnificent temple to the god was considered one of
the wonders of the world. The same form Avas introduced,
under the simple name of Helios, into Palm3a'a, a city
which had been restored by Hadrian, and whose citizens
were proud to call their city after him, Haclrianopolis,^
instead of Tadmor in the Desert {the City of Palms). The
same divinity was recognised as Baal at Baalbec, where
that famous Temple of the Sun was erected which gave the
name of Heliopolis to the city situated at the foot of the
Antilibanus, on the road between Tyre and Palmyra. This
latter great city, placed half-way between commercial Tyre,
on the coast of the Levant, and the head of the Persian
Gulf, was enriched by the important traffic of the east with
the western world ; and it \vas the interest of the Romans
that it should be carried on by this route through Palmyra
rather than by the Black Sea, and through Greece. The
^ Stcjhanu,- Byzantimio.

AURELIAN AND QUEEN ZENOBIA. 229

palm-tree grew luxuriantly in this oasis of the Arabian
Desert, and gave its name to the city whose Corinthian
columns (some standing in situ, and others strewing the
ground) recall the favourite architecture of the Romans in
the age of the Antonines. The traveller of the present day
wanders with astonishment amidst the columns, the pedes-
tals, and ruined walls of the Temple of the Sun, which
stand among Christian churches, Turkish mosques, sepul-
chres, and the mud huts of the miserable villagers who now
dwell there.

The historical episode of the reign of Queen Zenobia,
who defied the whole power of Kome from this her capital
city, first in union with her husband, and after his death
on her own responsibility, threw a lustre upon the brief
reign of the Emperor Aurelian, a.d. 270-275. It will
be remembered that he put an end to the Gothic war
by surrendering the Dacian conquests of Trajan north of
the Danube, fixing that river as the boundary southward
of the Gothic kingdom. He chastised and repelled the
Marcomanni, who had invaded Italy ; and what is speci-
ally interesting to us, he recovered Gaul, Spain, and Britain
out of the hands of Tetricus, whose copper coins are so
numerous in this country. After this, turning his arms to
the east, he set about subduing the determined and ])ower-
ful Zenobia, and defeated her two armies in the battles of
Emesa and Palmyra. The Queen fied on a di-omedary as
•far as the river Euphrates, but was captured by the liglit
cavalry of the Emperor Aurelian. The triumph at Rome
followed, and the captive Zenobia, in fetters of gold, and
the ex-Emperor Tetricus and his son, had to march in the
procession of the exultant conqueror, who rode up to the
Capitol in a chariot drawn by four stags which had belonged
to one of the German kings.

Tetricus had been instigated to assuiiii' the puri»k', and

2:30 ROMANO-BRITISH MOSAICS.

his son the title of Caesar in Gaul, by Victoria, mother of
the deceased Victorinus ; this lady having been hailed by
the soldiery with the Imperial appellation, "Mother of the
Camps" [Mater Castronim), but she did not long survive
the honour.

Tetricus and his son, after being led captive in triumph,
were promoted to high positions by Aurelian, whose con-
science smote him for thus ill-treating noble and highly
gifted Romans. He not only permitted Tetricus to live,
but gave him the governorship of all Italy, calling him
often his colleague, sometimes his fellow-soldier, and at
others imperator. Trebellius Pollio relates that, in his
time, the house of the Tetrici, father and son, was still
extant on the Coelian Hill, between the two groves. It was
a fine building ; in it Aurelian was depicted, in mosaic
work, giving to both of them the prcetexta, a mark of sena-
torial dignity, and receiving from them a civic crown. At
the dedication of this house the two Tetrici are said to have
invited Aurelian himself to be their guest.

A new fact of history connected with the Tetrici has
lately come to light by the discovery, in May 1879, of an
inscribed stone, excavated on the Place Lavalette, witliin
the citadel of Grenoble. It is engi'aved in bold but not
deeply cut letters, on a stone wdiic^h appears to have formed
the pedestal of a statue. The dedication is to Claudius
Gothicus, who was proclaimed emperor under the walls of
Milan about the 20th March, a.d. 268. On his election he
lound civil war raging in various parts of the empire.
Aureolus had been acknowledged emperor at Milan by the
troops, and Tetricus, Governor of Aquitaine, had accepted
the sovereignty of Gaul and of Spain, after the death of
]\larius in 268, soon after the death of Gallienus. Claudius,
having defeated the Allemanni on the shores of Lake Garda,
marched a^'ainst Aureolus. who was defeated and killed.

CLAUDIUS II AND TETRICUS. 'JMl

The inscription is referable to the year 269, corres])onding
to the second year of the Tribuniciate and of the Consulate,
and seems connected ^^'ith an expedition directed against
Tetricus. The presence at Grenoble of the prefect of the
municipal guards of Rome and of a corps of tlie Imperial
guard show that the troops quartered in the town had
been detached from the garrison at Rome.

Claudius, however, had not time to put this project in
execution, for the Goths had invaded the empire, notwith-
standing their recent defeats. He said, " The war Mdth
Tetricus was his own affair ; that Avith the Goths was in
the interest of the public, and therefore it was his duty to
prefer the latter," The detachment at Grenoble, then
under the command of Placidianus, was no doubt stationed
there to watch Tetricus and prevent him from throwing
himself upon Italy during this war. Grenoble was on the
direct road from Vienne to the Cottian Alps.

The inscription shows also that Grenoble and the Nar-
bonnese, or at least a part important enough to be called
the Narbonnese Province, obeyed the Emperor Claudius, at
a time when Tetricus ruled over the rest of Gaul.

Claudius died in the year 270, at the age of fifty-six
years. The inscription is preserved in the epigraphic
museum of Grenoble. The text is as follows :

IMP . CAESARI EQVITES . ITEMQVE

M . AVR . CLAVDIO PRAEPOSITI^ . ET . DVCE

PIO . FELICI . INVICTO NARI . PROTECT . TEN

AVG . GERMANICO DENTES . IN . NARB

MAX . P. M . TRIE . POTES PROV . SVB . CVRA . IVL .

TATIS . II . COS . PATRI . PA . PLACIDIANI . V . P . PRAE

Till A E . PROC . VEXIL . FECT . VIGIL . DEVOTI

LATIONES . ADQVE NVMINI . MAIESTA

TIQVE . EIVS .

^ The officers of the Prietorian cohorts bore the names of Centenarii,
Ducenarii, and Trecenarli, representing the pay of 100,000, 200,000, and
300,000 sesterces, or £800, i;l,G00, and £2,400 a year.

232 KOMANO-BRTTISH MOSAK^^.

" To the Emperor Ca3sar Marcus Aurelius, Claudius, the
dutiful, fortunate, invhicible Augustus, Germanicus, Maxi-
mus, Pontifex Maximus, the second tmie Invested with the
Tribunlclate, Consul, father of his country, Proconsul.^

" The detachments and cavalry, as well as their com-
manders and tribunes of the Praetorian cohorts of 200,000
sesterces quartered In the Narbonnese Province (have
erected this statue) under the care of Julius Placldianus,
most perfect personage, Prsefect of the municipal guards,
devoted to the divinity and the majesty of the Emperor."

1 am Indebted for the whole of this account to the
description read by M. Florian Vallentin at the Congress
of the Society of French Archaeology, held at Vienne In
1879, and the references he has given in the notes.

Another curious Inscription found at Grenoble again
introduces us to this Julius Placldianus, who had then
attained the rank of Praetorian Praefect.

IGNIBVS
AETERNIS . TVL
PLACIDIAKVS
V . C . PRAEF . PRAE

TORI
EX VOTO POSVIT^

He became Consul in 273, and was the colleague of Tacitus,
who was proclaimed Emperor In 275.

Besides the suggestions offered by the coins found In this
villa, the Bacchanalian subjects in the large dinlng-hall
call to mind the question of the cultivation of the vine in
Britain. Domltian, besides banishing the astronomers, or
mathematicians, as they were called, from Rome, though

' V. Allmer, Insc. Antiques de Vienne, p. 384. Rev. Arch., Aout 1879,
p. 120. Bull. Mon., 1879, pp. 432, 539.

2 Long, Antiq. Rom. du Pays des Vocontiens, p. 183. Florian Vallentin,
Divinitei^ '■'■ Jjidiqetes''' du Vocontium, p. 67.

CULTIVATION OF THE VINE. 233

they seem to have been allowed to talk freely enough in
the suburban villas, is said to have forbidden the cultiva-
tion of the vine in the Ionian provinces, and even to have
caused the vineyards already planted to be rooted up.

Dr. Merivale seems to consider the story, reported only
on the authority of Philostratus, in his life of Apollonius,
as weak in evidence. He says^ : "It seems more likely that
the edict referred to was part of a general measure, such
as that indicated by Suetonius, by which the Emperor,
alarmed at the increasing dearth of corn and cheapness of
wine, prohibited the withdrawal of arable land from the
plough in Italy, and restricted the cultivation of the vine
throughout the provinces to one-half, at most, of the extent
to which it had been developed. The culture of the vine
continued, however, to depend on the favour of the Govern-
ment." Thus we read, at a later period, of the Emperor
Probus granting such an indulgence to certain of the
northern provinces,^ to Britain among the number. He
also employed the soldiers to plant new vines on the slopes
of Mounts Alma and Aureus, near the Danube, in Illyricum
and Msesia.^

It would be interesting if Messrs. Price, in their future
excavations to the foundations of this villa and its out-
works, were to come upon any sockets for upright stones or
posts to support the trellis-work for vines, as used in the
south of Europe, or other arrangements for their culture in
the form of vineyards. The aspect and locality is favour-
able to the growth of the vine, which was encouraged in

* History of the Romans under the Umpire, by Charles Merivale, B.O.,
vol. vii, p. 139.

^ Vopiscus, in y^'o^o., 18. " Gallis omnibus et Hispanis ct Britannis
hie perrnisit ut vites haberent, vinumque conficerent."

3 Ibid. "Ipse Almam montem in Illyrico cirea Sirminrn rnilitari nianu
fossvim, lecta vite consevit, nhi passim."

H H

234 ROMANO-BRITISH MOSAICS.

later ao-es in the monasteries often built on the sites of
Roman villas.

HANTS AND THE ISLE OF WIGHT.

Morton, hetweeii Sandown and Brading}

The walls of a villa here were first discovered in 1880.
One portion of the building has been since excavated and
twelve rooms laid open, some of which display a beautiful
series of mosaics, that is, the rooms numbered 3, 6, 9, and
12 in Messrs. Price's plan.

No. 3 was first vnicovered, which lies on the south side
of the building ; adjoining this, and running up towards
the north, is a long gallery, numbered 6 in the plan, in the
centre of which is Orpheus, and on each side of the square
containing this figure the pavement is filled up with
chequers of large red and white tesserce.

Further north, at the end of this gallery, is a long
chamber running east and west, or nearly so, for the walls
do not run at the exact points of the compass, but these
points are named to facilitate the description.

9. — ^Chamber No. 3 measures 15^ ft. by 17-| ft. ; the space
containing the mosaic measures 9-g ft. by 10^ ft., and in the
centre is a female head, a staff or stemma leaning upon her
left shoulder. The angles of the outer square are cut off by
quarter-circles, on one of which, that on the north-western
side, is a head, perhaps one of the seasons. The subjects of
the other three angles cannot be distinguished, by reason
of decay, and between these are panels, on which three
subjects are depicted, that to the east being totally
destroyed.

^ Brit. Arch. Assoc. Joiirnal, xxxvi, p. .363. Guide to Villa, by Jno. E,
Price, F.S.A., and F. G. Hilton Price, F.S.A., F.G.S., 1881. Antiquary,
Jan. 1881, — Nicholson, F.S.A. V. R. Smith, Collectanea Antiqua, vii.

To face p. 334.

BRADING fRoom \o. 3,011 Mr. Prices Plun).

MORTON PAVEMENT, LSLE OF WIGUT. 235

On the western side are two gladiators. One has a
trident and net ; the other is engaged in combat with him ;
but the figure is in great part destroyed. On the south
side the panel is very perfect, and represents a man with
the head and wattles of a cock, and with the legs of the
same animal armed with long spurs. He is dressed in a
tunic, with a wand in hand, and stands in front of a house
with ladder of four steps leading up to it.

On the right hand of the building are two animals like
panthers, moving in opposite directions, and they are each
furnished with a pair of wings. On the north side is a fox
under a tree, probably a grape vine. In the centre of the
picture is a house with a cupola, perhaps a wine-press ; the
rest is destroyed.

10. — The colonnade or corridor. No. 6, extends from the
margin of No. 3 to the step leading into the Medusa room,
No. 12 ; the whole length is fifty feet. It is probable this
corridor included the room No. 3, just described, as no wall
had been discovered between them. In this case the whole
length would be 65 J feet.

From the margin of the ornamental pavement of No. 3
to the commencement of the guilloche border is twenty-one
feet ; then occurs the figure of Orpheus, seated, wearing
a red Phrygian cap and playing a lyre, by which he is
attracting several animals, that is, a monkey, a coote or
other bird, a fox, and a peacock.

Coins have been found here of Gallienus and Salonina,
A.D. 253 to 268 ; Victorinus, 265 to 267 ; and Tetricus,
267 to 272. The paintings on the broken pieces of stucco,
which once adorned the walls, lie about in great profusion ;
and on one of the pieces is a bird of the parrot species, well
drawn, and the colours perfectly preserved.

1 1. — The large room. No. 12, measures 39 ft. 6 in. from
east to west, by 19 ft. in the western portion; 15.| ft. in

236 ROMANO-BRITISH MOSAICS.

the eastern portion, and 11 ft. between the piers in the
centre. The pavements in this room are of great beauty ;
that at the west end is ahnost square, its dimensions being
13 ft. 6 in. by 13 ft. 10 in., divided into compartments
edged with guilloches in half-inch tesserce of white, black,
and red. The design may be described as consisting of a
central circle within a square. The corners are marked off
by a quarter-circle within a square, and between these figures
are four oblong panels, on one only of which can the subject
of the mosaic be deciphered ; the others are destroyed.
This subject consists of two figures, seated ; the one holding
up in right hand a human head, and in the left the weapon
with which the head was severed ; the other figure is nude,
and seated ; the mosaic is in dark brown and other tesserce.
At the feet of the figures is an indication of some object
associated with the myth. In the corners are the seasons;
that at the north-west corner alone being missing. Spring
appears at the south-west corner, a female head decked
with poppies, typical, perhaps, of Juno, as in the spandril
of the circle is a peacock with flowing tail, the plumage
beautifully worked in many colours, and pecking at a vase.
In another corner is a female head, decorated with ears of
corn, in illustration of Ceres and summer ; she wears a
torque round her neck. The last is winter, the most perfect
of all ; a female head, closely wrapped ; her garment
fastened across the left shoulder by a fibula ; and attached
to the dress is a cuciiUus, or hood, giving to the figure some-
what the appearance of a nun. In the left hand she carries
a leafless bough, from which is suspended a dead bird.

Between the stone piers in the centre of the room, and
dividing the two pavements, is a square panel in the centre,
containing a male figure wearing a black beard, seated in
what appears to be a chair ; he is semi-nude, there being
little drapery except at the lower part of the figure. At

MORTON PAVEMENT, ISLE OF WIGHT. 237

the left side stands a pillar, surmounted by an armillary
sphere, the degrees corresponding with the number of the
signs of the zodiac. Beneath this pillar is a globe, supported
on three legs. The tesserae are so arranged as to define four
quarters of the earth. At his right hand is a bowl, in which
is a point or pen, not yet identified with certainty ; this
may be the gnomon of a horologium or sundial.

This illustration of an astronomer in the exercise of his
profession is one of the most interesting yet revealed. The
figure may perhaps be intended for Hipparchus, whose
observations, made between 160 and 125 B.C., resulted in a
catalogue of the fixed stars, which has been preserved by
Ptolemy.

On each side of this panel is a geometrical pattern, com-
posed of a centre with a circle, from which radiate four
divisions, enclosed within a large circle ; this is again placed
within a diamond or lozenge-shaped figure, the w^hole being
contained in a parallelogram, in the angles of which are
figures of triangles. The border, as in other cases, consists
of the guilloche pattern.

The eastern division of this chamber contains the largest
and most important of the mosaics yet discovered. In the
centre is a large medallion, containing a Gorgon's head with
head-dress of snakes. Springing from the centre are four
compartments, arranged cross-wise, each bordered by the
guilloche pattern. At the angles north, south, east, and
west are triangular compartments, illustrating female heads
wearing the petasus of Mercury. Over their left shoulders
is a pallium, or other form of cloak, and each blows a
horn.

The lour oblong panels contain in each a male and
female figure, but Messrs. Price have reserved the explana-
tion of the figures for the present.

On the south-west panel, the female figure, dressed

238 ROMANO-BRITISH MOSAICS.

after the manner of dancing girls of Greece or Italy, is
playing the tympanum, or tambourine, with right hand, and
the feet are crossed as in the act of dancing. The male
figure holds an object resembling the Pandean pipe in right
hand, and a crook in his left. Messrs. Price point out the
peculiarity of his costume. He wears a Phrygian cap, a
skirted tunic, with small cloak fastened on right shoulder,
and wearing hraccce or trousers, and ccdceus, or boot or
shoe, beneath.

On the north-west, the female figure is tall and closely
draped, bearing in one hand a staff", and in the other ears
of corn, which she is presenting to a man who, though per-
fectly nude, holds by the left hand the huixt or buris, the
hinder part of the ancient f)lough.

On the north-east, a male figure, upper part destroyed,
pursues a nymph who is flying, and appears to have had
the upper part of her drapery torn from her back.

On the south-east, a nude male figure carries on right
shoulder a double-headed axe ; the female figure is draped,
and the attitude easy and elegant. The eastern end of
this beautiful mosaic is finished by an oblong panel con-
taining two large marine deities, on each of whose scaly
backs sits a woman.

Outside the pictured pavement, extending to the wall,
is a paving of one-inch red tesserce, adorned with a fret
pattern in white ; and at the west end, in the same colour,
is a semicircle enclosing a labyrinth fret.

The chamber No. 9 contains a geometrical pattern,
being a diamond within a square.

Examples of the following coins were found : — Alex-
ander Severus, a.d. 222-235; Decius, 249-251 ; Gallienus,
253-268; Salonina, wife of Gallienus. Victorinus, 265-267;
Tetricus, 267-272 ; Claudius Gothicus, 268-270 ; Allectus,
293-297 ; Constans, 333-350 ; Magnentius, 350-353.

PAVEMENT AT CARISBROOK. 239

The interpretation of these mosaics at Morton by the
author of the present work has been given at length in
chapter iii, which he will supplement by drawing atten-
tion to the monkey in the Orpheus group, occupying the
centre of the long corridor.

Ennius, in a line quoted by Cicero, says, " Simla quam
similis turpissima bestia nobis." The poet, in acknowledg-
ing the monkey's resemblance to man, might have spared
the epithet, which the poor beast hardly deserves.

Before taking leave of the Orphic and Bacchic myths, it
will not be out of place to mention a discovery lately made
in Bome of a liypogeum, forming the family vault of the
Licinian family, a short distance outside the old Porta
Collina, on the Appian way. One of the sarcophagi, out
of seven discovered therein, had the emblems of Bacchus
sculptured upon its marble front. The ashes of the young
Piso Licinianus were placed in this vault after his murder,
by order of the Emperor Otho, in the forum ; hurried out of
this life in the midst of the serta, unguenta, j^ueUas, and all
the joys of a luxurious capital. " Per il corpo di Bacco", is
still the familiar oath of the modern Italian ; eighteen hun-
dred years have not sufficed to extinguish an expression on
the lips long after the idea has died out in the mind.

Carisbrook, Isle of Wight.

A pavement was discovered a few years before 1868,
at Carisbrook, by Mr. William Spickernell.^

12. — On right or north of hall is room with chess-board
pavement, in red and white tessellce, 22 ft. square.

13. — In another room was a mosaic of half-inch cubes,
in red, white, black, yellow, and blue; the rest is of coarse
red and white tesserce, formed of tile and calcareous stone.

^ C. Roach Smith, Collectanea Antiqua, vol. v, phites xviii and xix.

240 ROMANO-BRITISH MOSAICS.

There is a square in centre, enclosing cantharus and lilies,
not unlike those found under the Excise office in London/

GuENARD Bay, Isle of Wight.

14. — In a villa discovered by Mr. E. J. Smith, in 1864,
tesselated pavements were found in two rooms, 15 ft. long
by 9 ft. 9 in. broad ; no pattern, but composed apparently
of small square pieces of broken tile. Coins found : Vespa-
sian, Faustina Major, Valens, Gratian or Yalentinian,
Maximus, with the rev. pax avg. Also some Greek coins. ^

^ See Illustrations of Roman London, pi. vi.
^ Brit. Arch. Assoc. Journal, xxii, p. 351.

241

CHAPTER XVI.

On Roman Mosaics in the British Museum, found in England, Asia
Minor, and Northern Africa — And autliorities quoted in illustration
of them.

IN the Roman Gallery of the British Museum, on the
ground-floor, placed against the wall, are the following
specimens of pavements found in Britain, which have been
described in the previous pages. On the south wall, in
compartments i, ii, and iii, are five pieces from Withing-
ton, Gloucestershire, and one fragment from the Wood-
chester pavement. On the north wall, in compartments
VII and VIII, are mosaics found in Threadneedle Street, and
in compartment ix that found at the Bank of England. In
compartments x, xi, and xii are mosaics from Abbot's Ann,
in Hampshire ; and in the Roman Gallery, on the Jirst-Jloor,
is a square piece discovered on the site of the old India
House in Leadenhall Street, in 1803, on which is repre-
sented Dionysus or Bacchus on his tiger or panther, the
figure nude, except where concealed by the folds of a
chlamys, loosely thrown over the animal and thigh of the
god, who wears cothurni on feet, and holds a narthex in left
hand. The head is adorned with vine-leaves. This picture
occupies a circle in the centre. The squares afford good
typical examples of borders, the plain guilloche knot, the
double-braided guilloche, the spiral, and the axe-head ; the
spandrils between the circle and the square are filled by
two canthari and a foliated axe-head ornament. This has
been more particularly described in chap, xii, p. 179.

I I

242 ROMANO-BRITISH MOSAICS.

Having now concluded my review of Romano-British
mosaics, it will assist the study of their designs, their
chronology, and their origin, if we penetrate into the lower
recesses of the British Museum, where, in the Grceco-
Roman Basement with Annex, are brought together some of
the finest specimens from Asia Minor and from North
Africa which have ever been removed from the floors where
they were first laid down. It is proposed in this chapter to
offer some general remarks upon these pavements, and to
illustrate them from the works of authors who have de-
scribed them as they were found in situ ; and in the next
chapter to give a more particular account of them in their
present position in the Museum.

The first object which strikes the sight, on descending
the staircase, is the gigantic head of a marine deity, gene-
rally supposed to be Glaucus, which is placed against the
eastern wall, at the end of a long gallery. This mosaic was
brought from Carthage, and presented to the British Museum
by Mr, Hudson-Gurney in 1844.^ It will be seen, by the
admirable skill of the artist, in reproducing a copy of the
mosaic in its original colours, by way of frontispiece to this
chapter, how appropriate to Roman Carthage ruling the
seas was this emblematic head, and so may it be taken to
symbolise Britannia's rule of the waves in our day, and to
harmonise w^ith our Romano-British mosaics. Glaucus is
addressed by Bacchus, in the Dionysiaca,^ as the broad-
chinned descendant of Neptune, and a neighbour of his
own in Boeotia : the birthplace of Glaucus being Anthe-
don, on the Aonian coast, not far from the Cadmean city of
Thebes. The flowery plain of Anthedon was on the coast
of the channel of Euboea, on which Aulis was situated, from
whence, in the dawn of Grecian history, the ship Argo

^ Tt has been figured and described in the Monvments of the Boman
Instiiiite, vol. v, p. 38. ^ xxxix, 99.

STORY OF GLAUCUS. 243

sailed for the Black Sea and to Colchis, at its far eastern
extremity. Here, too, the more important fleet of ships
assembled when —

" erst the princes twain went forth the war to wage,

And marching on with glitt'ring spear, and with avenging brand,
They led the flower of Grecia's youth against the Trojan land."^

How well the epithet evpvyeveiov, broad-chinned, suits the
head on the mosaic ! how well the lower part of the face is
expanded to suit the description ; the flowing seaweed
taking the place of a beard when its human wearer was
transformed into an immortal. The pleasing smile is put
on as when he paid his addresses to the nymph Scylla, who
viewed him in astonishment after his metamorphose, though
with the same stone-like coolness she had shown towards
him before. His story, as related by Ovid,^ is amusing. .,

A fisherman and a mortal, he was sitting on a bank
overlooking the Euboeic Sea, mending his rods and lines and
nets. A basket of fish lately caught was placed on the
sward by his side, when he was suddenly surprised by the
vivification of the fish, which he thought dead. They first
jumped about and then made a dart for their native element,
into which they plunged. Glaucus attributed something
magical to the sedgy grass, and began tasting some to try,
when lo ! he suddenly plunged into the water like the
fishes, and his whole nature was changed ; he cared no
more for the flowery meads, or the other delights of the
land, but his tastes became all aquatic. The sea-gods
poured a hundred streams upon his head, which quite
altered his nature. The flowing locks and beard assumed a
sea-green colour, intermixed with rusty-brown seaweed ;
and the marine deities, after this shower-bath, were glad to
welcome him among their crew.

' Af/amemnon of ^'Eschyhis, traushited l)y the Earl of Carnarvi'n.
Murray, 1^70. - Mi ininorpli., xiii, UOO, ct "O/'].

244 ROMANO-BRITISH MOSAICS.

The mountains at the back of Anthedon, and the country
of BcBotia in general, smiled in the purple hues of ancient
legends and stories. Mount Cithseron was famous for
beasts of the chase, and as the spot where Actjson was
changed into a stag, and where (Edipus in his cradle was
exposed, that great architype of Greek tragic catastrophes.
Here, also, the mystic orgies of Bacchus were held.

" Thyias, ubi audito stimulant trieterica Baccho
Orgia, nocturnusque vocat clamore Cithseron."i

Orchomenus was the city of the Graces, and where the
river Cephisus runs into the lake of Copais. It was famous
also as having been ruled over by the unfortunate sons of
(Edipus. Mount Helicon is not far off, rendered classical
as the abode of the Muses, and the wooded country around
it where Itys, changed into a swallow, listened to Philomela,
her sister, who, under the form of a nightingale, poured
forth in plaintive melodies the sad tale of their mutual
wrongs.^

"■ Sola virum uou ulta pie moestissima ruater
Concinit Ismarium Daulias ales Itym."^

Claudian compliments Mallius Theodorus on the delight
the Aonian woods would derive on hearing of his consul-
ship, and -how —

" C'oncinuit felix Helicou, fluxitqvie Aganippe
Largior, et docti riserunt floribus amues."*

Sailors are proverbially superstitious, and Giaucus came
to be looked upon by them as a prodigy and a prophet. His
oracles were esteemed as infallible as are, in more scientific
days, the forecasts of the weather in our daily journals.
Once a year he was supposed to visit, with his marine

' Virgil, ^En., iv.

2 The swallow, often seen on the rno.saics in connection with spring, has
probably reference to this fable. 3 Qvid, JSpisL, xv.

•* Claudian, De F. J/. Theodor. Cont'., 271-3.

DOLPHINS AND SAILORS. 245

assemblage, every part of the sea-coast, where his oracles
Avere delivered, and it is difficult to say when they finally
ceased.^ A sailor saved from drowning would offer to Glaucus
a lock of his hair."

A strange affection for the human race is assigned
to dolphins by the ancients, and they were said to save
men from drowning by conveying them ashore on their
backs, as was done in the case of Arion, the musician, when
shipwrecked in company of Bacchus. The sailors on board
mutinied to rob the singer of his gold and silver ; Bacchus
changed them all into dolphins, and one saved Arion, the
musician and dithyrambic poet, by swimming with him
ashore and landing him at Taenarus.

A mosaic, pictured with a triton and dolphin carrying
a trident, was brought over by Mr. Wood from the temple
of Ephesus in 1872, and another, representing fishermen in
a boat, are two examples from Utica.

With the excejDtion of the foregoing, all the mosaics
placed here were brought either from Carthage or Halicar-
nassus. The former have been described by the Rev.
Nathan Davis, in his work on the excavations made there
by him in 1856-58 ; and the latter from Halicarnassus in
Caria, by C. T. Newton, M.A. (assisted by R. P. Pullan,
F.R.I.B.A.), from whose work on the discoveries there in
1856, as well as at Cnidus and Branchidse (2 vols., Svo.,

^ Pausanias, ix, 22.

2 As Lucillius, in the Ayitholofjia, who had nothing else left to offer.

" rXavATtt;, Kui 'St)f>TJ'i, K(u Ivo'i Kai MeXiKcpDj^
Kai ^vOtu' Kpouurj, k(u "^.a^ioOpa^i Ocoi<!,
awOeli eie 7reXd<^ov^ AovKiWio<i w^e Kexapju-ai,
T«9 Tp'f)(^u^ tK /»e0a\jjs'" «\\o '•p'lp oviev t'x*^-"

Ino is the heroine, mentioned in the early part oi' tliis work, who nursed
tlic infant Bacchus. Mcliccrtc was her «on.

246 ROMANO-BRITISH MOSAICS.

plates, foL, 1862), I will extract some of the descrip-
tions.^

The whole history of the mosaics from Carthage, as well
as that of the country whence they came, has been summa-
rised and explained by Augustus Wollaston Franks, M.A.,
late Director of the Society of Antiquaries, in Archce-
ologia, xxxviii, in which the descriptions are very com-
plete, and with numerous references to ancient authorities
in support of the text. Mr. Franks, in calling to mind
that the province of North Africa became the " cele-
brated centre of Christianity, illustrious by her bishops
and consecrated by her martyrs", brings down its history
to the times of St. Louis, King of France, when the unfor-
tunate result of a crusade caused him to seek an asylum,
and his death, at Carthage, six centuries after the Arabs,
under Hassan, had destroyed the Roman city of Carthage,
in A.D. 647. Near to the hill where the chapel of St. Louis
now stands were found buried some of these precious
mosaics, the works of the successors of the Roman con-
querors of Carthage, and " near the village of Malkah, built
on the ruins of the great cistern which supplied Carthage
with water".

On comparing these mosaics with those found in England,
though the workmanship shows various degrees of merit,
both in the English as well as in the foreign examples, we
find the realms of the sea to be a favourite subject in all,
this being a theme no less congenial to the seafaring nation
of the Carthaginians and the piratical merchants of the
^gean seaboard than it was to the islanders of Britain.

1 In a very large, thick volume, in the MS. department of the British
Museum, No. 31,980, are preserved the original photographs, among which
may be seen, not only some of the mosaics and antiquities in detail which
have not been brought over, but also views of the towns, sea-coast, and
scenery of this most interesting locality.

HUNTING AND SPORTS IN MANY FORMS. 247

Gardens, flowers, and fountains were the natural result
of wealth and the pleasures of ease and retirement, after
the struggles and bitter distresses of the sea.

" iJber aedXa, fier dXyea TrcKpa OaXdaarjii."

The scene on one of the pavements is a garden, wherein are
three large flower-pots, and the words " Fontes, No. 49."

The chase of wild beasts has always been an engrossing-
amusement in all ages, as shown not only on mosaics, but
on the Samian ware and sculpture of the Romans, whether
in Asia, Africa, or elsewhere. On one of these mosaics,
among other animals, is seen the ostrich, essentially the
bird of Africa ; and in another is a stag held by a thong
fastened round his neck, of which a horseman holds the
other end in his right hand. The antlers of this animal
would cause a difficulty in catching him in this manner by
a lasso : might not this represent a tame animal driven as
a decoy, or kept for the purpose of being hunted ?

A scene. No. 6 5 of the Museum Catalogue, is figured to
illustrate this chapter, and shows the mode of catching wild
animals in nets. Two boats with fissures in each hold the
ends of a net, placed around on the shore in a circle for the
purpose of catching a number of wild animals, when the
ends of the net are drawn together. The animals are
frightened by means of brushes of many-coloured feathers,
and thus become entangled in the meshes of the net. Ovid
describes this kind of sport —

" Retia cum pedicis, laqiieosque, artesque dolosas
Tollite ; ncc volucrcm viscata fallite virgA, ;
Nee formidatis cervos eludite pinnis,
Nee celate cibis uncos fallacibus hamos.'"

The viscata virga is seen catching a bird. The last line
may be applied to the fishermen, as seen on another picture

' Ovid, Jfctdiiiorpli., XV, 47.''), H .w/y.

248 ROMANO-BRITISH MOSAICS.

from Utica, No. 66, Mus. Cat. The basket of fish upset,
No. 52, is perhaps intended to represent the fishes in the
episode of Glaucus —

" quos aut in retia casus

Aut sua credulitas in aduncos egerat hamos"^ —

and the flowers or fruit in the basket, the dehghts of the
land he had left.

There are two personal scenes, connected with hunting,
described on these mosaics, which are of especial interest
because the names are written over each figure, that is —

1st, Meleager and Atalanta. They are hunting, as
was their wont ; though this does not seem to be the episode
of the Calydonian boar, for which they are famous, sent
against Meleager by Diana, in punishment for his neglect-
ing to offer to the goddess first-fruits, which were her due.
He was assisted by Atalanta, the virgin daughter of lasius,
King of Arcadia, who gave the savage animal the first
wound, and Meleager, then despatching the beast, pre-
sented the fair huntress with the skin which she so well
deserved.

2nd, Dido and ^neas. How they came to hunt
together requires explanation, especially as Homer says
that ^neas never left Troy ; however, let us not deny the
Romans their pedigree and pleasing vision of being de-
scended from ^neas and Venus. The divine Julius, if he
did not in his heart believe a direct descent from lulus,
was at least desirous that the illusion should be kept up ;
and the artist on these mosaics acts up to the popular
belief that ^neas and Dido were contemporaneous, and,
therefore, would naturally engage in the favourite pastime
of hunting together when they met in the newly founded
Tyrian colony of Carthage.

^ Ovid, Metamorph., xiii, 933-4.

AMPHITRITE AND ATTENDANTS, 249

" Venatum ^neas unaque niiserriraa Dido
In nemus ire parant.'"

And again —

" Virgiuibus Tyriis mos est gestare pharetram,
Purpureoque alte suras vincirc cothurno."^

We give an illustration of the myth of Dionysus, with his
name over, and panther, No. 20 ; and another, coarsely-
executed, o£ Europa and the Bull, No. 19.

The subject of the seasons is well represented in that
beautiful specimen from Carthage described by Mr. Franks,
of which, however, we have only fragments, but he has fur-
nished a plan of the whole design, once twenty-eight feet
square.

The three months of March, April, July, and a portion
of November, represented by figures and adjuncts, are
all that remain out of twelve, and two only of the busts
of the seasons, that is, Spring and Summer. The
geometrical designs and borders are of great beauty and
variety.

As a specimen of geometrical work, and at the same
time of a clear and elegant design, that very large piece
of mosaic brought from Halicarnassus holds a prominent
place. It is no less than 40 ft. long by 12 ft. wide, and is
an extraordinary example of chaste design, as well as of
skill in Mr. Newton for bringing over from Halicarnassus
so large a piece of ancient workmanship, which looks as
fresh and perfect as when it left the Roman artist's
hands.

Amphitrite and her attendants, on the upper part of this
large pavement, are very well shown in our artist's coloured
representation, but a portion only of the lower part is

' Vir., ^»., iv, 117-8.
^ /hid., lib. i, 336-7.

K K

250 ROMANO-BRITISH MOSAICS.

reproduced, the borders being continuous. The break is
shown on the Plate.

The lettered inscriptions on some of the foreign mosaics
are interesting, because such are rare, and describe the
figures represented, which thus admit of no misinterpreta-
tion, and five are especially remarkable, to which I wall
direct attention.

Three female heads, described in letters over each as
Alexandria, Halicarnassus, and Berytus, the juxtaposi-
tion of these three great cities indicating some league or
treaty between them.

The fourth of these lettered mosaics, to which I shall
refer, has six words in Greek, equivalent in English to
Health, Life, Grace, Peace, CJieerfulness, Hope, which seem
to be coupled together as indicative of healthy life, graceful
peace, and cheerful hope. This is from Halicarnassus, and
it appears the building, of which it was the floor, was con-
structed out of the materials of an earlier buildinof on the
same site, and underneath the pavement of one of the
rooms was found the statue of a winged female figure, in
two pieces. After these preliminary observations upon the
foreign mosaics, I will proceed to give more in detail the
descriptions of those from Carthage and Halicarnassus, as
furnished by the authors before referred to.

Carthage.^ — Hunting scene. No. 47, as well as another
of a boar and dog, should be noted ; and two dolphins
with trident between them, No. 53 ; Victory, holding
up a votive tablet, a fragment 7 ft. by 4 ft. Inscription
in white letters on red ground ; below the inscription
are two youths, holding in right hand wreaths, and in
left fans with long handles. This was found close to the
seaside, at the foot of the slopes under Sidi Bou-Said, at

^ See Archceologia, xxxviii, pp. 202-30.

VOTIVE TABLET AT CARTHAGE. 251

the depth of four feet from the surface. The right-hand
portion only remained of the following inscription :

NC FVND AMENTA

TEM DEDICA VIMVS

TIBIDETE — AMICI FLOREN

DEVM INVOCANTEM — QVI

VIT GAVDENTES

DOMINVS TE EXALTA

— FASTILANEM IN MIN

CONSVMMAVIT GAVDENS

E M T E M

" Fastilanem may be connected", says Mr. Franks, "with
fastella, which Ducange explains as ligamen ;" No. 44.

The meaning of the inscription, being fragmentary, is
" far from clear", says Mr. Franks; and he adds, " The style
of art shown in this mosaic and the character of the inscrip-
tion seem to belong to the fourth century after Christ."

Mosaic No. 52, found in a bean-field to the east of the
hill of St. Louis, representing a basket of fish and panier
filled with fruit ; these designs are executed in very vivid
colours ; some of the tesserce are of glass ; round it is a wave
pattern. Ornamental fountains (fontes), No. 49.

Among the finest found by Mr. Davis at Carthage was a
sea-piece with dolj^hins, tritons, and sea nymphs. No. 45 ;
the remainder is ornamented with square panels containing
female busts, and separated from each other by a delicate
framework of leaves. The general effect is very pleasing.
It has many tesserce of coloured glass; it does not seem of
early date; No. 45. Two deer drinking at a fountain; No. 50.

The pavements from Carthage were found at seven
different spots ; one of the most interesting is a square,
originally of 28 feet, illustrative of the seasons and months,
of which only two portions are preserved, described by Mr.
Franks as now a square of 23 feet, having on each of its

252 ROMANO-BRITISH MOSAICS.

sides an oblong compartment, representing twining plants
growing out of golden vases. In the middle of each there has
been a circle containing a cruciform pattern. To one of the
other sides of the square are attached small compartments,
separated from each other by spaces, where the mosaic
has either been destroyed or has never existed. The spaces
were probably for columns and pilasters. The edge of square
is ornamented with riband pattern, and at each corner is a
circular medallion, 2 ft. 9 in. diameter, enclosing a head.

There are twelve panels or compartments with figures ;
three are nearly perfect, 4 ft. wide at base and 4 ft. 4 in.
high. A fragment of a fourth has also been preserved.

Mr. Franks has interpreted these panels of the months
by comparing them w4th a description of each month,
attributed to the poet Ausonius, found attached to an
ancient calendar, engraved in Kollarius, Analecta Vind.,
torn, i, p. 946, and elsewhere.

First, No. 41, draped female leaning back on a square
ciiDpus, on which she rests her right hand. On another
cippus, in front, are two cups, and at the foot of it a brazen
bucket, on which lies a green branch. From behind the
cij)pus rises a tree, and in it is a swallow.

" Cinctum pelle lupse prompturn est cognoscere mensem ;
Mars illi nomen. Mars dedit exuvias.
Tempus ver hsedus petulans, et garrula hirmido
Indicat, et sinus lactis, et herba virens."^

The panel agrees with the description, — the swallow, the
two little cups, and the pail, probably intended to hold milk,
and a fresh bough for the herha virens.

1 Or, rendered into free English verse —

" In wolf-skin girt the month at once is known,
March is its name, and Mars the spoils will own.
Blythe kid and warbling swallow tell the time,
And breasts of milk, green grass, and sweet woodbine."

THE MONTHS AT CARTHAGE. 253

On the next panel is a female dancing before a circular
cippus, on which is placed a little statue, with a leafy bower
behind it. The figure is strangely dressed ; the robe orna-
mented with dark bands, terminating in barbed tongues,
apparently snake-like ornaments. She holds in her hands
long castanets ; No. 42.

" Contectam myrto Venerem veneratur Aprilis ;
Lumeu thuris habet, quo nitet alroa Ceres.
Cereus a dextra flammas difFundit odoras,
Balsama nee desunt, quels redolet Paphie."'

In the mosaic for April is the dancing figure, with

metal plates on the dress, and holding castanets, and the

statuette of Venus, under a bower of myrtle ; the other

adjuncts are wanting. The feast of Venus took place on

the Calends of that month, and the Cerealia on the vii

Ides.

On the third panel is a female resting with left elbow

on a square cippus, and taking with a stylus some red fruit

out of a glass bowl standing on another cippus, above which

appears a fruit tree ; No. 43.

" Ecce coloratos ostentat Julius artus
Crines cui rutilos spicea serta ligant
Morus sanguineos prsebet gravidata raceraos
Quae medio Cancri sidere Iseta viret."^

The mosaic for July has only a portion of these emblems,
— the shallow vessel with mulberries, and the tree from
which they have been picked ; but in its simplicity it agrees
with the other panels.

^ " In myrtle hid Venus, April adores,
Lit up with incense such as Ceres pours
In sav'ry flames, which Cereus spreads around,
And balsams near the Paphian goddess found."

"^ " Julius unfolds his red limbs to the wind,
And garlands sweet his auburn temples bind;
Weigh'd down by blood-red fruit the mulb'ry bends
When Cancer's star its season fit commends."

254 ROMANO-BRITISH MOSAICS.

The fragment, No. 43*, is supposed to have been one of

the inner panels, and represents the upper part of a female

figure resting her left arm on a square cijppus and holding in

her right a sistrum.

" Carbaseo surgens post hunc indutus amictu
Mensis, ab antiquis sacra Deamque colit :
A quo vixavidus sistro compescitur anser,
Devotusque satis ubera fert huraeris."^

The lines describe a priest of Isis, whose feast took place
on the Calends of November.

The five outer panels, for the months of January, June,
September, October, and December, with the three de-
scribed for March, April, and July, leave four months for
the inner panels, February, May, August, and November,
to which latter month the fragment is ascribed.

Of the seasons represented in the medallions two only
remain ; that in the lower corner of mosaic No. 42 is a
female head of forbidding aspect, without symbols of any
kind. She wears ear-rings, and has a purple stripe to her
dress.

The second, in the lower corner of mosaic No. 43, is a
female head of great beauty, crowned with ears of corn and
wearing a torques of gold round her neck, — this probably
representing summer and the other spring.^

Halicarnassus. See the work on Halicarnassus,^
beforementioned, to which I am indebted for the follow-
ing descriptions of mosaics taken from one villa, which Mr.
Newton believes to be "of the Roman period, built on the

^ "Next, clothed in linen garb, the mouth appears,
True to great Isis' rites through these long years ;
The greedy goose no sistrum drives away.
But its fat carcase glorifies the day."

2 The above are figured in A^-chceologia, xxxviii, with the descriptions
by Mr. Franks.

^ History of Discoveries at Halicarnassus, etc., by C. T. Newton, M.A., C.B.

PAVEMENTS AT HALICARNASSUS. 255

ground occupied by an earlier Hellenic edifice on the same
site. Its own plan was altered in several places after
erection. Thus, under the pavement of Room C were four
pieces of painted stucco and of an earlier tesselated pave-
ment .... It is not probable that any of the pavements are
earlier than the time of the Antonines ; the latest may be
subsequent to the reign of Caracalla, These tesselated
pavements are remarkable for the extent of the whole
design, the variety of scenes and ornaments which they
contain, the richness of the colouring in places, and the
number of inscribed subjects."

Mr. Newton was engaged in disinterring the remains of
the famous mausoleum erected to Mausolus by his widow,
Artemisia, at the ancient capital city of Caria {now
Budriim), but as we have only to do with the Roman
period for the mosaics, it is not necessary to refer to his
description of this marvellous monument.

The villa was a short distance to the west of the site of
the Mausoleum, and the pavements were at a depth of 2 ft.
to 4 ft. below the level of the ground. A ground plan of
the villa is given on Mr. Newton's Plate xxxix. The
following is his description of tbe rooms and their mosaic
floors.

" Room A, 26 ft. by 27^ ft. In the centre is sunk a
rectangular area, 7 ft. 6 in. by 7 ft. 4 in. Round the square
were four oblong pictures, each occupying the centre of one
of the sides of the room. The subjects of these pictures
were animals. The compartment on the west represented
a group of three animals ; on the right a greyhound gallops
towards a goat, which advances towards him from the
opposite direction ; pursuing the goat on the left is
another smaller hound. The opposite compartment, on
the eastern side of the room, represented a lion and a bull
rushing at each other ; between them was a tree. The

256 ROMANO-BRITISH MOSAICS.

subject of the north side was a lion pursuing a goat from
left to right ; and on the south was a panther chasing a
hind. The four angles of this room were severally filled up
with a meander of the guilloche plait, the colours employed
in which were blue, orange, red, and black, on a white
ground. Each of the four pictures w^as set in a frame of
indented pattern, black and white ; outside of this ran a
border of guilloche plait. Outside this again a broad white
margin, studded with stars, marked the boundary of the
pavement on the west, north, and south sides. On the east
side of the room was a border of six dolphins, arranged in
pairs. These dolphins are blue, the fins red, the outlines
black, on a white ground ; between each pair is a flower.
The sunk square in the centre of this room was surrounded
by a broad plait of red, orange, black, white, blue, on a
blue ground. In the centre of each of the spirals formed
by the plait Avas a lozenge, composed of orange, red, white,
and black tessellce. This border w^as very coarse, and
appears to have been inserted in the general design at a
later period. The animals in this room were designed with
great spirit ; their movements were full of life. The colour-
ing, though only partially true to nature, was very rich and
harmonious."

The bad condition of the pavement in this room made
it impossible to take up more than four of the animals.
These were the dog, the goat, and two lions.

Room B, a rectangle, 62 ft. by 25 J ft. ; central part
nearly all destroyed.^ At the w^est end of the room was an
oblong mosaic, representing Meleager and Atalanta hunt-
ing. Both are riding at full speed, from opposite directions,
towards the centre of the picture, to attack a lion and a
leopard. On the left is Atalanta, who wears a tight-fitting
Amazonian jerkin and buskins ; at her back hangs a quiver ;
^ Mr. Newtou'.s Plate xl.

T35S!^'''*mwamml!nmm%tBmmmMmmmmmmmmMmmuMmmMmmMmw»ummummmtmmmmmmma>mmmmm9^m9^^giiSSSI!i

ATALANTA AND MELEAGER, DIDO AND ^NEAS. 257

a red chlamys flies from her shoulder ; she is drawing a bow
to shoot a lion, who is galloping towards her. Over her
horse's head is inscribed ATAAANTH. Her jerkin is coloured
yellow, her horse dark blue. On the right is Meleager,
thrusting his spear at a leopard, who is attacking him. He
wears a dark blue chlamys, buskins, and a white tunic
reaching to the knees, ornamented with vertical green
stripes. Behind this figure was inscribed his name,
MEAEATPOS. The colouring of the picture was rich and
harmonious, but the drawing was very bad, and the figures
out of proportion. The details of costume are curious.

In the corresponding oblong compartment at the eastern
extremity of the room was another hunting scene, in which
the personages represented Dido and iEneas. They are
both mounted, and galloping towards each other from oppo-
site directions. On the left is Dido, aiming her spear at a
wild beast in the centre of the picture; but this part of the
design has perished. Dido is sitting sideways on her horse ;
she wears a singular dress, apparently of leather, fitting
tight round the body and reaching to the knees ; her right
shoulder and breast are bare ; behind her head is inscribed
her name, AEIAO. Her dress is coloured yellow ; from her
shoulders flies a red scarf ; her hair is yellow ; her horse of
a dark blue colour.

Opposite to her, on the right, is ^neas, the greater part
of whose figure is destroyed ; he is urging his horse at
speed ; his spear is couched. Behind his head is inscribed
his name, AINEA(S). At his side is a dog galloping. In
front of iEneas, and nearly in the centre of the picture, is a
panther, rising to spring at him. A tree appears beyond
this animal. The horse of JEneas is coloured yellow. The
colouring and drawing of this picture are in the same style
as the opposite hunting scene. All the figures in this com-
partment were much injured, and no portion of it could be

L L

258 ROMANO-BRITISH MOSAICS.

taken np. Between the two oblong compartments were
two circular patterns, each inscribed in a square. The
circle on the west was formed of a guilloche plait, within
which were eight squares, so arranged round the inner edge
of the circle as to contain a star of eight points. These
squares had all been destroyed but two, one of which con-
tained a flower, the other a guilloche knot. The portions
of the circle enclosed between the circumference and the
sides of two adjacent squares were filled up by a vase,
from which issued, on either side, a branch of ivy with
tendrils. The angles of the square within which the circle
was inscribed contained severally one of the Seasons,
represented by a female head, over which the name of the
season is inscribed.

At the north-west angle was the Spring, AIAP, personi-
fied by a youthful female bust, with long hair flowing down
her neck ; her garment was a white tunic, ornamented with
black and red vertical stripes, and fastened on either
shoulder by a circular fibula. Opposite to her, at the north-
east angle, was Summer, 0E(P)OS. She was also represented
with long flowing hair, bound with ears of corn.

The south-east angle has disappeared.

At the south-west angle was Winter, msci'ihed (X)EIMnN.
Her garment was a green tunic, fastened on the shoulder
with a circular brooch; her hair, flowing down her neck, was
covered behind with a veil ; on each side of her head was a
reed.

All these figures were represented with long wings ;
their bodies were cut ofl* at the waist. The relative posi-
tions of Spring and Autumn seem to correspond with the
direction from which the wind, characteristic of either
season, blows. A small portion only of the great circle
was preserved, and only one angle of the square in which it
was inscribed. This angle was filled up by a vase, in form

LONG GALLERY WITH ITS PAVEMENT. 259

like the ampJiorw of Southern Italy of the latest period.
Out of this vase issued, on either side, an ivy branch. In
consequence of the decayed state of the mosaic in this room,
only small portions of the figures could be taken up.

Room C is a gallery 40 ft. by 12 ft., running east and
west, and terminating at the west end in an apse. The
pavement in this room was in very good condition, and the
excavators succeeded in taking up nearly the whole of it in
squares. The design consisted of three compartments. At
the west end was a group, representing a naked female
figure floating amid waves and dolphins ; on either side of
her was a youthful Triton, holding up the edge of her veil,
which floated behind her. The heads of the two Tritons
were surmounted by horns, or perhaps the claws of shell-
fish placed upright. The female figure, probably Amphi-
trite, was represented spreading out her long hair over her
shoulders. The centre part of the design was formed of
squares, intersecting so as to form crosses and smaller
squares. The colours used are red, crimson, blue, and
yellow.

At the east end of this room, two steps, 8 in. deep, led
down to the lower level of Room D and passages A and B.
On one of these steps was a mosaic of fish, remarkable fur
the excellence of the drawing and colouring.

Room E. This is a narrow strip lying north of Room
C, in length 14 ft., by 6 ft. 3 in. in width. The design
was contained in an oblong compartment, bounded by a
frame formed by the interlacing of a guilloche plait, a band
striped in several colours, and a zig-zag band. These inter-
lacings were continued from the frame over the inner area
of the compartment, so as to form three loops, within each
of which was a circular medallion. The medallion on the
west represented a female bust ; round tlic liead was
inscribed " Halicarnassus" —

260 ROMANO-BRITISH MOSAICS.

A N
AI A
KA CO

P C

of which city this bust is a figurative representative. The
head was surrounded by a mitre, coloured crimson. The
tunic was Hght blue, bordered with black, having two
parallel vertical stripes in orange down the breast. These
were united by a zig-zag of black, red, and orange.

In the central medallion was a female bust, represent-
ing the city of Alexandria. The head was turreted ; on
the shoulders was a tunic, ornamented with two parallel
vertical stripes, black and orange, between w^hich were zig-
zags, red, orange, and pink. On either side of the stripes
was a zig-zag, black and orange, on a blue ground. Round
the head was inscribed the name

A
AE API
XA A

Medallion the third represents, in like manner, the city
of Berytus {Bey rout). This female head was surmounted
by a crimson mitre ; the hair was long. The tunic was in
like manner ornamented with vertical and zig-zag stripes ;
the colours employed were orange and black for the verti-
cal stripes, and black, orange, and white for the zig-zags.
The ground of the tunic appeared to be pink. Round the

head was the name

PY TOC

The colours used in the three interlacing borders were blue,
red, crimson, orange, and black, on a white ground. The
triangular spaces were mostly ornamented by a bird. The
three heads were in a late, coarse style. The costume was
also of a very late period. The personification of cities as

PHOBOS, SATYR, AND NYMPH. 261

female figures, with various attributes, was very common in
the art of the Roman period, especially on the coins of
Asia Minor struck in the reigns of the late emperors. It
is not improbable that the combination of Halicarnassus,
Alexandria, and Berytus on this mosaic may indicate an
alliance (o/xovoia) between these three cities. The pavement
in this room was too much decayed to be taken up,

Mr. Newton then proceeds to describe the pavements on
a lower level. To these there is a descent of two steps,
8 in. deep each, to —

Koom D, 51 ft. by 15 ft., the design consisting of two
distinct parts. On the north an oblong strip, bounded on
every side by a border of interlaced diagonals, black on a
white ground ; within this outer border was an inner one
of small medallions. At either end was a square compart-
ment, in which was inscribed a circular pattern consisting of
concentric rings. In the centre was a bearded and shaggy
head with a wild expression, surrounded by a circle of leaves
radiating outwards.

The principal outer circle was composed of the bead and
reel ornament. The whole of this design much resembled
that of an segis or buckler, of which it was probably an imi-
tation. The head of the centre was probably that of Phobos
or Terror, often placed, like the head of Medusa, in the
centre of bucklers.

Between these two circular patterns were three oblong
compartments, each containing a picture ; the subjects were
the following. The furthest to the east represented a male
figure, probably a satyr, pursuing a nymph or mrenad ; the
head and shoulders of the male figure were destroyed. In
his right hand he held a pedum, or shepherd's crook, from
which hung a singular object, shaped like a bell and coloured
yellow ; a panther's skin hung from his shoulder. The
female figure was looking back to him in lier flight. The

262 ROMANO-BRITISH MOSAICS.

middle of the body was destroyed. Her tunic was blue,
edged with black.

The centre compartment of the whole was a very elegant
group of a Nereid seated on a hippocamp. The western
represented Dionysos with a panther ; above was inscribed
his name, AI0NYS02. Dionysos is represented as a youth-
ful, naked figure, moving to the right at the side of his
panther. In his hands, which were extended on either side,
he held up a red scarf bordered with black. The medallions
which formed a border round these inner designs were each
set in an octagonal frame. They are numbered consecu-
tively 1 to 41, and consisted in six or more cases of
the head of the youthful Dionysos, with long hair bound
with diadem and ivy leaves, and in the others of birds,
flowers, and fish.

These medallions were all on a white ground. Their
colouring was very harmonious, and the whole design of
Boom D was very elegant. To the south was a rectangular
space, 31 ft. by 25 ft., containing the following designs.

On the extreme east was an oblong picture representing
a scene in a vineyard. Nearly in the centre, a bearded,
goat-legged figure of Pan was gathering grapes from a vine.
Before him stood a winged boy, probably Eros, extending
his arms towards the same bunch. On the extreme right,
behind the goat-legged figure, were a panther and three
birds, one of which has a string fastened round its neck.
On the left, behind Eros, was a lion galloping towards him,
and a greyhound running in an oj^posite direction towards
a hare on the extreme left, represented feeding on a bunch
of grapes. The colours of the animals in this scene were
arbitrary. The panther was dark blue with yellow spots ;
the greyhound also blue. The leaves of the vine were com-
posed of tesscllce in cubes of green glass. This mosaic M^as
too much damaged to be taken up.

See Chaps, xvi and xvii, and Brit. Mus. Cat., No. 20.

DIONYSUS OR BACCHUS, FROM HALICARNASSUS.

DOLPHINS AND TRIDENT. CIRCULAR MEDALLIONS. 263

At the south end of this picture were two dolphins,
their heads confronted with a trident between them, and
on the west side was a white border studded with lozenges,
twenty-nine in number. The colours used in these lozenges
were red, orange, white, and black.

Next to this border were two pictures ; the one on the
north represented Europa, standing by the side of the bull,
whose head is turned back towards her. Europa wears a
wreath ; her body is naked from the neck to half-way down
the thigh ; a blue peplos passes across her lower limbs. The
bull is of a tawny colour, with stripes of crimson and white.
This group was in a better condition than any of the other
mosaics in this field, and was interesting as a specimen of
drawing.

To the south of this picture were two smaller ones, of
which the upper had perished. That below it represented
a water-nymph reclining ; her right arm rests on an urn ;
in her left hand she holds a flower. The upper part of her
body is naked ; over her lower limbs is thrown a blue
peplos ; at her feet is a tree. The head of this figure was
destroyed. At the north-east angle of this picture was a
bird pecking at a flower, and below it a dog pursuing a hare
very coarsely executed in arbitrary colours. Round three
sides of this picture was a border of birds.

The whole of the pictures were surrounded by a border
of circular medallions, the subjects of nearly all which were
a bird perched on a branch. Some of these are long-legged
aquatic birds, like the ibis.

The circular frames of these medallions were formed by
an interlaced guilloche plait, of which the colours were red,
orange, blue, black, and white. This border terminated at
its north-west angle with two ivy leaves set in an oblong
frame. Outside tlie border of medallions was one of
dolphins. All these dol[)hiiis were arranged in pairs, their

264 ROMANO-BRITISH MOSAICS.

heads confronted. They were coloured in two shades of
blue, with red fins.

Passages A and B. A was 51-J ft. by 10 ft. The princi-
pal design of the pavement runs down the centre, occupying
rather more than half its width. It is divided into nine
rectangular compartments. Nos. 4 and 5 form one rect-
angle, the centre division of which (No. 5) is a square con-
taining a laurel wreath. Within this wreath is the following
inscription :

YriA

ZOH

XAPA

EIPHNH

E YBYMI A

EAniC.

The letters are in black on a white ground. The colours
used in the wreath are red, crimson, blue, black, and orange.
These colours are very harmoniously combined, and the
effect of this pattern is very pleasing.

Passage B. Length, 64 ft., by 14 J ft. in width. Mr.
Newton gives a description of the geometrical designs, and
of thirty-six medallions containing similar subjects to those
already described ; but several represent palm-trees, and
one a pelta, or Amazonian shield. The medallions in Boom
E, and the pictures of Meleager and Dido in Boom B, appear
to be of a later period than Booms A and D.

The mosaic of Dido and .^neas, though referred to in
the foregoing description, was not brought over, in conse-
quence of its imperfect condition.

The pavements in this basement consist of no less than
seventy specimens, which are noted and numbered in the
Museum Catalogue, Part II, " Grseco-Boman Sculpture".
They are mostly referred to in this chapter, but those
omitted will be particularised in the next.

2G5

CHAPTER XVII.

Summary of the foreign examples in the British Museum, and their
subdivision into cUisscs.

O UCH of the various pavements referred to in the
KJ previous chapter as are now placed in the British
Museum shall be summed up in the words and under the
classification adopted in an article from the Builder, vol.
xlii, p. 757 (1882), together with the excellent descriptions
there given.

" They seem to fall easily into a few groups or classes,
such as — 1. Mythological and legendary; 2. Hunting
scenes and animal re^Dresentations ; 3. Birds ; 4. Water
scenes and fish ; 5. Ornamental and geometrical devices.

" In the First Class we will consider the picture derived
from the mythology of Greece and Home. The Halicar-
nassus pavement (No. 5 of the Museum numeration)
terminates in a semicircular apse. The subject is a group
representing the water goddess Amphitrite among dolphins
and fish. On either side of her is a Triton, holding up
drapery stretched behind her, their heads being surmounted
by the claws of shell-fish. The goddess is clad with a
mantle cast over the right thigh, but is otherwise undraped.
In the right hand is a mirror which reflects her face ; with
the left she smooths her tresses. This is an attitude not
far removed from the conventional pose of the mediaeval
mermaid, of whom, perhaps, Amphitrite is the prototype.
On the head is a golden-coloured fillet ; the mantle is of
an olive-grey, and the drapery held by the attendant

260 ROMANO-BRITISH MOSAICS.

Tritons olive-grey, with yellow and red stripes. The bluish
grey background is evidently intended to represent the
watery element over which the goddess shed her lustre.
The border is intricate and harmonious. The mythic being,
the Triton, is a favourite subject. He appears in another
pavement (No. 69), wreathed about the head, and holding
a dish of pomegranates and a shepherd's crook. Here,
again, dolphins and fish are introduced as accessories. The
colouring is rich and harmonised, and the whole enclosed
in a guilloche border of red tesserce, shaded delicately
through orange into white. This fine pavement, 5 ft.
by 8 ft., was discovered by Mr. Wood at the Temple of
Diana of Ephesus,

" Another (No. 63) represents a swimming Triton,
wreathed and mantled, and with a dish of fruit and crook
as before, looking back at a companion Nereid, who is seated
upon a fold of his fishy tail, on which also she rests her
left hand. In the right hand she holds a drinking-horn.
She wears a red j^eplos, s^vmlets, and bracelets. Blue dolphins
with red fins disport around this animated group, which,
now measuring about 4 ft. by 7 ft., has originally formed
part of a larger mosaic, of which the border is composed of
flowers and knots.

*' Carthage contributes another Tritonic pavement (No.
46), nearly 4 ft. by 12 fl., where two groups are represented.
In the first, a wreathed Triton extends his hand towards a
facile Nereid seated on his tail, and drawing forward a sea-
green veil, which swells out with the breeze behind her
head. Round her body is a yellow mantle, ornamented
with blue and red stripes. The second group is imperfect,
but not very dissimilar to that already mentioned. Here,
again, we meet the accessory dolphins, which, according to
the Greek canon of art, are introduced to represent the
surroundings of the scene. The water is artistically indi-

NEREID, MARINE DEITIES, AND DIONYSUS. 267

cated by broken black lines on a white ground. The
border or frame, also on a white ground, shows the
guilloche plait and the embattled ornament, the colours
being red, pink, yellow, black, blue, and green.

" Another Nereid is seen on No. 64, on white ground,
with border of foliage, in company with a hippocamp
who bears the watery beauty on his tail, and holds out a
jxitera, or bowl, to his fair rider. In his hand is a red
crooked stick, and on his shoulders a chlamys, or mantle.
She wears a mantle, too, and her head is bound with a
diadem. The ancient reparation of this mosaic with a
fragment of another pavement representing fish and waves,
is of interest.

" Of marine deities, No. 68, nearly 6 ft. by 7 ft., presented
by Mr. Hudson Gurney in 1844, shows a head conjectured
to be that of Glaucus, The seaweed green of the hair,
the curling, plant-like beard, and the dark green lines on a
white ground below the chin of the figure, representing
waves, are worthy of notice.

" The head of a marine god appears also between
dolphins on a fragment from Withington in Gloucester-
shire, presented by Mr. H. C. Brooke in 1812, in the
gallery of Roman busts.

" A mask of the youthful Dionysus, with long hair bound
with a diadem, from a mosaic medallion (No. 30) found in
1856 in a large Roman villa at Halicarnassus, and a fine
. pavement (No. 20), about 4 ft. 6 in. square, from the same
site, on which is the youthful god, wreathed with ivy, and
wearing a red scarf bordered black, accompanied with the
usual emblem, a panther, illustrate the Bacchus myth,
and perhaps come from rooms destined to convivial meet-
ings.

" The same villa contained No. ID, a spirited picture in
tessene, of Europa, wreathed and girt about the lower limbs

268 ROMANO-BRITISH MOSAICS.

with a ' mantle blue', standing to the right, beside the tawny
bull of Jove, whose body is marked with crimson and
white.

" Another room of this richly decorated villa supplies
three fragments (Nos. 6, 7, and 8), representing Meleager
and Atalanta engaged in hunting. They are riding at full
speed from opposite directions to attack a lion and leopard.
On the left hand, Atalanta, clad in the tightly fitting
yellow Amazonian jerkin and buskins, a red chlamys flying
from the shoulder, and armed with quiver and bow, aims
at an advancing lion. She is mounted on a dark blue
horse. Meleager, on the right hand, in blue cloak and
tunic of green and white stripes, thrusts his spear into a
panther which is attacking him. A border of black, wavy
pattern on white enclosed this subject, the original dimen-
sions of which were 15 ft. 6 in. by 7 ft.

" A mask of Medusa's head, a not uncommon subject of
classical ornamentation, is seen on No. 22 ; the mask is
full-faced, dark red ; the eyes, nose, and mouth heightened
with white ; two concentric rings encircle it, from the outer-
most of which black, pointed leaves radiate on a white field.
This measures 3 ft., and comes from the same site.

" Oil the seashore of Carthage part of a large mosaic
pavement was found (No. 44), measuring about 4 ft. by
7 ft., the subject of which probably relates to some public
games. A figure of Victory is seen flying through the air,
holding a large rectangular label, on which are eight lines
of an inscription in Roman capital letters, white on red
ground. The goddess wears bracelets, a red and white
robe, and an over-garment, l^lack bordered, reaching to the
hips.

"Terror personified is shown on No. 21, as a wild,
shaggy head, encircled by leaves radiating from it on a
white ground ; the hair yellow ; shades of red for the face ;

TERROR, M^NADES, AXD SATYRS. 269

and red, blue, green, white, and black for other parts. This
is over five feet square, and comes from the Halicarnassus
villa. Another similar subject (No. 39) gives yellow hair
with black shading to the dread visage, the eyes being
picked with white. Both of them are probably from the
centre of an cegis or buckler, on which the heads of Terror
or of Medusa were frequently portrayed, in order to cause
dismay to the opponent — a custom, no doubt, surviving
from the barbaric ages of Greece.

" The Temple collection gives another pavement to the
Museum series. This is a mosaic now made into a table-
top (No. 70), supported by a pillar, on which are sculptured
in relief two Masnades and as many Satyrs, moving wildly
under the influence of orgiastic frenzy. The subject is
spirited and full of life, though treated in the conventional
way, and replenished with the accessories of such scenes,
with which most of us are familiar.

"At Halicarnassus Mr. Newton found in the villa a
medallion mosaic, 1 ft. 9 in. diameter, with a female bust in
tesselation, representing a personification of the city of
Halicarnassus (No. 18), and inscribed with that name.
The head is encircled with a crimson-coloured stephane or
diadem. On the breast, light blue drapery bordered with
black cubes is shown, having two parallel vertical stripes of
orange-coloured tesserce down the breast.

" Representations of the seasons may aptly terminate
this first sub-division of pavimental subjects. They are
favourite designs with the artist. Many such subjects have
been discovered and recorded, not only in England — as at
Cirencester, for example — but all over the ancient Roman
empire. From the prolific site of Halicarnassus comes a
fragment, 2 ft. 8 in. square, representing Spring, personified
as a youthful girlish bust (No. 9), whose long hair flows
down the neck, the drapery being a dark red tunic, fastened

270 ROMANO-BRITISH MOSAICS.

on each shoulder by a circular brooch. From the ears
depend a pair of ear-rhigs. The name of Spring, in Greek
capitals, was inscribed in small cubes above her head.
Another female bust of Spring, from Carthage, is at the
corner of No. 42, her hair gathered over the forehead in a
top-knot ; ear-rings in her ears ; and her dress a white
chiton or smock, with j)urple stripe on the right shoulder,
and a red mantle thrown over the left shoulder.

" Summer season is also represented on the Museum
pavements in tw^o examples. The first (No. 10), from Hali-
carnassus, is a female bust with long flowing tresses,
crowned with ears of corn ; the other, from Carthage
(No. 43), a female bust, wreathed about the head with ears
of wheat, and wearing hooped ear-rings, a golden-coloured
torque, a white chiton with yellow stripes on the right, and
a red mantle over the left shoulder.

" The month of March is depicted in a Carthaginian
tesselation of more than ordinary interest, for it illustrates
a well-known pavement at Cirencester, which is adorned
with a corresponding subject. This fine pavement in the
British Museum (No. 41) exceeds in measurement 6 ft. by
7 ft. Here March is personified as a female figure, leaning
against a square cipinis or altar, on which she rests her
right hand. She turns towards another cippus on the right,
on which are two cups ; and beyond it, at the extreme right
of the subject, there is a tree, in the foliage of which there
is a swallow, towards which she is pointing with the fore-
finger of the left hand, thus indicating the approach of
spring.

"In like manner the pavement found in Dyer Street,
Cirencester, in 1849, has a figure of Flora, on whose shoulder
the swallow, ' harbinger of spring', is vividly and faithfully
displayed. In this Corinian Flora nothing could better
symbolise spring than the ruby-gemmed flowers with which

SEASONS PERSONIFIED. 271

the Lead of the figure is adorned. They heighten tlie
effect. They are composed of te^^f^ellce of a bright ruby-
coloured glass, the only instance of the use of this material
in the Cirencester pavements, — but, as we shall show by-
and-bye, a not uncommon material for the richer sort of
tesselations found in Continental examples. In this Museum
pavement there are shown a bronze-coloured bucket with a
green branch across it, and containing a white liquid, either
water or milk ; the personage wears an under-tunic, green-
bordered at the wrists, a saffron-coloured garment with
hanging sleeves, and a green mantle w^ith a purple lining.
At her side is a plant growing in a two-handled vase,
yellow, shaded into red, and on each side of the vase foliage
of an arabesque kind.

"April's changeable month is given on No. 42, a female,
with a voluptuous expression, playing the castanets. She
may, perchance, represent one of the Gaditanian damsels,
famed of old, as now also, for their skill in dancing. On
the right is a circular cipi^us, on which is a little statue,
perhaps of Venus (for does not love hallow the April of
life Vj, with a leafy bower behind it. This is a charming
piece of tesseral art, full of poetry and feeling. It measures
6 ft. 9 in. by 10 ft. 6 in.

" Then comes ripe, matronly July (No. 43), another
female, picking a mulberry with a stylus, daintily, from a
dish of that fruit (which ripens in July) placed on a cipjms
under a mulberry tree. Over her green chiton, reaching to
the heels, is a salmon-coloured garment with hanging
sleeves, green striped, with black and red.

" Last of the series comes November, a female, too,
holding a sistmm or musical rattle in the right, a situla or
bucket of libations in the left hand. Her sleeved under-
garment is green ; over it a yellow and white dress ; the
hair ruddy, with a flaxen yellow top-knot. We may place

272 ROMANO-BRITISH MOSAICS.

at the end of this class (No. 29) a youtliPul male mask,
with long hair, wreathed, in a medallion.

" The Second Class, that of hunting-scenes and animal
representations, is not quite so numerously represented in
the British Museum collections. In Nos. 11 and 12 two
fragments of the same illustrative design, an ibex, of
bluish grey, speeding to the right, is pursued by a hound of
similar colour with a red collar ; another dark red hound,
flecked with black, rushing forward, heads the quarry.

" No. 47, a rudely-made mosaic from Carthage, of the
size of nearly 4 ft. by 9 ft., has for its design a mounted
huntsman at full speed to the right, cheering on his dark
blue dog towards a lost game ; at the right an orange-tree
laden with fruit ; behind are tall plants, and the broken
lines of the rugged country-side. The dress of the hunter
is a red jerkin, with a black and white side stripe, and
black boots. The horse is of a drab colour.

" From Utica another hunting-scene is derived (No. 65),
measuring 5 ft. by 11 ft. Within a fence of network are
gathered a wild boar, a stag, a roe, fox, and panther, an
ostrich and two birds, all in their proper colours ; at each
end of the net is a boat manned by two hunters, naked,
except that one has a cloth around his loins. The scene is
evidently laid near the shore of a lake or river ; the ground
is white, besprinkled with a few green sprigs. In the
foreground are two lizards and a tree. Near the boat, on
the left, which, like the other one, has a sharp prow and
stern, blue-black and red, with a yellow streak from end
to end, are two fish. These water-hunters are hauling in
the end of the net, so as to narrow the space in which the
quarry is enclosed. It is an animated and interesting
glimpse into the sports of the past.

" On another pavement, not yet numbered, in this room,
is represented a hare coursed by a greyhound ; and one of the

PAVEMENTS IN BRITISH MUSEUM. 273

Withington pavements in the gallery of Roman portraits
shows part of a boar-hunt, arranged in a circle, with an
outer border of birds. The animal forms, which naturally
fall into this second group, consist (some in addition to
those already described) of the lion, leopard, panther, horse,
stag, bull, goat, and deer. On four the lion occurs. In two
of them the monarch of the beasts is rushing to his prey —
a bull and goat — at full speed to the right (Nos. 13 and
14) ; in front of him, in each case, is a tree. The colours
of these lions are yellow, red, blue, white, and black. Their
form and design may be contrasted by the artistic student
with those of the lion of the Orphic pavement at Ciren-
cester,— the one spellbound under the musical numbers of
the master's lyre, the other masterful, rampant, and full of
life, in quest of his prey. Almost the same colours are
employed in each case, but differently arranged. The
leopard and lion in the scene of Meleager and Atalanta
have been already pointed out ; so, too, the panther of
Dionysus. The horse is seen in No. 1, where a wounded
horseman is lying on a truck by the side of his charger,
perhaps a part of a pavement representing the games of
the Circus. This came from the Pourtales collection.

"Another fine Carthaginian pavement, not yet numbered,
in the inner room, shows a horseman successfully lassoing a
stag at full speed, to the right. The stag is seen not only on
this pavement, but on one of the tesselated pavements
. found at Withington, and now on the wall of the gallery.
A stag and deer drinking by a fountain may be seen on
No. 47, from Carthage. The Jovian bull of Europa we
have already noticed. Dogs are not uncommon, in many
attitudes, and of various hues. The goat occurs in No.
48, where two are springing forward to the right ; one is
pierced in the side, the blood falling to the ground. They
are fawn-coloured, shading into grey, with black outlines.
It is a late and coarsely-made pavement from Carthage.

N N

274 ROMANO-BRITISH MOSAICS.

" Bird pictures form the Third Class of our division.
On nearly twenty of the British Museum pavements they
occur as subordinate accessories. They are mostly of the
domesticated kind, if we except the ostrich, which is found
in the draw-net scene. The eagle, a favourite military
symbol, strange to say, does not appear to occur. The
medallions of the Halicarnassian villa comprise a duck,
cocks, and other birds on branches (Nos. 23, 26, 28). A
bluish- grey bird, with wings, crest, and legs red, is shown
holding a twig in the beak in No. 31. Afrancolin is given
in No. 48, the scene of the wounded goat, speckled blue,
yellow, and red. A peacock, guinea-fowl, and other birds
occur in No. 67. The brightly coloured tesserce, probably
glass, of many of these birds seem to have been in ancient
times wantonly picked out of the pavement. It is from
Utica, and some part of its design may be compared with the
gorgeous peacocks of the Cirencester pavement. There is
a drinking peacock in a fountain-scene (No. 49). Ducks
and pigeons occur on some pavements, not yet numbered, in
the lower room, and some birds are found on two British
pavements in the Bust gallery.

*' Our next Class comprises fish and fishing-scenes.
Perhaps these subjects adorned baths and bathing-rooms.
The fish are not only subordinate to more pretentious
scenes where they are used to indicate locality, but fre-
quently occur alone as the principal element of the composi-
tion. Just as we have already pointed out, in our recent
notice of the archaic Greek vases in the Museum,^ objects
of marine origin entered largely into the ornamentation of
the early pottery of a people so pre-eminently maritime in
their proclivities as the Greeks, so here also in pavements
which, as a rule, must be attributed to a late period of
classical art. The dolphin in Nos. 5, 15, 16, 46, 53, and
^ See Builder, vol. xlii, No 2049, 13 May 1881.

PAVEMENTS IN BRITISH MUSEUM. 275

others, as well as in one of the Withington pavements ;
the long-snouted wrass and the sword-fish (No. 4) ; the
dentex and the sparus (No. 27) ; a deep-bodied, thick fish
(No. 33) ; a red and yellow perch, and black and purple
lobsters (No. 51) ; the mursena, prawns, tunny, wrass, eel,
sea-perch, and lobster, fallen from a fish-basket, all in
natural colours, finely shaded (No. 52); the red and the
grey mullet, dolphin, dentex, and wrass (No. 66), and several
others, present themselves to the visitor as he makes the
circuit of the room. Water-scenes and fishermen belong to
this class. Boats occur in two pavements from Utica.
Both examples are of pointed beaks ; one has the curving
neck and head of a swan for a figure-head (No. 66) ; over
the gunwale hangs a line, or the edge of a net ; one of
the fishermen is raising out of the water a fish which he
has hooked.

" The last Class into which we have divided the subjects
of the tesselated pavements, that of geometrical and orna-
mental devices, may be illustrated from almost every
existing specimen. These patterns are, in several instances,
not subordinated as borders, but they form the whole
ground of the design. Many of them, from the strong
contrasts of their colour, and others for their subtly blended
shades, stand out as marvels of the application of simple
rules of geometry and of rudimentary designs to highly
artistic ends. Hence the guilloche twists, cabled borders,
threefold and fourfold plaits, majanders, rosettes, ivy-leaves,
quatrefoils, crosslets, and other simple devices, cunningly
retained by the true feeling of the artist from the oldest
periods, please and gratify the eye, that has already feasted
upon far more complicated patterns, beyond expression,
from their pure simplicity and chasteness ; and we nnist go
back 2,000 years to find the origin of patterns which, even
to-day, form the stock-in-trade of the designer and colourlst.

276 ROMANO-BRITISH MOSAICS.

" The guilloche pattern is seen to good effect in three
pieces of pavement from Abbot's Ann, Hampshire, pre-
sented to the Trustees of the British Museum by the Hon.
and Rev. S. Best in 1854 ; the spiral, with radiating leaves,
in the little bit of the Woodchester pavement, in the same
gallery ; the plaited border, enclosing a circle in which is a
floriated cross, on the right hand of the gallery, in a pave-
ment found on the site of the Bank of England, and pre-
sented by the governor and directors of that institution ;
and an elegant picture of alternate squares and lozenges,
enclosing fourfold knots, rosettes, mseanders, and quatre-
foils, is preserved on a pavement found in Threadneedle
Street, in the City of London, and presented by Mr. E.
Moxhay to the authorities of the Museum in 1841.

" The chequer pattern, representing rows of parallelo-
pipeds seen in perspective, coloured white, black, yellow,
red, and green, is shown in two pavements bequeathed by
Sir William Temple (Nos. 2 and 3) ; squares and lozenges,
enclosing a quatrefoil, in No. 37 ; cubes in diagonal rows,
with an embattled border, in No. 59 ; the lozenge, guilloche,
and pelta, or Amazonian shield, a very archaic ornament,
in No. 5 ; the guilloche and black-and-white wave pattern
in No. 8 ; guilloche and cheeky border in No. 45 ; inter-
secting circles, green and red, embracing crosses and quatre-
foils, in No. 54 ; ivy-leaves in No. 57 ; and star and flower
patterns in No. 60. Of this class a fine pavement at
Leicester has nine octagonal compartments, enclosing
quadrilateral and triangular figures, interlaced by a rich
guilloche of various colours. It was discovered in 1830,
and originally about 24 ft. square.

" Inscriptions and explanatory words or names occur on

several pavements in the Museum collection.

******

" Interesting as these pavements are as monuments of the

THEIR EXCELLENCE IN STYLE OF ART. 277

past, they have, says Mv. Westmacott, a further clahn on our
attention for the qualities of art which they exhibit, and in
this respect they claim a superior place among antiquities.
The execution is somewhat coarse sometimes, but this is
owing to the nature of the materials and the mode of work-
manship. The details and drawing may be rude, but, apart
from these mechanical and technical defects, there is a style
in them which elevates them to the best period of art.
Another point of comparative excellence is the quality,
breadth, and distribution of their colour ; there is a pic-
turesque grandeur about them, a strong love of nature, and
a thorough acquaintance on the part of the designer with
the full extent of their applicability. Hence their success
and esteem in old times ; their appreciation and importance
as teachers of true art in our modern collections."

278

CHAPTER XVIII.

Comparison of the subjects of Romano-British and foreign Roman mosaics
generally, with extracts from the Orphic Hymns and the Golden
Poems of Pythagoras, together with some opinions of eminent
modern archseologists on the subjects treated of — On the materials
employed by the Romans in tesselated work.

IT will be seen that in the foreign examples in the
British Museum, which have been so well summed up
and described by the writer of the article from The Builder
in the foregoing chapter, hunting scenes, garden scenes,
and the realms of the sea and the air, as they relate to the
pleasures and occupations of life, form the stock ideas of
the artists who designed the mosaics. They were more
conversant with the gardens of Epicurus than with the
porticos of Zeno or the baptisteries of Eusebius. In our
British examples, astronomy in connection with mythology,
and the succession of the seasons, preponderate as subjects.
This fact appears to yield another link in the continuous
chain of British history, by pointing to the progressive
advance in the human mind which prepared it for the
reception of Christianity. Eros, the supreme god in mun-
dane affairs among the ancients, became spiritualised into
a love divine and a spirit of goodwill among men. The
refined idea of the ancient Orpheus was accommodated to
the feelings of advancing civilisation. A quotation from
the Orphic hymns may suffice to show this :

" ^piKTO<i, ai]TT'r}ro<;, iJ,eya<;, a(f)0iTO<;, ov (necjiei aW^ip,
Aevpo vef}, ovard fioi KaOapa'i aKod<i re TreTdacroc^,

GOLDEN POEMS OF PYTHAGORAS. 279

K.eK\vOc rii^cv airaaav oarjv TeK/xtjparo haifioiv
'E«- re [jbLri<i vvKro<i r]K i^ evb<i r}^aTO<; avToi<i.^^^

" Fearful, invisible, eternal, great,

"Whom the blue firmament surrounds,
Come hither and arouse my ears

To feel these everlasting sounds.
This harmony to hear I pi'ay,
Ordained of God, tlu'ough one long night and day."

The following lines from the " Golden Poems" of Pytha-
goras, the philosopher of Southern Italy, may be quoted as
an early instance of aspirations after a future existence
among the Greeks of the Italian peninsula —

" ' EjV t€ \vaet "^v^ij^ Kpivwv, koX (fypd^ev eKaara,
'Hvio^ov jvoofMrjv crrr](Ta<; KadvirepOev dplarrjp.
''Ht' S' diroK.el'^a'i aoyfia e? aWep" iXevdepov e\6r}<i,
"Ecro^eai d6dvaT0<i deo^ dfi^poTO<i, ovk en dvrjToS''''

" Think of the soul's release, and weigh well all ;
Deeming the charioteer above, the wisest mind.
The body left, you'll reach the boundless sky,
And reign a god, never again to die."

— though, at the same time it must be admitted that neither
the date nor the authorship of the above poems has been
satisfactorily settled. Could we credit half the fine things
which have been attributed to Pythagoras, he would be not
the lover only, but the very impersonation of wisdom itself
-Both the proportionate movements of the heavenly bodies
and the numeration of the intervals of musical notes have
been equally ascribed to his philosophy and invention. The
high opinion entertained of him at Rome in the days of
the Republic, is shown by the following history of two

' Be Deo, iii, .3-G.

Ilti0ii''j0/>oii^ 'S-jiiiaa ('ttii, G8 -71.

280 ROMANO-BRITISH MOSAICS.

statues, related by F. M. Nichols, M.A., in his account of
the Roman Forum. ^

" On occasion of the reverses which befell the Roman
arms in the second Samnite war, about three centuries
before the Christian era, the Senate applied to Delphi for
advice, and were commanded by the oracle to dedicate, in
some frequented site, a statue to the wisest, and another
to the bravest, of the Greek race. The philosopher and
warrior chosen were Pythagoras and Alcibiades ; and the
statues were placed, to use Pliny's expression,^ on the horns
of the comitium, — that is, apparently at its two corners or
extremities. These statues retained their position until
the rebuilding of the Curia by Sulla."

I will now^ quote the opinions of some of our first
archaeologists in support of various statements set forth
in this work. Mr. C. Roach Smith, F.S.A., says : " While
mythology supplied by far the greater portion of subjects
in tesselated work, pastoral and hunting scenes are com-
paratively rare The extent and splendour of tesselated

pavements often afford the strongest evidence of the im-
portance of the buildings they decorated, although scarcely
any traces of those buildings remain, the very foundations
having not unfrequently been removed for building mate-
rials Symbolically, the myth of Orpheus was adopted

by the early Christians in the pictorial embellishments of the
catacombs and churches, and in the latter it continued to
retain a place for centuries. The tolerant Emperor Alex-
ander Severus, Lampridius states, associated in his lararium
the figure of Orpheus with those of Christ and Abraham,"^

The Rev. Dr. Collingwood Bruce, the historian of the
Roman Wall, among other remarks made at the Congress
of the Royal Archaeological Institute at Gloucester in 1860,

» Longmans, 1877, p. 173. '' N. //., xxxiv, 12.

^ C. Roach Smith, in Aj-rh. Cai/f., xv, p. 136.

ON EARLY CHRISTIAN TIMES. 281

compared the remains of Roman occupation in the north of
England with those found in the south, and said : " The
tesselated pavement which forms so beautiful a feature in
the Roman villa of the south, is unknown in the three
northern counties of England and Scotland. There is no
tesselated pavement north of Aldborough in Yorkshire.
The floors of houses in stations on the Watling Street and
on the Wall are usually paved with rough flags, occasionally
with tiles. The comparative, nay, the almost entire absence
of any Christian monument is a perplexing circumstance.
We have altars to old gods and to new ; to the gods of
Rome and the gods of the country ; to gods and goddesses
without name, but we have no dedication to the only living
and true God. We have occasionally the simple inscrip-
tion ' Deo'; but there is reason to suppose that this was a
dedication to Mithras, whom we may regard as a sort of
Antichrist — a deity whose worship was introduced into
Europe when polytheism began to fall before the advance
of Christianity. Nearly all the monumental inscriptions
in which we might hope to find some trace of Christian
sentiment are dedicated to the divine manes of the departed.
We find no dedication of any Christian temple. We must
not, however, thence conclude that Christianity had not
made progress even in the north of Britain. To the very
close of the Roman period heathenism displayed itself, and
so might Christianity. The one showed itself in stone
altars, the other in holy living."^

Mr. C. Drury Fortnum, F.S.A., announced the dis-
covery at Rome, in 1871, at S. Clemente, "at the side
of the Basilica of Constantine, of a Mithrgeum intact :
the mosaic roof in imitation of a cavern. The altare
was there, the sacred stone, an ara with the usual
mystic bas-relief, a statue of Mithras, the niches for the

' Proceedings at Gloucester, Archmologlcal Journal, vol. xvii.

o o

282 ROMANO-BRITISH MOSAICS.

genii ; also the division set apart for the initiated." Tliis
author, in one of his papers on finger-rings of the early-
Christian jDoriod, quotes Clement of Alexandria for the
emblematic representations recommended by him to mem-
bers of the Christian Church, for use as signets engraven
upon their rings — the dove, the fish, the ship running
before the wind, the lyre, the ship's anchor, a man fish-
ing, by which the wearer will be reminded of the apostle
and of the children drawn out of the water.^

Mr. S. W. Kershaw, M.A., Librarian of Lambeth
Palace Library, upon Symbolism, after passing from the
illuminations in MSS., remarks that " Christians at first
restricted their visible representations of sacred personages
and actions to mystic emblems. Thus the cross expressed
redemption ; the fish, baptism ; a sheep, the Church ; a
serpent, sin, or the spirit of evil. The relation between
pagan and Christian art holds a strong place in the history
of symbolism, and shows that pagan forms adapted to
Christian meanings have been the great key to classic
Christian art." Of this connection he observes, " The walls
and ceilings of the Catacombs in Rome offer many illustra-
tions, in which almost the first outlines of sacred art appear
clothed in the classic garb which continued to exist till
the twelfth century." The phases of symbolism are too
numerous to allow Mr. Kershaw more than the mention of
a few leading exam.ples, e.g., "the palm-branch, assigned to
martyrs ; the crown of the royal saints ; the roll to pro-
phets ; the book to apostles and evangelists ; the nimbus,
aureole, triangle, circle, and square either accompanying or
typifying events and persons."^

Mr. J. W. Grover, F.S.A., has summed up what sym-

' Archceological Journal, vol. xxviii, p. 2G6.

2 Art Treasures of Laviheth Library . By S. W. Kershaw, M.A.
London, 1873.

PRE-AUGUSTINE CHRISTIANITY. 283

bols are to be found in Britain of pre-Augustine Chris-
tianity, and supposes the OMaier of the beautiful Frampton
villa to have been " one of the semi-Christians who com-
posed the bulk of the population of the empire after the
age of Constantine. Like that great man, he loved to
mingle the old wine with the new ; for Constantine, long-
after he had adopted the Christian laharum as his standard,
retained his favourite Apollo, the Sol invictus, upon his
coins. In the very catacombs of Rome, some of the
Christian inscriptions commence with pagan addresses to
the gods and shades. In the baptistery at Ravenna the
Jordan is represented by a river-god. These facts point
evidently to the conclusion that the imperfect state of the
faith, when it became universal, was such as to permit the
combination of Christian and pagan symbols in the manner
shown at Frampton."^

The Rev. John McCaul, LL.D., President of University
College, Toronto, refers to the mystic rites of the Tauro-
bolium and Criobolium in connection with the Mao-na
Mater and Mithras, and shows the mixture of these cults
with some Christian principles and terms. He quotes the
following remarks from Mr. King's Gnostics, p. 48 : "There
is very good reason to believe that, as in the East, the
worship of Serapis was combined at first with Christi-
anity, and gradually merged into it with an entire change
of name, not substance, carrying with it many of its ancient
jiotions and rites ; so in the West a similar influence was
exerted by the Mithraic religion. Seel (Mlth., p. 287) is of
opinion that ' as long as the Roman dominion lasted in
Germany we find also traces of the Mosaic law : as there
were single Jewish, so there were also single Christian,
families existing amongst the Gentiles. The latter, how-
ever, for the most part, ostensibly paid worship to the

' Journal of the Brit. Arch. Assoc, vul. xxiii, p. 221.

284 ROMANO-BRITISH MOSAICS.

Koman gods, in order to escape periecution, holding secretly
in their hearts the religion of Christ. It is by no means
improbable that, under the permitted symbols of Mithras,
they worshipped the Son of God and the mysteries of
Christianity. In this point of view the Mithraic monu-
ments, so frequent in Germany, are evidences of the
secret faith of the early Christian Romans.'"^

Mr. E. P. Loftus-Brock, F.S.A.,^ in writing upon
Christianity in Britain in Boman times, produces evidences
of Boman architecture in Christian churches, particularly
instancing the discoveries lately made in the churches of
St. Pancras and St. Martin at Dover. He also refers to a
" hexagonal bath of remarkable construction, believed", as
he says, " and with very weighty reasons, to have been a
baptistery,"^ in the villa at Chedworth, described by Mr.
J. W. Grover.

These extracts and observations are rather beyond the
scope of our mosaics, but it seemed necessary in some way
to account for the absence in them of Christian symbols, of
which there appears to be only one instance on the mosaics,
even if that is to be depended on ; for a star of six points,
a common emblem in Boman as well as in Mithraic monu-
ments, would only require a loop to change it into the J!.
After all, it is not in the dining-hall where we should
expect to find emblems of a new faith in times of great
political and religious change.

In conclusion, something must be said of the great skill
of the Romans in selecting those materials best suited
for these and other works of art. A volume might be
written upon the various marbles and hard stones found

^ Journal of the Brit. Arch. Assoc, vul. xxix, p. 377.
^ Archveologia Cantiana, vol. xv, pp. 38-55.

'' Journal of the By-it. Airh. Assoc, vol. xxiv, p. 1-9, \\ hfic it is
fiuured.

MATERIALS EMPLOYED BY THE ANCIENTS. 285

both in England and elsewhere, which were freely made
use of by the Romans for the comjDosition of mosaic-
work. Those ready to hand would naturally be the
most generally used, on the score of expense ; but it will
be seen that economy was not always an object, as in the
fine specimens found in Gloucestershire. Those from North
Africa, in the British Museum, have the advantage in the
variety of material employed, and the wide choice of
marbles and hard stones within reach. This will be seen
by the following extracts from two lectures delivered by
Mr. G. Aitchison, A.K.A., at the Royal Academy, on the
18th and 25th February 1884, upon the subject of marble
and glass employed by the ancients, and brought down to
later times. He informs us that " there are forty dif-
ft rent-coloured marbles in the quarries at Sienna, ranging
from white to black ; that there are marbles in every
division of the world's surface ; and that in France alone
about 600 have been already catalogued. First may be
mentioned the imperial purples ; the amethystine ; the
Tyrian, of the colour of clotted blood ; the Hysginian or
puce ; and the crimson. The first marbles in rank ai'e the
purple Egyptian porphyries, which are truly imperial from
their fine colour, excessive hardness, and great durability ;
they will, moreover, take a polish like glass. Both purple
and green Egyptian poi'phyry may be seen on Henry IH's
tomb in Westminster Abbey. Still more splendid in colour
. is red serpentine, mottled with dark green and black, and
flecked with gold ; the dappled blood-red antique breccia of
Numidia, and the Griotte d'ltalie, with its white veins and
partridge eyes. The Rosso Antico is no longer antique,
since the quarries have been found in Greece. The Langiie-
doc is of a still more vivid red, powdered with flames of
white ; tlie (Jreek red, with fiugments ol' pink and yellow
imbedded in it ; the Cork red, speckled with white ; the

28G EOMANO-BRJTISH MOSAICS.

dusky red and grey of rouge royal ; and red Devonshire.
After these come the soft-coloured mottled yellowish-pink
of emjDeror's red and Verona ; the deeper pink of St. Juan,
fretted with pinkish w^hite ; the brilliant Devonshire spar,
mottled Avith violet-pink or brownish red ; and the red-
veined alabasters. Splendid alabaster is found in the
English quarries, tinted with purple, not to speak of the
pink granites and porphyries. For yellows there is the
lordly sienna, with its deep orange ground streaked with
purple, veined with black, and here and there spotted with
white ; the pure yellow of Giallo Antico ; the pale yellow
of the Ivorio Antico of Numidia ; the yellow Egyptian
alabaster, with its eddying veins of white ; brocatello, which
may be classed with yellow or red, as in its fine brocade one
or the other colour predominates ; and the Rose du Yar,
light tawny yellow with red marks. Nearly approaching
the yellows are some of the tawny marbles of Numidia. Of
all the greens, some of the five Verdi Antichi are the most
splendid and the noblest. Next to these come the Genoa
green, Greek green from Laconia, and the dark green Vert
de Corse ; the Vert Maurin, intersected in every direction
with light green veins ; the Campan Vert ; the Campan
melange, of a full green, streaked with red and flowered with
white ; the Cipollino; the Irish green, that varies from bold,
eddying streaks of dark grey to a pale yellow, here and
there interspersed with translucent spots of dark green ;
the cool green marble of Anglesea, spotted with black and
Inindled w^ith white ; the green Egyptian and Irish por-
[)hyries ; green serpentines, of which the dark bands on
Italian buildings are made ; the grey, green, and jiurple
Purbeck and Petworth marbles, of which so many of the
shafts in our Gothic cathedrals are made. For white, are
the Carrara, Parian, and Pentelic, and the blue-white from
Carrara, besides others. For black, Nero Antico, Irish

GEMS, TRECIOUS STONES, AND GLASS. ' 287

black, Belgian black, English black, black basalt, and black
granite, though this latter is grey. For greys, the grey
granites, dove, Belgian grey ; the pale grey Bardilla, with
its net-work of darker veins and black rivulets ; and blue
imperial. For black and white is Hachette and Grand
Antique. But perhaps the most splendid marbles are
those which can be put into no category of colour, the
different sorts of variegated breccias; the pale, fawn-coloured
Caserta, diapered with crimson patches ; the violet breccias
from Kondona, with large round patches of j^urple, red, grey,
and yellowish white, bound with dark grey and black veins ;
the breccia of Palermo ; the gorgeous antique breccias of
Africa ; the grey Sarrancolin veined with red ; the dark
brown breccia of Belgium, with black patches and red
spots ; the breccias of Septimus Bassus, and all the antique
breccias of Numidia. The Egyptian, in which green and
purple pebbles of porphyry start out from a golden ground,
are to be seen at St. Vitale, Ilavenna, and at the Cam^^o
Santo, Pisa.

" From these are omitted the gems and precious stones,
lapis lazuli and malachite, coral, onyx, agate, real jasper,
chalcedony and blood-stone, rock crystal, and cornelian, all
which may be found used in the altar-pieces abroad.
Thanks to II Cavaliere Giovanni Battista, we can see at the
Natural History Museum many of the famed marbles of
Numidia, and at the Geological Museum Corsi's slab, con-
.taining 1,012 specimens of antique marbles."^

The same author, in speaking of ancient glass, its manu-
facture and adaptation to the purposes of mosaics, as de-
scribed very fully by Pliny, remarks that this Roman writer
" uses a strong arginnent to prove that glass mosaic was
not known in B.C. 27, when Agrippa built the Pantheon,
and either glass must have taken a rapid stride between
' See Buililcv, vol. xlvi, p. 281.

288 ROMANO-BRITISH MOSAICS.

that time and Pliny's death in a.d. 79, or else glass mosaic
must have been introduced from some country where this
mode of decoration was practised, for we find glass mosaic
used in fountains at Pompeii."

It will be seen by the separate descriptions of the
mosaics in England that glass, though judiciously introduced
at times, yet was but sparingly used, but in the African
and Asiatic specimens it is more frequently employed. If
the plan of this work were to follow up the history of
mosaic- work in after ages, it would be seen how the
material of glass came to be more and more employed in
the decorations, but the scope of it must be limited to
Romano-British examples ; nor can the subject of Con-
tinental mosaics be entered upon, which would carry us
beyond our limits, otherwise it would have been useful to
record such magnificent specimens as the Battle of Arbela,
found in the House of the Faun at Pompeii, and now in the
Museum of Naples ; the Doves of Pliny, now in the
Capitoline Museum, Rome ; and the Combat of Animals,
brought from Hadrian's villa.^ There are several small
pieces of foreign mosaics of minute design placed against
the wall in the vase-room, on the first floor of the British
Museum, which are worthy of careful examination.

It must strike the observer, on inspecting the large
pavements in the British Museum, how skilfully they must
have been handled, before removal as well as after, when
the difiiculties had to be overcome of transporting to a
great distance such friable materials. It were to be wished
that those mosaics still in situ in our own country could be
preserved for posterity, and measures taken without loss of
time to prevent decay, which is already destroying many,

^ Many of them are figured in a comprehensive manual. La Mosaique,
par Gerspach (Bibliotheque de rEuseignement des Beaux-Arts). Paris :
A. Quantin, 1881,

ON THE PRESERVATION OF MOSAICS. 289

from the effects of damp, frost, and the hands of curious
visitors. This can be accompHshed in other ways besides
the not very satisfactory one of covering them up again
with earth. The mode of fixing and leveUing the tessellce
is now pretty well understood — as witness the very large
pavement brought from Halicarnassus, in the British
Museum — that is, by gluing the surface upon canvas
stretched on a flat slab ; then, reversing the whole, the
concrete at the back, in which the tessellce are imbedded, may
be adjusted or renewed. This process has been successfully
accomplished in the case of the large pavement from
Bucklersbury, London, now in the Guildhall Museum, and
many other examples of pavements removed, referred to in
the preceding pages. Once levelled and secured, three
modes could be adopted of taking care of the pavements,
if private proprietors were content to waive their rights for
the public good. First, by retaining the pavement m situ,
and building a cover over it to keep out wintry frosts and
damp ; or, secondly, by sending it to the nearest local
museum, where it would be taken care of, and a special
interest given to it from vicinity to the place of its origin ;
or, lastly, failing a good local museum, to send it to the
British Museum in London.

r r

290

CHAPTER XIX.

Descriptions of Thirty Coins, selected from the British Museum Collection.
— Amplification of the descriptions to illustrate the period travelled
over in this work with reference to the Mosaics. — Remarks upon
the value of certain Coins, and on the importance of Numismatic
Science.

DESCRIPTION OF THIRTY COINS IN THE
BRITISH MUSEUM.

PLATE I.

Claudius (a.d. 41-54).

1. — Ti . cLAVDivs CAESAR AVG . p . M . TR . p . IMP . His head to right,
laureate.

Rev. DE BRiTANNi., inscribed on an arch surmounted by an equestrian
figure between two trophies. (^Aureus.)

Claudius, desirous of militai'y fame, crossed over into Britain in a.d. 43
and completely defeated the British chief, Caractacus, whom he took
prisoner, but immediately liberated. For this success he was, on his
return to Rome, rewarded with a military triumph, and the surname of
Britanuicus was deci'eed both to himself and his son, who was originally
named Claudius Tiberius Germanicus.

Trajan (a.d. 98-117).

2. IMP . CAES . NERVAE TRAIANO AVG . GER . DAC . P . M . TR . P . COS .

v . p . p . His head to right, laureate.

Rev. s . p . Q . R . OPTIMO PRiNciPi . s . c . View of the Circus Maxi-
mus. [Sestertius, or large brass.)

This piece was struck to commemorate the enlargement of the Circus
]\laximus, which is here i-epresented with the Egyptian obelisk of Augustus
in the centre of the spina. This structure was capable of holding upwards
of 20,000 spectators.

Hadrian (a.d. 117-138).

3. — HADRiANVs AVGVSTVs . His bust to right, laureate, and wearing the
paludamentum.

Rev. FELiciTATi AVG . s . c . A praetorlau galley, with the gubernator
and rowers. (Sestertius, or large b7\iss.)

PL. I

PtOMAN Imperial Coins and Medals

COINS ON PLATE T DESCRIBED. 291

In A.D. 119 Hadrian quitted Rome on a personal visit to all the
provinces of the State. His journeys extended from Britain to the far East.
This piece was struck, upon his departure, by the Senate, so that he might
caiTy with him their wishes for a successful voyage.

Antoninus Pius (a.d. 138-161).

4. — ANTONiNvs AVG . Pivs p . p . TR . p . COS . Ill . His head to right,
laureate.

Rev. IMPERATOR II . s . c . Victory walking to left, bearing palm-
branch and shield, inscribed britan. {Dupondius.)

In A.D. 139 Lollius Urbicus, who commanded in Britain, chastised a
revolt of the Brigantes, and having carried his arms beyond the frontier,
completed the defences of Agricola with a continuous rampart of earth from
the Clyde to the Forth.

Faustina Junr. (Wife of Marcus Aurelius).
5. — FAVSTiNA AVG . Pii AVG . PiL . Her bust to right, draped.
Rev. iVNo. Juno seated to left, having one child on her knee ; before
her is another, with hands outstretched. [A ureus.)
On this coin Faustina is personified by Juno.

Commodus (a.d. 180-192).

6. M . COMMODVS ANTONINVS AVG . PIVS BRIT . His bust to right,

laureate, and wearing the paludamentum.

Rev. BRITANNIA p . M . TR . p . X . IMP . VII . COS . iiii .P.P. Bri-
tannia seated to left on a rock, wearing close-fitting dress and mantle over
her shoulders ; she holds in her right hand a standard, and in her left a
spear ; her left arm resting on her shield. [Medallion in bronze.)

This well-known medallion commemorates the victories gained by
(Jlpius Marcellus in Britain, for which Commodus was saluted Emperor
the seventh time, in a.d. 184. It is said that this piece suggested the
type of the Britannia on English copper coins in the reign of Charles II,
which, with but slight alterations, remains to the present time.

7. — IMP . COMMODVS AVG . PIVS FELIX . His bust to right, laureate,
wearing the paludamentum.

Rev. voTis FELiuiBvs . Commodus standing near a " pharos", on a
rock near the sea, sacrificing at an altar; at his feet lies a slain ox ; in the
distance is a fleet and several small boats ; at the stern of the central large
ship is seated Jupiter Serapis. {Medallion in bronze.)

In the year a.d. 18G, after a long dearth, Commodus sent a fleet to
collect grain in Africa. This fleet is here represented, and the moment
chosen is its return to the port of Ostia ; the Emperor received the fleet on
its arrival and ofl'ered up sacrifices for the bounteous provision which it
brought.

292 ROMANO-BRITISH MOSAICS.

PLATE II.

Septimius Severus (a.V). 193-211).

1_ — SEPT . SEVERVS Pivs AVG. His bust to right, laureate.

Bev. viCTORiAE BRiTTANNiCAE . s . c . Two Winged Victories, holding a
shield against a palm-tree, at the base of which are seated two bound
captives. {Sestertius.)

This coin was struck in a.d. 210, to commemoi-ate Severus's defeat of
the Picts, who offered so strong a resistance that it is said the expedition
cost the Emperor upwards of 50,000 men.

CaracaUa (a.d, 211-217).

2. — antoninvs pivs AVG . His bust to right, radiate.

Rev. VICTORIAE BRITTANNICAE . s . c . Victory, with her left foot on a
helmet, stands to right, and is writing on a shield placed on a palm-tree.
{Dupondius.)

CaracaUa accompanied his father Severus in the expedition to Britain,
and after his death continued the war against the Picts, with whom he soon
concluded a peace, and returned with his brother Geta to Italy.

Geta (a.d. 211-212).

3. — p . sEPTiMivs GETA CAESAR . His bust to left, wearing the paluda-
mentum and cuirass, and holding a staff (1) over his right shoulder.

Rev. CONCORDIA MiLiTVM . Geta standing between five signa, three on
his right, and two on his left, and holding a staff in his left hand ; he is
clad in the paludamentum and cuirass. {Medallion in bronze.)

Geta did not receive the title of Augustus till a.d. 209, so that this
piece was probably struck between a.d. 205-207, at which time he was in
Britain with his father Severus. He was much beloved by the troops,
and this medallion testifies to his valour and activity as a general.

Elacjahalus (a.d. 218-222).

4. — IMP . CAES . M . AVR . ANTONINVS PIVS AVG . Bust of the Emperor
to right, laureate, wearing the paludamentum and cuirass.

Rev. SACERDOS DEI soLis ELAGAB . s . c . The Emperor, in a long
Oriental dress, stands nearly facing, near a garlanded and lighted altar.
He holds a patera and a palm-branch. On his right is a stai'. {Sester-
tius.)

The Emperor, whose early name was Bassianus, is here represented in
his character of high-priest of the sun, to which post he was appointed
during his residence at Emesa in Syria^ before his assumption of the title

Ti.. 11.

Roman Imperial Coins and Medals.

COINS ON PLATE II DESCRIBED. 2 'Jo

of Emperor and the name of Antoninus. Tlie sun was worshipped at
Emesa under the name of Elagabalus (Ela-Gabal), and in the form of a
black conical stone, which was said to have fallen from heaven. To this
protecting deity Antoninus ascribed his elevation to the throne, and
therefore sought to raise the god of Emesa over all the religions of the
earth. In a solemn procession through Rome, this conical stone was
decked with precious stones, and placed in a chariot drawn by six white
horses, which the Emperor himself drove, decked in his sacerdotal robes of
silk and gold.

Severus Alexander (a.d. 222-235).

5. — IMP . CAES . M . AVR . SEV . ALEXANDER AVG. His bust tO right,

laureate, and wearing the paludamentum and cuirass.

Rev. p . M . TR . p . V . cos . II . p . p . s . c . An elegant and highly
ornamented structure, decorated with statues and surrounded by a portico,
(^Dupondms.)

The reverse of the piece, struck about a.d. 226, represents the celebrated
thermce, or baths which bore the Emperor's name, and which were fre-
quently illuminated at night. ^^ Addidit et oleum luminihus thermarum, qxmm
ante non antea anroram paterent, et ante soils occasum claudere7itur."

Maximinus (a.d. 235-238).

6. — IMP. MAXiMiNVS Pivs AVG. His bust to right, laureate, wearing the
paludamentum.

Rev. LIBERALITAS AVGVSTi . s . c . The Empei'or seated on a curule
chair, placed upon a suggestura, which is decorated with a frieze ; behind
him are two warriors, and before him Liberalitas holding a tessara and a
cornucopite. [Sestertms. )

This coin refers to some act of largesse on the part of the Emperor
Maximinus. It may be the distribution of money amongst his troops,
which was chiefly made out of the gold and silver ofteriugs taken by him
from the temples.

Gordian II (a.d. 238):

7. — IMP . CAES . M . ANT . GORDIANVS AFR . AVG . His bust to right,

laureate, wearing the paludamentum and cuirass.

Rev, ROMAE AETERNAE . s . c . Roma scated to left, holding a Victory
and a spear ; at her side her shield. (Sestertius.)

" This device alludes to the eternity promised to the city of Rome by
all the oracles of antiquity, and echoed by the Latin poets" —

" His ego nee metas, rerum nee tempera pono ;
Imperium sine fine dedi."

294 ROMANO-BRITISH MOSAICS.

PLATE III.

Gordian III (a.d. 238-244).

1. — IMP . GORDiANVs Pivs FELIX AVG . His bust to left, Wearing the
paludamentum, and armed with spear and shield ; the latter decorated with
a relief representing the Emperor on horseback, preceded by Victory and
followed by a soldier.

Rev. MVNiFiCENTiA GORDiANi AVG . View of the Flavian amphitheatre
or Coliseum from above ; within are seen the spectators, who are witness-
ing a contest between a bull and a hippopotamus with rider ; outside, on the
left, is the Meta Sudans, and a figure holding a rudder ; and on the right a
porch, within which is a figure. {Medallion in bronze.)

This famous amphitheatre was begun by Vespasian and completed by
his son Titus. In the reign of Macrinus it was struck by lightning, and so
much damage done to the interior that for several years no games were
celebrated in it. Its restoration was commenced by Elagabalus and com-
pleted by Severus Alexander. There appears no special record of the
games held in that theatre which are commemorated by this medallion.

Philiiy I, Otacilia, and Philip II (a.d. 244-249).

2. — CONCORDIA AVGVSTORVM . Busts jugatc to right of Philip I and
Otacilia ; he wears the paludamentum and cuirass ; and she is draped
and wears stephane ; facing them is Philip II, laureate, and wearing the
paludamentum and cuirass.

Rev. SAECVLVM NOVVM . The two Emperors, Philip I and II, each
accompanied by two attendants, sacrificing at an altar placed in front of an
octostyle temple. (^Medallion in hronze.)

This piece was struck in a.d. 248, and commemorates the New Era.
The legend Saeculum Novum intimates that the thousandth year from the
building of Rome having expired, another age has commenced. The temple
may be that of Jupiter Capitolinus.

Otacilia Severn (a.d. 244-249\

3. — MARCIA OTACiL • SEVERA AVG . Her bust to right, draped ; her hair
is draped, and plaited behind.

Rev. SABCVLARES AVG . s . C . A hippopotamus walking to right.
{Sestertius. )

This coin commemorates the celebration of the secular games in

I'l.

iiOMAN iMPEHfAL COINS AND MfIDALS.

COINS ON PLATE III DESCRIBED. 295

A.i). 24:8 ; ill which no doubt were introduced combats with hippopotami,
as shown in the medalhon of Gordian III, above described.

Trajan Dems (a.d. 249-251).

4. — IMP . c . M . Q . TRAiANVS DECivs AVG . His bust to right, laureate.

Rev. DACiA . s . c . A draped female figure, standing facing, and hold-
ing staff surmounted by an animal's head. (Sestertius.)

In A.D. 250 Dacia was liberated from the incursions of the Barbarians,
an event commemorated by this coin. The origin of the staff with the
animal's head is unknown ; it may, however, represent some Dacian instru-
ment, such as the trumpet.

Postumus (a.d. 258-267).

5. — posTVMVs AVG . His bust three-quarters to right, head facing,
wearing the cuirass.

Rev. INDVLGENTIA posTVMi AVG . Postumus seated to left on a curule
chair ; before him a suppliant with uplifted hands. {Aureus.)

Postumus stands second on the list of the thirty tyrants enumerated
by Trebellius Pollio. He ruled in Gaul, and his government was a con-
trast to that of Gallienus, being marked by moderation and justice. This
coin, no doubt, refers to some unrecorded act of indulgence on the part of
the Emperor.

Victorinus (a.d. 265-267).

6. — IMP . viCTOKiNVS p.p. AVG . His bust to right, laureate.

Rev. LEG . XXX . VLP . VICT .p.p. Jupiter, naked, leaning on his
spear and holding thunderbolt, standing facing ; on his left a Capricorn.
(Aureus.)

The " legio Ulpia", or the 30th, was originally raised by Trajan, and
was stationed in the north, probably during the reign of Victorinus, in
Gaul, and of which he had the command. Victorinus was also one of the
thirty tyrants, but his character appears to have been tiie opposite of that
of Postumus.

Marius (a.d. 267).

7. — IMP . c . M . AVR . MARivs P.P. AVG . His bust to right, laureate,
wearing the cuirass.

Rev. CONCORDIA MiLiTVM. Two right hands united. {Aureus.)
This coin marks the ephemeral reign in Gaul of Marius, who was raised
to the purple by the voice of his army, and two days afterwards killed
by a soldier who had worked with the Emperor when he served as a black-
smith.

29G ROMANO-BRITISH MOSAICS.

PLATE IV

Diocletian (a.d. 284-305).

1. — HIP . c . c . VAL . DIOCLETIANVS P.P. AVG . His head to right,
bare, {Medallion in gold.)

The reverse of this medallion has a figure of Jupiter, leaning on his
sceptre, and holding a globe surmounted by a Victory, and the inscription
lovi coNSERVATORi. The letters s . m . n . (Signata Moneta Nicomediae)
also on the reverse, show that it was issued at Nicomedia. This
piece was struck about the year a.d. 296, and the reverse type is probably
an allusion to the assumption by Diocletian of the name of Jovius, as his
colleague Maximian took that of Herculi^i,s (see the next piece).

Maximian I, Hercules (a.d. 286-305).

2, — IMP . c . M . AVE . VAL . MAXiMiANVS P.P. AVG . His head to left,
wearing the lion's skin. {Medallion in bronze.)

On the reverse are the figures of the three Monetse, each holding a
pair of scales and a cornucopia, and the inscription moneta avgg. These
figures are symbolical of the three metals used for the coinage, viz., gold,
silver, and copper. Maximian is here represented in the character of
Hercules (see the preceding).

Carausim (a.d. 287-293).

3. — CARAVSivs P.P. AVG . Bust of Carausius to right, laureate, wearing
the cuirass.

Rev. CONSERVAT . AVG . M . L . (Moneta Londinii). Jupiter, standing,
leaning on his sceptre, and holding a thunderbolt ; at his feet an eagle.
(Aureus.)

This is one of the earliest coins of the London Mint.

Allectus (a.d. 293-296).

4. — IMP . c . ALLECTVs P.P. AVG . His bust to right, laureate, wearing
the cuirass.

Rev. ORiENS AVG . M . L . (Moneta Londinii). Male figure (the Sun),
radiate, standing to left, raising his right hand and holding a globe ; at his
feet two captives, seated. {Anrevs.)

Constantius /, Chlorns (a.d. 305-306).
5. — constantivs xob . CAES . His head to right, laureate.

Tl. IV,

KoiviAN Imperial Coins and Mkdals.

^ COINS ON PLATE IV DESCRIBED, 297

Rev. HERCVLi viCTORi S.M.N. (Signata Moneta Nicomediae.) Hercules,
standing, holding club and lion's skin. {Jiiiretis.')

This coin was struck before Constantius was raised to the purple, but
after a.d. 296, when the coinage was reformed by Diocletian.

Constantine I, the Great (a.d. 306-337).

6. — Head of Constantine to right, with diadem.

Bev. GLORIA CONSTANTINI AVG . SIS (Siscia). A Roman soldier, carrying
a trophy and dragging a captive after him by the hair ; his foot is placed
on another captive, whose liands ai'e tied behind him. {Aiu^em.)

This coin was struck by Constantine when he had become sole master
of the Empire.

Constans (a.d. 337-350).

7. — FL . iVL . CONSTANS pivs FELIX AVG . His bust to right, diademed,
and wearing the paludamentum and cuirass.

Rev. TRivMFATOR GENTivM BARBARARVM . TES (Thcssalonica). The
Emperor, standing facing, holding a vexillurn, his left hand on his shield.
{Medallion in silver.)

The barbarians referred to are no doubt the Gauls, Britons, and Celts,
who were subdued by Constans in a.d. 342-3.

Constantius II (a.d. 337-361).

8. — coNSTANTivs AVGVSTVS . His bust to right, diademed, wearing the
paludamentum and cuirass.

Rev. viCTORiAE DDNN . AVGG . TR (Trevcs). Two Victories, holding
between them a shield, inscribed vot . xx . mvlt . xxx . (Soliclus.)

This coin records the vicennalian vows of the Emperor, with the expres-
sion of the hope that he xnight live to the tricennalian.

Marpias Maximus (a.d. 383-388).

9. — DN . MAG . MAXiMVS p . F . AVG . His bust to right, diademed, wearing
the paludamentum and cuirass.

Rev. VICTORIA AVGG . AVG . OB . (Augusta, 72). Magnus Maximus and
Flavins Victor, seated facing, and holding between them a globe ; behind
the chairs is seen a Victory, {Soliclus.)

This coin was struck at London, the name of which place had been changed
to Augusta. The numerals 0Br=72 record the fact that that number
of solidi went to the Roman pound. This was one of the last coins struck
in Britain. The sovereignty of Gaul, Spain, and Britain was confirmed to
Magnus Maximus by Theodosius I, who also recognised Flavins Victor, the
son of Maximus, as his associate in the Empire.

Q Q

298 ROMANO-BRITISH MOSAICS.

A history of the Eoman Emph^e might ahiiost be com-
piled from the figures and inscriptions stamped upon the
coins and medals of the Emperors. Britain comes in for its
share of mention on some of them, and many of these coins
have been engraved in plain outline by Camden, Horsley,
and others ; but the new process by which they can be
reproduced on paper in exact facsimile, has induced me
to present to the reader, in four plates, some of the coins
which bear upon the subject-matter of these pages. The
identical coins found upon or near the pavements have not
been attainable, but the types herewith are from coins of
the Emperors, in the British Museum, and of the greatest
rarity. I am enabled to reproduce them by the privilege
and through the kind assistance of Mr. Herbert Appold
Grueber, who, besides co-operating with Mr. Prsetorius in
the photographic process, has furnished me with descrip-
tions of the coins, which are given above in his own words.
Their connection with events referred to in these pages
will be sufficiently apparent through Mr. Grueber's descrip-
tions, but a few amplifications may not be without their
use.

The first of the series is the beautiful aureus of Clau-
dius, recording, as it were, the annexation of Britain con-
sequent on his triumphs over the Britons ; though as to
mosaic pavements, the time for such elegancies had not
yet arrived. (See pp. 58-9.)

The next Emperor, Trajan, No. 2 in the series, well
deserved the epithet by which he was addressed as Optimo
Principi, and in the matter of coinage he had the sagacity
to recoin and reissue many of the old consular or family
coins of the republic. A writer in the first volume of the
Journal of the Numismatic Society (p. 247) has said, as
t-o this recoinage, that " it was a noble as well as refined
stroke of policy, to refresh and keep alive in the minds

TRADITIONS OF THE REPUBLIC REVIVED. 299

of the people the pride of ancestry, tlie renown of brave
achievements, the memory of the origin and growth of
Roman power and independence, the associations produced
by revered traditions and distinguished names."

The value of the consular series of coins as records of
contemporary history has been well pointed out by Mr.
H. A. Grueber, in a letter to the author, published in the
Journal of the Brit. Arch. Assoc, vol. xxxiv, p. 226 ; but
these early coins are seldom found in this country.

The journey of Hadrian to Britain with his wife
Sabina in a.d. 119 is represented by the interesting coin
No. 3, which conveys the good wishes for their safety at
the time of departure from Kome. I have referred to the
water-supply of London, and the works connected there-
with, at pp. 164-5, and these works were probably com-
pleted in the reign of this Emperor or his predecessor.
(Coin at Woodchester, see j^P- 6 and 78.)

The next coin. No. 4, of Antoninus Pius, records a name
especially connected with Britain, even if for nothing else
than the accurate " Itinerary of Roads" (the British portion
printed at leng-th in the Appendix to this work, accord-
ing to the most approved readings) ; and for his wall in
Scotland, between Edinburgh and Glasgow, and for the
exploits of Lollius Urbicus, his propra3tor. (See p. 153 for
coin at Wingham.)

An aureus of the frail and beautiful Faustina, No. 5,

wife of Marcus Aurelius, represents' her as the niater-

familias, and personified as the stately Juno. We can

hardly congratulate the lady upon having acted up to tliis

her part in history.

The medallion of Commodus, No. 6, will be remembered
for the figure of Britain on the reverse, seated on a rock,
and for the victories of his propraetor, Ulpius Marcelhis, in
A.D. 184. May the rock long remain as stable as it lias
been from that time to the present !

300 ROMANO-BRITISH MOSAICS.

Another medallion, No. 7, commemorates the same
Emperor welcoming the corn-ships coming in from Africa,
after a long dearth, and sacrificing at an altar on the occa-
sion. This may have stimulated his successor to make
ample provision against a famine, as he did by collecting
a very large public store of corn. (See p. 135.)

This successor was Septimius Severus, who heads
Plate II, No. 1, on a fine sestertius, struck the year before
his death at York. The two figures of winged Victories
holding up a shield are a counterpart of those sculptured
on his arch at Rome, and a similar design is on the pedi-
ment of the temple at Bath, as restored from the frag-
ments found. (See p. 170, and p. 37.)

The next two Nos. 2 and 3, a dupondius and a medal-
lion in bronze, are of his two sons, Caracalla and Geta, of
whom some account has been given in connection with Bath,
on p. 167.

The priest of the sun, Elagabalus, is represented on a
sestertius, No. 4. The next, No. 5, a dupondius of Severus
Alexander, is interesting as having on the reverse a view
of his Thermae, which, as Mr. Grueber informs us, he lighted
uj) with oil lamps for the first time, as before then, baths
were closed at sunset and opened at early dawn.

On a sestertius, No. 6, is the likeness of the hardy
Thracian, Maximinus. The largess referred to on the coin,
if it kept up his popularity with the soldiers during three
years, did not prevent the massacre of himself and his son
at the end of that term. (See p. 7.)

No. 7 is a sestertius of Gordian II, who seems to
have believed in the eternity of the city of Rome, though
his own rule in it ended before the year of his election
was out.

Plate III. — No. 1 represents, on a medallion, Gordian III,
and records his munificence at the Coliseum at Rome. He

FINAL LOSS OF DACIA. 301

is referred to on page 7 ; and from and after this time the
greater part of the mosaic pavements appear to date.

No. 2 gives, on a medallion, the likeness of PhiHp I, the
Arab, and his wife Otacilia and son Philip II. The secular
games to commemorate the thousandth year of the founda-
tion of Rome were held in his reign, in a.d. 248 {see p. 8),
and a new era was henceforth to commence, a scecidum
novum.

No. 3 is a sestertius, and represents the Empress
Otacilia, wife of Philip. A hippopotamus on the reverse
records the secular games above referred to, the great event
of the day.

No. 4. Trajan Decius probably had this coin, a sester-
tius, ready in anticipation of victories in Dacia, which,
however, never came off. This successor of the two
PhiHps, Cnseus Metius Quintus Trajanus Decius, aimed at
and expected to reconquer Dacia, and thus emulate the
fame of the great Trajan, from whom he claimed descent
and whose name he bore ; but on marching at the head of a
large army against the Goths, he found them already south
of the Danube, investing Nicopolis ; and though he raised
the siege of that place, the barbarians marched further
south to Philippopolis, a city of Thrace, at the Balkans,
which they sacked, murdering the inhabitants. Decius
in vain tried to infuse the ancient spirit into the
Roman army, and he appears to have lost his life fighting
in that desperate engagement at Forum Trerebonii in
Ma3sia, where a marshy swamp proved fatal to his army.
The son, appointed to succeed his father, lost his popularity
through buying off the Goths by payment of an ignominious
tribute, an expedient which had been before resorted to by
the Phihps.

Nos. 5, G, 7 are aurei of the tyrants or usurpers Postumus,
Victorinus, and Marius. As the latter reigned less than

302 ROMANO-BRITISH MOSAICS.

a month, it is wonderful there are so many types of his
coins ; but they were doubtless struck in anticipation of his
success, and for liberal donations to the troops. The full
face of Victorinus is no less uncommon than it is beautifully
designed.

I regret that room could not be found for some of the
coins of Tetricus, to illustrate what has been said of him.
(See p. 8.)

The last series of coins, on Plate IV, commences with
No. 1, a fine medallion in gold of Diocletian, struck at his
new capital of the East, where he personified Jupiter — to his
own edification perhaps, if not to that of his subjects. His
colleague in the West, Maximian, figures on coin No. 2 as
Hercules, the lion-skin forming a head-dress. The per-
sonification of the three metals of the coinage on the reverse
celebrates the rectification of its values at this period, and
at the same time recalls the fact that the weights also, by
which merchandise was bought and sold, were kept in
temples dedicated to Hercules ; and in the matter of weights
the Romans was scrupulously exact, as is seen by the
distinction they made in comparing rain-water, spring-
water, and boiled water as a standard of weight. (See p. 9.)

No. 3 is an aureus bearing the portrait of the blufi"
Carausius, styled the Preserver of the Empire [Conservator').
Dr. Stukeley collected the many types of this bold usurper's
coins to write the history of his reign in Britain. The coin
here shown is of extreme interest, being '' one of the earliest
coins of the London Mint". (See p. 10.)

For the same reason that it was struck at London, No. 4,
an aureus of Allectus, is interesting. His boastful figure on
the reverse, as the sun in the East, soon set when his
successor appeared on our shores, who is represented by the
next coin, No. 5, of Constantius Chlorus, a beautiful aureus
struck at Nicomedia. (See pp. 10 and 12.)

ROMAN MINT AT LONDON. 303

Constantine the Great appears on a fine aureus, No. 6,
struck at Siscia, in Pannonia, and the way he triumphs
over his competitors is seen on the reverse.

Constans, his successor, is shown on a beautiful medal-
lion in silver, No. 7. He holds the labarum bearing the
Christian monogram in right hand; and the letters in the
exergue show that it was struck at Thessalonica.

The last two of the series are solidi counterparts to
the aurei of the olden time.

No. 8, one of Constantius II, struck at Treves.

No. 9, another of Magnus Maximus; and this coin is
doubly interesting as being struck at London, called at this
time Augusta (Trinobantum), and also as having numerals
to record the number of solidi (72) then coined out of the
Roman pound of gold.

This small selection of coins serves as a numismatic
sketch of the period travelled over, without perplexing the
reader with too many specimens ; and what may be deduced
from them will serve as an incentive to further medallic
researches into the history of Britain. Many questions are
to be solved by such a study ; as an instance of this, the
value of the silver denarius, of which seven were coined to
the ounce, bears upon the pay of the soldier, and this very
often upon the election even of the emperors. In very
ancient times, when payments were made by weight rather
than by tale, the denarius was equivalent to ten asses,
■whence its name, and each as was said to have been
originally a pound of copper ; but the silver denarius was
not struck till B.C. 269, at which time the as weighed
either four ounces (triental) according to Mommsen, or two
ounces (sextantal) according to others. As silver became
more abundant its relative value to copper or brass would
adapt itself to the circumstances of the times, and pay-
ments by tale were found expedient, the as becoming

304 ROMANO-BRITISH MOSAICS.

uncialis, or of the weight of an ounce instead of a pound,
and this was, by the Lex Papiria, in B.C. 89, made
semuncialis, or of half an ounce. Some httle compensation
was afforded the soldier by paying him in silver, and reckon-
ing in military pay the old ten asses as equivalent to a
denarius, instead of sixteen, according to the current mint-
age; much in the same way as our soldiers in India have
their sterling money commuted into rupees at an old ex-
change of the rupee, whereas, if this were reconverted into
English money at the current exchange, there would be a
loss of over 20 per cent.; but with this difference, that in
the case of the Roman soldier he derived the benefit of the
difference in the increased rate of pay, whereas in the case
of the British soldier the difference is made a saving to the
State, by diminishing the pay to that extent.

When the relative value between silver and brass was
altered, whether it adapted itself to the natural law of
metals and other commodities, or was established arbitrarily
at particular dates, as recorded by Pliny (xxxiii, 3), must
be referred to the many learned authors who have written
on the subject. It is sufficient for my purpose here to take
the silver denarius as the fixed quantity in metal, seven
being coined out of the ounce of pure silver, and therefore
the full-weighted ones would be worth about eightpence,
valuing silver at 56c^. the ounce. The sub-divisions of
value in brass by tale and not by weight would be as
follows : — The sestertius, being a fourth part, would be two-
pence ; the as, or sixteenth, one halfpenny ; the dupondius,
one penny, in this ratio, or when of two uncial asses, two-
pence.

The separation of the empire into East and West pro-
bably influenced in some degree the depreciation of the
aureus, by making gold scarce in the West. This gold
coin, up to the reign of Nero, was about equivalent in

DEPRECIATION OF THE AUREUS. 305

weight to our sovereign, or more nearly to our guinea of
twenty-one shillings. The depreciation is seen by the
weight of the coins, of which forty-five in Nero's time
were coined from a pound of pure gold, and seventy-two at
the time of the last coin of our series, when the aureus
would thus be worth 135. 4dl. instead of 21s., its original
value as to weight.^

The historical, mythological, social, and artistic inci-
dents displayed on the coins often afford a more accurate
insight into the life of the Romans than history can teach,
and many of its blank pages can only be filled up by numis-
matic science.

^ A brief account of the Roman coinage will be found in Coins and
Medals, their Place in History and Art, edited by Stanley Lane-Poole
(chap, iii, by H. A. Grueber), London, Elliot Stock, 1885.

R R

APPENDIX.

Notes on the Itinerary of Antoninus and the Test of such portion thereof as
concerns Roman Britain.- — Table of the Mosaics referred to in this
work, distinguishing the Plain and Geometrical from the Figured
Designs.

THE text of the Itinerary of Antoninus, as far as con-
cerns Britain, is given herewith, as a guide to the
map on which the Hnes of this mihtary roadster are laid
down ; and it will show the direction given to colonisation
at an early period of the Roman dominion, for this Itinerary
seems probably to have been compiled in the time of the
first of the Antonines, rather than in that of either of the
other imperatores bearing this name, though some of the
older antiquaries assign its composition to the time of
Septimius Severus.

The text I have made use of is from the excellent
edition of Messrs. G. Parthey and M. Finder (Berlin, 1848).
In a preface they have given their views as to the time of
its compilation, which in the main dates, probably, from the
first of the Antonines ; though Marcus Aurelius, who paid
much attention to the roads of the Empire, may have had
it corrected to date ; and the same may be said as to
Severus and Caracalla, who adopted the name of Anto-
ninus, and wlio ordered the milestones, ruined through
age, to be restored, as is seen by an inscribed stone pre-
served at Vienna, and described by Scipio Maffei (in Museo

APPENDIX. 307

Veronensi, p. 241).^ Some amended copies of the Itinerary
are as late as Diocletian, to judge by the two names given
to Legionary stations, — the one, i Jovia, and the second,
It Herculea, indicating the time of Diocletian and Maximian.
There is mention made in one of the latest copies of Con-
stantinopolis, instead of Byzantium, its name before the
reign of Constantine. Still, it is shown that the main work
was not as late as this, by the fact that Constantinople is not
made a centre to which roads converge, for between Sirmium
and Nicomedia the road does not even stop at Byzantium.
The editors have consulted about forty different MSS.,
but have made particular use of twenty for the composition

^ The Rev. Prebendary H. M. Scarth (^Romaii Britain) records the
fact that " about fifty-six milliaries or mile-stoiies have been found on the
lines of Roman roads in Britain, and some have inscriptions which are
legible (p. 119) ; one was discovered near Leicester {Ratce) in 1771
(p. 68), with this inscription (p. 120) :

IMP . CAES .

DIV . TRAIANI . TARTH . F . NER . NEP .

TRAIAN . HADRIAN . AVG .P.P. TRIE .

POT . IV . COS . Ill

A.RATIS . II

None have as yet been found earlier than the reign of Hadrian, or later
than that of Constantine the Younger, a.u. 3.'36" (p. 120).

" A very perfect one was found in Wales, in the year 1883, at Gordd-
inog, near Llanfairfechan. It is a stone pillar 7 feet high and about 4^ feet
in circumference, and bears the following inscription : —

IMP . CAES .

TRAIAN VS . HADRIAN VS

AVG . P . M . TR . P .

P.P. COS . Ill .

A . KAN(;VIO

M . p . vni .

thus marking the distance of eight miles fiom Caur-Ilun in Caernarvon-
shire {Cfinovium)" (p. 244).

For this last discovery Mr. Scarth refers to a letter by Mr. W. Thom[)-
son Watkin, in Tke Academy, March 1883, No. 565. This stone is now in
the British Museum, in the room of Komano-British antiquities.

308 APPENDIX.

of their notes and various readings, and have given a fac-
simile of one page of a MS. of the tenth century, in the
Royal Library at Paris, 4806. They have affixed an index
of modern names, answering to tiie ancient, according to
various authors, such as Lapie, Mannert, Reynolds, Gale,
Horsley, Just, and others. We have, besides these, had the
benefit of the latest investigations of Thomas Wright, C.
Roach Smith, the Rev. Prebendary Scarth, Gordon-Hills,
W. T. Watkin, and others.

Commentators have paid too little regard to the general
scheme of the Itinerary, laid out as it was in accordance
with the configuration of the whole island, and of the locali-
ties in reference to their military concatenation. It is for
this reason 1 have given a view of the Itinerary on a map,
omitting all other roads made before or since, in order to
show the scheme which influenced the direction of the
roads on this valuable piece of contemporary evidence. The
following observations, however, are necessary to justify
some of the deviations from usually accepted schemes of
identification.

In No. 1, the terminus Prcetorium was fixed atPatring-
ton by Camden, and later writers appear, without sufficient
cause, to have removed it elsewhere.

No. 7. — The position of Clauscntiim, Regnum, Venta
Belgai'um, Calleva Attrehatum, and Pontes has been altered
by Mr. Gordon-Hills, in his identification of these places.
He says : " An inscribed stone was dug up in the North
Street at Chichester in 1723, of the time of the Emperor
Claudius ; and from the occurrence on it of a part of a name,
GiDVBNi {the first portion of the word being broken off),
which has been suggested to be cogidvbni, it was concluded
that we have here the name of the native prince, of whom
Tacitus relates that certain states out of the conquests of
Ostorius Scapula were given, ' Cogiduno regi.' This con-

APPENDIX. 309

elusion led to another assumption, viz., that the states
given to Cogidunus rex must have been those of the Kegni ;
and, lastly, to another, viz., that the capital town of the
Regni must be Kegnum ; and the discovery of the stone
here declared Regnum to be Chichester. Depending on
this chain of conjecture, the town Regnum has been invented
out of the name of a people or district, and has by anti-
quaries been ever since annexed to Chichester. We know
from Ptolemy that the Regni were a people ; therefore, when
we read tliat this iter starts from Regnum, I conclude that
it started from some place not given by name, but in the
territory of the Regni, which territory stretched across
Sussex ; the present rape of Bramber forming about the
centre of it." Mr. Hills removes the starting point to
Cissbury, near Worthing, for reasons which he gives.
Clausentum, conjectured to have been at Bittern, near
Southampton, Mr. Hills would place at Chichester; both were
important Roman stations, from the evidence of remains
found ; but these will not specially identify them with par-
ticular stations on the Itmerary. It has been thought that
the word Clausentum indicates the shut-in or land-locked
situation of Bittern ; but the same definition would also
apply to Chichester. Venta Belgarum has been attributed
to Winchester by most authors, because Henry of Hunting-
don, in the twelfth century, called it Caer Gwent ; but he
merely says, in endeavouring to identify the chief cities
named by Nennius, " Kair Gwent, id est Winceastria";
but he does not say that Kair Gwent was Venta Belgarum.
The Belgian territory extended as far east as the seai^ort
of Havant ; for this and other reasons given by Mr. Hills,
he would place here their chief town. Calleva Attrebatuni
the same learned antiquary separates from Calleva Segon-
tiacum, which is Silchester, near Reading, and he places
the former at Haslemere, in Sui-rey, and Pontes at a place
called Pointers, also in Surrey.

310 APPENDIX.

No. 10. — This iter has long puzzled antiquaries, from
their not having settled where it begins, that is, where
is Clanoventa, or Glanoventa ? It will be seen by the
direction of the roads that this London road requires to be
continued to the coast, thus running nearly parallel to the
other further east, which went to Carlisle. Hence I would
place the starting point, or Clanoventa, at Cockermouth,
which w^as an important station to guard this coast, much
exposed to attack ; and the next station, Galava, would be
at Ambleside, at the head of Windermere lake. The dis-
tance of eighteen miles between these Roman stations has
deterred many antiquaries from starting at Cockermouth,
the real distance to Ambleside being so much greater ; but
if we remember that the Romans were much in the habit
of using water carriage by inland lakes and rivers — and we
know from other cases that the distances given in the
Itinerary were only land distances — we shall find that, by
using the navigation of the Bassenthwaite and Thirlmere
lakes, the eighteen miles will just be about the land distance
to Ambleside.

The next station. Alone, I would place at Kendal, an
important place since the time of the Romans, much in-
habited by miners, and giving its name to the hundred and
barony of Kendal. Calacum would be at Lancaster or
Halton, or somewhere in the neighbourhood, and Bremeto-
nacse at Preston ; or if at Ribchester, then the road would
have crossed the Ribble many miles from the station — pro-
bably at Walton, near Preston, which lies in the straight
line of road, discovered by Mr. W. T. Watkin, leading to
Wigan, which has been proved by that antiquary to be
Coccium ; and this perfectly reconciles the distances as far
as Manchester, thus far bringing down the road to London
from Cockermouth. It is as dangerous to hazard an origin for
the name of a place as of a people, but, subject to a better

APPENDIX. 311

derivation, 'xXaivovevra may mean the mart for woollen cloaks,
called -yXaivat, of the native manufacture, and perhaps of
the texture still in use. Britton and Brayley describe the
inhabitants as much occupied in woollen manufactures.
" The clothing of the men was of the native fleece of the
country, home-spun and woven by the village weaver ; the
wool of a black sheep, slightly mixed with blue and red, was
the favourite colour of this cloth, which was very thick and
heavy .... The women's apparel was of the finer sort of the
native wool, woven into a kind of serge, dyed of a russet,
blue, or other colour ; and, like the men's, made up by the
tailor at the weaver's own fireside." And as to woollen
fabrics, Kendal was especially famous. Leland calls it
'^ emporium laneis pannis celeherrimum'' ; and Camden
describes it as "eminent for its woollen manufacture and
the industry of its inhabitants, who carry on a great trade
in woollen cloth all over England."^

" At Keswick, Roman coins of Antoninus Pius and
Gordian, as well as a Roman eagle of brass, were found, and
a paved road is in many places visible towards Ambleside."^
This road being continued below Manchester, through
Condate (Congleton) to Mediolanum, or Chesterton, near
Newcastle-under-Lyne, a few miles of river navigation
would unite it with the main London road at VenonsG, or
High Cross, in Staffordshire.

As modern antiquaries did not see their way to com-
mence this road to London from Cockermouth, by reason of
the distance from thence to the neighbourhood of Kendal,
which I have endeavoured to reconcile by the water-way
through the lakes, they have thought fit to place Clanoventa
at Penrith (Mr. Gordon-Hills) and Whitley Castle (Mr. W.
T. Watkin), bringing the road down the valley of the Lune ;

' Britton and Brayley, vol. xv, [). 191.
2 Ihid., p. 219.

312

APPENDIX.

but we have a road direct from London to Penrith ah-eady,
and Whitley Castle is equally out of the natural direction
of this more westerly course.

Overborough, at the junction of the Burrow and Lune
rivers, has been fixed upon for Galacum, because the dis-
tances agree, and a fine Roman camp has lately been
explored there; but this is no reason for carrying the road
out of its natural course, which should run parallel, or
nearly so, with the Carlisle and London road, communi-
cating with the coast, and where the remains of Roman
occupation are almost more numerous than anywhere else
in the county. Overborough would be a fine situation for
a camp between the two roads, and to command the inter-
mediate country and the valley of the Lune ; and the fact
of a Roman road having been found in the neighbourhood
tending towards Penrith, does not detract from the proba-
bility that the road to Cockermouth is that intended by the
author of the Itinerary of Antoninus as laid down on the
tenth iter.

ITER BRITANNIA RUM.

A Gessoriaco de Galliis Ritupis in portu Britanniarum.
Stadia numero ccccl.

No. 1. — A limite, id est a vallo, Proetorio usque, m. p. m. CLVi.

A Bremenio Corstopitum

m. p. m.

Vindomora

viiii

Vinovia

xviiii

Cataractoni

xxii

Isurium

xxiiii

Eburacum leg.

VI victrix

XV ii

Derventione

vii

Delgovicia .

xiii

Prsetoi'io

XXV

APPENDIX.

313

No. 2. — Item a vallo ad portum Ritupis, m. jy. m. cccclxxxi (xic).

A Blato Bulgio Castra

exploratoi

urn

ni. p. m.

xii

Luguvallo

xii

Voi-eda

xiiii

Brovonacis

xiii

Yerteris

>iii

Lavatris , ,

xiiii

Cataractone

xvi

Isurium

xxiiii

Eburacum .

xvii

Calcaria

villi

Camboduno

Mamucio .

xviii

Condate

xviii

Deva, leg. xx vict.

J»

Bovio

Mediolano .

))

Rutunio

• J)

xii

Urioconio .

Uxacoua

Pennocrucio

xii

Etoceto

xii

Manduesedo

xvi

Venonis

xii

Bannaventa

xvii

Lactodoro .

xii

Magiovinto

xvii

Durocobrivis

xii

Vei'olamio .

xii

Snlloniacis .

viiii

Londinio .

xii

Noviomago

Vagniacis .

xviii

Diirobrivis .

viiii

Durolevo .

xiii

Dnroverno .

xii

Ad portum Ritupis

xii

No. 3. — Item a Londinio ad 2v>r/i(7n Didjris, m. p. in. Lxvi {sic).

Durobrivis . . . ni. p. m. xxvii

Duroverno . . . „ xxv

Ad {jortuin Diibris . . . „ xiiii

814

APPENDIX.

N'o. 4. — Item a Londinio ad j^ortum Lemanis, m. p. m. Lxviii {sic).

Durobrivis .
Duroverno .
Ad portum Lemanis .

m. p. m. xsvu

„ XXV

xvi

Ko. 5. — Item a Londinio L^iguvalio ad valhim, m. p. m. ccccxLiii (sic).

Csesaroraago

Colonia

Villa Faust in i

Icinos

Camborico

Durolipoute

Durobrivas

Canseunis

Lindo

Segeloci

Dano

Legeolio

Eburaco

Isubrigantuni

Cataract one

Levatris

Verteris

Brocavo

Luguvalio .

m. p. m.

XXVIU

xxiiii

j»

XXXV

xviii

XXXV

XXV

XXXV

XXX

xxvi

xiiii

XXI

xvi

XX i

)»

xvii

xxiiii

xviii

xiiii

»'

xxii

iVo. 6. — Item a Londinio Lindo, m. p. m. CLVi [sic).

Verolami .
Dnrocobrivis
Magiovinio
Lactodoro .
Isannavantia
Tripontio .
Venonis
Ratas

Veroraeto .
Margidiino .
Ad pontera
Crococalana
Lindo

ni. p. n

1. XXI

xii

xvi

xii

viii

xii

xiii

xii

vii

xii

APPENDIX.

315

No. 7. — Item a Regno Londinio, m. p. m. xcvi (sic).

Clausentum

m. p.

Venta Belgai'ura . . . „

Calleva Atrebatum . . . „

xxii

Pontibus

„

xxii

Londinio .

xxii

J^o. 8. — Item

ab Ehuraco Londinium, m. p. m. ccxxvii {sic).

Lagecio

m. p.

xxi

Dano

xvi

Ageloco

. . . ),

xxi

Lindo

• J)

xiiii

Crococalana

xiiii

Margiduuo .

xiiii

Vernemeto .

„

xii

Rat is

xii

Venonis

xii

Bannavento

xviii

Magiovinio

xxviii

Durocobrivia

xii

Verolamo .

xii

Londinio .

xxi

No. 9. — Item a

Venta Icinorum Londinio, m. /?. m. cxxviii (sic).

Sitomago .

m. p.

xxxii

Combretonio

xxii

Ad Ansam .

• >i

Camoloduno

Canonic

viiii

Csesaromago

xii

D.urolito

• • • ■>■>

xvi

Londinio

• ' • >»

No. 10. — Item a Clanoventa Mediolano, m. p. m. cl (sic).

Galava

Alone

Calacum

Bremetonaci

Coccio

Mancunio

Condate

Mediolano

P-

xvni

xii

xviiii

xxvii

xvii

xviii
xviiii

316

APPENDIX.

Xo. 11. — Item a Segontio Devam, m. ])■ ni. Lxxiiii (sic).

Couovio . . . . m. p. m. xxiiii

Varis . . . ■ „ xviii

Deva . . . ... xxxii

iVo. 12. — Item a Muriduno^ Viroconhim, m. j)

Leucaro .

Nido

Bomio

Iscpe leg. II Augusta

Burrio

Gobauuio .

Maguis

Bravonio .

Viroconio

Xo. 13. — Item ah I sea Calleva, m. 2^. tn

Burrio

Blestio

Ariconio. .

Clevo

Durocornovio

Spinis

Calleva

m. CLXXXvi (sic).
ni. p. m. XV

xxvii

viiii

xii

xxii

xxiiii

xxvii

cviiii {sic).

m. p. m. van
xi
„ xi

„ XV

„ xiiii

„ XV

No. 14. — Item alio itinere ah I sea Calleva, m. j^- fti. cm (sic)

Venta Silurum
Abone
Trajectus .

Aquis Sulis

m. p. m. van
,, xiiii
viiii
vi

1 We are indebted to Messrs, Parthey and Piuder for pointing out that
by the error of a scribe, the places of Ite?' No. 15 have been generally
placed at the head of, and added to. No. 12, as the said scribe had confused
the ]\Iuridunum of No. 15 with the Muridunum (Carmarthen) of No. 12.
This unnatural excrescence in No. 12 being now left out, the road is made
perfectly intelligible.

The reader is reminded by Messrs. Parthey and Pinder that the three
letters m. p. m. are intended to signify Millia plus mimis (miles more or
less), the fractional parts of miles being omitted.

APPENDIX.

317

Verliicione
Cuuetioue
Spiuis
Calleva

ni. p. m. XV

„ XX

XV
XV

iV^o. 15. — liem a Calleva Isca Dumminiorum, m. /?. in. cxxxvi (sic)

Viudomi .

Veiita Belgarum

Brige

Sorbiodoni

Vindogladia

Durnonovaria

Muriduno

Isca Dumnuuionmi

P-

xxi

viii

xii

viii

xxxvi

318

TABLE OF ROMANO-BRITISH MOSAICS,

Distinguishing the Plain, or with Geometrical Designs only, from those ivhich
have Figured Delineations upon them.

Chapter.

Numbers.

County.

Plain

and

Geometrical.

Figured.

Total.

Introduction

1 to 19

Gloucester .

}

{?}

VII

1 to 13

Somerset .

VII

/ 14 to 16 )
\ 18 to 20/

Monmouth .

VII

21 to 29

Wilts . .

VII
VIII

30 to 32
1 to 21

Shropshire .
Oxford . .

2
17

1
4

VIII

Leicester

—

VIII

Nottingham

—

VIII

24 to 41

Northampton

1 to 12

Lincoln . .

1 to 5

Berks

6 to 8

Essex . .

9 to 19

Kent . .

—

XII

1 to 29

Middlesex .

XIII

1 to 7

Sussex . .

XIII
XIII

8 to 9
10 to 17

Surrey . .
Dorset . .

1
4

2
8

XIV

1 to 8

Hants . .

Isle of Wight

117

183

XVI 1

Mosaics fro

m Halicarnassus and Northern

Africa

and >

preserve(

1 in British Museum (basemen

t with

XVII 1

annex)

253

INDEX.

Abbot's Ann, pavement, Hants, 224

Actseon, 28, 83

Agave, 17, 23, 27, 33

^milianus, 8

jEsculai>ius, 36

Aidv, 17

Albinus, 38

Aldborough, pavement, Yorks, 140

Alexandria, 250, 260

Alexandriuum, Opus, Introduc, xxix

Allectus, 10

Allectus, coins of, 79, 120, 238, 296,

302
Ambianum, Amiens, 11
Ampelos, 18
Amphion, 17
Amphitheatres, 12
Amphitrite, 265
Anaxagoras, 40
Anaximander, 40
Anaximenes, 40
Andromeda, 20, 27, 44
Anta3us, 3fi
Anthedon, 242
Antoninus Pius, coins of, 100, 147, 153,

291, 299
Apollo, 17, 133
Aratus, 28, 46
Arcadius, 10, 54
Arcadius, coins of, 103, 120
Arcesilaus, 42
Ariadne, Introduc, xxxiii ; 16, 22, 29,

37
Aristfeus, 17
Aristotle, 40

Artists, British, testimony by Eumenes,
" Introduc, xxix
Asses, coins, value of, 304
Astrsea, 22
Athamas, 15, 17
Athens, 23
Augustine, 59
Augustus, 58
Aulis, 242
Aura, 23
Aurelian, 9, 229
Aurelius, Marcus, 147
Aureus, value of, 305
Autonoe, 17, 23, 27
Axe of Lj'curgus, 37

Bacchantes, 21

Bacchic theology, 5, 98

Bacchus, 15, 19, 29, 190

Barton Farm, pavement, Gloucester, 81

Barton Field, pavement, Donset, 214

Barton, pavement, deterioration of, Intro-
duc, XXX

Basildon, pavement, Berks, 148

Bassarides, 21

Bath, pavements, 101

Beroe, 22

Berytus, 250, 260

Bibury, estate of Lord Sherborne, pave-
ment found, Introduc, xxx

Bignor, pavement, Sussex, 199-203

Bigiior, pavement, visit by the Brit. Arch.
Assoc, Introduc, xxxii

Bird-lime, 247

Birds, 265, 274

Bonus Eventus, 35, 77

Borders, significance of, 37

Borough Hill, imvcment, Northampton, 122

Botolph, Saint, four churches to him dedi-
cated in London, 162

Botrys, 18

Bramdean, pavement, Hants, 223

British Museum, pavements preserved
there, 179, 241, 265

Brock, E. P. Loftus, F.S.A, on early
Ciu-istianity, 284

Bromham, pavement, Wilts, 106

Bruce, Kev. Dr. Collingwood, F.S.A., on
early Christianity, 280

Cadmus, 14, 15, 16, 23

Caervvent, pavement, Monmouths., 103

Caesar, Julius, 58

Caius, 58

Callipus, 41

Canterbury, pavements, Kent, 153, 154

Cautharus, 107, 116, 148, 180, 190, 215

Caracalla, coin of, 292, 300 j

Carausius, 10

Carausius, coins of, 103, 120, 144 145

150, 222, 296, 302 '

Carinus, coin of, 216

Carisbrook, pavement, Isle of Wight, 239
Carthage, 246, 250
Carus, 9

320

INDEX.

Castor, pavement, Xorthamptou, 124

Celeus, 18, 20

Cells of slaves in villas, Introduc, xsvi

Ceres, 18, 27, 83

Charioteer's monument at Chevening, 87

Chalcomedia, 21

Chariot races, 36. 86

Chase and sports, 247

Chedworth, pavement, Gloucester, 80

Cheirobia, 21

Church-piece, pavement, Gloucester, 79

Circe, 49

Circus masimus, 290

Cirencester, drawing of pavement found

here, Introduc, xsx
Cirencester, pavement, Gloucester, 80
Cirencester, pavement in Museum, 83
Cistern in centre of room, 199
Cithajron, Mount, 244
Claudian, 42, 43
Claudius I, 26, 58
Claudius I, coins of, 290, 298
Claudius II. Gothicus, 8. 231
Claudius 11, coins of, 120, 121, 222, 238
Clymene, 22

Co'bham Park, hoard of coins, 10
Cockermouth. 312
Coins described by Mr. Herbert A. Grueber,

290
Coins of the Ancient Britons, 56
Colchester, pavement, Essex, 150
Coldharbour, London, 161
Coliseum, Rome. 294, 300
Combe-end Farm, Gloucester, 79
Commodus, coins of, 291. 299, 300
Constantine II, coin of, 222
Constans, 11
Constans, coins of, 103, 120, 185, 222, 238,

297, 303
Constantius, 9, 12
Constantius, coins of, 78, 89, 120, 214,

296, 302
Coustantinus, coins of, 78, 80, 89, 100,

103, 120, 121, 153, 185, 214, 216, 221,

222, 297, 303
Constantius II, 11

Constantius II, coins of, 78,_ 297, 303
Corbridge Lanx, interpretation of, 131
Cotterstock, pavement. Northampton, 121
Crispus, coin of, 78, 89, 120, 222
Crondall, pavement, Hants, 222
Crosses, interlaced, at Copplestone, Penally,

and St. David's, 60
Cupid, 17,22, 43,113,138
Cybele, 18
Cyclopes, 21
Cynical criticisms, Introduc, xxi

D.
Dacia, final loss of, 301
Decentius, 11
Decentius, coins of, 185
Decius Gallus, 8. 238
Delphic oracle, 280
Democritus, 40

Denarius, coinage of, 303

Denton, pavement, Lincolns., 139

Deriades, 20

Diana, Temple at Ephesus, 266

Dido and .Eneas, 248, 257

Diocletian, 8, 9

Diocletian, coins of, 79. 296, 302

" Dionysiaca," poem of Nonnus, 5, 14

Dionysus, 249, 262, 267

Dishes of metal (presentation) 54

Dolphins and fish, 79, 80, 101, 104, 105,

106. 215, 245, 251, 263
Domitian, coins of, 147
Dorchester, pavement, Dorset, 211
Droitwich, pavement, Worcester, Introduc,

East Coker, pavement, Somerset, 100
Ebb-gate, London, 161
Echion, 17
Edgar, charter of, 62
Elagabalus, coins of, 292, 300
Electra, 16

Ely, Prior's Chapel at, 61
E[iicurean ideas, 5 ; Introduc, xxi
Epicurus, 40, 42
Erectheus, 18, 22
i Eros, 278
Euripides, 23
Europa, 14, 249, 263, 267, 273

Faustina, coins of, 89

Faustina, jun., coin of, 6, 291, 299

Fifehead Neville, pavement, Dorset, 215

Fish, 274

Fish, basket of, 251

Flora, 84. 270

Fortuna Redux, 133

Fortnum, C. Drury, F.S.A,, on early

Christian symbols, 281
Fountains and gardens. 247
Fowler, Wm., of Winterton, testimonials,

Introduc, xxii, xxiii
Frampton, pavement, Dorset, 211
Froxfield Farm, pavement, WUts, 105

Gaditanian dancer, 271

Galerius, 8

Gallienus, 8

GalUenus, coins of, 103, 222, 238

GaUus, 10, 11

Ganymede, 20, 36, 203

Gems, precious stones and glass employed,

287
Geometrical devices, 265, 275
Geta, coins of, 292, 300
Gladiatorial combats, 36. 205
Glass, stained, patterns on, 66
Glaucus, 242, 267
Gnostics, 31

Gordian II, coins of, 293, 300
Gordian III, his villa in Italy, 7

INDEX.

:121

Gordian III, coins of, 150, 294, 300
Gratian, coins of, 79, 80, 16G
Grenoble, inscriptions fonn<l there, 231
Grover, J. W., F.S.A., on early Christian

symbolism, 282
Grueber, H. A., of British Museum, 293
Grueber, H. A.., his latest work on coins,

(1885), 305
Gurnard's Bay, pavement, Isle of Wight, 240

H.
Hadrian, coins of, 6, 78, 187. 290, 298
Halicarnassus, 250, 254, 260, 265
Harkstow, pavement, Lincolus., 136
Harmonia, 2, 15, 16, 23, 25
Harpole. pavement, Northampton, 122
Helena, coin of, 120, 150
Hemathion, 16
Hercules, 36

Hercules, Temples of, 302
Hesiod, Theorjony, 40
Hills, Gordon- (on Iter vii), 308, 315
Hipparchus, 28, 41, 42
Hompcomeria, 39
Honorius, 10
Hope, 264

Hours or Seasons, 16, 18
Hydaspes, 20
Hjdas and Nymphs, 64
Hymengeus, 21
Hunting scenes, 79, 213, 265, 272

Ino, 15, 18, 27, 30, 49

Inscriptions on pavements, 77, 212, 213,

219, 222
Institute of Archaeological Correspondence,

Rome, Introduc , xiv
Isis, 34, 49

Itchen Abbas pavement, Hants, 221
Iter No. X, 310, 315
Itinerarj' of Antoninus, 300 ; Introduc,

xv-xx
Itinerary of Britain, text of, 312

Julia Domna on coin, 38
Julian, 10, 12

Julian, coins of, 89, 103, 120
Julianus, Didius, 38
Juno, 15, 17, 19, 27

Kershaw, S. W., M.A., on Christian .sym-
bolism, 282

Labyrinth, 37, 93

Laceby, pavement, Liucolns., 139

Lancing, pavement, Introduc, xxxiii

Lee, pavement, Shroi)shiro, 107

Leicester, pavement, Introduc, xxxiii; 113,

121, 276
Leucothca, 30, 49
Libertuii, 172

Licinian ki/pojeum at Rome, 239

Life, 264 '

Lincoln, ])avement, 138

Lithostrota, Introduc, xxiv

Littlecote Park, pavement, Wilts, 96, 104

Lollianus, 8

Lollius Urbicus, Projtrcttor, 299

London Mint, 303

London, pavements, Middlesex 176 to 198

London Stone, 158

London, walls, boundaries, baths, etc, 155

Lucian, 31, 50

Lucilla, coin of, 6, 78, 147

Lucretius, 44

Lycurgus, 19, 20, 28

Macrobius, 26

Madrid (Archfcological Museum), 44

Mienades, 21, 269

]\Iagnentius, 10, 11

Maguentius, coins of, 78, 103, 120, 153,

185, 222, 238
Magnus Maximus, coin of 297, 303
Mans field, Woodhouse, pavement, Notts, 121
Marcellus, Comte de, 5
Marcus Aurelius, 299
Marius, 8

Marius, coin of, 295
Mars. 17, 19, 21, 43

Materials employed by the ancients, 285
Maximian, 9

Maximian, coin of, 296, 302
Maximin, the Thracian, 7
Maximin, coins of, 222, 293, 300
McCall, Rev. John, LL.D., on early

Christian symbolism, 283
Modea, 49

Medusa's head. 206, 223. 26S
Meleager and Atalanta, 248, 256, 263
Mercury, 18, 30, 212
Metanira, 18
Meton, 5, 41
Military pay, 304

Mill Hill, pavement, Northamiiton, Ti.'i
Milliaries, 307
Mimallones, 15
Minotaur, 37

Misitheus, Prretorian Prefect, 8
Monkey at Morton, 239
Moots, 63
Morrheus, 21, 29
Morton Farm, pavement, Isle of Wight,

225, 234
Mosaic, origin of name, 3
Mosaic P.wisMENTS at —

Abbot's Ann, Hants, 224

Aldborough, Yorks., 140

Barton Farm, Gloucester. 81

Barton Field, Dorset, 214

Basildon, Berks, 148

Bath Bluecoat School, Somerset, 101

B.atli General Hospital, Somerset, 1 01

Borough Hill, Northamptonshire, 122

I'.ranidean. Hants, 223

T T

322

INDEX.

Mosaic Pavements at —

British Museum, 179, 241, 265
Bromham, Wilts, 106
Caerwent. Monmouths., 103
Canterbury, Kent, 153, 154
Carisbrook, Isle of Wight, 239
Castor, Northamptonshire, 124
Chedworth, Gloucester, 80
Church-piece, Gloucester, 79
Cirencester, Gloucester, 80, 83
Colchester, Essex, 150
Comb-end Farm, Gloucester, 79
Cotterstock, Northamptonshire, 121
Crondall, Hants, 222
Denton, Lincolnshire, 139
Dorchester, Dorset, 211
Droitwich, Worcester, Introduc, xxiv
East Coker, Somerset, 100
Fifehead Neville, Dorset, 215
Frampton,' Dorset, 211
Froxfield Farm, Wilts, 105
Gurnard's Bay, Isle of Wight, 240
Harpole, Northamjjtoushire. 122
Horkstow, Lincolnshire, 136
Hurcot, near Somerton, Somerset, 99
Itcheu Abbas, Hants, 221
Laceby, Lincolnshire, 139
Lee, Shropshire, 107
Leicester, Leicestershire, 113, 121, 276
Lincoln, Lincolnshire, 138
Littlecote Park, Wilts, 96, 104
London, Middlesex, 176 to 198
Mansfield, Woodhouse, Notts, 121
Mill Hill, Northamptonshire, 125
Morton, Isle of Wight, 225-34
Museum, Cirencester, Gloucester, 83
Nether Heyford, Northamptonshire, 122
Newton St. Loe, Somerset, 102
North Leigh, Oxford, 117
Pitmead, Wilts, 105
Pitney, Somerset, 98
Preston, Dorset, 214
Roxby, Lincolnshire, 139
Eudge, Wilts, 105
Scampton, Lincolnshire, 139
Silchester, Berks, 1 48
Southwark, Surrey, 150
Stanway, Essex, 150
Stortou, Lincolnshire, 139
Stunsfield, Oxford, 116
The Berry Field, Bignor, Sussex, 199-203
The Mount, Kent, 150
Thruxton, Hants, 221
Thurcot, near Somerton, Somerset, 99
L'ffington, Woolston, Berks, 149
Walton Heath, Surrey, 208
Warplesdon, Surrey, 206
Wellow, Somerset, 100
West Dean, Wilts, 106
Winterton, Lincolnshire, 135
Wingham, Kent, 151
Withington - upon -Wall-Well, Glouces-
ter. 78
Woodchester, Gloucester, 74
Wroxeter, Shropshire, 107

Mount, The, pavement, near Maidstone

Kent, 150
Mycullus, 31
Mythological devices, 265

N.
Neptune, 22. 30, 213
Nereids, 266, 267
Nereus, 20, 30
Nero, coin of, 186
Nether Heyford, i^avement, Northami^ton,

122
Net-work scene, 272

Newton St. Loe, pavement, Somerset, 102
NicEea, 18

Niger, Pescennius, 38
Nonnus, 5

North Leigh, pavement, Oxford, 117
Nucleus of pavements, Introduc, xxvii-

xxviii

Odothffius, 55

(Eagrus, 18

Onomacritus, 5

Orion the hunter, 44

Orontes, 18

Orpheus myth, 280

Orpheus, 18, 27, 75, 78, 81, 102, 137

Orphic theology, 4

Ostrich, 247

Otacilia Severa, 294, 301

Palfcographical Society, early MSS., 63

Palemon, 49

Pallene, in Thrace, 16

Panther, 101, 105

Paj^iria, Lex, 304

Parthey and Finder, 306, 316

Peace, 264

Peacock, 100

Pentheus, 17, 23, 27

Perseus, 16, 20, 27, 44

Phaeton, 22

Philip I, Otacilia, and Philip II, 294, 301

Philip, the Arab, 8

Philippopolis, 301

Pitmead, pavement, Wilts, 105

Pitney, pavement, Somerset, 98

Pollio, Trebellius, 9

Polyhymnia, 17

Pomona, 83

Posthumus, 8

Posthumus, coins of, 100, 144, 295, 301

Prpefectura, Roman, of London, 167

Prajneste, villa and baths, 7

Pra3torian cohorts, 231

Prsetorium, Patrington. 308

Preston, pavement, Dorset, 214

Probus, 9

Probus, coins of, 78, 213

Provinces, Roman, in Britain, Introduc,

xvii-xviii
Pythagoras, 5, 31, 41, 279

INDEX.

323

Pythagoras, Golden Poems of, 278
Pythagoreans, 31

Rabbits and hare, 80, 105

Regnum, 308

Retiarii and Secutores, 205

Rhea, 15

Roads, Roman, in Britain, Introduct. xvii,

xviii, xix, xx
Romulus and Remus, 141
Roxby, pavement, Lincolns., 139
Rudge Farm, pavement, Wilts, 105

ScOeular games, 294

Salonina, coins of, 121-238

Sarre, Kent, gold coins found at, 61

Satyrs, 269

Scampton, pavement, Lincolns., 139

Seasons of day and year, 27, 72, 80, 104,

204, 249, 252, 258, 270, 271
Sectilia (Roman) for walls, 65
Semele, 17, 27
Septimius Severus, coins of, 38, 166, 292.

300
Serapis, 49

Severus, Alexander, coins of, 238, 293, 300
Silchester, pavement, Berks, 148
Silenus, 19, 83, 84
Siscia {Sissek), 12
Smith, C. Roach, F.S.A., on early Christian

symbolism, 280
Southwark, pavement, Kent, 150
Spring, 249
Stags, 273

Stauway. pavement. Essex, 150
Staphylus, 18, 29, 30
Stoical doctrines, lutroduc , xxi
Storton, pavement, Lincolns., 139
Strato, 40-42

Stripes in colours, 80, 89, 125
Stunsfield, pavement, Oxford, 116
Suetonius Paulinus, Proprcetor, 163
Summer, 270
Swallow and Itys, 244

T.
Table of Romano British mosaics, classified,

318
Tacitus, 9

Tajilow tumulus explored, 61
Temple at Bath, 171
Terror, 269

Tetricus, jvm., coins of, 78, 141
Tetricus, 8, 9, 229
Tetricus, coins of, 103, 141, 153, 238
Tite, Sir Wm., his excavations, 165
Thales, 39

Tliobes, in Bceotia, 17
Theodoric, 65
Theodosius, 54
ThoniKC, /'«7us,12; Bath,169 to 173; Rome,

168, 293, 300; Lower Thames St., 186
Theseus, 37,93, 13G

Thetis, 20, 30

Thruxton, pavement, Hants, 221

Thurcot, near Somerton, Somerset, 99

Tiles, Roman, and stamps, 53

Titus, coin of, 1 50

Typhajus, 15, 16

Trajan, coin of, 290, 298

Trajan's Column, 51

Trajanus Decius, coin of, 295, 301

Triptolemus, 18

Tritons, 265, 266

Tusculan conversation, 48

Tyrants, The Thirty, 8

Uffington-Woolston, pavement, Berks, 149

Ulphilas, Bishop, 51

Ulpius Marcellus, Proprcetor, 299

Valens, 10, 55

Valens, coins of, 78, 79, 89, 120, 185

Valentiuian, 10

Valeutinian, coins of, 78, 103, 120

Valentiuian II, 54

Valerian, 8

Valerian, coin of, 79

Venus, 17, 19, 43, 201, 253

Vermiculatum, Opus, Introduc, xxix

Vespasian, coin of, 6

Vestales Maxim?e, 135

Victoria, 8, 230

Victorinus, 8

Victorinus, coins of, 79, 100, 153, 238,295,
301

Victory, 16, 268

Vitruvius, his directions for la5'iug pave-
ments, Introduc, xviii

Wall-painting, 64

Walton Heath, pavement, Surrej', 208

Warplesdon, pavement, Surrey, 206

Water-scenes, 265

Watkin, W. T., 310

Week, Roman, 45

Wellow, pavement, Somerset, 100

West Dean, pavement, Wilts, 106

Wingham, pavement, Kent, 151

Winter, 27, 204

Wiutcrton, pavement, Lincolns., 135

Withington, pavement, Gloucester, 78

Woodchester, Gloucester, Introduc, xxvi ;

74
Wroxeter, pavement, Introduc, xxvii ; lo7

Yatton, pavement, near Weston -sujicr-
Mare, Introduc, xxxiii

Zagrscus, 4, 1 5, 20

Zeno, 40, 42

Zeuobia, Quucu of Palmyra, 9, 229

LONDON:
WHITIXG AND CO., SAKTIINIA STREET, LINCOLN'S TNX FtHLDS.

Internet Archive Audio

Featured

Top

Images

Featured

Top

Software

Featured

Top

Texts

Featured

Top

Video

Featured

Top

Mobile Apps

Browser Extensions

Archive-It Subscription

Save Page Now

Full text of "Romano-British mosaic pavements; a history of their discovery, and a record and interpretation of their designs"

See other formats